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94</head> 95 <body data-email-protected="" 96 data-section-key="news" 97 data-section-id="57f5103384184e06458b457c" 98 class=" 99 ada-compliance s-news 100 "> 101 <a href="#contentWrapper" id="skipToContent">Skip to content</a> 102 <input type="hidden" value="" id="email-protected-header"/> 103 <input type="hidden" value="" id="email-protected-description"/> 104 <input type="hidden" value="First Name" id="email-protected-first-name-field-text"/> 105 <input type="hidden" value="Last Name" id="email-protected-last-name-field-text"/> 106 <input type="hidden" value="Email" id="email-protected-email-field-text"/> 107 <input type="hidden" value="Subscribe" id="email-protected-subscribe-button-text"/> 108 109 <header class='main-header 110 fixed'> 111 <div class='container'> 112 <a class='logo' href='/'><img itemprop="image" class="alt-standard" alt="Mitchell-Innes & Nash" src="https://s3.amazonaws.com/files.collageplatform.com.prod/application/63936142fcaaf75aef06bd82/812f66d59eddafef3d7ff602ddc9f38c.png" width="160"/></a><nav class='main'><a href="/artists">Artists</a><a href="/exhibitions">Exhibitions</a><a href="/publications">Publications</a><a href="/news" class="active">News</a><a href="/press">Press</a><a href="/art-fairs">Art Fairs</a><a href="/gallery">Gallery</a><a href="/search">Search</a></nav><nav class='languages'></nav><div class="mobile-menu-wrapper"><nav class='mobile'><a class="menu" href="#">Menu</a><div class="navlinks"><a href="/artists">Artists</a><a href="/exhibitions">Exhibitions</a><a href="/publications">Publications</a><a href="/news" class="active">News</a><a href="/press">Press</a><a href="/art-fairs">Art Fairs</a><a href="/gallery">Gallery</a><a href="/search">Search</a></div></nav></div><div class="social"><a href="https://www.instagram.com/miandn/" target="_blank"><img itemprop="image" src="https://static-assets.artlogic.net/w_200,h_50,c_limit/exhibit-e/63936142fcaaf75aef06bd82/11539373ac8d55a14dcd127c791d10d5.png" alt="Instagram"/></a></div> 113 </div> 114 </header> 115 <div id="contentWrapper" tabindex="-1" class="contentWrapper"> 116 117 <section class='news news-index'> 118 <div id="news-list" class='list-container'> 119 120 121 122 123 124 125<header class="section-header divider links-only 126 127 "><div class="container"><span class='links switch'><a class="active" href="/news">View All</a><a href='/news/c/gideon-appah'>Gideon Appah</a><a href='/news/c/monica-bonvicini'>Monica Bonvicini</a><a href='/news/c/sarah-braman'>Sarah Braman</a><a href='/news/c/alberto-burri'>Alberto Burri</a><a href='/news/c/anthony-caro'>Anthony Caro</a><a href='/news/c/jay-defeo'>Jay DeFeo</a><a href='/news/c/keltie-ferris'>Keltie Ferris</a><a href='/news/c/gerasimos-floratos'>Gerasimos Floratos</a><a href='/news/c/gcc'>GCC</a><a href='/news/c/the-estate-of-general-idea'>The Estate of General Idea</a><a href='/news/c/nancy-graves'>Nancy Graves</a><a href='/news/c/karl-haendel'>Karl Haendel</a><a href='/news/c/chris-johanson'>Chris Johanson</a><a href='/news/c/mary-kelly'>Mary Kelly</a><a href='/news/c/martin-kersels'>Martin Kersels</a><a href='/news/c/julije-knifer'>Julije Knifer</a><a href='/news/c/kiki-kogelnik'>Kiki Kogelnik</a><a href='/news/c/leon-kossoff'>Leon Kossoff</a><a href='/news/c/justine-kurland'>Justine Kurland</a><a href='/news/c/daniel-lefcourt'>Daniel Lefcourt</a><a href='/news/c/annette-lemieux'>Annette Lemieux</a><a href='/news/c/alexander-liberman'>Alexander Liberman</a><a href='/news/c/eddie-martinez'>Eddie Martinez</a><a href='/news/c/christopher-miner'>Christopher Miner</a><a href='/news/c/pat-oneill'>Pat OâNeill</a><a href='/news/c/pope-l'>Pope.L</a><a href='/news/c/martha-rosler'>Martha Rosler</a><a href='/news/c/amanda-ross-ho'>Amanda Ross-Ho</a><a href='/news/c/jacolby-satterwhite'>Jacolby Satterwhite</a><a href='/news/c/norbert-schwontkowski'>Norbert Schwontkowski</a><a href='/news/c/julian-stanczak'>Julian Stanczak</a><a href='/news/c/jessica-stockholder'>
127Jessica Stockholder</a><a href='/news/c/brent-wadden'>Brent Wadden</a><a href='/news/c/paul-winstanley'>Paul Winstanley</a></span></div></header> 128<div class='news container'><div class="list " id=""><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-palais-de-tokyo'><img itemprop="image" alt='Pope.L at Palais de Tokyo' 129 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/e836ba763597360076737de5331593e9.png' 130 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-palais-de-tokyo'> 131 Exhibition | Paris 132 </a></div><h1><a href='/news/pope-l-at-palais-de-tokyo'> 133 Pope.L at Palais de Tokyo 134 </a></h1><h2>ECHO DELAY REVERB: American Art, Francophone Thought</h2><h3>October 22, 2025 âFebruary 15, 2026</h3><div class='summary paragraph-styling'><p>The group exhibition “ECHO DELAY REVERB: American Art, Francophone Thought” explores the history of the transatlantic circulation of forms and ideas through the works of sixty artists, bringing together a wide variety of mediums and a number of new commissions.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/news-from-mitchell-innes-nash'><img itemprop="image" alt='News from Mitchell-Innes &amp; Nash' 135 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/06a2101bc03a2d69e7cca73e48898657.jpeg' 136 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/news-from-mitchell-innes-nash'> 137 News 138 </a></div><h1><a href='/news/news-from-mitchell-innes-nash'> 139 News from Mitchell-Innes & Nash 140 </a></h1><div class='summary paragraph-styling'><p>We write today to announce that after nearly 30 years of supporting and working with our artists from our Chelsea gallery, Mitchell-Innes & Nash will transition from our gallery in Chelsea to a project-based advisory space. Moving forward we will be working within a new paradigm, consulting with select primary market artists and estates, providing art advisory services to individual collectors and foundations, and representing artworks on the primary and secondary markets.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/new-yorks-mitchell-innes-nash-to-close-chelsea-space-transition-to-project-based-advisory'><img itemprop="image" alt='New Yorkâs Mitchell-Innes &amp; Nash to Close Chelsea Space, Transition to âProject-Based Advisoryâ' 141 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/07ba8ccedb73bba3b04eeaeb0a1fdaac.png' 142 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/new-yorks-mitchell-innes-nash-to-close-chelsea-space-transition-to-project-based-advisory'> 143 by Alex Greenberger 144 </a></div><h1><a href='/news/new-yorks-mitchell-innes-nash-to-close-chelsea-space-transition-to-project-based-advisory'> 145 New Yorkâs Mitchell-Innes & Nash to Close Chelsea Space, Transition to âProject-Based Advisoryâ 146 </a></h1><h2>ARTnews</h2><h3>June 21, 2024</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash, a gallery that represents artists such as Pope.L, Martha Rosler, and Jacolby Satterwhite, will close its Chelsea space and transition away from its current business model.</p><p>The gallery will now be “a project-based advisory space,” founders Lucy Mitchell-Innes and David Nash wrote in a letter sent on Friday evening that was obtained by ARTnews. “Moving forward we will be working within a new paradigm, consulting with select primary market artists and estates, providing art advisory services to individual collectors and foundations, and representing artworks on the primary and secondary markets,” the dealers wrote.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/paul-winstanley-at-galleria-six'><img itemprop="image" alt='Paul Winstanley at Galleria Six' 147 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/48acbdfc48960d5772329db69f788fd8.png' 148 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/paul-winstanley-at-galleria-six'> 149 Exhibition | Milan 150 </a></div><h1><a href='/news/paul-winstanley-at-galleria-six'> 151 Paul Winstanley at Galleria Six 152 </a></h1><h2>Paul Winstanley: 1994-2024</h2><h3>May 11 - July 20, 2024</h3><div class='summary paragraph-styling'><p>Galleria Six is proud to announce the first presentation in Italy of Paul Winstanley. Schooled in the orthodoxies of abstract Modernism, Winstanley spent a decade after college establishing a new visual language, combining the tenets of minimalism with the pictorialism of p
152hotography. The role of the viewer is central to an understanding of Winstanley's paintings and his occasional use of the figure echoes that active passivity. Engrossed, they watch, look, wait, smoke, phone, text.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/the-stanczak-color-quarterly9'><img itemprop="image" alt='The Stanczak Color Quarterly' 153 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7c1e8b19002bc23d9025c699053d0599.png' 154 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/the-stanczak-color-quarterly9'> 155 Newsletter | New York 156 </a></div><h1><a href='/news/the-stanczak-color-quarterly9'> 157 The Stanczak Color Quarterly 158 </a></h1><h2>Warm Yellow</h2><h3>April 17, 2024</h3><div class='summary paragraph-styling'><p>Late in his career, a newfound sense of freedom led Stanczak to explore impulse and intuition in painting. The undulating curves in Warm Yellow are the result of Stanczak’s confident application of his signature tape, now placed in sweeping, free-form, unbroken lines. While the lines create organic shapes on the canvas, the start and stop point of each is anchored to a grid that stretches, with mathematical precision, from edge to edge.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/eddie-martinez-to-represent-san-marino-at-2024-venice-biennale'><img itemprop="image" alt='Eddie Martinez to Represent San Marino at 2024 Venice Biennale' 159 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d7a1423b71b941ea94338d56623f79e8.jpeg' 160 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/eddie-martinez-to-represent-san-marino-at-2024-venice-biennale'> 161 Biennale | Venice 162 </a></div><h1><a href='/news/eddie-martinez-to-represent-san-marino-at-2024-venice-biennale'> 163 Eddie Martinez to Represent San Marino at 2024 Venice Biennale 164 </a></h1><h2>Nomader</h2><h3>April 20 â November 24, 2024</h3><div class='summary paragraph-styling'><p>American artist Eddie Martinez will represent the Republic of San Marino, the small, landlocked country on the Italian peninsula, at the 2024 Venice Biennale. Taking the title “Nomader,” the exhibition will bring together a suite of new paintings, drawings, and sculptures. Martinez is known best as a painter; his drawings and sculptures have not been exhibited as frequently.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/anthony-caro-at-the-waldfrieden-sculpture-park'><img itemprop="image" alt='Anthony Caro at the Waldfrieden Sculpture Park' 165 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/e981c8e90cf39465ed3cfd95510f5e30.jpeg' 166 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/anthony-caro-at-the-waldfrieden-sculpture-park'> 167 Exhibition | Wuppertal 168 </a></div><h1><a href='/news/anthony-caro-at-the-waldfrieden-sculpture-park'> 169 Anthony Caro at the Waldfrieden Sculpture Park 170 </a></h1><h2>Sculptures</h2><h3>March 2 - July 14, 2024</h3><div class='summary paragraph-styling'><p>The British sculptor Anthony Caro would have been 100 years old in March 2024. On this occasion, the Waldfrieden Sculpture Park is presenting an extensive selection of works by this pioneer of abstract sculpture.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/karl-haendel-at-kunsthalle-bielefeld2'><img itemprop="image" alt='Karl Haendel at Kunsthalle Bielefeld' 171 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/9280dff8ecdfce9946da1b7d60c61521.jpeg' 172 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/karl-haendel-at-kunsthalle-bielefeld2'> 173 Exhibition | Germany 174 </a></div><h1><a href='/news/karl-haendel-at-kunsthalle-bielefeld2'> 175 Karl Haendel at Kunsthalle Bielefeld 176 </a></h1><h2>Viewpoints</h2><h3>March 23 - June 16, 2024</h3><div class='summary paragraph-styling'><p>Starting with Käthe Kollwitz's and Mona Hatoum's works, we take a new look at the Kunsthalle Bielefeld collection and present works that can be read as points of view. What they have in common is that they are resistant to what exists. Counter-images of the here and now are juxtaposed with works that directly criticize the current situation.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/eddie-martinez-at-space-k-gallery'><img itemprop="image" alt='Eddie Martinez at Space K Gallery' 177 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/95980996f4244f7011c48cf88cb3ff69.jpeg' 178 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/eddie-martinez-at-space-k-gallery'> 179 Exhibition | Seoul 180 </a></div><h1><a href='/news/eddie-martinez-at-space-k-gallery'> 181 Eddie Martinez at Space K Gallery 182 </a></h1><h2>To Be Continued</h2><h3>March 14 - June 16, 2024</h3><div class='summary paragraph-styling'><p>Space K Seoul presents a solo exhibition by Brooklyn-based artist Eddie Martinez (b.1977). The exhibition, titled ãTo Be Continuedã, sheds light on the artist’s oeuvre, which effortlessly fuses figuration and abstraction, from 2005 to the present, arranged both chronologically and thematically. His paintings are characterized by swift lines and bold colors, while everyday found materials add a unique texture to the flat c
182anvases.<br /> 183 </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/anthony-caro-at-museum-wurth'><img itemprop="image" alt='Anthony Caro at Museum Würth' 184 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c94d790860f73f8304b1a28037273df4.jpeg' 185 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/anthony-caro-at-museum-wurth'> 186 Exhibition | Künzelsau 187 </a></div><h1><a href='/news/anthony-caro-at-museum-wurth'> 188 Anthony Caro at Museum Würth 189 </a></h1><h2>Sculptors & Spaces: Anthony Caro and Eduardo Chillida</h2><h3>December 18, 2023 - October 27, 2024</h3><div class='summary paragraph-styling'><p>Anthony Caro (1924-2013) and Eduardo Chillida (1924-2002) are among the most eminent sculptors of the 20th century and would both have turned 100 in 2024. From 18 December 2023, Museum Würth in Künzelsau is taking this as an opportunity to use its own collection as the basis for a dialogue between the two artists in the new exhibition “Sculptors & Spaces: Anthony Caro and Eduardo Chillida” and to bring their respective oeuvres to life. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/alumni-tribute-to-pope-l-at-the-university-of-chicago'><img itemprop="image" alt='Alumni Tribute to Pope.L at the University of Chicago' 190 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d041cc15e5563a36610fedd230708fce.png' 191 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/alumni-tribute-to-pope-l-at-the-university-of-chicago'> 192 Performance | Chicago 193 </a></div><h1><a href='/news/alumni-tribute-to-pope-l-at-the-university-of-chicago'> 194 Alumni Tribute to Pope.L at the University of Chicago 195 </a></h1><h2>Hansel and Gretel</h2><h3>May 4, 2024</h3><div class='summary paragraph-styling'><p>Unless he was on sabbatical, Pope. L created a theater work with Department of Visual Art (DoVA) MFA students each year between 2011 and 2023 as a required component of their curriculum. “So over a period of ten weeks we read fairy tales,” he reflected, “looked at operas of fairy tales, read essays about the writing, politics and history of fairy tales, discussed the intersecting layers of human practice and intention that produce fairy tales and eventually created a live production of a fairy tale in the tenth week. It was a lively time and the students did a great job.” Wishing to celebrate this remarkable pedagogical encounter with its alumni, artist and DoVA faculty member Catherine Sullivan invited them to revisit Hansel and Gretel on or near the For Events platform. Alumni have also begun work on an archival project that will continue beyond the performance on May 4.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/keltie-ferris-at-pace-prints'><img itemprop="image" alt='Keltie Ferris at Pace Prints' 196 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/db9cd74194378fac19a9ea17728c82f1.jpeg' 197 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/keltie-ferris-at-pace-prints'> 198 Exhibition | New York 199 </a></div><h1><a href='/news/keltie-ferris-at-pace-prints'> 200 Keltie Ferris at Pace Prints 201 </a></h1><h2>Spill Spell</h2><h3>April 12 - May 11, 2024</h3><div class='summary paragraph-styling'><p>Pace Prints is pleased to present Spill Spell, an exhibition of unique works by Keltie Ferris on view April 12 – May 11, 2024, at 536 West 22nd Street. This presentation will focus on works made at the Pace Paper studio in Gowanus, Brooklyn between 2022 and 2024. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/mary-kelly-in-the-2024-whitney-biennial'>
201<img itemprop="image" alt='Mary Kelly in the 2024 Whitney Biennial' 202 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/988d81fc7c7b84e41fb0006c04cff143.jpeg' 203 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/mary-kelly-in-the-2024-whitney-biennial'> 204 Biennial | New York 205 </a></div><h1><a href='/news/mary-kelly-in-the-2024-whitney-biennial'> 206 Mary Kelly in the 2024 Whitney Biennial 207 </a></h1><h2>Even Better Than the Real Thing</h2><h3>March 20 - August 11, 2024</h3><div class='summary paragraph-styling'><p>Seventy-one visionary artists and collectives will participate in the eighty-first installment of the Whitney Biennial, opening March 20, 2024. Tickets are now on sale and Members will enjoy five days of previews, beginning March 14. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jessica-stockholder-talk-at-the-carnegie-museum-of-art'><img itemprop="image" alt='Jessica Stockholder Talk at the Carnegie Museum of Art' 208 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c9f5f5a8a364fab61676d678ed00ed3a.jpeg' 209 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jessica-stockholder-talk-at-the-carnegie-museum-of-art'> 210 Conversation | Pittsburgh 211 </a></div><h1><a href='/news/jessica-stockholder-talk-at-the-carnegie-museum-of-art'> 212 Jessica Stockholder Talk at the Carnegie Museum of Art 213 </a></h1><h2>Carnegie Museum of Art</h2><h3>March 30, 2024, 2-4 PM</h3><div class='summary paragraph-styling'><p>Join artist Jessica Stockholder in conversation with curators Liz Park and Cynthia Stucki (Carnegie Museum of Art) as well as Elizabeth Chodos (Miller ICA) on the occasion of a new installation of her sculptures at Carnegie Museum of Art as well as her recently commissioned public artwork at Carnegie Mellon University.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/mary-kelly-in-conversation-with-griselda-pollock'><img itemprop="image" alt='Mary Kelly in Conversation with Griselda Pollock' 214 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/6d1a16b221afb115a3917e4041238d52.jpeg' 215 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/mary-kelly-in-conversation-with-griselda-pollock'> 216 Conversation | London 217 </a></div><h1><a href='/news/mary-kelly-in-conversation-with-griselda-pollock'> 218 Mary Kelly in Conversation with Griselda Pollock 219 </a></h1><h2>Tate Britain</h2><h3>March 6, 2024, 6-8 PM</h3><div class='summary paragraph-styling'><p>Mary Kelly, celebrated since the 1970s for her significant contribution to conceptual and feminist art, has had a profound influence on generations of artists, writers, and curators, both through her artistic practice and her innovative teaching methods. Join Kelly and Griselda Pollock in conversation for the launch of Kelly's new book Concentric Pegagogy.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-provocative-performance-artist-dies-at-682'><img itemprop="image" alt='Pope.L, Provocative Performance Artist, Dies at 68' 220 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/449c835ed1ff86157695da404f17a5e0.png' 221 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-provocative-performance-artist-dies-at-682'> 222 December 2023 | Chicago 223 </a></div><h1><a href='/news/pope-l-provocative-performance-artist-dies-at-682'> 224 Pope.L, Provocative Performance Artist, Dies at 68 225 </a></h1><h2>1955 - 2023</h2><h3>The New York Times</h3><div class='summary paragraph-styling'><p>Pope.L, an uncompromising conceptual and performance artist who explored themes of race, class and what he called “have-not-ness,” and who was best known for crawling the length of Broadway in a Superman costume, died on Saturday at his home in Chicago. He was 68. The death was confirmed by his gallery, Mitchell-Innes & Nash.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-south-london-gallery'><img itemprop="image" alt='Pope.L at South London Gallery' 226 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/60b4a2678465ba3d39714f171c0ab527.jpeg' 227 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-south-london-gallery'> 228 Exhibition | London 229 </a></div><h1><a href='/news/pope-l-at-south-london-gallery'> 230 Pope.L at South London Gallery 231 </a></h1><h2>Hospital</h2><h3>November 21, 2023 - February 11, 2024</h3><div class='summary paragraph-styling'><p>Pope.L’s wide ranging practice spans writing, painting, performance, installation, sculpture and video, which will be explored across both the SLG&r
231squo;s Main Gallery and Fire Station. Hospital is the artist’s first solo exhibition in a London institution.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/the-stanczak-color-quarterly8'><img itemprop="image" alt='The Stanczak Color Quarterly' 232 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1d9456b30801cfc692c79a074cfaa349.png' 233 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/the-stanczak-color-quarterly8'> 234 Newsletter | New York 235 </a></div><h1><a href='/news/the-stanczak-color-quarterly8'> 236 The Stanczak Color Quarterly 237 </a></h1><h2>Succession</h2><h3>January 17, 2024</h3><div class='summary paragraph-styling'><p>Stanczak's <em>Succession</em>, 1980-2013, emantes light - Barbara Stanczak explains how Julian Stanczak carefully balanced 30 different colors to create the painting’s luminous effect and writes about why this work remains one of her favorites. In the essay, she details two enduring goals of Stanczak’s artistic practice: achieving “color melt-down” and “metamorphosis.”</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-at-the-metropolitan-museum-of-art'><img itemprop="image" alt='Jacolby Satterwhite at the Metropolitan Museum of Art' 238 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/33284a6f63d76640fee84de7bb5bafa4.jpeg' 239 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-at-the-metropolitan-museum-of-art'> 240 Commission | New York 241 </a></div><h1><a href='/news/jacolby-satterwhite-at-the-metropolitan-museum-of-art'> 242 Jacolby Satterwhite at the Metropolitan Museum of Art 243 </a></h1><h2>The Great Hall</h2><h3>October 2, 2023 - January 7, 2024</h3><div class='summary paragraph-styling'><p>The Metropolitan Museum of Art announced two new artist commissions for fall 2023 following the spring opening of The Roof Garden Commission: Lauren Halsey (April 18–October 22, 2023), which will present a compelling and monumental architectural project by Lauren Halsey. From October 2, 2023 through January 7, 2024, the Museum’s Great Hall will be transformed by Jacolby Satterwhite with a site-specific video installation, a soundscape, and performances.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/interview-with-jacolby-satterwhite-and-the-metropolitan-museum-of-art'><img itemprop="image" alt='Interview with Jacolby Satterwhite and the Metropolitan Museum of Art' 244 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ecebda28fd7d7a0013a1f7c1e3993b13.png' 245 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/interview-with-jacolby-satterwhite-and-the-metropolitan-museum-of-art'> 246 Interview | YouTube 247 </a></div><h1><a href='/news/interview-with-jacolby-satterwhite-and-the-metropolitan-museum-of-art'> 248 Interview with Jacolby Satterwhite and the Metropolitan Museum of Art 249 </a></h1><h2>The Metropolitan Museum of Art</h2><h3>October 19, 2023</h3><div class='summary paragraph-styling'><p>Go behind the scenes with artist Jacolby Satterwhite, who discusses his artistic process and inspiration for his 2023 multi-channel video installation in The Met’s Great Hall. Based within a computer-generated landscape of an imagined New York City, Satterwhite's video incorporates renderings of more than one hundred objects from the Museum's permanent collection, three-dimensional animations, and live action sequences.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-the-carpenter-center-for-the-visual-arts'>
249<img itemprop="image" alt='Pope.L at the Carpenter Center for the Visual Arts' 250 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/69e7b9c602cfdcbe4e92b0c284cf07e9.jpeg' 251 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-the-carpenter-center-for-the-visual-arts'> 252 Exhibition | Cambridge 253 </a></div><h1><a href='/news/pope-l-at-the-carpenter-center-for-the-visual-arts'> 254 Pope.L at the Carpenter Center for the Visual Arts 255 </a></h1><h2>This Machine Creates Opacities</h2><h3>October 6 - December 22, 2023</h3><div class='summary paragraph-styling'><p>On the occasion of the Carpenter Center’s 60th anniversary, This Machine Creates Opacities restages four major works by artists Robert Fulton, Renée Green, Pierre Huyghe, and Pope.L that examine the ways buildings choreograph, shape, and control social life, learning, and cultural structures. With its title borrowed from statements the artist Pope.L made about navigating the Carpenter Center building upon an invitation to make a new commission, the exhibition reflects on the program, affect, history, and various complexities of Le Corbusier’s iconic architecture.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/interview-with-artist-jessica-stockholder'><img itemprop="image" alt='Interview with Artist Jessica Stockholder' 256 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/146ff638dc083524f3a34e455db6c3c0.png' 257 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/interview-with-artist-jessica-stockholder'> 258 Interview | YouTube 259 </a></div><h1><a href='/news/interview-with-artist-jessica-stockholder'> 260 Interview with Artist Jessica Stockholder 261 </a></h1><h2>Disturbing the Meaning of Objects</h2><h3>September 19, 2023</h3><div class='summary paragraph-styling'><p>We met artist Jessica Stockholder for a talk about why stuff, as she puts it, matters. "I think stuff is a better word than objects for me." Jessica Stockholder describes her work as "an intersection of pictorial experience with physical experience." Much of her work has a sculptural quality, even if it's hung up on a wall. "I work with a lot of different stuff, but it grows from painting," she explains.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/gerasimos-floratos-and-eddie-martinez-at-the-yuz-museum'><img itemprop="image" alt='Gerasimos Floratos and Eddie Martinez at the Yuz Museum' 262 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ed0f5fdac474960338eef9b6c5a72451.jpeg' 263 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/gerasimos-floratos-and-eddie-martinez-at-the-yuz-museum'> 264 Exhibition | Shanghai 265 </a></div><h1><a href='/news/gerasimos-floratos-and-eddie-martinez-at-the-yuz-museum'> 266 Gerasimos Floratos and Eddie Martinez at the Yuz Museum 267 </a></h1><h2>Next Door</h2><h3>April 27 - October 7, 2023</h3><div class='summary paragraph-styling'><p>The exhibition “Next Door” has featured 14 emerging artists from the “Future” section of the Yuz Foundation collection. Their representative works are placed in the context of “placelessness”, free from the economic status, races, social resources and other factors perceived to be required for neighbouring. Hence, the imaginary “others”, whether alienated or glorified, make their presence felt, defying the physical boundaries, and bringing narratives rooted in diverse cultures and backgrounds to our vision.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/leon-kossoff-at-hastings-contemporary'><img itemprop="image" alt='Leon Kossoff at Hastings Contemporary' 268 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/82f8412e7b63ad854724b746f294be66.png' 269 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/leon-kossoff-at-hastings-contemporary'> 270 Exhibition | Hastings 271 </a></div><h1><a href='/news/leon-kossoff-at-hastings-contemporary'> 272 Leon Kossoff at Hastings Contemporary 273 </a></h1><h2>Soutine | Kossoff</h2><h3>April 1 - September 24, 2023</h3><div class='summary paragraph-styling'><p>Opening at Hastings Contemporary in April 2023, Soutine | Kossoff pairs two major figures of 20th century painting: one a master of the School of Paris, the other a master of the School of London. Undertaken with the full support of the Kossoff estate, it brings together around 40 important loans from public and private collections in the UK, USA and beyond.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/anthony-caro-at-pitzhanger'><img itemprop="image" alt='Anthony Caro at Pitzhanger' 274 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d2439086ee2bf8de26f0634707ad79da.jpeg' 275 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/anthony-caro-at-pitzhanger'> 276 Exhibition | London 277 </a></div><h1><a href='/news/anthony-caro-at-pitzhanger'> 278 Anthony Caro at Pitzhanger 279 </a></h1><h2>Anthony Caro: The Inspiration of Architecture</h2><h3>March 9 - September 10, 2023</h3><div class='summary paragraph-styling'><p>Anthony Caro (1924–2013), widely regarded as one of the 20th century’s most influential sculptors, is the subject of Pitzhanger’s spring exhibition, opening on what would have been his 99th birthday. Caro heralded a revolution in sculpture in the 1960s, redefining what sculpture was and what it could be. His abstract constructions in painted steel overturned conventional ideas about materials, methods, surface, scale and space.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/succession-the-art-gallery-as-a-family-business'><img itemprop="image" alt='Succession: the art gallery as a family business' 280 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/afc578e08916c7a23d6b5655f2896320.png' 281 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/succession-the-art-gallery-as-a-family-business'> 282 Interview | New York 283 </a></div><h1><a href='/news/succession-the-art-gallery-as-a-family-business'> 284 Succession: the art gallery as a family business 285 </a></h1><h2>Art Basel</h2><h3>July 17, 2023</h3><div class='summary paragraph-styling'><p>Lucy Mitchell-Innes and David Nash parlayed their extensive experience at Sotheby’s – where Mitchell-Innes headed the worldwide contemporary division, and Nash led Impressionist and Modern &nd
285ash; into a New York gallery. They became leaders in the secondary market before beginning to work with contemporary artists. Their daughter Josephine first tried another career, working on Charlie Rose’s television show. ‘That was intense, and she wanted a break,’ says Mitchell-Innes. ‘I said, “You can sit in the front and answer the phone.” She showed natural leadership quite quickly. About three months in, she came into my office and said, “I really have tremendous respect for what you do.”</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/general-idea-fellowship-at-the-national-gallery-of-canada'><img itemprop="image" alt='General Idea Fellowship at the National Gallery of Canada' 286 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/0e7e813c02a842061cc2a901054be42e.jpeg' 287 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/general-idea-fellowship-at-the-national-gallery-of-canada'> 288 Fellowship | Ottawa 289 </a></div><h1><a href='/news/general-idea-fellowship-at-the-national-gallery-of-canada'> 290 General Idea Fellowship at the National Gallery of Canada 291 </a></h1><h2>Call for applications</h2><h3>August 20, 2023</h3><div class='summary paragraph-styling'><p>Researchers in the arts are invited to submit their applications for the National Gallery of Canada’s General Idea Fellowship. The fellowship is open to Canadian and international Art historians, curators, critics, conservators, graduate students and independent and other professionals working in the visual arts or in museology and related disciplines in the humanities and social sciences. The application deadline is August 20, 2023, and the fellow will be announced in early September 2023.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/general-idea-at-the-stedelijk-museum'><img itemprop="image" alt='General Idea at the Stedelijk Museum' 292 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/24b1b1811478912fd12795d2c6114741.jpeg' 293 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/general-idea-at-the-stedelijk-museum'> 294 Exhibition | Amsterdam 295 </a></div><h1><a href='/news/general-idea-at-the-stedelijk-museum'> 296 General Idea at the Stedelijk Museum 297 </a></h1><h2>Retrospective</h2><h3>April 1 - July 16, 2023</h3><div class='summary paragraph-styling'><p>The Stedelijk is pleased to present the largest overview of the groundbreaking Canadian artist group General Idea to date. Thanks to its special relationship with General Idea, the Stedelijk was honored with the donation of the General Idea Collection in 2018. Now the museum can present the largest-ever survey of their oeuvre, comprised of large sculptures and installations, paintings, videos and publications, archival material—and their signature wallpapers. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/the-stanczak-color-quarterly7'><img itemprop="image" alt='The Stanczak Color Quarterly' 298 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5d94f7f9aefa44b8a3ae83b9ae955cab.jpeg' 299 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/the-stanczak-color-quarterly7'> 300 Newsletter | New York 301 </a></div><h1><a href='/news/the-stanczak-color-quarterly7'> 302 The Stanczak Color Quarterly 303 </a></h1><h2>Green Light</h2><h3>July 19, 2023</h3><div class='summary paragraph-styling'><p>A new essay explores how Stanczak created the warm, radiant glow of <em>Green Light</em>, 1973. “In <em>Green Light</em>, neither shapes nor colorants fight for individual recognition; rather, they are all subservient to the filtration of warm light. ” —Barbara Stanczak on Green Light, 1973. Click to read the full essay.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/kiki-kogelnik-at-the-bank-austria-kunstforum-wien'>
303<img itemprop="image" alt='Kiki Kogelnik at the Bank Austria Kunstforum Wien' 304 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cbd3cd5f2c391758071bf2d8e71c02c6.jpeg' 305 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/kiki-kogelnik-at-the-bank-austria-kunstforum-wien'> 306 Exhibition | Vienna 307 </a></div><h1><a href='/news/kiki-kogelnik-at-the-bank-austria-kunstforum-wien'> 308 Kiki Kogelnik at the Bank Austria Kunstforum Wien 309 </a></h1><h2>Kiki Kogelnik: Now Is the Time</h2><h3>February 2 - June 25, 2023</h3><div class='summary paragraph-styling'><p>Kiki Kogelnik (1935–1997) is one of the most important Austrian-born artists of the 20th century, who lived and worked on an international level. Today, the artist is considered the only Austrian protagonist of Pop Art, but her art goes far beyond this categorization. Kogelnik's playful, colorful, and highly political work ranges from painting, drawing, ceramics and installation to performative practices, and has an astonishing topicality in terms of its subject matter. In spring 2023, the Bank Austria Kunstforum Wien will show the largest solo presentation of this outstanding artist to date.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-talk-at-the-cooper-union'><img itemprop="image" alt='Jacolby Satterwhite Talk at The Cooper Union' 310 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/35c140c30a447f67c1683c46792bfb92.png' 311 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-talk-at-the-cooper-union'> 312 Artist Talk | New York 313 </a></div><h1><a href='/news/jacolby-satterwhite-talk-at-the-cooper-union'> 314 Jacolby Satterwhite Talk at The Cooper Union 315 </a></h1><h2>Public Art Fund Talks</h2><h3>April 26, 2023</h3><div class='summary paragraph-styling'><p>Join an artist talk with Jacolby Satterwhite as he delves into the multilayered process of creating An Eclectic Dance to the Music of Time (2022), his site-specific film merging the past, present, and future of Lincoln Center for the Performing Arts and the New York Philharmonic. Satterwhite will discuss how community engagement and public projects fit within his artistic practice. He will also dive into his unique approach to creating dreamlike digital animations that synthesize performance, illustration, and painting.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/the-stanczak-color-quarterly6'><img itemprop="image" alt='The Stanczak Color Quarterly' 316 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8da36d53879bdf6703b5b770a7f07a0e.png' 317 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/the-stanczak-color-quarterly6'> 318 Newsletter | New York 319 </a></div><h1><a href='/news/the-stanczak-color-quarterly6'> 320 The Stanczak Color Quarterly 321 </a></h1><h2>Chase</h2><h3>April 5, 2023</h3><div class='summary paragraph-styling'><p>Welcome back to the Stanczak Color Quarterly, the newsletter celebrating the work of seminal Op Artist and master colorist Julian Stanczak. Read on to discover more about <em>Chase</em>, 1976–77, and to learn more about recent Stanczak exhibitions and news. <em>Chase</em> shows four curving columns, divided into pairs of two. The pairs appear to be painted using two different sets of colors. However, within every column, Stanczak applied the same colors in the same order—with only one exception. In a new essay, Barbara Stanczak shares the colors used (showing the original color swatch) and details Julian Stanczak's method for effecting the dramatic visual color shifts we see on the canvas.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/eddie-martinez-at-capitain-petzel-1'><img itemprop="image" alt='Eddie Martinez at Capitain Petzel' 322 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/588258cc7b5080bef2d2549b63a6d98c.png' 323 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/eddie-martinez-at-capitain-petzel-1'> 324 Exhibition | Berlin 325 </a></div><h1><a href='/news/eddie-martinez-at-capitain-petzel-1'> 326 Eddie Martinez at Capitain Petzel 327 </a></h1><h2>Supernature</h2><h3>March 4 - April 15, 2023</h3><div class='summary paragraph-styling'><p>Brooklyn-based artist Eddie Martinez draws inspiration from a wide-range of sources, spanning from popular culture to Abstract Expressionism and Surrealism. Martinez‘s work joins together painting and drawing, abstraction and representation in non-traditional ways. Imbued with a sense of personal iconography, his practice often comb
327ines signature figurative elements, such as bug-eyed humans and eclectic headgear with gestural, abstract blocks of color. Energetic and raw, his paintings employ an aggressive use of color and texture with various combinations of oil, enamel, spray paint and collage elements on canvas.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-52-walker'><img itemprop="image" alt='Pope.L at 52 Walker' 328 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ffff76a9af4460d17bbce4296da1512d.jpeg' 329 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-52-walker'> 330 Exhibition | New York 331 </a></div><h1><a href='/news/pope-l-at-52-walker'> 332 Pope.L at 52 Walker 333 </a></h1><h2>Gordon Matta-Clark & Pope.L: Impossible Failures</h2><h3>February 3 - April 1, 2023</h3><div class='summary paragraph-styling'><p>52 Walker is pleased to announce its sixth exhibition, Impossible Failures, which will pair work by Gordon Matta-Clark (1943–1978) and Pope.L (b. 1955). Focusing on their shared fixation regarding the problematics of architecture, language, institutions, scale, and value, Impossible Failures will feature a selection of drawings as well as films by each artist. Pope.L will also debut a new site-specific installation, presented in collaboration with Mitchell-Innes & Nash, New York.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/drop-in-drawing-with-jacolby-satterwhite-in-the-temple-of-dendur'><img itemprop="image" alt='Drop-in Drawing with Jacolby Satterwhite in The Temple of Dendur' 334 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/309f8bfcedc224556c15f7ef9c0cb9b1.png' 335 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/drop-in-drawing-with-jacolby-satterwhite-in-the-temple-of-dendur'> 336 Drawing Session | New York 337 </a></div><h1><a href='/news/drop-in-drawing-with-jacolby-satterwhite-in-the-temple-of-dendur'> 338 Drop-in Drawing with Jacolby Satterwhite in The Temple of Dendur 339 </a></h1><h2>Intersect Your Past, Present, and Future with the Art Work in front of you</h2><h3>February 24, 2023</h3><div class='summary paragraph-styling'><p>Join artist Jacolby Satterwhite for one of two drawing sessions in The Astor Court and The Temple of Dendur in anticipation of an upcoming project. Create drawings in response to the artist’s prompt: “Intersect Your Past, Present, and Future with the Art Work in front of you.” Satterwhite will select drawings to be a part of his upcoming work (all participants must agree to allow their artwork to be used at the artist’s discretion). All materials are provided.</p><p> </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/drop-in-drawing-with-jacolby-satterwhite-in-the-astor-court'><img itemprop="image" alt='Drop-in Drawing with Jacolby Satterwhite in The Astor Court' 340 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5e0dffeea896b3b97e3c4de541335800.png' 341 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/drop-in-drawing-with-jacolby-satterwhite-in-the-astor-court'> 342 Drawing Session | New York 343 </a></div><h1><a href='/news/drop-in-drawing-with-jacolby-satterwhite-in-the-astor-court'> 344 Drop-in Drawing with Jacolby Satterwhite in The Astor Court 345 </a></h1><h2>Intersect Your Past, Present, and Future with the Art Work in front of you</h2><h3>February 24, 2023</h3><div class='summary paragraph-styling'><p>Join artist Jacolby Satterwhite for one of two drawing sessions in The Astor Court and The Temple of Dendur in anticipation of an upcoming project. Create drawings in response to the artist’s prompt: “Intersect Your Past, Present, and Future with the Art Work in front of you.” Satterwhite will select drawings to be a part of his upcoming work (all participants must agree to allow their artwork to be used at the artist’
345s discretion). All materials are provided.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/the-stanczak-color-quarterly5'><img itemprop="image" alt='The Stanczak Color Quarterly' 346 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c9a81f71d446bafc386a674064789928.jpeg' 347 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/the-stanczak-color-quarterly5'> 348 Newsletter | New York 349 </a></div><h1><a href='/news/the-stanczak-color-quarterly5'> 350 The Stanczak Color Quarterly 351 </a></h1><h2>Low Sound</h2><h3>January 24, 2023</h3><div class='summary paragraph-styling'><p>Welcome back to the Stanczak Color Quarterly, the newsletter celebrating the work of seminal Op Artist and master colorist Julian Stanczak. This issue features a 1998 work, Low Sound. At first glance, Low Sound appears to be painted in black and white. A closer look reveals the painting's predominant color to be purple (or, to be precise, two different purples). “Low Sound looks deceptively simple upon first encounter, but the longer the viewer spends with the painting, the more they experience a number of magical touches. ” —Barbara Stanczak on Low Sound</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-film-screening-and-discussion'><img itemprop="image" alt='Martha Rosler Film Screening and Discussion' 352 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b8dbb57c7c4ea0ed5c9125e1058f10f8.png' 353 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-film-screening-and-discussion'> 354 Conversation | Brooklyn 355 </a></div><h1><a href='/news/martha-rosler-film-screening-and-discussion'> 356 Martha Rosler Film Screening and Discussion 357 </a></h1><h2>Chile on the Road to NAFTA (1997)</h2><h3>January 31, 2023</h3><div class='summary paragraph-styling'><p>Join us at e-flux Screening Room on Tuesday, January 31 at 7pm for a screening of Ana Vaz’s The Age of Stone (2013), Oraib Toukan’s Palace of the Slave (2017), Deimantas NarkeviÄius’s Europa 54 54′-25 19′ (1997), and Martha Rosler’s Chile on the Road to NAFTA (1997), followed by an in-person discussion with Deimantas NarkeviÄius and Martha Rosler.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-bucharests-museum-of-recent-art'><img itemprop="image" alt='Martha Rosler at Bucharest's Museum of Recent Art' 358 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/9f17661cac5fe4e734ec077fe9ab282e.png' 359 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-bucharests-museum-of-recent-art'> 360 Exhibition | Bucharest 361 </a></div><h1><a href='/news/martha-rosler-at-bucharests-museum-of-recent-art'> 362 Martha Rosler at Bucharest's Museum of Recent Art 363 </a></h1><h2>The Talking Eye</h2><h3>December 14, 2022 - February 26, 2023</h3><div class='summary paragraph-styling'><p>The Talking Eye, an exhibition covering works by conceptual North American artist Martha Rosler is scheduled to open at the Museum of Recent Art in Bucharest (MARe) on December 14. From the start of her career, much of Rosler's art reflected her interest in a variety of social issues. Her interest in feminism is represented in the MARe exhibition by the series of photomontages Body Beautiful (1966–72). She protested against the Vietnam War in the series Bringing the War Home (1967–72), while also taking a sarcastic approach to the behavioral and fashion norms imposed on US waitresses in the 1970s in the series North American Waitress, Coffee-Shop Variety (Know Your Servant Series, No. 1, 1976), also included in the MARe exhibition.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/general-idea-at-the-drawing-center'><img itemprop="image" alt='General Idea at The Drawing Center' 364 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/578b990bbd5b3f6cae65dcb91fcc74f0.jpeg' 365 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/general-idea-at-the-drawing-center'> 366 Exhibition | New York 367 </a></div><h1><a href='/news/general-idea-at-the-drawing-center'> 368 General Idea at The Drawing Center 369 </a></h1><h2>Ecce Homo: The Drawings of General Idea</h2><h3>October 7, 2022 - January 15, 2023</h3><div class='summary paragraph-styling'><p>Living and working together as part of the Toronto arts and theater community, AA Bronson (b. Michael Tims, 1946, Vancouver), Felix Partz (b. Ronald Gabe, 1945, Winnipeg; d. 1994), and Jorge Zontal (b. Slobodan Saia-Levy, 1944, Parma, Italy; d. 1994) formalized their collaboration in 1969 into a single entity known as General Idea. From the
369ir earliest projects like the staging of The 1970 Miss General Idea Pageant to their late activist initiatives around the AIDS crisis (among their most famous projects is the 1983 re-envisioning of Robert Indiana’s LOVE print as a memetic icon referencing the recently-named syndrome), General Idea explored multimedia, conceptual, and performance work as a tool for engaging with common culture and its repressions.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/sarah-braman-at-the-albright-knox-art-gallery'><img itemprop="image" alt='Sarah Braman at The Albright-Knox Art Gallery' 370 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5c645824fee07f212871d6264f2b43ca.jpeg' 371 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/sarah-braman-at-the-albright-knox-art-gallery'> 372 Exhibition | Buffalo 373 </a></div><h1><a href='/news/sarah-braman-at-the-albright-knox-art-gallery'> 374 Sarah Braman at The Albright-Knox Art Gallery 375 </a></h1><h2>Sarah Braman: Finding Room</h2><h3>July 30, 2022 - March 19, 2023</h3><div class='summary paragraph-styling'><p>When we grow accustomed to our day-to-day environment, we may come to believe that the spaces we live in are unremarkable. Artists like Tonawanda, New York, native Sarah Braman (American, born 1970) hope that we can take another look. Braman encourages us to think about the ways in which function, history, aesthetics, and spirituality continually shape our immediate environment. Brought meaningfully to the forefront of our minds when we encounter Braman’s sculptures, we are, at least momentarily, unable to remain indifferent to these spaces.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/mary-kelly-at-georgetown-universitys-de-la-cruz-art-gallery'><img itemprop="image" alt='Mary Kelly at Georgetown University's De La Cruz Art Gallery' 376 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4da384219840ac264e4366928357fcec.png' 377 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/mary-kelly-at-georgetown-universitys-de-la-cruz-art-gallery'> 378 Exhibition | Washington D.C. 379 </a></div><h1><a href='/news/mary-kelly-at-georgetown-universitys-de-la-cruz-art-gallery'> 380 Mary Kelly at Georgetown University's De La Cruz Art Gallery 381 </a></h1><h2>Mary Kelly: To Witness the Future</h2><h3>September 22 - December 11, 2022</h3><div class='summary paragraph-styling'><p>Pioneering and influential feminist artist Mary Kelly is best known for her 1970s conceptual art installation <em>Post-Partum Document</em>. But <em>Mary Kelly: To Witness The Future</em> will be the first exhibition to specifically explore her long engagement with activist movements. On view will be works made from 2005 to the present, including lint “paintings,” light box photographs, video art, and a live “happening.” The works all reference women’s responses to key political issues in the United States and Europe starting in the 1960s and 1970s; these issues have taken on new resonance in light of current political shifts, which may influence the course of our future.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-at-julia-stoschek-foundation'><img itemprop="image" alt='Jacolby Satterwhite at Julia Stoschek Foundation' 382 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/71e8996f21f1135710f1af6d04145c66.png' 383 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-at-julia-stoschek-foundation'> 384 Exhibition | Berlin 385 </a></div><h1><a href='/news/jacolby-satterwhite-at-julia-stoschek-foundation'> 386 Jacolby Satterwhite at Julia Stoschek Foundation 387 </a></h1><h2>at dawn</h2><h3>April 27 - December 4, 2022</h3><div class='summary paragraph-styling'><p>The group exhibition at dawn draws connections between techniques of image production and the social and political work that goes into imagining alternatives to what the late Cuban American thinker José Esteban Muñoz called our “poisonous and insolvent” present. The show seeks to express a sense of art’s utopian horizon—a generative space of desire, experimentation, and queer relationality aligned with what he described as “ecstatic time.” Featuring twenty-five works that range from early performance videos by Joan Jonas to the allegorical and animated worlds of Jacolby Satterwhite, the exhibition insists on the possibility of “something else, something better, something dawning.”</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/the-stanczak-color-quarterly4'><img itemprop="image" alt='The Stanczak Color Quarterly' 388 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4a10e90bbd1e8fbe3f4e75bc04f57c56.png' 389 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/the-stanczak-color-quarterly4'> 390 Newsletter | New York 391 </a></div><h1><a href='/news/the-stanczak-color-quarterly4'> 392 The Stanczak Color Quarterly 393 </a></h1><h2>Cadmium Orange</h2><h3>October 19, 2022</h3><div class='summary paragraph-styling'><p>Welcome back to the Stanczak Color Quarterly, the newsletter celebrating the work of seminal Op Artist and master colorist Julian Stanczak. In this issue, we investigate a 2013 work to discern the number of colors used to create the distinctive Stanczak ‘glow.’ Read on to discover more; to hear about recent Stanczak exhibitions; and to see press coverage of the new Stanczak documentary. Plus, we highlight an exciting new international collaboration.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/general-idea-at-the-national-gallery-of-canada'><img itemprop="image" alt='General Idea at the National Gallery of Canada' 394 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4597123d3c83d08d43bda9e8b52bbd43.png' 395 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/general-idea-at-the-national-gallery-of-canada'> 396 Exhibition | Canada 397 </a></div><h1><a href='/news/general-idea-at-the-national-gallery-of-canada'> 398 General Idea at the National Gallery of Canada 399 </a></h1><h2>National Gallery of Canada</h2><h3>June 3 â November 20, 2022</h3><div class='summary paragraph-styling'><p>Challenging both the art world and the world at large, General Idea (1969–1994) remains one of the most influential artist groups to have emerged from Canada. Together, Felix Partz (1945–
3991994), Jorge Zontal (1944–1994) and AA Bronson (b. 1946) invented a ground-breaking practice that spanned more than twenty-five years.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/eddie-martinez-at-the-landcraft-garden-foundation'><img itemprop="image" alt='Eddie Martinez at The Landcraft Garden Foundation' 400 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/dc808ad9dab433ffa663badc61636ce3.png' 401 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/eddie-martinez-at-the-landcraft-garden-foundation'> 402 Exhibition | Mattituck 403 </a></div><h1><a href='/news/eddie-martinez-at-the-landcraft-garden-foundation'> 404 Eddie Martinez at The Landcraft Garden Foundation 405 </a></h1><h2>Sculpture in the Garden</h2><h3>June 4 - October 29, 2022</h3><div class='summary paragraph-styling'><p>The Landcraft Garden Foundation announces that the 2022 season of its annual outdoor exhibition, Sculpture in the Garden, will present the work of artists Sam Moyer and Eddie Martinez. The exhibition is curated by the internationally celebrated artist Ugo Rondinone, a member of the Landcraft Garden Foundation Art Advisory Board and will be on view at Landcraft Gardens from June 4 through October 29, 2022. Sculpture in the Garden 2022: Sam Moyer and Eddie Martinez will showcase 14 sculptures by the married couple, with 11 by Martinez and three by Moyer.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/gideon-appah-book-launch-at-ica'><img itemprop="image" alt='Gideon Appah Book Launch at ICA' 406 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/341f15c6d915bede23db1586d7c47e3d.png' 407 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/gideon-appah-book-launch-at-ica'> 408 Exhibition Catalog | Richmond 409 </a></div><h1><a href='/news/gideon-appah-book-launch-at-ica'> 410 Gideon Appah Book Launch at ICA 411 </a></h1><h2>Forgotten, Nudes, Landscapes</h2><h3>October 26, 2022</h3><div class='summary paragraph-styling'><p>Celebrate the release of ICA’s new exhibition catalog for <em>Gideon Appah: Forgotten, Nudes, Landscapes</em>. The book launch will be accompanied by a special screening guest curated by Egyptian NY-based film scholar Alia Ayman.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/karl-haendel-at-wentrup-gallery'><img itemprop="image" alt='Karl Haendel at WENTRUP Gallery' 412 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/34eb2fc3dcd4072ba338fa5e25dd5936.png' 413 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/karl-haendel-at-wentrup-gallery'> 414 Exhibition | Berlin 415 </a></div><h1><a href='/news/karl-haendel-at-wentrup-gallery'> 416 Karl Haendel at WENTRUP Gallery 417 </a></h1><h2>Praise Berlin</h2><h3>September 17, 2022 - October 22, 2022</h3><div class='summary paragraph-styling'><p>WENTRUP is pleased to present "Praise Berlin," our third solo exhibition with Los Angeles based artist Karl Haendel. This new body of work focuses on contemporary religious diversity and practice in Berlin and is following the project “Praise New York” which took place in spring at Mitchell-Innes & Nash Gallery in New York. In a series of large-scale, realistic drawings depicting the hands of some of the city’s most inspiring Buddhist, Christian, Hindu, Jewish or Muslim leaders, Haendel pays homage to a diverse group of pastors, imams, rabbis and priests. As much this project is about religious diversity, it is also about ethnic and racial diversity. Berlin is growing more diverse as immigrants arrive. Besides its Catholic and protestant residents, there is large Muslim population, growing communities of Buddhists and Hindus, and a small but vibrant community of Jews. Highlighting how these communities of believers are vibrant, welcoming, and tolerant, the artist hopes to provide space for viewers to reassess their own systems of belief, embrace complexity, and expand their acceptance.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-in-front-triennial-2022'><img itemprop="image" alt='Jacolby Satterwhite in FRONT Triennial 2022' 418 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/48a58a2017b99c4e52c332e5361f3100.jpeg' 419 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-in-front-triennial-2022'> 420 Triennial | Ohio 421 </a></div><h1><a href='/news/jacolby-satterwhite-in-front-triennial-2022'> 422 Jacolby Satterwhite in FRONT Triennial 2022 423 </a></h1><h2>Oh, Gods of Dust and Rainbows</h2><h3>July 16 â October 2, 2022</h3><div class='summary paragraph-styling'><p>Launched in 2018, FRONT International: Cleveland Triennial for Contemporary Art is a contemporary art exhibition across Northeast Ohio comprised of artist commissions, performances, films, and public programs that takes place across Cleveland, Akron, and Oberlin every three years. Its inaugural edition
423An American City, which was curated by Artistic Director Michelle Grabner, generated over 90,000 visitors from more than 25 countries and brought $31 million in new economic activity to the region.<br /><br /> 424Oh, Gods of Dust and Rainbows, the second iteration of FRONT International, will run from July 16 through October 2, 2022. Building on the success of the first edition, FRONT 2021 will further the Triennial’s commitment to stimulating new and sustained cultural conversations within the region.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-at-format-festival'><img itemprop="image" alt='Jacolby Satterwhite at Format Festival' 425 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/28294bdf57d3c6701c3c49c118bc9a89.png' 426 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-at-format-festival'> 427 Installation | Bentonville 428 </a></div><h1><a href='/news/jacolby-satterwhite-at-format-festival'> 429 Jacolby Satterwhite at Format Festival 430 </a></h1><h2>For Music Art Technology</h2><h3>September 23, 2022 - September 25, 2022</h3><div class='summary paragraph-styling'><p>Colorful tree houses, a mirrored hot-air balloon, a disco madhouse and daily invasions of Soundsuits are some of the many things you can see and experience at the FORMAT — "For Music + Art + Technology" — Festival from Friday-Monday on the private Sugar Creek Airstrip. Visual arts will play a strong role in FORMAT with installations, integrated performances and art experiences by several well-known artists, including Jacolby Satterwhite, Pia Camil and Marinella Senatore.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/julian-stanczak-at-the-cleveland-institute-of-art'><img itemprop="image" alt='Julian Stanczak at the Cleveland Institute of Art' 431 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/64449c2e6a226f90feb5c13c457f781f.png' 432 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/julian-stanczak-at-the-cleveland-institute-of-art'> 433 Documentary | Cleveland 434 </a></div><h1><a href='/news/julian-stanczak-at-the-cleveland-institute-of-art'> 435 Julian Stanczak at the Cleveland Institute of Art 436 </a></h1><h2>Julian Stanczak: To Catch the Light</h2><h3>September 18, 2022</h3><div class='summary paragraph-styling'><p>Julian Stanczak, a native of Poland who pioneered Op Art in the 1960s, was a poet of light and color. He carried out his work for decades in Cleveland with almost unimaginable precision for a right-handed person who lost the use of his right arm after suffering beatings in a Soviet labor camp during World War II. Stanczak also enjoyed a late-in-life surge of interest in his work and a big leap in his prices before he died in 2017 at age 88. And now, thanks to New York-based documentary film director Tomasz Magierski, also a native of Poland, Stanczak is about to get his due, cinematically speaking. On Sunday at 3:30 p.m., the Cleveland Institute of Art, where Stanczak taught for decades as a revered professor, will host the world premiere of “Julian Stanczak: To Catch the Light,’’ an hourlong documentary on the artist and his life.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/eddie-martinez-at-south-etna-montauk-foundation'><img itemprop="image" alt='Eddie Martinez at South Etna Montauk Foundation' 437 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/93ea0449cbdd6452fe64b2cc19779a68.png' 438 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/eddie-martinez-at-south-etna-montauk-foundation'> 439 Exhibition | Montauk 440 </a></div><h1><a href='/news/eddie-martinez-at-south-etna-montauk-foundation'> 441 Eddie Martinez at South Etna Montauk Foundation 442 </a></h1><h2>Eddie Martinez & Sam Moyer</h2><h3>July 2 - July 31, 2022</h3><div class='summary paragraph-styling'><p>Beginning July 2nd, South Etna Montauk Foundation will devote its gallery space to new works by Brooklyn-based artists Eddie Martinez and Sam Moyer. Wall pieces from Moyer’s ongoing series of stone paintings will be complemented by a pair of her concrete backgammon boards, in juxtaposition with Martinez’s latest paper-pulp paintings, produced during a recent residency at Dieu-Donné in Brooklyn. By bringing Moyer and Martinez together, the exhibition invites visitors to contemplate areas of both mutual influence and difference in the practices of these married artists.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/the-stanczak-color-quarterly3'><img itemprop="image" alt='The Stanczak Color Quarterly' 443 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2c2dbb293ba767f0998109a1a4038024.png' 444 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/the-stanczak-color-quarterly3'> 445 Newsletter | New York 446 </a></div><h1><a href='/news/the-stanczak-color-quarterly3'> 447 The Stanczak Color Quarterly 448 </a></h1><h2>Perception</h2><h3>July 18, 2022</h3><div class='summary paragraph-styling'><p>Welcome back to the Stanczak Color Quarterly, the newsletter celebrating the work of seminal Op Artist and master colorist Julian Stanczak. This issue presents three paintings that each use different means to hold our attention as they play with our perceptions of light and depth. While all three use a similar geometric structure, the colors on each canvas engender vastly different experiences for the observer. Read on to discover more about each w
448ork, view recent Stanczak exhibitions, and see press coverage—including a vintage clipping from the archives.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/alexander-liberman-at-the-museum-of-fine-arts-houston'><img itemprop="image" alt='Alexander Liberman at The Museum of Fine Arts, Houston' 449 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/dc132d055e2dfefb6fb4d5e1cb0b77e4.png' 450 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/alexander-liberman-at-the-museum-of-fine-arts-houston'> 451 Collection | Houston 452 </a></div><h1><a href='/news/alexander-liberman-at-the-museum-of-fine-arts-houston'> 453 Alexander Liberman at The Museum of Fine Arts, Houston 454 </a></h1><h2>Prints & Drawings collection</h2><h3>July 12, 2022</h3><div class='summary paragraph-styling'><p>The third installation of the Prints & Drawings gallery in the Nancy and Rich Kinder building opened to the public on January 7, 2022. This gallery highlights modern and contemporary works from the Prints & Drawings collection.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/leon-kossoff-at-the-barbican'><img itemprop="image" alt='Leon Kossoff at The Barbican' 455 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/64dd6af380636283d3102b9277a6551d.png' 456 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/leon-kossoff-at-the-barbican'> 457 Exhibition | London 458 </a></div><h1><a href='/news/leon-kossoff-at-the-barbican'> 459 Leon Kossoff at The Barbican 460 </a></h1><h2>Postwar Modern: New Art in Britain 1945-1965</h2><h3>March 3 - June 26, 2022</h3><div class='summary paragraph-styling'><p>Postwar Modern explores the art produced in Britain in the wake of a cataclysmic war. Certainty was gone, and the aftershocks continued, but there was also hope for a better tomorrow. These conditions gave rise to an incredible richness of imagery, forms and materials in the years that followed.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/gideon-appah-at-the-institute-for-contemporary-art'><img itemprop="image" alt='Gideon Appah at the Institute for Contemporary Art' 461 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/bd01d26975d6551f7c9f5000e4bdb570.jpeg' 462 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/gideon-appah-at-the-institute-for-contemporary-art'> 463 Exhibition | Virginia 464 </a></div><h1><a href='/news/gideon-appah-at-the-institute-for-contemporary-art'> 465 Gideon Appah at the Institute for Contemporary Art 466 </a></h1><h2>Forgotten, Nudes, Landscapes</h2><h3>February 19 â June 19, 2022</h3><div class='summary paragraph-styling'><p>On February 19, 2022, the Institute for Contemporary Art at Virginia Commonwealth University (ICA at VCU) will open the first solo exhibition by Ghanaian artist Gideon Appah. Appah is a young painter who incorporates Ghanaian cultural ephemera and imagination into his work, which responds to contemporary Ghanaian culture through newspaper clippings, entertainment posters, and films from the ’70s-’80s This exhibition will be largely comprised of newly commissioned work and will be accompanied by a fully illustrated catalog.</p><p> </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/the-stanczak-color-quarterly2'><img itemprop="image" alt='The Stanczak Color Quarterly' 467 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/bae3ba95879f6a4e2809edcd4e3e0d34.png' 468 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/the-stanczak-color-quarterly2'> 469 Newsletter | New York 470 </a></div><h1><a href='/news/the-stanczak-color-quarterly2'> 471 The Stanczak Color Quarterly 472 </a></h1><h2>Brisk</h2><h3>2022</h3><div class='summary paragraph-styling'><p>Welcome back to the Stanczak Color Quarterly. This newsletter celebrates the work of seminal Op-Artist Julian Stanczak, honoring his rigorous investigation—and enduring love—of color. We're happy to present this 2nd issue, which invites you to explore Brisk, 1980.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/eddie-martinez-at-pennsylvania-academy-of-the-fine-arts'><img itemprop="image" alt='Eddie Martinez at Pennsylvania Academy of the Fine Arts' 473 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/38e3e57b0162be0c2086eb7506f26459.jpeg' 474 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/eddie-martinez-at-pennsylvania-academy-of-the-fine-arts'> 475 Exhibition | Pennsylvania 476 </a></div><h1><a href='/news/eddie-martinez-at-pennsylvania-academy-of-the-fine-arts'> 477 Eddie Martinez at Pennsylvania Academy of the Fine Arts 478 </a></h1><h2>Linger and Flow</h2><h3>September 16, 2021 â April 3, 2022</h3><div class='summary paragraph-styling'><p>Linger and Flow is inspired by shared experiences of the COVID-19 pandemic and explores the transformative power of rest; of intentional care of oneself, others, and objects; and the pleasures of sensing and feeling the world anew. Bringing together recent acquisitions and objects that have not been on view in recent years, this exhibition highlights works in PAFA’s collection that invite us to pause and contemplate. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/the-stanczak-color-quarterly'><img itemprop="image" alt='The Stanczak Color Quarterly' 479 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cc5c76311a1259aeacd88aa9f329e9e9.png' 480 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/the-stanczak-color-quarterly'> 481 Newsletter | New York 482 </a></div><h1><a href='/news/the-stanczak-color-quarterly'> 483 The Stanczak Color Quarterly 484 </a></h1><h2>Complementaries = Yellow</h2><h3>2022</h3><div class='summary paragraph-styling'><p>This newsletter celebrates the work of seminal Op-Artist Julian Stanczak, honoring his rigorous investigation—and enduring love—of color. Our inaugural issue invites you to enjoy his 16-panel constellation painting Complementaries = Yellow, 2007.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/annual-artist-interview-jessica-stockholder2'><img itemprop="image" alt='Annual Artist Interview, Jessica Stockholder' 485 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/0cbb8436a9b3a80f434e2c97a8725e21.png' 486 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/annual-artist-interview-jessica-stockholder2'> 487 Interview | New York 488 </a></div><h1><a href='/news/annual-artist-interview-jessica-stockholder2'> 489 Annual Artist Interview, Jessica Stockholder 490 </a></h1><h2>College Art Association of America</h2><h3>March 28, 2022</h3><div class='summary paragraph-styling'><p>On February 18, 2022, Jessica Stockholder was featured in the Annual Artists’ Interviews at CAA’s 110th Annual Conference, interviewed by Christine Mehring. See below to watch the interview in full!</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-studio-museum-artists-in-residence-2020-21'><img itemprop="image" alt='Jacolby Satterwhite Studio Museum Artists in Residence 2020â21' 491 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/64a70d42e1d498ada373baf8d4f42580.jpeg' 492 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-studio-museum-artists-in-residence-2020-21'> 493 Exhibition | New York 494 </a></div><h1><a href='/news/jacolby-satterwhite-studio-museum-artists-in-residence-2020-21'> 495 Jacolby Satterwhite Studio Museum Artists in Residence 2020â21 496 </a></h1><h2>(Never) As I Was</h2><h3>November 18, 2021 â February 27, 2022</h3><div class='summary paragraph-styling'><p>(Never) As I Was marks the third year of the multiyear partnership between The Studio Museum in Harlem, The Museum of Modern Art, and MoMA PS1, and features new work by the 2020–21 Artist-in-Residence cohort: Widline Cadet (b. 1992, Pétion-Ville, Haiti), Texas Isaiah (b. Brooklyn, NY), Genesis Jerez (b. 1993, Bronx, NY), and Jacolby Satterwhite (b. 1986, Columbia, South Carolina).</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-public-art-commission-at-cleveland-clinic'><img itemprop="image" alt='Jacolby Satterwhite Public Art Commission at Cleveland Clinic' 497 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/67e3fb0476906d16e19baae4e15c79dd.png' 498 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-public-art-commission-at-cleveland-clinic'> 499 Commission | Ohio 500 </a></div><h1><a href='/news/jacolby-satterwhite-public-art-commission-at-cleveland-clinic'> 501 Jacolby Satterwhite Public Art Commission at Cleveland Clinic 502 </a></h1><h2>Dawn</h2><h3>2022</h3><div class='summary paragraph-styling'><p>Inspired by the solace found in video game fantasy worlds during his childhood hospital
502ization with osteogenic sarcoma, internationally renowned artist Jacolby Satterwhite is creating a public artwork to be situated on the site of Cleveland Clinic’s BioRepository. Developed in collaboration with residents of the immediate surrounding Fairfax neighborhood, the powerful video installation will amplify local voices, explore art as a form of healing and serve as a lasting link to the community.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/kiki-kogelnik-invited-to-the-59th-international-art-exhibition-of-la-biennale-di-venezia'><img itemprop="image" alt='Kiki Kogelnik invited to the 59th International Art Exhibition of La Biennale di Venezia' 503 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/57d4180c1b4be14f1371234cca8ed58a.jpeg' 504 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/kiki-kogelnik-invited-to-the-59th-international-art-exhibition-of-la-biennale-di-venezia'> 505 La Biennale | Venezia 506 </a></div><h1><a href='/news/kiki-kogelnik-invited-to-the-59th-international-art-exhibition-of-la-biennale-di-venezia'> 507 Kiki Kogelnik invited to the 59th International Art Exhibition of La Biennale di Venezia 508 </a></h1><h2>The Milk of Dreams</h2><h3>February 2, 2022</h3><div class='summary paragraph-styling'><p>Kiki Kogelnik invited to the 59th International Art Exhibition of La Biennale di Venezia. The 59th International Art Exhibition, titled The Milk of Dreams and curated by Cecilia Alemani, is organised by La Biennale di Venezia chaired by Roberto Cicutto. The Pre-opening will take place on April 20, 21 and 22; the Awards Ceremony and Inauguration will be held on 23 April 2022.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-at-miller-institute-for-contemporary-art'><img itemprop="image" alt='Jacolby Satterwhite at Miller Institute for Contemporary Art' 509 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/470c7accd0e3c2767430e9e19810e045.png' 510 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-at-miller-institute-for-contemporary-art'> 511 Exhibition | Pennsylvania 512 </a></div><h1><a href='/news/jacolby-satterwhite-at-miller-institute-for-contemporary-art'> 513 Jacolby Satterwhite at Miller Institute for Contemporary Art 514 </a></h1><h2>Spirits Roaming on the Earth</h2><h3>August 14 â December 5, 2021</h3><div class='summary paragraph-styling'><p>Miller ICA at Carnegie Mellon University will present the first major monographic survey of Jacolby Satterwhite’s work. Curated by Elizabeth Chodos, Spirits Roaming on the Earth traces ten years of the artist’s panoramic oeuvre. Satterwhite incorporates a broad set of real and fantastical references in his work—drawing from sources that include modernism, mythology, video gaming, queer theory, and Black culture—that inform his 3D animated videos, sculptures, electronic dance tracks, and performances. His wide-ranging practice evokes an essential moral lesson on the healing properties of human creativity as Satterwhite transforms existential uncertainty into a generative engine of resilience, reinvention, and celebration. This ability is something he shares with his late mother and muse, Patricia Satterwhite, who leveraged her own irrepressible creative energy to transform hardship into new worlds of possibility.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/general-idea-circa-presents-videovirus-on-world-aids-day'><img itemprop="image" alt='General Idea: CIRCA presents VideoVirus on World AIDS Day' 515 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7868992ed565143194068b4cd66c2cb2.png' 516 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/general-idea-circa-presents-videovirus-on-world-aids-day'> 517 Presentation | World Wide 518 </a></div><h1><a href='/news/general-idea-circa-presents-videovirus-on-world-aids-day'> 519 General Idea: CIRCA presents VideoVirus on World AIDS Day 520 </a></h1><h2>VideoVirus</h2><h3>December 1, 2021</h3><div class='summary paragraph-styling'><p>Launching World AIDS Day, 1 Dec 2021, CIRCA presents <em>VideoVirus</em>, a powerful new film by AA Bronson and General Idea. Reimagining their historic Imagevirus for a global audience, the artwork comes to life in a hypnotic video animation that virally transmits their activist message across billboards in London, Milan, New York, Seoul & Tokyo.</p><p>Throughout December, CIRCA is proud to partner with UNAIDS and Terrence Higgins Trust to mark 40 years since the disease was first recorded in 1981. A new work by AA Bronson, the sole surviving member of the General Idea art group, draws inspiration from the viral intentions of Imagevirus, which in the mid-1980s spread consciousness of the epidemic by reappropriating Robert Indiana's famous LOVE logo, virally transmitting the AIDS symbol through cities in the form of paintings, sculptures, videos, posters, and exhibitions.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-portikus'><img itemprop="image" alt='Pope.L at PORTIKUS' 521 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/9327b102a322842b90a8052b8e808636.jpeg' 522 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-portikus'> 523 Exhibition | Germany 524 </a></div><h1><a href='/news/pope-l-at-portikus'> 525 Pope.L at PORTIKUS 526 </a></h1><h2>Misconceptions</h2><h3>September 8, 2021 â November 21, 2021</h3><div class='summary paragraph-styling'><p>Portikus is proud to present the first video solo exhibition in Germany by the renowned American artist, theater director and educator Pope.L (*1955). </p><p>Misconceptions premieres Pope.L’s latest video production titled Missverständnisse, a work that portrays provocative stereotypes to address issues of misogyny, nation, xenophobia, racism, and prejudices that persist in society to this day. Pope.L’s new work employs satire, laughs, and taboos as vehicles for engaging pertinent and painful truths, including the blind subservience to self, patriarchy, class, nation, and the permutations of indifference. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-in-the-athens-biennial-2021'><img itemprop="image" alt='Jacolby Satterwhite in the Athens Biennial 2021' 527 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/798475f1e37b152e20cb21c6c86d8f87.png' 528 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-in-the-athens-biennial-2021'> 529 Biennial | Athens 530 </a></div><h1><a href='/news/jacolby-satterwhite-in-the-athens-biennial-2021'> 531 Jacolby Satterwhite in the Athens Biennial 2021 532 </a></h1><h2>AB7: ECLIPSE</h2><h3>September 24, 2021</h3><div class='summary paragraph-styling'><p>The ΑΒ7: ECLIPSE inhabits three neighbouring landmark buildings of the historic centre of Athens: the Former Department Store Fokas, the Former Santaroza Courthouse in Justice Square, and
532Schliemann-Mella Hall. These closely knit emblematic ghost buildings reflect various aspects and eras of the historical, cultural and architectural Athenian urban landscape.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/eddie-martinez-at-carnegie-museum-of-art'><img itemprop="image" alt='Eddie Martinez at Carnegie Museum of Art' 533 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2f27ce9ab38853f778880063f91bf707.jpeg' 534 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/eddie-martinez-at-carnegie-museum-of-art'> 535 Acquisition | Pennsylvania 536 </a></div><h1><a href='/news/eddie-martinez-at-carnegie-museum-of-art'> 537 Eddie Martinez at Carnegie Museum of Art 538 </a></h1><h2>Oceanic</h2><h3>March 13, 2021</h3><div class='summary paragraph-styling'><p>Eddie Martinez <em>Oceanic</em> in New to the Collection on view at the Carnegie Museum of Art from March 13 – September 19, 2021.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-kunstsammlung-nordrhein-westfalen'><img itemprop="image" alt='Pope.L at Kunstsammlung Nordrhein-Westfalen' 539 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4a865c2b09761a45bb7a8a7ff561d5a4.jpeg' 540 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-kunstsammlung-nordrhein-westfalen'> 541 Exhibition | Germany 542 </a></div><h1><a href='/news/pope-l-at-kunstsammlung-nordrhein-westfalen'> 543 Pope.L at Kunstsammlung Nordrhein-Westfalen 544 </a></h1><h2>Everyone Is an Artist. Cosmopolitical Exercises with Joseph Beuys</h2><h3>March 27 â August 15, 2021</h3><div class='summary paragraph-styling'><p>As a draftsman, sculptor, teacher, politician, and activist, as well as action and installation artist, Joseph Beuys (1921, Krefeld – 1986, Düsseldorf) fundamentally changed the art of the twentieth century. His influence can still be felt today in artistic and political discourses. His centennial in 2021 is an occasion to rediscover and critically question both his complex work and his international appeal.</p><p>The exhibition provides profound insight into the cosmopolitical thinking of Joseph Beuys as manifested in his actions. For here—as an acting, speaking, and moving figure—Beuys examined the central and radical idea of his expanded concept of art: “Everyone is an artist”. The goal of his universalist approach was to renew society from the ground up.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-the-walker-art-center2'><img itemprop="image" alt='Pope.L at the Walker Art Center' 545 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/caad1b85ab10b6a659bbbdf3fbea26fd.jpeg' 546 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-the-walker-art-center2'> 547 Group Show | Minnesota 548 </a></div><h1><a href='/news/pope-l-at-the-walker-art-center2'> 549 Pope.L at the Walker Art Center 550 </a></h1><h2>The Paradox of Stillness: Art, Object, and Performance</h2><h3>May 15 â August 8, 2021</h3><div class='summary paragraph-styling'><p>Through works that bring together objects, movement, or the living body, The Paradox of Stillness explores the intersections between performance and visual art. The exhibition features some 100 artworks by successive generations of artists who test the boundaries between stillness and motion, mortality and time.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/a-chelsea-mega-gallery-comes-west-mitchell-innes-nash-pop-up-runs-through-aug-15'><img itemprop="image" alt='A Chelsea mega-gallery comes West; Mitchell-Innes &amp; Nash pop-up runs through Aug. 15' 551 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/990fe2a9a9c41142b9bef255d0e48acb.jpeg' 552 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/a-chelsea-mega-gallery-comes-west-mitchell-innes-nash-pop-up-runs-through-aug-15'> 553 by Andrew Travers 554 </a></div><h1><a href='/news/a-chelsea-mega-gallery-comes-west-mitchell-innes-nash-pop-up-runs-through-aug-15'> 555 A Chelsea mega-gallery comes West; Mitchell-Innes & Nash pop-up runs through Aug. 15 556 </a></h1><h2>The Aspen Times</h2><h3>June 24, 2021</h3><div class='summary paragraph-styling'><p>When the coronavirus pandemic shuttered its influential New York gallery and canceled art fairs worldwide, the gallerists at Mitchell-Innes & Nash went looking for new ideas. Among them was the concept of going into the hinterlands beyond Manhattan to host pop-ups and find collectors where they were as the rhythms of life were altered everywhere. Pop-ups, they believed, could replace art fairs.“We wanted to be able to supplement what was a significant part of our business,” Mitchell-Innes & Nash gallery partner Courtney Willis Blair said last week in their new Aspen pop-up.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-at-the-hirshhorn-museum-and-sculpture-garden'><img itemprop="image" alt='Jacolby Satterwhite at The Hirshhorn Museum and Sculpture Garden' 557 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/09e8791e5d3be8467c00c5de401ba49b.jpeg' 558 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-at-the-hirshhorn-museum-and-sculpture-garden'> 559 Acquisition | Washington D.C. 560 </a></div><h1><a href='/news/jacolby-satterwhite-at-the-hirshhorn-museum-and-sculpture-garden'> 561 Jacolby Satterwhite at The Hirshhorn Museum and Sculpture Garden 562 </a></h1><h2>Birds in Paradise</h2><h3>May 14, 2021</h3><div class='summary paragraph-styling'><p>Jacolby Satterwhite uses digital animation to construct epic imagined worlds inspired by video games, Afrofuturism, and queer theory. Birds in Paradise is set primarily in a vast coliseum over which a nude Black man wearing a cowboy hat soars on a winged metallic horse. The computer-generated scenes unfold alongside live-action footage of Satterwhite himself as he participates in Yoruba-derived rituals related to rebirth and regeneration. The soundtrack features recordings of Patricia Satterwhite, the artist’s late mother, singing the words “born to be free” and other phrases layered against electronic dance tracks. Satterwhite has described this video, with its emphasis on return and repetition, as a reflection on “being reborn and re-centering yourself, finding home again.”</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/latest-news-in-black-art-zimbabwean-artist-portia-zvavahera-joins-david-zwirner-preston-pavlis-now-repped-by-bradley-ertaskiran-stained-glass-museum-acquires-kehinde-wiley-work-more'><img itemprop="image" alt='Latest News in Black Art: Zimbabwean Artist Portia Zvavahera Joins David Zwirner, Preston Pavlis Now Repped by Bradley Ertaskiran, Stained Glass Museum Acquires Kehinde Wiley Work &amp; More' 563 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/88abac811e1d576a2e21758f626cfeab.png' 564 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/latest-news-in-black-art-zimbabwean-artist-portia-zvavahera-joins-david-zwirner-preston-pavlis-now-repped-by-bradley-ertaskiran-stained-glass-museum-acquires-kehinde-wiley-work-more'> 565 Acquisition | California 566 </a></div><h1><a href='/news/latest-news-in-black-art-zimbabwean-artist-portia-zvavahera-joins-david-zwirner-preston-pavlis-now-repped-by-bradley-ertaskiran-stained-glass-museum-acquires-kehinde-wiley-work-more'> 567 Latest News in Black Art: Zimbabwean Artist Portia Zvavahera Joins David Zwirner, Preston Pavlis Now Repped by Bradley Ertaskiran, Stained Glass Museum Acquires Kehinde Wiley Work & More 568 </a></h1><h2>Culture Type</h2><h3>June 6, 2021</h3><div class='summary paragraph-styling'><p>Early last year, Vielmetter Los Angeles presented “Karl Haendel: Double Dominant” featuring a series of photorealistic drawings by Karl Haendel. He portrayed fellow Los Angeles artists whose work inspires him, capturing the dominant hand used in creating their work. “If you take a quick glance at one of these drawings, it looks like a right and left hand. Look more closely and you realize that’s not the case–it’s the same hand, and it’s somehow interleaved with itself,” Haendel wrote about the series. African American artists Edgar Arceneaux, EJ Hill, and Rodney McMillian are among the figures he featured. One of the works, “
568Double Dominant 4 (Rodney McMillian)” (2018), was recently acquired by the Hammer Museum in Los Angeles.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/karl-haendel-at-the-edf-group-foundation'><img itemprop="image" alt='Karl Haendel at the EDF Group Foundation' 569 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/6d487e22a64d3ee013a63b606a59149a.png' 570 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/karl-haendel-at-the-edf-group-foundation'> 571 Exhibition | Paris 572 </a></div><h1><a href='/news/karl-haendel-at-the-edf-group-foundation'> 573 Karl Haendel at the EDF Group Foundation 574 </a></h1><h2>Fake News: Art, Fiction, Mensonge</h2><h3>May 27, 2021 â January 30, 2022</h3><div class='summary paragraph-styling'><p>From May 27, 2021 to January 30, 2022, the EDF Group Foundation presents Fake News: Art, Fiction, Mensonge, an unprecedented exhibition in France bringing together the works of French and international artists who alert and question the proliferation of false information in our world hyperconnected while challenging our critical thinking. Born from a collective commission brought together by Laurence Lamy, General Delegate of the Foundation, this exhibition offers an artistic and educational stroll between reality, interpretation and perception to understand and decipher the mechanics of false information.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-in-the-gwangju-biennale'><img itemprop="image" alt='Jacolby Satterwhite in The Gwangju Biennale' 575 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4306d2490f389d595191b818d39ed9ae.jpeg' 576 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-in-the-gwangju-biennale'> 577 Biennale | Gwangju 578 </a></div><h1><a href='/news/jacolby-satterwhite-in-the-gwangju-biennale'> 579 Jacolby Satterwhite in The Gwangju Biennale 580 </a></h1><h2>The 13th Gwangju Biennale</h2><h3>May 9, 2021</h3><div class='summary paragraph-styling'><p>Minds Rising, Spirits Tuning sets out to examine the spectrum of the extended mind through artistic and theoretical means. Directed by Defne Ayas and Natasha Ginwala, the 13th Gwangju Biennale (1 April–9 May, 2021) will feature a dynamic program encompassing an exhibition, a performance program, an online publishing platform and publications, and a series of public forums bringing together artists, theoretical scientists, and systems thinkers. The Biennale argues for the primacy of plurality, positing that points of origin and influence ought to be accessed not only through the dominant technological systems and machinic vocabularies traceable to the West but also relate to heterodox ancestries.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/ghanas-first-independent-artist-residency-adds-fellowships-space'><img itemprop="image" alt='GHANAâS FIRST INDEPENDENT ARTIST RESIDENCY ADDS FELLOWSHIPS, SPACE' 581 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c1b74250f78e326993eb479f8fec02c4.jpeg' 582 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/ghanas-first-independent-artist-residency-adds-fellowships-space'> 583 Residency | Ghana 584 </a></div><h1><a href='/news/ghanas-first-independent-artist-residency-adds-fellowships-space'> 585 GHANAâS FIRST INDEPENDENT ARTIST RESIDENCY ADDS FELLOWSHIPS, SPACE 586 </a></h1><h2>Artforum</h2><h3>March 10, 2021</h3><div class='summary paragraph-styling'><p>Accra, Ghana’s Noldor Artist Residency, established this past November with an inaugural four-week residency awarded to emerging Ghanian artist Emmanuel Taku, has announced that it is adding a yearlong program for junior and senior fellows and that it will be occupying a 7,500-square foot space in a former pharmaceutical warehouse in the city’s burgeoning Labadi arts district. The fellowship program is aimed at emerging and midcareer contemporary artists from Africa and its diasp
586ora, with the intent of helping them collectively deepen their practices, while fostering a sense of community. Additionally, the organization hopes to launch its junior fellows into the primary art market via representation by a commercial gallery.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/karl-haendel-for-art-in-public-places-program-of-miami-dade-county'><img itemprop="image" alt='Karl Haendel for Art in Public Places program of Miami-Dade County' 587 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cc8f370c68b1f1c961afa740e75fe67a.jpeg' 588 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/karl-haendel-for-art-in-public-places-program-of-miami-dade-county'> 589 Public Project | Miami 590 </a></div><h1><a href='/news/karl-haendel-for-art-in-public-places-program-of-miami-dade-county'> 591 Karl Haendel for Art in Public Places program of Miami-Dade County 592 </a></h1><h2>Jackson Memorial Hospitalâs new Christine E. Lynn Rehabilitation Center</h2><h3>March 2021</h3><div class='summary paragraph-styling'><p>Los Angeles-based artist Karl Haendel leverages his practice of large-scale, exquisitely executed pencil drawings to highlight the achievements of individuals overcoming immense physical hurdles. Some of the individuals pictured are professional athletes and others are relatable figures simply enjoying their freedom to move. All have used the loss of limbs not as a limitation but as a stepping stone for greater physical achievement, asking us to reexamine our customary understanding of athletic prowess and corporal perfection. The artist writes about his work:</p><p>My practice revolves around the appropriation of visual signifiers and their recontextualization through drawing. I use drawing to symbolically align myself with labor, while also invoking a basic human impulse to leave a mark. I remove images and texts from their original contexts and reconfigure them through graphite, scale and juxtaposition into a new form of visual language. I use this language to explore how our culture uses images to produce opinions, values, and beliefs and how the images we produce reflexively re-shape these frameworks.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jessica-stockholder-at-officine-grandi-riparazioni-di-torino'><img itemprop="image" alt='Jessica Stockholder at Officine Grandi Riparazioni di Torino' 593 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8f4b42d7cd62cbcfaf08ae0726dd6c69.png' 594 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jessica-stockholder-at-officine-grandi-riparazioni-di-torino'> 595 Exhibition | Italy 596 </a></div><h1><a href='/news/jessica-stockholder-at-officine-grandi-riparazioni-di-torino'> 597 Jessica Stockholder at Officine Grandi Riparazioni di Torino 598 </a></h1><h2>Cut a rug a round square</h2><h3>February 11 â May 2, 2021</h3><div class='summary paragraph-styling'><p>Thursday 11 February OGR Cult inaugurates the "Cut a rug a round square" exhibition curated by the American artist Jessica Stockholder with works from two important international philanthropic collections: the "la Caixa" Contemporary Art Collection in Barcelona, one of the most prestigious collections of banking origin, and that of the Foundation for Modern and Contemporary Art CRT , whose works are on permanent loan at the Turin museums of GAM - <em>Gallery of Modern Art and Castello di Rivoli, Museum of Contemporary Art</em>.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/eddie-martinez-at-kemper-museum-of-contemporary-art'><img itemprop="image" alt='Eddie Martinez at Kemper Museum of Contemporary Art' 599 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/bab086243990955f110b5bc44ed945dd.jpeg' 600 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/eddie-martinez-at-kemper-museum-of-contemporary-art'> 601 Acquisition | Missouri 602 </a></div><h1><a href='/news/eddie-martinez-at-kemper-museum-of-contemporary-art'> 603 Eddie Martinez at Kemper Museum of Contemporary Art 604 </a></h1><h2>Primary</h2><h3>February 1, 2021</h3><div class='summary paragraph-styling'><p>Kemper Museum of Contemporary Art acquires <em>Primary</em>
604, 2020, by Eddie Martinez. A gift of Byoungho Son, Seoul, South Korea.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-at-the-julia-stoschek-foundation'><img itemprop="image" alt='Jacolby Satterwhite at the Julia Stoschek Foundation' 605 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/0bf091445c9a42ad9b8fadf4a74025b6.png' 606 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-at-the-julia-stoschek-foundation'> 607 Acquisition | Germany 608 </a></div><h1><a href='/news/jacolby-satterwhite-at-the-julia-stoschek-foundation'> 609 Jacolby Satterwhite at the Julia Stoschek Foundation 610 </a></h1><h2>En Plein Air Abstraction</h2><h3>January 17, 2021</h3><div class='summary paragraph-styling'><p>Jacolby Satterwhite uses video, performance, 3D animation, and drawing to build intricate digital worlds and movements that explore memory, desire, and mythology. His works feature dance and performance as well as drawings of speculative inventions designed by his mother. He borrows from aesthetic portrayals of science fiction and fantasy, relying on preexisting technologies and their surrounding subcultures to build new worlds. His future-gazing visual and sonic constructions privilege the immediacy of tactile pleasure over Western-centric myths of steady progression towards an idealized civilization.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/monica-bonvicini-at-kunsthalle-bielefeld'><img itemprop="image" alt='Monica Bonvicini at Kunsthalle Bielefeld' 611 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/82345c7284b72b11534b71734b7162af.jpeg' 612 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/monica-bonvicini-at-kunsthalle-bielefeld'> 613 Exhibition | Bielefeld 614 </a></div><h1><a href='/news/monica-bonvicini-at-kunsthalle-bielefeld'> 615 Monica Bonvicini at Kunsthalle Bielefeld 616 </a></h1><h2>Monica Bonvicini: LOVER'S MATERIAL</h2><h3>October 10, 2020 - January 17, 2021</h3><div class='summary paragraph-styling'><p>The show’s title, LOVER‘S MATERIAL is a reference to the author Franz Schulzes characterization of the relationship between Johnson and his partner Jon Stroup. In Schulze’s biography of Johnson, Stroup is described as «comfortably passive». For Bonvicini, this opened up the notion that relationships can also be defined as something both objectifying and rationalizing. Starting with this idea, the whole exhibition delves into the relationships—economic and private, as well as political—that are linked to exhibition spaces. How can the artist’s relationship to the museum’s site, its works of art, its visitors, or its employees be defined, and what kind of dependencies are created?</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/karl-haendel-eddie-martinez-at-the-drawing-center'><img itemprop="image" alt='Karl Haendel &amp; Eddie Martinez at The Drawing Center' 617 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/70fd5d36441002c3593bac712d91f615.png' 618 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/karl-haendel-eddie-martinez-at-the-drawing-center'> 619 Exhibition | New York 620 </a></div><h1><a href='/news/karl-haendel-eddie-martinez-at-the-drawing-center'> 621 Karl Haendel & Eddie Martinez at The Drawing Center 622 </a></h1><h2>100 Drawings from Now</h2><h3>October 7, 2020 â January 17, 2021</h3><div class='summary paragraph-styling'><p>100 Drawings from Now is an exhibition and benefit event supporting participating artists and The Drawing Center. Featuring drawings made by an international group of artists since early 2020, 100 Drawings from Now provides a snapshot of artistic production during a period of profound global unrest that has resulted from the ongoing health and economic crises, as well as a surge of activism in response to systemic racism, social injustice, and police brutality in the United States. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/elson-lecture-2020-mary-kelly'><img itemprop="image" alt='Elson Lecture 2020: Mary Kelly' 623 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d473f5a522a36632585fed61369e8308.jpeg' 624 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/elson-lecture-2020-mary-kelly'> 625 Lecture | Washington D.C. 626 </a></div><h1><a href='/news/elson-lecture-2020-mary-kelly'> 627 Elson Lecture 2020: Mary Kelly 628 </a></h1><h2>National Gallery of Art</h2><h3>January 12, 2021</h3><div class='summary paragraph-styling'><p>Mary Kelly, artist and Judge Widney Professor in the Roski School of Art and Design, University of Southern California, in conversation with Shelley Langdale, curator and head of modern prints and drawings, National Gallery of Art</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail">
628<a href='/news/jacolby-satterwhite-among-via-art-fund-2020-grant-recipients'><img itemprop="image" alt='Jacolby Satterwhite Among VIA Art Fund 2020 Grant Recipients' 629 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/83106c26c4e4b879a08d2aba9ba1b738.png' 630 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-among-via-art-fund-2020-grant-recipients'> 631 Special Project 632 </a></div><h1><a href='/news/jacolby-satterwhite-among-via-art-fund-2020-grant-recipients'> 633 Jacolby Satterwhite Among VIA Art Fund 2020 Grant Recipients 634 </a></h1><h2>Artforum</h2><h3>January 12, 2021</h3><div class='summary paragraph-styling'><p>VIA Art Fund has announced its 2020 grant recipients, among whom the nonprofit will distribute $1.5 million, the largest disbur
634sement it has made to date. The funds will be awarded to artists, collectives, and institutions across four categories: Artistic Production Grant Fund, VIA | Wagner Incubator Grant Fund, 2020 VIA Grantee Relief Fund, and the VIA Curatorial Fellowship.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/mitchell-innes-nash-in-galleries-curate-rhe'><img itemprop="image" alt='Mitchell-Innes &amp; Nash in Galleries Curate: RHE' 635 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c563288c029b15fb370c367f5c1f505d.jpeg' 636 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/mitchell-innes-nash-in-galleries-curate-rhe'> 637 Exhibition | Online 638 </a></div><h1><a href='/news/mitchell-innes-nash-in-galleries-curate-rhe'> 639 Mitchell-Innes & Nash in Galleries Curate: RHE 640 </a></h1><h2>Galleries Curate: RHE</h2><h3>December 15, 2020</h3><div class='summary paragraph-styling'><p>In the first days of the Covid-19 pandemic, an informal group of contemporary galleries from around the world came together to discuss how to navigate through the new challenges of the global crisis as it affected our artists, staff and businesses. The relationships among us over weeks of exchange became close and essential and we discovered that while the pandemic had broken many things apart, it had also brought us together. A supportive sense of community ignited positivity and cooperative interactions, and the initial group of twelve grew to twenty-one. As an expression of this unity we initiated GALLERIES CURATE, a collaborative exhibition designed to express the dynamic dialogue between our individual programmes.</p><p>GALLERIES CURATE: RHE is the first chapter of this collaboration, an exhibition and website themed around a universal and, we hope, unifying subject: water. Like culture, water is never static but always in flux. Following the inaugural exhibition <em>RHE</em>, GALLERIES CURATE plan to invite new participants and add further curated chapters to a global conversation of thematic relationships between galleries, artists, and their audiences.</p><p> </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-in-black-refractions'><img itemprop="image" alt='Jacolby Satterwhite in Black Refractions' 641 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/69d417c787b3178b213c07afd3c07776.jpeg' 642 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/69d417c787b3178b213c07afd3c07776.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/69d417c787b3178b213c07afd3c07776.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-in-black-refractions'> 643 Exhibition | Traveling 644 </a></div><h1><a href='/news/jacolby-satterwhite-in-black-refractions'> 645 Jacolby Satterwhite in Black Refractions 646 </a></h1><h2>Black Refractions: Highlights from The Studio Museum in Harlem</h2><h3>January 15, 2019 â December 12, 2020</h3><div class='summary paragraph-styling'><p>Jacolby Satterwhite is included in the group show <em>Black Refractions: Highlights from The Studio Museum in Harlem, </em>a major traveling exhibition comprised of over one hundred works by nearly eighty artists from the 1920s to the present.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/mitchell-innes-nash-promotes-courtney-willis-blair-to-partner'><img itemprop="image" alt='MITCHELL-INNES &amp; NASH PROMOTES COURTNEY WILLIS BLAIR TO PARTNER' 647 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f5dafdf5049ded628619eda4f1e1830d.png' 648 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/mitchell-innes-nash-promotes-courtney-willis-blair-to-partner'> 649 Staff | Announcement 650 </a></div><h1><a href='/news/mitchell-innes-nash-promotes-courtney-willis-blair-to-partner'> 651 MITCHELL-INNES & NASH PROMOTES COURTNEY WILLIS BLAIR TO PARTNER 652 </a></h1><h2>Artforum</h2><h3>December 9, 2020</h3><div class='summary paragraph-styling'><p>Mitchell-Innes &
652 Nash has promoted Courtney Willis Blair, a director at the New York gallery, to partner, The Art Newspaperreports. According to the gallery, Willis Blair, who joined the organization as an artist liaison in 2016, is one of the first of just a handful of Black partners at white-run galleries across the country and likely one of the few to ever hold a stake in a white-owned blue-chip Chelsea gallery.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/courtney-willis-blair-becomes-partner-at-mitchell-innes-nash'><img itemprop="image" alt='Courtney Willis Blair becomes partner at Mitchell-Innes &amp; Nash' 653 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1134cdae338d8835a364d12f570713ca.png' 654 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/courtney-willis-blair-becomes-partner-at-mitchell-innes-nash'> 655 Staff | Announcement 656 </a></div><h1><a href='/news/courtney-willis-blair-becomes-partner-at-mitchell-innes-nash'> 657 Courtney Willis Blair becomes partner at Mitchell-Innes & Nash 658 </a></h1><h2>The Art Newspaper</h2><h3>December 9, 2020</h3><div class='summary paragraph-styling'><p>The New York gallery Mitchell-Innes & Nash has promoted one of its directors, Courtney Willis Blair, to partner. The gallery says she will be one of the first few Black partners at a white-owned gallery in the US. Willis Blair joined the gallery as an artist liaison in 2016, following earlier roles at Mary Ryan Gallery and the Studio Museum in Harlem.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-the-tate'><img itemprop="image" alt='Martha Rosler at The Tate' 659 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/69dd6a768e6d1b3468cc58f7d4234a7a.jpeg' 660 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-the-tate'> 661 Acquisition | United Kingdom 662 </a></div><h1><a href='/news/martha-rosler-at-the-tate'> 663 Martha Rosler at The Tate 664 </a></h1><h2>In the Place of the Public: Airport Series</h2><h3>December 1, 2020</h3><div class='summary paragraph-styling'><p>In the Place of the Public: Airport Series also comprises vinyl wall texts displayed alongside and amongst the photographs at various heights. These sentences, which Rosler has selected especially for Tate, draw attention to the ways in which airport advertising, signage and architecture in the airport promise to take the visitor elsewhere, mentally as well as physically.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/a-glossary-of-feelings-expressed-by-sound-by-martin-kersels-participatory-sound-project'><img itemprop="image" alt='A Glossary of Feelings Expressed by Sound, by Martin Kersels (Participatory Sound Project)' 665 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c8a460c10f9ba64b6e2deab0aad6d5a3.png' 666 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/a-glossary-of-feelings-expressed-by-sound-by-martin-kersels-participatory-sound-project'> 667 Talk | Virtual 668 </a></div><h1><a href='/news/a-glossary-of-feelings-expressed-by-sound-by-martin-kersels-participatory-sound-project'> 669 A Glossary of Feelings Expressed by Sound, by Martin Kersels (Participatory Sound Project) 670 </a></h1><h3>November 5, 2020</h3><div class='summary paragraph-styling'><p>In response to the wide range of emotions many of us experience lately, artist Martin Kersels is developing a glossary of feelings expressed through sound. In this first of two phases, Kersels shares sound expressions of seven emotions. For Phase 2, you're invited to add to the glossary!</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-talk-at-ccs-bard'><img itemprop="image" alt='Jacolby Satterwhite Talk at CCS Bard' 671 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ddbc8cb8beacced758fed5ee9e0b35d9.jpeg' 672 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-talk-at-ccs-bard'> 673 Talk | Virtual 674 </a></div><h1><a href='/news/jacolby-satterwhite-talk-at-ccs-bard'> 675 Jacolby Satterwhite Talk at CCS Bard 676 </a></h1><h3>October 16, 2020</h3><div class='summary paragraph-styling'><p>Each semester CCS Bard hosts a program of lectures by leading artists, curators, art historians, and critics, situating the school and museum’s concerns within the larger context of contemporary art production and discourse. Lectures are open to students and faculty, as well as to the general public, and will also be documented through video and/or audio recordings, which will reside in the CCS Bard Library and Archives. This talk is co-presented with the Africana Studies Program and Film and Electronic Arts Program at Bard College. Jacolby Satterwhite is celebrated for a conceptual practice addressing crucial themes of labor, consumption, carnality and fantasy through immer
676sive installation, virtual reality and digital media.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-named-studio-museum-in-harlem-artists-in-residence'><img itemprop="image" alt='Jacolby Satterwhite named Studio Museum in Harlem Artists in Residence' 677 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ad47a3add2c134cedf8a903e17d16f67.png' 678 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-named-studio-museum-in-harlem-artists-in-residence'> 679 Artist Residency | New York 680 </a></div><h1><a href='/news/jacolby-satterwhite-named-studio-museum-in-harlem-artists-in-residence'> 681 Jacolby Satterwhite named Studio Museum in Harlem Artists in Residence 682 </a></h1><h2>Studio Museum in Harlem</h2><h3>September 10, 2020</h3><div class='summary paragraph-styling'><p>Since 1968, The Studio Museum in Harlem has earned recognition for its catalytic role in advancing the work of visual artists of African and Latino descent through its Artist-in-Residence program. The program has supported over one hundred graduates who have gone on to highly regarded careers.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-at-the-san-jose-museum-of-art'><img itemprop="image" alt='Jacolby Satterwhite at the San Jose Museum of Art' 683 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b087a00fac6ed67516f3c261f526023e.jpeg' 684 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-at-the-san-jose-museum-of-art'> 685 Exhibition | San Jose 686 </a></div><h1><a href='/news/jacolby-satterwhite-at-the-san-jose-museum-of-art'> 687 Jacolby Satterwhite at the San Jose Museum of Art 688 </a></h1><h2>Networked: Digital Art from the Permanent Collection</h2><h3>September 22, 2019 â August 9, 2020</h3><div class='summary paragraph-styling'><p>Jacolby Satterwhite is included in the group show <em>Netwoked: Digital Art from the Permanent Collection </em>at the San Jose Museum of Art. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/sarah-braman-and-annette-lemieux-at-the-mead-art-museum'><img itemprop="image" alt='Sarah Braman and Annette Lemieux at the Mead Art Museum' 689 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/dd799a33e39a93c012a623439e3b6a9e.jpeg' 690 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/sarah-braman-and-annette-lemieux-at-the-mead-art-museum'> 691 Exhibition | Amherst 692 </a></div><h1><a href='/news/sarah-braman-and-annette-lemieux-at-the-mead-art-museum'> 693 Sarah Braman and Annette Lemieux at the Mead Art Museum 694 </a></h1><h2>Starting Something New: Recent Contemporary Art Acquisitions and Gifts</h2><h3>September 10, 2019 â July 26, 2020</h3><div class='summary paragraph-styling'><p>Sarah Braman and Annette Lemieux are both included in the group show <em>Starting Something New: Recent Contemporary Art Acquisitions and Gifts</em> at the Mead Art Museum at Amherst College.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-in-water-after-fall'><img itemprop="image" alt='Pope.L in Water After Fall' 695 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/47001fcade086eeb47750ee513357444.jpeg' 696 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/47001fcade086eeb47750ee513357444.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/47001fcade086eeb47750ee513357444.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-in-water-after-fall'> 697 Exhibition | Chicago 698 </a></div><h1><a href='/news/pope-l-in-water-after-fall'> 699 Pope.L in Water After Fall 700 </a></h1><h2>Water After Fall</h2><h3>December 14, 2019 â June 14, 2020</h3><div class='summary paragraph-styling'><p>Pope.L is included in a group exibtion, <em>Water After Fall</em>, at MCA Chicago through June 14, 2020.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/mary-kelly-and-justine-kurland-at-nmsu-art-museum'><img itemprop="image" alt='Mary Kelly and Justine Kurland at NMSU Art Museum' 701 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/85a86dd953611a45468afd91adb36779.jpeg' 702 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/85a86dd953611a45468afd91adb36779.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/85a86dd953611a45468afd91adb36779.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/mary-kelly-and-justine-kurland-at-nmsu-art-museum'> 703 Exhibition | New Mexico 704 </a></div><h1><a href='/news/mary-kelly-and-justine-kurland-at-nmsu-art-museum'> 705 Mary Kelly and Justine Kurland at NMSU Art Museum 706 </a></h1><h2>Labor: Motherhood & Art in 2020</h2><h3>February 28 â May 28, 2020</h3><div class='summary paragraph-styling'><p>Mary Kelly and Justine Kurland are included in the group show, <em>Labor: Motherhood & Art in 2020, </em>at University Art Museum, New Mexico State University. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-s-3d-installation-in-the-here-and-now-festival-at-the-new-school-s-parsons-school-of-design'><img itemprop="image" alt='Jacolby Satterwhite's 3D installation in the 'Here and Now' Festival at The New School's Parsons School of Design' 707 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/96ea795092c97752ea9f305bf7b06a13.jpeg' 708 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-s-3d-installation-in-the-here-and-now-festival-at-the-new-school-s-parsons-school-of-design'> 709 By Gabriella Angeleti 710 </a></div><h1><a href='/news/jacolby-satterwhite-s-3d-installation-in-the-here-and-now-festival-at-the-new-school-s-parsons-school-of-design'> 711 Jacolby Satterwhite's 3D installation in the 'Here and Now' Festival at The New School's Parsons School of Design 712 </a></h1><h2>Solange's creative agency spotlights work of Parsons School of Design graduates in online festival</h2><h3>May 20, 2020</h3><div class='summary paragraph-styling'><p>Graduating college students at The New School's Parsons School of Design in New York are getting a matriculation gift from Solange Knowles. Through her
712creative agency, Saint Heron, the award-winning musician and performance artist has partnered with the school to launch Here and Now, a digital festival that will act as a virtual celebration of the Class of 2020, who have been placed in “an unique and unexpected position” due to the coronavirus (Covid-19) pandemic, says Jason Kass, the school's interim dean of fashion.</p><p>In addition to showcasing the students’ end-of-the-year projects, Here and Now will also feature Metonymy, a 3D installation created in collaboration with Saint Heron’s creative team, artist Jacolby Satterwhite, and over 300 graduating students from the School of Fashion at Parsons.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"></div><div class='info'><div class="list-detail-title"><a href='/news/justine-kurland-and-pope-l-in-this-long-century'> 713 News 714 </a></div><h1><a href='/news/justine-kurland-and-pope-l-in-this-long-century'> 715 Justine Kurland and Pope.L in THIS LONG CENTURY 716 </a></h1><div class='summary paragraph-styling'><p>THIS LONG CENTURY is an ever-evolving collection of personal insights from artists, authors, filmmakers, musicians and cultural icons the world over. Bringing together such intimate work as sketchbooks, personal memorabilia, annotated typescripts, short essays, home movies and near impossible to find archival work, THIS LONG CENTURY serves as a direct line to the contributors themselves.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-es-baluard-museu'><img itemprop="image" alt='Martha Rosler at Es Baluard Museu' 717 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/38af59de6614a1e51cfba99e80521f16.jpeg' 718 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/38af59de6614a1e51cfba99e80521f16.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/38af59de6614a1e51cfba99e80521f16.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-es-baluard-museu'> 719 Exhibition | Palma 720 </a></div><h1><a href='/news/martha-rosler-at-es-baluard-museu'> 721 Martha Rosler at Es Baluard Museu 722 </a></h1><h2>How Do We Get There From Here?</h2><h3>February 21 â May 10, 2020</h3><div class='summary paragraph-styling'><p>Martha Rosler (New York) pioneered the use of video as a tool for social and political analysis. Her practice is built on a multiplicity of artistic languages such as photography, collage or performance, and different ways of activating the social fabric through writing or teaching. The exhibition “How Do We Get There From Here?” presents a selection of works (video, photography and publications) that allow to reflect on one of the most solid, coherent and critical tendencies of our days.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/justine-kurland-in-the-biennale-fur-aktuelle-fotografie'><img itemprop="image" alt='Justine Kurland in the Biennale für aktuelle Fotografie' 723 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/e9fd8b881f0ca08c8af64d16253d4815.jpeg' 724 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/justine-kurland-in-the-biennale-fur-aktuelle-fotografie'> 725 Biennale | Online 726 </a></div><h1><a href='/news/justine-kurland-in-the-biennale-fur-aktuelle-fotografie'> 727 Justine Kurland in the Biennale für aktuelle Fotografie 728 </a></h1><h2>The Lives and Loves of Images</h2><h3>February 29 â April 26, 2020</h3><div class='summary paragraph-styling'><p>Photography has two relations to art. It can be an art in itself – expressive, subjective, creative, inventive. It can be the mechanical means by which all the other visual arts &nd
728ash; from painting and sculpture to performance – are documented, reproduced and publicized. What we know of art, we often know through photographic images of it. Paintings we have never seen in real life. Sculptures we have never walked around.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-in-open-dialogue-generational-inequality-and-the-environment'><img itemprop="image" alt='Pope.L in Open Dialogue: Generational Inequality and the Environment' 729 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f4672d1771775b79a5e5dcafccec58fd.jpeg' 730 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-in-open-dialogue-generational-inequality-and-the-environment'> 731 Conversation | Chicago 732 </a></div><h1><a href='/news/pope-l-in-open-dialogue-generational-inequality-and-the-environment'> 733 Pope.L in Open Dialogue: Generational Inequality and the Environment 734 </a></h1><h2>Museum of Contemporary Art Chicago</h2><h3>April 19, 2020</h3><div class='summary paragraph-styling'><p>Pope.L in conversation on Generational Inequality and the Environment. Please follow the link on the MCA Chicago's website for more information. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-in-online-exhibition'><img itemprop="image" alt='Jacolby Satterwhite in Online Exhibition' 735 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a9e1b64515f5725a9d68334a6a0deb02.png' 736 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-in-online-exhibition'> 737 Exhibition | Online 738 </a></div><h1><a href='/news/jacolby-satterwhite-in-online-exhibition'> 739 Jacolby Satterwhite in Online Exhibition 740 </a></h1><h2>How Can We Think of Art at a Time Like This?</h2><h3>March 27, 2020</h3><div class='summary paragraph-styling'><p><em>How Can We Think of Art at a Time Like This?</em> is an online exhibition, co-curated by Barbara Pollack and Anne Verhallen as a platform for the exchange of ideas at this time of crisis. We invited artists who are considered thought leaders, artists who struggle with futuristic pessimism, political outrage and psychic melt-downs. The invited artists have responded with unbridled enthusiasm and we will be posting new artists every day for the foreseeable future.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-at-the-minneapolis-institute-of-art'><img itemprop="image" alt='Jacolby Satterwhite at the Minneapolis Institute of Art' 741 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1de0461c1227bd93e3e2859812c49877.jpeg' 742 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1de0461c1227bd93e3e2859812c49877.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1de0461c1227bd93e3e2859812c49877.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-at-the-minneapolis-institute-of-art'> 743 Exhibition | Minneapolis 744 </a></div><h1><a href='/news/jacolby-satterwhite-at-the-minneapolis-institute-of-art'> 745 Jacolby Satterwhite at the Minneapolis Institute of Art 746 </a></h1><h2>Speculative Bodies</h2><h3>January 26, 2019 - March 15, 2020</h3><div class='summary paragraph-styling'><p>Jacolby Satterwhite is included in the group exhibition <em>Speculative Bodies</em> at the Minneapolis Institute of Art. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/mary-kelly-and-martha-rosler-at-moma-ps1'><img itemprop="image" alt='Mary Kelly and Martha Rosler at MoMA PS1' 747 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/858c473d757c2d1c6655c73dd2391048.jpeg' 748 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/858c473d757c2d1c6655c73dd2391048.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/858c473d757c2d1c6655c73dd2391048.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/mary-kelly-and-martha-rosler-at-moma-ps1'> 749 Exhibition | New York 750 </a></div><h1><a href='/news/mary-kelly-and-martha-rosler-at-moma-ps1'> 751 Mary Kelly and Martha Rosler at MoMA PS1 752 </a></h1><h2>Theater of Operations: The Gulf Wars 1991-2011</h2><h3>November 3, 2019 â March 1, 2020</h3><div class='summary paragraph-styling'><p>Mary Kelly and Martha Rosler are both included in the group exhibition <em>Theater of Operations: The Gulf Wars 1991-2011</em> at MoMA PS1.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/watch-jacolby-satterwhite-on-art21'><img itemprop="image" alt='Watch Jacolby Satterwhite on art21' 753 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/00bb3b6257a7228b023ec0ab522fb69f.png' 754 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/watch-jacolby-satterwhite-on-art21'> 755 Video | Watch 756 </a></div><h1><a href='/news/watch-jacolby-satterwhite-on-art21'> 757 Watch Jacolby Satterwhite on art21 758 </a></h1><h2>The Incredulity of Jacolby Satterwhite</h2><h3>February 5, 2020</h3><div class='summary paragraph-styling'><p>
758How do we know what’s real? In the midst of career-marking solo exhibitions at Pioneer Works in Brooklyn and the Fabric Workshop and Museum in Philadelphia, artist Jacolby Satterwhite contemplates some of the most fundamental questions around the relationship between an artist and the works they create. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-survey-at-moma'><img itemprop="image" alt='Pope.L Survey at MoMA' 759 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b5f01cd423222fe403ea26040edb555f.jpeg' 760 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b5f01cd423222fe403ea26040edb555f.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b5f01cd423222fe403ea26040edb555f.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-survey-at-moma'> 761 Exhibition | New York 762 </a></div><h1><a href='/news/pope-l-survey-at-moma'> 763 Pope.L Survey at MoMA 764 </a></h1><h2>member: Pope.L, 1978â2001</h2><h3>October 21, 2019 â February 1, 2020</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash congratulates Pope.L on <em>member: Pope.L, 1978–2001</em>, an exhibition of landmark performances and related videos, objects and installations at the Museum of Modern Art in New York, on view October 21, 2019 through February 1, 2020. MoMA's presentation is part of <em>Pope.L: Instigation, Aspiration, Perspiration</em>, a trio of complementary exhibitions organized by MoMA, the Whitney Museum of American Art and Public Art Fund. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-the-neubauer-collegium-for-culture-and-society'><img itemprop="image" alt='Martha Rosler at The Neubauer Collegium for Culture and Society' 765 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2c1d2f2306f0923a2178e340c6c52ab8.jpeg' 766 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2c1d2f2306f0923a2178e340c6c52ab8.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2c1d2f2306f0923a2178e340c6c52ab8.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-the-neubauer-collegium-for-culture-and-society'> 767 Exhibition | Illinois 768 </a></div><h1><a href='/news/martha-rosler-at-the-neubauer-collegium-for-culture-and-society'> 769 Martha Rosler at The Neubauer Collegium for Culture and Society 770 </a></h1><h2>Passionate Signals</h2><h3>September 17, 2019 â January 31, 2020</h3><div class='summary paragraph-styling'><p>Martha Rosler is the subject of an upcoming solo exhibiton at The Neubauer Collegium for Culture and Society in Chicago, Illinois. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-at-the-fabric-workshop-and-museum'><img itemprop="image" alt='Jacolby Satterwhite at The Fabric Workshop and Museum' 771 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8f1fcdd9f598503e3146504037426416.jpeg' 772 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8f1fcdd9f598503e3146504037426416.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8f1fcdd9f598503e3146504037426416.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title">
772<a href='/news/jacolby-satterwhite-at-the-fabric-workshop-and-museum'> 773 Exhibition | Philadelphia 774 </a></div><h1><a href='/news/jacolby-satterwhite-at-the-fabric-workshop-and-museum'> 775 Jacolby Satterwhite at The Fabric Workshop and Museum 776 </a></h1><h2>Room For Living</h2><h3>September 13, 2019 â January 19, 2020</h3><div class='summary paragraph-styling'><p>Jacolby Satterwhite is the subject a solo exhibiton at The Fabric Workshop and Museum in Philadelphia.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-in-conversation-with-jack-mcgrath-and-stuart-comer-moderated-by-fwm-curator-karen-patterson'><img itemprop="image" alt='Jacolby Satterwhite in Conversation with Jack McGrath, and Stuart Comer, Moderated by FWM Curator Karen Patterson' 777 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/e54c7c446d2991bd3da18fcbae87f715.jpeg' 778 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/e54c7c446d2991bd3da18fcbae87f715.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/e54c7c446d2991bd3da18fcbae87f715.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-in-conversation-with-jack-mcgrath-and-stuart-comer-moderated-by-fwm-curator-karen-patterson'> 779 Conversation | Philadelphia 780 </a></div><h1><a href='/news/jacolby-satterwhite-in-conversation-with-jack-mcgrath-and-stuart-comer-moderated-by-fwm-curator-karen-patterson'> 781 Jacolby Satterwhite in Conversation with Jack McGrath, and Stuart Comer, Moderated by FWM Curator Karen Patterson 782 </a></h1><h2>The Fabric Workshop and Museum</h2><h3>January 16, 2020</h3><div class='summary paragraph-styling'><p>Jacolby Satterwhite in Conversation with Jack McGrath, and Stuart Comer, Moderated by FWM Curator Karen Patterson at The Fabric Workshop and Museum. Please follow the link to the FWM website to register for this event. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-and-amanda-ross-ho-at-the-arguer-kunsthaus'><img itemprop="image" alt='Pope.L and Amanda Ross Ho at The Arguer Kunsthaus' 783 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1e3d336fa103e527b36fa7d273310aae.jpeg' 784 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-and-amanda-ross-ho-at-the-arguer-kunsthaus'> 785 Exhibition | Aarau, Switzerland 786 </a></div><h1><a href='/news/pope-l-and-amanda-ross-ho-at-the-arguer-kunsthaus'> 787 Pope.L and Amanda Ross Ho at The Arguer Kunsthaus 788 </a></h1><h2>Mask: In Present-Day Art</h2><h3>September 1, 2019 â January 5, 2020</h3><div class='summary paragraph-styling'><p>Pope.L and Amanda Ross-Ho are both included in the group exhibtion <em>Mask: In Present-Day Art </em>at the Arguer Kunsthaus.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-minneapolis-institute-of-art'><img itemprop="image" alt='Martha Rosler at Minneapolis Institute of Art' 789 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b8a896ba766d530facad6943bd6d5620.jpeg' 790 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-minneapolis-institute-of-art'> 791 Exhibition | Minnesota 792 </a></div><h1><a href='/news/martha-rosler-at-minneapolis-institute-of-art'> 793 Martha Rosler at Minneapolis Institute of Art 794 </a></h1><h2>Artists Respond: American Art and the Vietnam War, 1965-1975</h2><h3>September 29, 2019 â January 5, 2020</h3><div class='summary paragraph-styling'><p>Martha Rosler is included in the group show traveling from the Smithsonian to the Minneapolis Institute of Art titled <em>Artists Respond: American Art and the Vietnam War, 1965-1975.</em></p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-the-hirshhorn-museum-and-sculpture-garden'><img itemprop="image" alt='Martha Rosler at the Hirshhorn Museum and Sculpture Garden' 795 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/15f3d284c32d8c0100450482561c2a08.jpeg' 796 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-the-hirshhorn-museum-and-sculpture-garden'> 797 Exhibition | Washington, D.C. 798 </a></div><h1><a href='/news/martha-rosler-at-the-hirshhorn-museum-and-sculpture-garden'> 799 Martha Rosler at the Hirshhorn Museum and Sculpture Garden 800 </a></h1><h2>Manifesto: Art x Agency</h2><h3>June 15, 2019 â January 5, 2020</h3><div class='summary paragraph-styling'><p>Martha Rosler is included in the group exhibition <em>Manifesto: Art x Agency</em> at the Hirshhorn Museum and Sculpture Garden, Washington, D.C.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/mary-kelly-at-the-weatherspoon-art-museum'><img itemprop="image" alt='Mary Kelly at the Weatherspoon Art Museum' 801 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2cf68af4e4328a7cf9b4fcebcf694d0b.jpeg' 802 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2cf68af4e4328a7cf9b4fcebcf694d0b.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2cf68af4e4328a7cf9b4fcebcf694d0b.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/mary-kelly-at-the-weatherspoon-art-museum'> 803 Exhibition | Greensboro 804 </a></div><h1><a href='/news/mary-kelly-at-the-weatherspoon-art-museum'> 805 Mary Kelly at the Weatherspoon Art Museum 806 </a></h1><h2>Mary Kelly: Selected Works</h2><h3>September 28 â December 8, 2019</h3><div class='summary paragraph-styling'><p>Mary Kelly is the subject of an upcoming solo exhibition at the Weatherspoon Art Museum in Greensboro, NC. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-in-conversation-with-thomas-lax'><img itemprop="image" alt='Jacolby Satterwhite in Conversation with Thomas Lax' 807 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f154accbb522f6d8aea3db12b994bcfd.png' 808 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f154accbb522f6d8aea3db12b994bcfd.png 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f154accbb522f6d8aea3db12b994bcfd.png 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-in-conversation-with-thomas-lax'> 809 Artist Talk | New York 810 </a></div><h1><a href='/news/jacolby-satterwhite-in-conversation-with-thomas-lax'> 811 Jacolby Satterwhite in Conversation with Thomas Lax 812 </a></h1><h2>Pioneer Works</h2><h3>November 24, 2019</h3><div class='summary paragraph-styling'><p>For the close of Jacolby Satterwhite’s exhibition You’re at home, the artist is joined in conversation with curator Thomas Lax to expound and reflect upon his digital animations, virtual worlds, and the 3D-printed sculptures that serve as their physical counterparts. The discussion
812will focus on the effect of Satterwhite’s digital work as well as the themes of the exhibition: American consumerism, pop culture, African folklore, ritual, and personal narratives, all of which are illustrated in Satterwhite’s visually eclectic animated series Birds of Paradise. This exhibition centerpiece and its thematic concerns speak in concert with the other work included in the exhibition.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-at-pioneer-works'><img itemprop="image" alt='Jacolby Satterwhite at Pioneer Works' 813 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/98b3e78a508e29d9bf9ec98155fee134.jpeg' 814 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/98b3e78a508e29d9bf9ec98155fee134.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/98b3e78a508e29d9bf9ec98155fee134.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-at-pioneer-works'> 815 Exhibition | New York 816 </a></div><h1><a href='/news/jacolby-satterwhite-at-pioneer-works'> 817 Jacolby Satterwhite at Pioneer Works 818 </a></h1><h2>You're at home</h2><h3>October 4 â November 24, 2019</h3><div class='summary paragraph-styling'><p>Jacolby Satterwhite is the subject of an upcoming solo exhibition titled <em>You're at home </em>at Pioneer Works in Brooklyn.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-nick-weiss-perform-pat-love-will-find-a-way-home'><img itemprop="image" alt='Jacolby Satterwhite / Nick Weiss perform PAT: Love Will Find a Way Home' 819 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f79d4ded5fd8c652e001af8eebd1f3ed.jpeg' 820 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f79d4ded5fd8c652e001af8eebd1f3ed.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f79d4ded5fd8c652e001af8eebd1f3ed.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-nick-weiss-perform-pat-love-will-find-a-way-home'> 821 Performance | New York 822 </a></div><h1><a href='/news/jacolby-satterwhite-nick-weiss-perform-pat-love-will-find-a-way-home'> 823 Jacolby Satterwhite / Nick Weiss perform PAT: Love Will Find a Way Home 824 </a></h1><h2>Pioneer Works</h2><h3>November 22, 2019</h3><div class='summary paragraph-styling'><p>As part of Jacolby Satterwhite’s exhibition <em>You’re at home,</em> PAT—comprised of the artist and musician Nick Weiss (of Teengirl Fantasy)—will perform songs from the duo’s newly released double LP album, titled <em>Love Will Find A Way Home</em>. Within the album, a capella recordings of original songs left behind by Satterwhite’s mother Patricia are remixed and manipulated into propulsive, electronic dance tracks that feature a range of other collaborators. Utilizing the album soundscape as the auditory point of inspiration, the performance will synthesize live choral renditions and thematic light transitions into a holistic live-scoring of Satterwhite’s animated works, including the multipart series <em>Blessed Avenue</em>. Guests from the album will also make special appearances throughout the evening.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-dressing-up-for-civil-rights-performances-at-the-museum-of-modern-art'><img itemprop="image" alt='Pope.L &quot;Dressing Up for Civil Rights&quot; Performances at the Museum of Modern Art' 825 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/92a166f02161c3e27c5aaa31953bc41d.png' 826 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/92a166f02161c3e27c5aaa31953bc41d.png 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/92a166f02161c3e27c5aaa31953bc41d.png 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-dressing-up-for-civil-rights-performances-at-the-museum-of-modern-art'> 827 Performance | New York 828 </a></div><h1><a href='/news/pope-l-dressing-up-for-civil-rights-performances-at-the-museum-of-modern-art'> 829 Pope.L "Dressing Up for Civil Rights" Performances at the Museum of Modern Art 830 </a></h1><h2>member: Pope.L 1978â2001</h2><h3>November 19, December 10, 2019 and January 21, 2020</h3><div class='summary paragraph-styling'><p>Performances of <em>Dressing Up for Civil Rights</em> will take place on Tuesday, November 19 from 1:00–4:00 p.m, Tuesday, December 10 from 1:00–4:00 pm and Tuesday, January 21, 2020 from 1:00–4:00 pm at the MoMA, Floor 1. Performances will occur approximately within the hours of 1:00 and 4:00 pm and are free with museum admission. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-eating-the-wall-street-journal-flag-version-performance-at-the-museum-of-modern-art'><img itemprop="image" alt='Pope.L &quot;Eating the Wall Street Journal (Flag Version)&quot; Performance at the Museum of Modern Art' 831 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b7db60f6ac94c09d6769787d22226b10.png' 832 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b7db60f6ac94c09d6769787d22226b10.png 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b7db60f6ac94c09d6769787d22226b10.png 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-eating-the-wall-street-journal-flag-version-performance-at-the-museum-of-modern-art'> 833 Performance | New York 834 </a></div><h1><a href='/news/pope-l-eating-the-wall-street-journal-flag-version-performance-at-the-museum-of-modern-art'> 835 Pope.L "Eating the Wall Street Journal (Flag Version)" Performance at the Museum of Modern Art 836 </a></h1><h2>member: Pope.L 1978â2001</h2><h3>November 17, 2019</h3><div class='summary paragraph-styling'><p>A performance of <em>Eating the Wall Street Journal </em>will take place on Sunday, November 17 from 2:00–4:00 p.m, Sunday, December 8 from 2:00–4:00 p.m. and Sunday, January 19, 2020 from 2:00–4:00 p.m. at the MoMA located on floor 3, 3 South, The Edward Steichen Galleries. Performances will occur approximately within the hours of 2:00 and 4:00 p.m and are free with museum admission. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-edition-at-the-wattis-institute'><img itemprop="image" alt='Pope.L edition at The Wattis Institute' 837 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cd95355915dc27d2d52b5f8bf919cb6d.jpeg' 838 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cd95355915dc27d2d52b5f8bf919cb6d.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cd95355915dc27d2d52b5f8bf919cb6d.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-edition-at-the-wattis-institute'> 839 Special Project 840 </a></div><h1><a href='/news/pope-l-edition-at-the-wattis-institute'> 841 Pope.L edition at The Wattis Institute 842 </a></h1><h2>The Wattis Insitute</h2><h3>November 13, 2019</h3><div class='summary paragraph-styling'><p>Pope.L is an internationally acclaimed interdisciplinary artist, perhaps best known for his provocative performances and interventions in public spaces. His work addresses issues and themes of language, gender, race, social struggle, and community. He has received many prestigious grants and awards, including the Guggenheim Fellowship, NEA fellowships, and the USA Fellowship in Visual Arts. He has been included in numerous exhibitions around the world,
842and in fall 2019 the Whitney Museum and MoMA host simultaneous solo exhibitions, and the Public Art Fund presents a major performance. Pope.L’s sculpture Lever (2016) was included in the group exhibition Mechanisms at the Wattis in 2017.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/eddie-martinez-at-the-yuz-museum'><img itemprop="image" alt='Eddie Martinez at the Yuz Museum' 843 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b5d43ac67c47658ac6662e9d4a7cd61d.jpeg' 844 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b5d43ac67c47658ac6662e9d4a7cd61d.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b5d43ac67c47658ac6662e9d4a7cd61d.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/eddie-martinez-at-the-yuz-museum'> 845 Exhibition | Shanghai 846 </a></div><h1><a href='/news/eddie-martinez-at-the-yuz-museum'> 847 Eddie Martinez at the Yuz Museum 848 </a></h1><h2>Open Feast</h2><h3>November 7, 2019 â January 12, 2020</h3><div class='summary paragraph-styling'><p>Yuz Museum is pleased to present <em>Open Feast</em>; Brooklyn-based artist Eddie Martinez’s first solo exhibition in mainland China, from November 7th, 2019 to January 12th, 2020 at Yuz Project Space of Art. Comprised of a new series of drawings and paintings, the exhibition will comprehensively explore the artist’s practice as well as his study of pop culture, sports, art history and his personal experiences.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/gerasimos-floratos-at-the-fountain-house-gallery'><img itemprop="image" alt='Gerasimos Floratos at the Fountain House Gallery' 849 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/eeacd5ca5aab7990a7cdc86128c2b893.png' 850 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/gerasimos-floratos-at-the-fountain-house-gallery'> 851 Exhibition | New York 852 </a></div><h1><a href='/news/gerasimos-floratos-at-the-fountain-house-gallery'> 853 Gerasimos Floratos at the Fountain House Gallery 854 </a></h1><h2>Heavy Sauce</h2><h3>September 12 - October 23, 2019</h3><div class='summary paragraph-styling'><p>Gerasimos Floratos has curated a show at the Fountain House Gallery in New York. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-publishes-a-new-collection-of-essays-and-scripts'><img itemprop="image" alt='Martha Rosler Publishes a New Collection of Essays and Scripts' 855 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/898001a33e49aaa6676ae2817eeb6b6c.png' 856 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-publishes-a-new-collection-of-essays-and-scripts'> 857 News 858 </a></div><h1><a href='/news/martha-rosler-publishes-a-new-collection-of-essays-and-scripts'> 859 Martha Rosler Publishes a New Collection of Essays and Scripts 860 </a></h1><h2>LA DOMINACIÃN Y LO COTIDIANO. ENSAYOS Y GUIONES</h2><h3>November 2019</h3><div class='summary paragraph-styling'><p>This book presents a newly collected selection of essays and performance and video scripts by artist Martha Rosler, with special emphasis on the construction of the public sphere and the myths of everyday life. The book explores topics ranging from everyday life and the mass media to national security and war and conflict, especially as they affect women. Taking as a starting point her essay Domination and the Everyday —which gives the book its title—the following pages explore the long career of an artist well known for her videos, performances, photos, and other works, as well as for being one of the most original and influential cultural and theoretical critical voices of the past forty years. This book shows Rosler’s ability to create an artwork and generate a discourse to contextualize it. In texts from 1975 to 2016, Rosler reflects on feminist art, the idea of the artist-mother, and gentrification in relation to culture, among many other subjects.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pat-a-collaboration-between-jacolby-satterwhite-and-nick-weiss-love-will-find-a-way-home'><img itemprop="image" alt='PAT, a collaboration between Jacolby Satterwhite and Nick Weiss: Love Will Find A Way Home' 861 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/889d91ca473f64c0d6fac4d687e0a5c8.jpeg' 862 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pat-a-collaboration-between-jacolby-satterwhite-and-nick-weiss-love-will-find-a-way-home'> 863 Special Project 864 </a></div><h1><a href='/news/pat-a-collaboration-between-jacolby-satterwhite-and-nick-weiss-love-will-find-a-way-home'> 865 PAT, a collaboration between Jacolby Satterwhite and Nick Weiss: Love Will Find A Way Home 866 </a></h1><h2>Record/Vinyl + Digital Album</h2><h3>October 10, 2019</h3><div class='summary paragraph-styling'><p>A collaboration between artist Jacolby Satterwhite and musician Nick Weiss—one-half of Teengirl Fantasy—PAT takes its name from Satterwhite’s mother Patricia, who suffered from schizophrenia and died in 2016. She left behind hundreds of a capella recordings on cassette tapes as well as abstract drawings of home goods, such as wet wipes, sugar cubes, and toothbrushes. Incorporating her recordings into their work, Satterwhite and Weiss remixed and manipulated Patricia’s voice into propulsive, electronic dance tracks featuring a range of other collaborators.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-the-whitney-museum-of-american-art'><img itemprop="image" alt='Pope.L at the Whitney Museum of American Art' 867 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b2ed7a3062164ccaac9bddc5098a279a.jpeg' 868 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b2ed7a3062164ccaac9bddc5098a279a.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b2ed7a3062164ccaac9bddc5098a279a.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-the-whitney-museum-of-american-art'> 869 Exhibition | New York 870 </a></div><h1><a href='/news/pope-l-at-the-whitney-museum-of-american-art'> 871 Pope.L at the Whitney Museum of American Art 872 </a></h1><h2>Choir</h2><h3>October 1, 2019 â March 8, 2020</h3><div class='summary paragraph-styling'><p>At the Whitney, on the occasion of Pope.L’s receipt of the 2017 Bucksbaum Award, the artist will create a new installation entitled <em>Choir</em>. Expanding on Pope.L’s ongoing exploration and use of water, Choir is inspired by the fountain, the public arena, and John Cage’s conception of music and sound. The Whitney presentation is organized by Christopher Y. Lew, Nancy and Fred Poses Curator, with Ambika Trasi, curatorial assistant.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/sarah-braman-amanda-ross-ho-and-jessica-stockholder-at-crystal-bridges'><img itemprop="image" alt='Sarah Braman, Amanda Ross-Ho and Jessica Stockholder at Crystal Bridges' 873 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3ac8d85143b64b544133363586e97ffa.png' 874 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/sarah-braman-amanda-ross-ho-and-jessica-stockholder-at-crystal-bridges'> 875 Exhibition | Bentonville, Arkansas 876 </a></div><h1><a href='/news/sarah-braman-amanda-ross-ho-and-jessica-stockholder-at-crystal-bridges'> 877 Sarah Braman, Amanda Ross-Ho and Jessica Stockholder at Crystal Bridges 878 </a></h1><h2>Color Field</h2><h3>June 1 - September 30, 2019</h3><div class='summary paragraph-styling'><p>Sarah Braman, Amanda Ross-Ho and Jessica Stockholder are included in the group show <em>Color Field </em>at Crystal Bridges Museum of American Art. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-the-hasselblad-foundation'><img itemprop="image" alt='Martha Rosler at the Hasselblad Foundation' 879 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c3137ce2dd2aa9be7b66d1139fec8853.jpeg' 880 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c3137ce2dd2aa9be7b66d1139fec8853.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c3137ce2dd2aa9be7b66d1139fec8853.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-the-hasselblad-foundation'> 881 Exhibition | Gothenburg, Sweden 882 </a></div><h1><a href='/news/martha-rosler-at-the-hasselblad-foundation'> 883 Martha Rosler at the Hasselblad Foundation 884 </a></h1><h2>Moonlight</h2><h3>May 25 - September 22, 2019</h3><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-the-public-art-fund'><img itemprop="image" alt='Pope.L at the Public Art Fund' 885 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a3c13bb7e85b6ea785c0be9c1e172cb2.png' 886 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-the-public-art-fund'> 887 Performance | New York 888 </a></div><h1><a href='/news/pope-l-at-the-public-art-fund'> 889 Pope.L at the Public Art Fund 890 </a></h1><h2>Conquest</h2><h3>September 21, 2019</h3><div class='summary paragraph-styling'><p>
890On September 21, Public Art Fund will present Conquest, Pope.L’s largest group performance to date. Inspired by the artist’s iconic crawls in which he dragged his body across the urban landscape, Conquest will navigate the streets of Downtown Manhattan continuing the irreverent tradition of his more than 30 performative works that have taken place since 1978.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/sarah-braman-at-john-michael-kohler-arts-center'><img itemprop="image" alt='Sarah Braman at John Michael Kohler Arts Center' 891 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8906d087a3a04264c70e31078dceb01f.jpeg' 892 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8906d087a3a04264c70e31078dceb01f.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8906d087a3a04264c70e31078dceb01f.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/sarah-braman-at-john-michael-kohler-arts-center'> 893 Exhibition | Sheboygan, WI 894 </a></div><h1><a href='/news/sarah-braman-at-john-michael-kohler-arts-center'> 895 Sarah Braman at John Michael Kohler Arts Center 896 </a></h1><h2>The Autotopographers</h2><h3>March 24 â September 15, 2019</h3><div class='summary paragraph-styling'><p>Sarah Braman (MA) creates large-scale sculptures that honor the small moments in our lives that, over time, have a large impact on the development of self.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jessica-stockholder-at-the-centraal-museum'><img itemprop="image" alt='Jessica Stockholder at the Centraal Museum' 897 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c9a7b3641ebd14bdd80c3fca7bd42d16.jpeg' 898 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c9a7b3641ebd14bdd80c3fca7bd42d16.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c9a7b3641ebd14bdd80c3fca7bd42d16.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jessica-stockholder-at-the-centraal-museum'> 899 Exhibition | Utrecht 900 </a></div><h1><a href='/news/jessica-stockholder-at-the-centraal-museum'> 901 Jessica Stockholder at the Centraal Museum 902 </a></h1><h2>Stuff Matters</h2><h3>April 19 - September 1, 2019</h3><div class='summary paragraph-styling'><p>Jessica Stockholder is the subject of a solo exhibition titled <em>Stuff Matters</em> at the Centraal Museum in Utrecht, Netherlands. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-moma-whitney-public-art-fund'><img itemprop="image" alt='Pope.L at MoMA, Whitney, Public Art Fund' 903 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/867eadb14fde41273c58348e3cdf7fe9.jpeg' 904 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/867eadb14fde41273c58348e3cdf7fe9.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/867eadb14fde41273c58348e3cdf7fe9.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-moma-whitney-public-art-fund'> 905 Exhibition | New York 906 </a></div><h1>
906<a href='/news/pope-l-at-moma-whitney-public-art-fund'> 907 Pope.L at MoMA, Whitney, Public Art Fund 908 </a></h1><h2>Instigation, Aspiration, Perspiration</h2><h3>Fall 2019</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash congratulates Pope.L on <em>Instigation, Aspiration, Perspiration</em>, a trio of complementary exhibitions of his work in New York organized by the Museum of Modern Art, the Whitney Museum of American Art and Public Art Fund to occur simultaneously in the fall of 2019. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-the-smithsonian-american-art-museum2'><img itemprop="image" alt='Martha Rosler at the Smithsonian American Art Museum' 909 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/0e862416d13425e47e22e4e27b917caf.jpeg' 910 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-the-smithsonian-american-art-museum2'> 911 Exhibition | Washington, D.C. 912 </a></div><h1><a href='/news/martha-rosler-at-the-smithsonian-american-art-museum2'> 913 Martha Rosler at the Smithsonian American Art Museum 914 </a></h1><h2>Artists Respond: American Art and the Vietnam War, 1965-1975</h2><h3>March 15 â August 18, 2019</h3><div class='summary paragraph-styling'><p>Martha Rosler is included in the group show <em>Artists Respond: American Art and the Vietnam War, 1965-1975</em> at the Smithsoniam American Art Museum in Washington D.C.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pat-o-neill-at-sfmoma'><img itemprop="image" alt='Pat O'Neill at SFMOMA' 915 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/407a3f9b2feef0e815a6556ed18bfaea.png' 916 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pat-o-neill-at-sfmoma'> 917 Exhibition | San Francisco 918 </a></div><h1><a href='/news/pat-o-neill-at-sfmoma'> 919 Pat O'Neill at SFMOMA 920 </a></h1><h2>Three Answers</h2><h3>April 20 â August 4, 2019</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash congratulates Pat O'Neill on <em>Three Answers </em>at the San Francisco Museum of Modern Art, on view April 20 through August 4, 2019. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/eddie-martinez-at-the-museum-of-contemporary-art-detroit'><img itemprop="image" alt='Eddie Martinez at the Museum of Contemporary Art Detroit' 921 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cd777df9de5afa1cff50aa959a787705.jpeg' 922 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cd777df9de5afa1cff50aa959a787705.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cd777df9de5afa1cff50aa959a787705.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/eddie-martinez-at-the-museum-of-contemporary-art-detroit'> 923 Exhibition | New York 924 </a></div><h1><a href='/news/eddie-martinez-at-the-museum-of-contemporary-art-detroit'> 925 Eddie Martinez at the Museum of Contemporary Art Detroit 926 </a></h1><h2>Eddie Martinez: Fast Eddie</h2><h3>May 10 â August 18, 2019</h3><div class='summary paragraph-styling'><p>Eddie Martinez is the subject of an upcoming solo exhibition, <em>Eddie Martinez: Fast Eddie, </em>at the Museum of Contemporary Art in Detroit. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-museo-de-arte-contemporaneo-santiago-de-chile-mac'><img itemprop="image" alt='Martha Rosler at Museo de Arte Contemporáneo, Santiago de Chile (MAC)' 927 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1c73babba8255d6bdd9b2551abd94ce4.jpeg' 928 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1c73babba8255d6bdd9b2551abd94ce4.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1c73babba8255d6bdd9b2551abd94ce4.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-museo-de-arte-contemporaneo-santiago-de-chile-mac'> 929 Exhibition | Santiago, Chile 930 </a></div><h1><a href='/news/martha-rosler-at-museo-de-arte-contemporaneo-santiago-de-chile-mac'> 931 Martha Rosler at Museo de Arte Contemporáneo, Santiago de Chile (MAC) 932 </a></h1><h2>Si tú vivieras aquà (If you lived here)</h2><h3>July 26 â October 13, 2019</h3><div class='summary paragraph-styling'><p><em>If you lived here</em>, it takes its title from the work If you lived here in 1989, where Rosler interrogates the processes of gentrification and social impoverishment in the United States during the Ronald Reagan administration.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-at-the-museum-of-modern-art'><img itemprop="image" alt='Jacolby Satterwhite at the Museum of Modern Art' 933 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b37a16b9c3ea6121900d942a219284bd.jpeg' 934 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b37a16b9c3ea6121900d942a219284bd.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b37a16b9c3ea6121900d942a219284bd.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-at-the-museum-of-modern-art'> 935 Exhibition | New York 936 </a></div><h1><a href='/news/jacolby-satterwhite-at-the-museum-of-modern-art'> 937 Jacolby Satterwhite at the Museum of Modern Art 938 </a></h1><h2>New Order: Art and Technology in the Twenty-First Century</h2><h3>March 17 â June 15, 2019</h3><div class='summary paragraph-styling'><p>Jacolby Satterwhite is included in the group exhibition <em>New Order: Art and Technology in the Twenty-First Century</em> at the Museum of Modern Art in New York. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/annette-lemieux-at-the-nassau-county-museum-of-art'><img itemprop="image" alt='Annette Lemieux at the Nassau County Museum of Art' 939 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/91970c941720267f1e2dc7d321db6cd5.jpeg' 940 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/annette-lemieux-at-the-nassau-county-museum-of-art'> 941 Exhibition | Roslyn Harbor 942 </a></div><h1><a href='/news/annette-lemieux-at-the-nassau-county-museum-of-art'> 943 Annette Lemieux at the Nassau County Museum of Art 944 </a></h1><h2>That Eighties Show</h2><h3>March 16 - July 7, 2019</h3><div class='summary paragraph-styling'><p>Annette Lemieux is included in the group exhibition <em>That Eighties Show</em> at the Nassau County Museum of Art in Roslyn Harbor, New York.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jay-defeo-at-the-san-jose-museum-of-art'>
944<img itemprop="image" alt='Jay DeFeo at the San Jose Museum of Art' 945 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/367a2680787415d92539a52ce2c66ca3.jpeg' 946 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jay-defeo-at-the-san-jose-museum-of-art'> 947 Exhibition | San Jose 948 </a></div><h1><a href='/news/jay-defeo-at-the-san-jose-museum-of-art'> 949 Jay DeFeo at the San Jose Museum of Art 950 </a></h1><h2>Undersoul: Jay DeFeo</h2><h3>March 8 - July 7, 2019</h3><div class='summary paragraph-styling'><p>Jay DeFeo is the subject of a solo exhibition at the San Jose Museum of Art in San Jose, California, titled <em>Undersoul: Jay DeFeo.</em></p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/monica-bonvicini-at-belvedere-21'><img itemprop="image" alt='Monica Bonvicini at Belvedere 21' 951 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/e3c03c6e3d2b132d29050ed131b16dc0.jpeg' 952 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/e3c03c6e3d2b132d29050ed131b16dc0.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/e3c03c6e3d2b132d29050ed131b16dc0.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/monica-bonvicini-at-belvedere-21'> 953 Exhibition | Wein, Austria 954 </a></div><h1><a href='/news/monica-bonvicini-at-belvedere-21'> 955 Monica Bonvicini at Belvedere 21 956 </a></h1><h2>I CANNOT HIDE MY ANGER</h2><h3>June 27 - October 27, 2019</h3><div class='summary paragraph-styling'><p>Since the mid-1990s Monica Bonvicini has been exploring political, social, and institutional situations and their impact on society, as well as on the conditions of artistic production. Her work is direct, merciless, political, and not without a dry sense of humor. In the process, she focuses on the relationship between architecture, gender roles, control mechanisms, and devices of power. Bonvicini has a multimedia approach, using drawing, sculpture, installation, video, and photography. For the Belvedere 21—originally the Austrian pavilion at the World’s Fair in Brussels in 1958—she has developed a site-specific and space-consuming installation that reacts radically to Karl Schwanzer’s architecture. As such, it reflects male-dominated power structures, which are expressed just as much in the constructed space as in art history, politics and language.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-at-the-mcnay-art-museum'><img itemprop="image" alt='Jacolby Satterwhite at the McNay Art Museum' 957 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4b03e0b8dde07585b6824f0ffd2c4f4b.jpeg' 958 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4b03e0b8dde07585b6824f0ffd2c4f4b.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4b03e0b8dde07585b6824f0ffd2c4f4b.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-at-the-mcnay-art-museum'> 959 Exhibition | San Antonio, Texas 960 </a></div><h1><a href='/news/jacolby-satterwhite-at-the-mcnay-art-museum'> 961 Jacolby Satterwhite at the McNay Art Museum 962 </a></h1><h2>Transamerica/n: Gender, Identity, Appearance Today</h2><h3>June 20, 2019</h3><div class='summary paragraph-styling'><p>Transamerica/n: Gender, Identity, Appearance Today celebrates the authentic, beautiful, and vulnerable voices of contemporary, North American artists who express their true selves through a broad gender spectrum. Some of the artists identify as LGBTQ+, and some do not. The art in Transamerica/n
962speaks to family, community, self-discovery, and ultimately identity. Artists’ experiences are highlighted as part of the McNay’s dual commitment to artistic excellence and community impact. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-in-conversations-among-friends'><img itemprop="image" alt='Jacolby Satterwhite in Conversations: Among Friends' 963 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/0aa08630390d08cea7153241206e8060.png' 964 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-in-conversations-among-friends'> 965 Artist Talk | New York 966 </a></div><h1><a href='/news/jacolby-satterwhite-in-conversations-among-friends'> 967 Jacolby Satterwhite in Conversations: Among Friends 968 </a></h1><h2>The Museum of Modern Art</h2><h3>May 30, 2019</h3><div class='summary paragraph-styling'><p>Presented by The Friends of Education of The Museum of Modern Art, Conversations: Among Friends explores works of art as reflections of their political and social contexts. Inspired by the current exhibition New Order: Art and Technology in the Twenty-First Century, this panel will be moderated by Michelle Kuo, The Marlene Hess Curator of Painting and Sculpture.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-in-the-2019-white-columns-benefit-auction'><img itemprop="image" alt='Pope.L in the 2019 White Columns Benefit Auction' 969 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/459f250dc43d0cd50a2d6efb502f32e1.jpeg' 970 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/459f250dc43d0cd50a2d6efb502f32e1.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/459f250dc43d0cd50a2d6efb502f32e1.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-in-the-2019-white-columns-benefit-auction'> 971 Auction | New York 972 </a></div><h1><a href='/news/pope-l-in-the-2019-white-columns-benefit-auction'> 973 Pope.L in the 2019 White Columns Benefit Auction 974 </a></h1><h2>White Columns</h2><h3>May 29 at 6:30 pm</h3><div class='summary paragraph-styling'><p>Bid on Pope.L in the 2019 White Columns Benefit Auction. All proceeds benefit White Columns, New York's oldest alternative, non-profit space. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-in-the-cam-benefit-auction-2019'><img itemprop="image" alt='Pope.L in the CAM Benefit Auction 2019' 975 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d62a28fc0660005ed2fb9a916849e5a6.jpeg' 976 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d62a28fc0660005ed2fb9a916849e5a6.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d62a28fc0660005ed2fb9a916849e5a6.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-in-the-cam-benefit-auction-2019'> 977 Auction | St. Louis 978 </a></div><h1><a href='/news/pope-l-in-the-cam-benefit-auction-2019'> 979 Pope.L in the CAM Benefit Auction 2019 980 </a></h1><h2>The Contemporary Art Museum St. Louis</h2><h3>May 28 at 4:00 pm</h3><div class='summary paragraph-styling'><p>
980Bid on Pope.L in The Contemporary Art Museum St. Louis Benefit Auction 2019. CAM works to enrich lives and inspire curiosity, creativity, and learning through experiences with contemporary art. Proceeds directly benefit each participating artist and the Museum’s cutting-edge exhibition program and innovative education initiatives.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/eddie-martinez-in-amfar-gala-cannes-benefit-auction'><img itemprop="image" alt='Eddie Martinez in amfAR Gala Cannes Benefit Auction' 981 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cd821b1c03bad9ab751d9b3bfdaf2e42.jpeg' 982 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cd821b1c03bad9ab751d9b3bfdaf2e42.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cd821b1c03bad9ab751d9b3bfdaf2e42.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/eddie-martinez-in-amfar-gala-cannes-benefit-auction'> 983 Auction | France 984 </a></div><h1><a href='/news/eddie-martinez-in-amfar-gala-cannes-benefit-auction'> 985 Eddie Martinez in amfAR Gala Cannes Benefit Auction 986 </a></h1><h2>amfAR</h2><h3>May 23, 2019</h3><div class='summary paragraph-styling'><p>Eddie Martinez is included in the 2019 amfAR Gala Cannes to benefit amfAR, The Foundation for AIDS Research.</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Karl Haendel at The Flag Art Foundation' 987 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d16d336d2353ceaa966edb6202ead608.jpeg' 988 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d16d336d2353ceaa966edb6202ead608.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d16d336d2353ceaa966edb6202ead608.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 989 Exhibition | New York 990 </div><h1> 991 Karl Haendel at The Flag Art Foundation 992 </h1><h2>Drawn Together Again</h2><h3>February 23 - May 18, 2019</h3><div class='summary paragraph-styling'><p>Karl Haendel is included in the group exhibition <em>Drawn Together Again</em> at The Flag Art Foundation in New York.</p></div><div class='links in-text'><div class='file'><a href='http://flagartfoundation.org/exhibitions/drawn-together-again/' target="_blank">The Flag Art Foundation</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/video-martin-kersels-on-cover-story'><img itemprop="image" alt='Video: Martin Kersels on Cover Story' 993 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/de93f73469b08af45e1517674dad5b9c.jpeg' 994 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/de93f73469b08af45e1517674dad5b9c.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/de93f73469b08af45e1517674dad5b9c.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/video-martin-kersels-on-cover-story'> 995 News 996 </a></div><h1><a href='/news/video-martin-kersels-on-cover-story'> 997 Video: Martin Kersels on Cover Story 998 </a></h1><h2>Mitchell-Innes & Nash</h2><h3>April 11 â May 18, 2019</h3><div class='summary paragraph-styling'><p>Watch Martin Kersels discuss his second solo exhibition at Mitchell-Innes & Nash,<em> Cover Story</em>. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-slash-art'><img itemprop="image" alt='Martha Rosler at SLASH Art' 999 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b5a548ca96677702ffec63c479db0707.jpeg' 1000 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-slash-art'> 1001 Exhibition | San Francisco 1002 </a></div><h1><a href='/news/martha-rosler-at-slash-art'> 1003 Martha Rosler at SLASH Art 1004 </a></h1><h2>Martha Rosler / Eric Wesley</h2><h3>March 16 - May 5, 2019</h3><div class='summary paragraph-styling'><p>
1004Martha Rosler is featured in the two-person exhibition, <em>Martha Rosler / Eric Wesley,</em> at SLASH Art in San Francisco. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-at-whitechapel-gallery'><img itemprop="image" alt='Jacolby Satterwhite at Whitechapel Gallery' 1005 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/99856fc9ed5e4e854c8d5ebcf77a2ade.jpeg' 1006 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/99856fc9ed5e4e854c8d5ebcf77a2ade.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/99856fc9ed5e4e854c8d5ebcf77a2ade.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-at-whitechapel-gallery'> 1007 Exhibition | London 1008 </a></div><h1><a href='/news/jacolby-satterwhite-at-whitechapel-gallery'> 1009 Jacolby Satterwhite at Whitechapel Gallery 1010 </a></h1><h2>Is This Tomorrow?</h2><h3>February 14 â May 12, 2019</h3><div class='summary paragraph-styling'><p>Jacolby Satterwhite is included in the group exhibition <em>Is This Tomorrow?</em> at Whitechapel Gallery, London. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martin-kersels-performance-at-mitchell-innes-nash'><img itemprop="image" alt='Martin Kersels at Mitchell-Innes & Nash' 1011 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2e8e517f99918fd960ea0b54528de561.jpeg' 1012 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martin-kersels-performance-at-mitchell-innes-nash'> 1013 Performance | New York 1014 </a></div><h1><a href='/news/martin-kersels-performance-at-mitchell-innes-nash'> 1015 Martin Kersels performance at Mitchell-Innes & Nash 1016 </a></h1><h2>Monger</h2><h3>May 4, 2019 at 2:30 pm</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash is pleased to present a second performance of <em>Monger</em>, a new performance by Martin Kersels to accompany his current solo exhibition<em> Cover Story</em>.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/sarah-braman-at-the-mcevoy-foundation-for-the-arts-with-ellen-berkenblit'><img itemprop="image" alt='Sarah Braman at the McEvoy Foundation for the Arts with Ellen Berkenblit' 1017 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f1fe8a74ce7041158e0c06032c85e027.jpeg' 1018 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f1fe8a74ce7041158e0c06032c85e027.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f1fe8a74ce7041158e0c06032c85e027.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/sarah-braman-at-the-mcevoy-foundation-for-the-arts-with-ellen-berkenblit'> 1019 Exhibition | San Francisco 1020 </a></div><h1><a href='/news/sarah-braman-at-the-mcevoy-foundation-for-the-arts-with-ellen-berkenblit'> 1021 Sarah Braman at the McEvoy Foundation for the Arts with Ellen Berkenblit 1022 </a></h1><h2>True Blue Mirror</h2><h3>February 8 â May 4, 2019</h3><div class='summary paragraph-styling'><p><em>True Blue Mirror </em>is the premiere Bay Area exhibition for artists Ellen Berkenblit and Sarah Braman, featuring recent works by the prolific, mid-career artists and curated by Kevin Moore from the McEvoy Family Collection. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/mitchell-innes-nash-represents-gerasimos-floratos'><img itemprop="image" alt='Mitchell-Innes &amp; Nash Represents Gerasimos Floratos' 1023 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a867738ada3e2b7aad8bf7284987cde3.jpeg' 1024 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a867738ada3e2b7aad8bf7284987cde3.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a867738ada3e2b7aad8bf7284987cde3.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/mitchell-innes-nash-represents-gerasimos-floratos'> 1025 News 1026 </a></div><h1><a href='/news/mitchell-innes-nash-represents-gerasimos-floratos'> 1027 Mitchell-Innes & Nash Represents Gerasimos Floratos 1028 </a></h1><h3>April 2019</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash is pleased to announce representation of Gerasimos Floratos.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/mary-kelly-in-desert-x'><img itemprop="image" alt='Mary Kelly in Desert X' 1029 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/130a7fd18de6e6b8e695c86852a6c985.jpeg' 1030 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/130a7fd18de6e6b8e695c86852a6c985.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/130a7fd18de6e6b8e695c86852a6c985.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/mary-kelly-in-desert-x'> 1031 Biennial | Coachella Valley 1032 </a></div><h1><a href='/news/mary-kelly-in-desert-x'> 1033 Mary Kelly in Desert X 1034 </a></h1><h2>Peace is the Only Shelter</h2><h3>February 9 â April, 2019</h3><div class='summary paragraph-styling'><p>Mary Kelly’s site-specific project, curated by Matthew Schum for the Desert X Biennial, returns to the Cold War intervention of Women Strike for Peace, a group formed in 1961 to protest against nuclear weapons testing in the Mojave Desert. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/the-paintings-watercolors-and-drawings-of-paul-cezanne'><img itemprop="image" alt='The Paintings, Watercolors and Drawings of Paul Cezanne' 1035 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/354074937bf7cf9c1baa955c9bcdb2a4.png' 1036 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/the-paintings-watercolors-and-drawings-of-paul-cezanne'> 1037 Launch 1038 </a></div><h1><a href='/news/the-paintings-watercolors-and-drawings-of-paul-cezanne'> 1039 The Paintings, Watercolors and Drawings of Paul Cezanne 1040 </a></h1><h2>An online catalogue raisonné under the direction of Walter Feilchenfeldt, Jayne Warman and David Nash</h2><h3>January 19, 2019</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash is pleased to announce, on the 180th anniversary of Paul Cezanne’s birth, the launch of the artist’s complete online Catalogue Raisonné.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/bid-on-eddie-martinez-in-free-arts-nyc'><img itemprop="image" alt='Eddie Martinez Night Flight Study 2019' 1041 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ef9fc613fa9f1a155e1b0ec7a8b3b535.png' 1042 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ef9fc613fa9f1a155e1b0ec7a8b3b535.png 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ef9fc613fa9f1a155e1b0ec7a8b3b535.png 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/bid-on-eddie-martinez-in-free-arts-nyc'> 1043 Auction | New York 1044 </a></div><h1><a href='/news/bid-on-eddie-martinez-in-free-arts-nyc'> 1045 Bid on Eddie Martinez in Free Arts NYC 1046 </a></h1><h2>Artsy</h2><h3>Through April 25, 2019</h3><div class='summary paragraph-styling'><p>Bid on Eddie Martinez in the Free Arts NYC: Benefit Auction 2019. Free Arts NYC is an arts and mentoring nonprofit dedicated to providing New York City youth with access to the arts and creative careers.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/artist-talk-by-martha-rosler'><img itemprop="image" alt='Artist Talk by Martha Rosler' 1047 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/29c36dbab9ce5111d0fb5ceae4de9c36.jpeg' 1048 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/artist-talk-by-martha-rosler'> 1049 Artist Talk | San Francisco 1050 </a></div><h1><a href='/news/artist-talk-by-martha-rosler'> 1051 Artist Talk by Martha Rosler 1052 </a></h1><h2>Minnesota Street Project</h2><h3>April 18, 2019</h3><div class='summary paragraph-styling'><p>On the occasion of the exhibition Martha Rosler / Eric Wesley, / is honored to present an artist talk by Martha Rosler moderated by the San Francisco-based curator Tanya Zimbardo at Minnesota Street Project on Thursday, April 18, 2019 from 7 to 8:30 PM.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-school-of-the-art-institute-of-chicago'><img itemprop="image" alt='Martha Rosler at School of the Art Institute of Chicago' 1053 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/35d2c654efa966a184a9b08e243c87a1.png' 1054 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-school-of-the-art-institute-of-chicago'> 1055 Artist Talk | Chicago 1056 </a></div><h1><a href='/news/martha-rosler-at-school-of-the-art-institute-of-chicago'> 1057 Martha Rosler at School of the Art Institute of Chicago 1058 </a></h1><h2>The Art Institute of Chicago, Rubloff Auditorium</h2><h3>April 16, 2019</h3><div class='summary paragraph-styling'><p>Join Martha Rosler at School of the Art Institute of Chicago on Tuesday, April 16th at 6:00 pm. This event is free and open to the general public. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-at-red-bull-arts-new-york'><img itemprop="image" alt='Jacolby Satterwhite at Red Bull Arts New York' 1059 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d474774de3075adb63b3
10596a3f5ca07e03.jpeg' 1060 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d474774de3075adb63b36a3f5ca07e03.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d474774de3075adb63b36a3f5ca07e03.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-at-red-bull-arts-new-york'> 1061 Screening | New York 1062 </a></div><h1><a href='/news/jacolby-satterwhite-at-red-bull-arts-new-york'> 1063 Jacolby Satterwhite at Red Bull Arts New York 1064 </a></h1><h2>Reifying Desire 5 and Reifying Desire 6</h2><h3>April 5, 2019 at 7 pm</h3><div class='summary paragraph-styling'><p>Join us Friday, April 5 at 7 pm at Red Bull Arts New York for a screening of Jacolby Satterwhite’s <em>Reifying Desire 5</em> (2012) and <font face="Helvetica Neue, Helvetica, Arial, sans-serif"><i>Reifying Desire 6 </i>(2013)</font>. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/julian-stanczak-at-499-park-avenue'><img itemprop="image" alt='Julian Stanczak at 499 Park Avenue' 1065 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/9c194564b3a89770b8f480afa0d5453b.jpeg' 1066 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/9c194564b3a89770b8f480afa0d5453b.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/9c194564b3a89770b8f480afa0d5453b.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/julian-stanczak-at-499-park-avenue'> 1067 Exhibition | New York 1068 </a></div><h1><a href='/news/julian-stanczak-at-499-park-avenue'> 1069 Julian Stanczak at 499 Park Avenue 1070 </a></h1><h3>Currently on view</h3><div class='summary paragraph-styling'><p>A selection of Julian Stanczak's work is on view in the Lobby Gallery at 499 Park Avenue through September 13, 2019. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/uniquely-painted-eddie-martinez-silkscreens-to-support-mocad'><img itemprop="image" alt='Uniquely painted Eddie Martinez silkscreens to support MOCAD' 1071 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/028964698890089a28cc8b61cdc380ad.jpeg' 1072 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/028964698890089a28cc8b61cdc380ad.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/028964698890089a28cc8b61cdc380ad.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/uniquely-painted-eddie-martinez-silkscreens-to-support-mocad'> 1073 Edition 1074 </a></div><h1><a href='/news/uniquely-painted-eddie-martinez-silkscreens-to-support-mocad'> 1075 Uniquely painted Eddie Martinez silkscreens to support MOCAD 1076 </a></h1><h2>Blockheads for Detroit</h2><div class='summary paragraph-styling'><p>In anticipation of the upcoming exhibition <font face="Helvetica Neue, Helvetica, Arial, sans-serif"><i>Eddie Martinez: Fast Eddie</i></font> at the Museum of Contemporary Art Detroit on view May 10 – August 18, 2019, MOCAD is pleased to offer a silkscreen with hand painting produced in a limited edition to supporters of the exhibition. Each piece within the edition is uniquely worked, with materials ranging from enamel, oil paint, spray paint and collage elements. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-solange'><img itemprop="image" alt='Jacolby Satterwhite &amp; Solange' 1077 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d8d134e4728756ece77befaba97d5c1a.jpeg' 1078 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d8d134e4728756ece77befaba97d5c1a.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d8d134e4728756ece77befaba97d5c1a.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-solange'> 1079 News 1080 </a></div><h1><a href='/news/jacolby-satterwhite-solange'> 1081 Jacolby Satterwhite & Solange 1082 </a></h1><h2>Sounds of Rain</h2><h3>March 2019</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash congratulates Jacolby Satterwhite on his collaboration with Solange on her new visual album. Satterwhite directed, animated and performed in the video for <em>Sounds of Rain</em>, which can be viewed on Apple Music. </p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Martha Rosler in the Kochi-Muziris Biennale 2018' 1083 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1b1715bb73f7e287207105c3e04f50e2.jpeg' 1084 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1b1715bb73f7e287207105c3e04f50e2.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1b1715bb73f7e287207105c3e04f50e2.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 1085 Biennale | Kochi, India 1086 </div><h1> 1087 Martha Rosler in the Kochi-Muziris Biennale 2018 1088 </h1><h2>possibilities for a non-alienated life</h2><h3>December 12, 2018 â March 29, 2019</h3><div class='summary paragraph-styling'><p>Martha Rosler is included in the Kochi-Muziris Biennale 2018. </p></div><div class='links in-text'><div class='file'><a href='http://kochimuzirisbiennale.org/' target="_blank">Kochi-Muziris Biennale</a></div></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='GCC at Jameel Arts Centre' 1089 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cbbac2e010ede50c322778415a86e93b.jpeg' 1090 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cbbac2e010ede50c322778415a86e93b.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cbbac2e010ede50c322778415a86e93b.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 1091 Exhibition | Dubai 1092 </div><h1> 1093 GCC at Jameel Arts Centre 1094 </h1><h2>Crude</h2><h3>November 11, 2018 â March 23, 2019</h3><div class='summary paragraph-styling'><p>GCC is included in the group exhibition, <em>Crude</em>, at the Jameel Arts Centre in Dubai. </p></div><div class='links in-text'><div class='file'><a href='https://jameelartscentre.org/whats-on/crude/' target="_blank">Jameel Arts Centre</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-with-adam-pendleton-at-eva-presenhuber'><img itemprop="image" alt='Pope.L with Adam Pendleton at Eva Presenhuber' 1095 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/99c22c6310d5d8dbe958eb57a3bdd823.jpeg' 1096 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/99c22c6310d5d8dbe958eb57a3bdd823.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/99c22c6310d5d8dbe958eb57a3bdd823.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-with-adam-pendleton-at-eva-presenhuber'> 1097 Exhibition | Zurich 1098 </a></div><h1><a href='/news/pope-l-with-adam-pendleton-at-eva-presenhuber'> 1099 Pope.L with Adam Pendleton at Eva Presenhuber 1100 </a></h1><h2>No Thing</h2><h3>January 19 â March 16, 2019</h3><div class='summary paragraph-styling'><p>A two person exhibition with Pope.L and Adam Pendleton. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail">
1100<a href='/news/julian-stanczak-at-the-lwl-museum-of-art-and-culture'><img itemprop="image" alt='Julian Stanczak at the LWL Museum of Art and Culture' 1101 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/56030ea2da8e2e4238a31cacb824b8f4.jpeg' 1102 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/56030ea2da8e2e4238a31cacb824b8f4.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/56030ea2da8e2e4238a31cacb824b8f4.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/julian-stanczak-at-the-lwl-museum-of-art-and-culture'> 1103 Exhibition | Münster 1104 </a></div><h1><a href='/news/julian-stanczak-at-the-lwl-museum-of-art-and-culture'> 1105 Julian Stanczak at the LWL Museum of Art and Culture 1106 </a></h1><h2>Bauhaus and America. Experiments in Light and Motion</h2><h3>November 9, 2018 â March 10, 2019</h3><div class='summary paragraph-styling'><p>Julian Stanczak is included in <em>Bauhaus and America. Experiments in Light and Motion</em>, a group exhibition that focuses on artists who, after the Bauhaus was closed in 1933, emigrated to America to carry forward their ideas and experiments there. </p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Pope.L at the San José Museum of Art' 1107 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5a360b1a89002f097a3625f0bfe540fd.jpeg' 1108 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5a360b1a89002f097a3625f0bfe540fd.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5a360b1a89002f097a3625f0bfe540fd.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 1109 Exhibition | San José 1110 </div><h1> 1111 Pope.L at the San José Museum of Art 1112 </h1><h2>Other Walks, Other Lines</h2><h3>November 2, 2018 â March 10, 2019</h3><div class='summary paragraph-styling'><p>Pope.L is included in the group exhibition <em>Other Walks, Other Lines</em> at the San José Museum of Art. </p></div><div class='links in-text'><div class='file'><a href='https://sjmusart.org/upcoming-exhibitions' target="_blank">San Jose Museum of Art</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-the-jewish-museum3'><img itemprop="image" alt='Martha Rosler at The Jewish Museum' 1113 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/425f849c71d993f1712b4fdf467fe038.jpeg' 1114 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-the-jewish-museum3'> 1115 Exhibition | New York 1116 </a></div><h1><a href='/news/martha-rosler-at-the-jewish-museum3'> 1117 Martha Rosler at The Jewish Museum 1118 </a></h1><h2>Irrespective</h2><h3>November 2, 2018 â March 3, 2019</h3><div class='summary paragraph-styling'><p>This survey exhibition focuses on the influential artist Martha Rosler in the context of a decades-long practice that continues to evolve and react to the shifting contours of political life.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jessica-stockholder-at-the-contemporary-austin'><img itemprop="image" alt='Jessica Stockholder at The Contemporary Austin' 1119 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/68f88f04c981c3c0d4fb8d5037f5613b.jpeg' 1120 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/68f88f04c981c3c0d4fb8d5037f5613b.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/68f88f04c981c3c0d4fb8d5037f5613b.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jessica-stockholder-at-the-contemporary-austin'> 1121 Exhibition | Austin, TX 1122 </a></div><h1><a href='/news/jessica-stockholder-at-the-contemporary-austin'> 1123 Jessica Stockholder at The Contemporary Austin 1124 </a></h1><h2>Relational Aesthetics</h2><h3>September 15, 2018 â March 3, 2019</h3><div class='summary paragraph-styling'><p>Jessica Stockholder is the subject of a solo exhibition at the Jones Center at The Austin Contemporary, organized by Associate Curator Julia V. Hendrickson. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jay-defeo-in-by-women-for-tomorrow-s-women-auction'><img itemprop="image" alt='Jay DeFeo in By Women, For Tomorrow's Women Auction' 1125 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2fe390592ce32060e7b37e9e73046469.png' 1126 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2fe390592ce32060e7b37e9e73046469.png 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2fe390592ce32060e7b37e9e73046469.png 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jay-defeo-in-by-women-for-tomorrow-s-women-auction'> 1127 Benefit Auction | New York 1128 </a></div><h1><a href='/news/jay-defeo-in-by-women-for-tomorrow-s-women-auction'> 1129 Jay DeFeo in By Women, For Tomorrow's Women Auction 1130 </a></h1><h2>Sotheby's</h2><h3>Friday, March 1 at 9:30 am</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash and the Jay DeFeo Foundation are pleased to support <em>By Women, For Tomorrow's Women</em>, an auction of exclusively women artists organized by Miss Porter's School in Farmington, CT featuring a 1973 unique photograph by Jay DeFeo. All proceeds benefit the school and efforts to underscore the importance of women artists.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/mary-kelly-in-conversation-with-matthew-schum-amanda-hunt'><img itemprop="image" alt='Mary Kelly in conversation with Matthew Schum &amp; Amanda Hunt' 1131 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cd9f01cc74864493b587ab3d74abca81.jpeg' 1132 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cd9f01cc74864493b587ab3d74abca81.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cd9f01cc74864493b587ab3d74abca81.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/mary-kelly-in-conversation-with-matthew-schum-amanda-hunt'> 1133 Artist Talk | Palm Springs 1134 </a></div><h1><a href='/news/mary-kelly-in-conversation-with-matthew-schum-amanda-hunt'> 1135 Mary Kelly in conversation with Matthew Schum & Amanda Hunt 1136 </a></h1><h2>Annenberg Theater, Palm Springs Art Museum</h2><h3>Friday, March 1 at 4 pm</h3><div class='summary paragraph-styling'><p>In conjunction with the Palm Springs Art Museum, Desert X presents <em>Desert, Why?</em>, a weekend of programming that highlights both Desert X 2019 and Unsettled at the Palm Springs Art Museum. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/drawings-and-sculpture-at-1018-madison-avenue'><img itemprop="image" alt='Drawings and sculpture at 1018 Madison Avenue' 1137 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b22db5c5d7eefc1893eede70760ad368.jpeg' 1138 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b22db5c5d7eefc1893eede70760ad368.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b22db5c5d7eefc1893eede70760ad368.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/drawings-and-sculpture-at-1018-madison-avenue'> 1139 1018 Madison Avenue 1140 </a></div><h1><a href='/news/drawings-and-sculpture-at-1018-madison-avenue'> 1141 Drawings and sculpture at 1018 Madison Avenue 1142 </a></h1><h3>Currently on view</h3><div class='summary paragraph-styling'><p>To coincide with Master Drawings Week, Mitchell-Innes & Nash is pleased to present a selection of works on paper and sculpture now on view at our Madison Avenue location. Ranging from 1863 to 2017, the installation includes works by both modern masters and contemporary artists in the gallery's program. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-on-the-high-line'><img itemprop="image" alt='Pope.L on The High Line' 1143 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ab336f53d32b80a5242505dfd737d0ba.jpeg' 1144 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ab336f53d32b80a5242505dfd737d0ba.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ab336f53d32b80a5242505dfd737d0ba.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-on-the-high-line'> 1145 Exhibition | New York 1146 </a></div><h1><a href='/news/pope-l-on-the-high-line'> 1147 Pope.L on The High Line 1148 </a></h1><h2>chmera</h2><h3>Through March 2019</h3><div class='summary paragraph-styling'><p><span style="letter-spacing: 0.24px;">Mitchell-Innes & Nash is pleased to announce Pope.L’s participation in </span><em style="letter-spacing: 0.24px;">Agora</em><span style="letter-spacing: 0.24px;"> on the High Line</span><span style="letter-spacing: 0.24px;"> with the debut of </span><em style="letter-spacing: 0.24px;">chmera</em><span style="letter-spacing: 0.24px;"> located on the elevated park at Washington and West 13th Street.</sp
1148an></p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='General Idea at the Banff Centre for Arts and Creativity' 1149 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/6e6544d51abb88ecdf4613a9d1ebc14b.jpeg' 1150 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/6e6544d51abb88ecdf4613a9d1ebc14b.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/6e6544d51abb88ecdf4613a9d1ebc14b.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 1151 Exhibition | Banff, Canada 1152 </div><h1> 1153 General Idea at the Banff Centre for Arts and Creativity 1154 </h1><h2>Living Dead</h2><h3>November 23, 2018 â February 2019</h3><div class='summary paragraph-styling'><p>General Idea's 1982 film <em>Cornucopia</em> is included in the group exhibition, <em>Living Dead, </em>at the Banff Centre for Arts and Creativity. </p></div><div class='links in-text'><div class='file'><a href='https://www.banffcentre.ca/' target="_blank">Banff</a></div></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Paul Cézanne: Redux And Renewal Of His Catalogue Raisonné' 1155 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cff872a99a9cfea705cfcc0c1adc66a6.png' 1156 ></div><div class='info'><div class="list-detail-title"> 1157 by Clayton Press 1158 </div><h1> 1159 Paul Cézanne: Redux And Renewal Of His Catalogue Raisonné 1160 </h1><h2>Forbes</h2><h3>February 26, 2019</h3><div class='summary paragraph-styling'><p>Take the CR of Paul Cézanne, who lived between 1839 and 1906. The original CR was organized by Lionello Venturi and published in two volumes in 1936. It contained lists of over 1,000 works by the artist, along with 1,634 black and white illustrations, presented by medium (painting, watercolors, lithographs, etchings, and drawings) and organized more or less chronologically using Cézanne’s four major periods: Academic & Romantic, Impressionist, Constructive, and Synthetic. Most notably, the 1936 compendium also listed works that were missing, by whatever means.</p></div><div class='links in-text'><div class='file'><a href='/attachment/en/63936142fcaaf75aef06bd82/News/5c76d734fdc038705a69af87' target="_blank">Download PDF</a><a href='https://www.forbes.com/sites/claytonpress/2019/02/26/paul-cezanne-redux-and-renewal-of-his-catalogue-raisonne/#2911aa802c80' target="_blank">Forbes</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/eddie-martinez-at-the-bronx-museum-of-the-arts'><img itemprop="image" alt='Eddie Martinez at The Bronx Museum of the Arts' 1161 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/fec223b4f84722d46a9c71b6dc3bffaa.jpeg' 1162 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/eddie-martinez-at-the-bronx-museum-of-the-arts'> 1163 Exhibition | New York 1164 </a></div><h1><a href='/news/eddie-martinez-at-the-bronx-museum-of-the-arts'> 1165 Eddie Martinez at The Bronx Museum of the Arts 1166 </a></h1><h2>White Outs</h2><h3>November 14, 2018 â February 17, 2019</h3><div class='summary paragraph-styling'><p>
1166Eddie Martinez is the subject of a solo exhibtion at The Bronx Museum of the Arts, New York. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/keltie-ferris-at-the-speed-art-museum'><img itemprop="image" alt='Keltie Ferris at the Speed Art Museum' 1167 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/265bb28e07fcea8510ec901c7b63991d.jpeg' 1168 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/265bb28e07fcea8510ec901c7b63991d.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/265bb28e07fcea8510ec901c7b63991d.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/keltie-ferris-at-the-speed-art-museum'> 1169 Exhibition | Louisville, KY 1170 </a></div><h1><a href='/news/keltie-ferris-at-the-speed-art-museum'> 1171 Keltie Ferris at the Speed Art Museum 1172 </a></h1><h2>*O*P*E*N*</h2><h3>October 6, 2018 â February 3, 2018</h3><div class='summary paragraph-styling'><p>The Speed Art Museum presents a solo exhibition of paintings and works on paper by Keltie Ferris.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/watch-documentation-of-pope-l-s-the-escape-at-the-art-institute-of-chicago-until-january-29'><img itemprop="image" alt='Watch documentation of Pope.Lâs The Escape at The Art Institute of Chicago until January 29' 1173 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5104d1650b0cb0ebc62a07aedc181737.jpeg' 1174 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5104d1650b0cb0ebc62a07aedc181737.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5104d1650b0cb0ebc62a07aedc181737.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/watch-documentation-of-pope-l-s-the-escape-at-the-art-institute-of-chicago-until-january-29'> 1175 Performance documentation 1176 </a></div><h1><a href='/news/watch-documentation-of-pope-l-s-the-escape-at-the-art-institute-of-chicago-until-january-29'> 1177 Watch documentation of Pope.Lâs The Escape at The Art Institute of Chicago until January 29 1178 </a></h1><h3>Through January 29, 2019</h3><div class='summary paragraph-styling'><p>Video documentation of Pope.L's <em>The Escape</em>, an experimental restaging of one of the earliest extant pieces of African American dramatic literature: the 1859 play <em>The Escape; or, A Leap to Freedom</em> by the abolitionist and freed black slave William Wells Brown, will be available publicity for a limited time. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-hito-steyerl-at-kunstmuseum-basel'><img itemprop="image" alt='Martha Rosler &amp; Hito Steyerl at Kunstmuseum Basel' 1179 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ef4c22c3717b301d047f19f18a274dd7.jpeg' 1180 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ef4c22c3717b301d047f19f18a274dd7.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ef4c22c3717b301d047f19f18a274dd7.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-hito-steyerl-at-kunstmuseum-basel'> 1181 Exhibition | Basel 1182 </a></div><h1><a href='/news/martha-rosler-hito-steyerl-at-kunstmuseum-basel'> 1183 Martha Rosler & Hito Steyerl at Kunstmuseum Basel 1184 </a></h1><h2>War Games</h2><h3>May 5, 2018 â January 20, 2019</h3><div class='summary paragraph-styling'><p>The exhibition presents early and recent work by both artists in dialogue to highlight the thematic similarities in their work. </p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Karl Haendel at Collection Deutsche Bank' 1185 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/28bd36886d11ab3d6ff913a4c544afb3.png' 1186 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/28bd36886d11ab3d6ff913a4c544afb3.png 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/28bd36886d11ab3d6ff913a4c544afb3.png 2x" ></div><div class='info'><div class="list-detail-title"> 1187 Exhibition | Berlin 1188 </div><h1> 1189 Karl Haendel at Collection Deutsche Bank 1190 </h1><h2>The World on Paper</h2><h3>September 27, 2018 â January 7, 2019</h3><div class='summary paragraph-styling'><p>Karl Haendel is included in the group exhibition, <em>The World on Paper</em>, showcasing the Deutsche Bank Collection at the PalaisPopulaire, Berlin. </p></div><div class='links in-text'><div class='file'><a href='https://www.artinfo24.com/ausstellung/t-8462.html' target="_blank">View More</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/monica-bonvicini-and-pope-l-in-the-foundation-for-contemporary-arts-2018-benefit-exhibition'><img itemprop="image" alt='Monica Bonvicini and Pope.L in the Foundation for Contemporary Arts 2018 Benefit Exhibition' 1191 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f9d2fa28ffcfd1256b5c9dbec62a1932.jpeg' 1192 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f9d2fa28ffcfd1256b5c9dbec62a1932.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f9d2fa28ffcfd1256b5c9dbec62a1932.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/monica-bonvicini-and-pope-l-in-the-foundation-for-contemporary-arts-2018-benefit-exhibition'> 1193 Benefit Exhibition | New York 1194 </a></div><h1><a href='/news/monica-bonvicini-and-pope-l-in-the-foundation-for-contemporary-arts-2018-benefit-exhibition'> 1195 Monica Bonvicini and Pope.L in the Foundation for Contemporary Arts 2018 Benefit Exhibition 1196 </a></h1><h2>Adam McEwen Selects: Exhibition to Benefit the Foundation for Contemporary Arts</h2><h3>November 29 â December 15, 2018</h3><div class='summary paragraph-styling'><p>Monica Bonvicini and Pope.L are included in Foundation for Contemporary Art's sixteenth benefit exhibition, "Adam McEwen Selects: Exhibition to Benefit the Foundation for Contemporary Arts," on view November 29 through December 15 at Gladstone Gallery. All proceeds benefit FCA, the non-for-profit organization founded in 1963 by Jasper Johns and John Cage. </p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Jessica Stockholder at CCS Bard' 1197 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a558b8e7bd084df9c445738792faca3d.jpeg' 1198 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a558b8e7bd084df9c445738792faca3d.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a558b8e7bd084df9c445738792faca3d.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 1199 Exhibition | Annandale-On-Hudson, New York 1200 </div><h1> 1201 Jessica Stockholder at CCS Bard 1202 </h1><h2>The Conditions of Being Art: Pat Hearn Gallery & American Fine Arts, Co. (1983-2004)</h2><h3>June 23 â December 14, 2018</h3><div class='summary paragraph-styling'><p>Jessica Stockholder is included in the group show <em>The Conditions of Being Art: Pat Hearn Gallery & American Fine Arts, Co. (1983-2004</em>) at CCS Bard. </p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-in-conversation-with-masha-faurschou-and-francois-quintin-moderated-by-elvia-wilk'><img itemprop="image" alt='Jacolby Satterwhite in conversation with Masha Faurschou and François Quintin, moderated by Elvia Wilk' 1203 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8446e5c57141f4b8c00bdb46847183a0.jpeg' 1204 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8446e5c57141f4b8c00bdb46847183a0.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8446e5c57141f4b8c00bdb46847183a0.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-in-conversation-with-masha-faurschou-and-francois-quintin-moderated-by-elvia-wilk'> 1205 Artist Talk | Art Basel Miami Beach 1206 </a></div><h1><a href='/news/jacolby-satterwhite-in-conversation-with-masha-faurschou-and-francois-quintin-moderated-by-elvia-wilk'> 1207 Jacolby Satterwhite in conversation with Masha Faurschou and François Quintin, moderated by Elvia Wilk 1208 </a></h1><h2>Conversations | Artworld Talk | VR, Celebrity, and Innovation</h2><h3>December 7, 2018</h3><div class='summary paragraph-styling'><p>Friday, December 7, 4-5 pm<br /> 1209Miami Beach Convention Center | Auditorium, West Lobby <br /> 1210Open to the public and free of charge</p><p>Please join Jacolby Satterwhite in conversation with Masha Faurschou and François Quintin, moderated by Elvia Wilk. Virtual reality (VR) art is on the rise, offering audiences a new way to immerse themselves in artistic practices. For this talk, artists and experts come together to discu
1210ss the latest conceptual and technological developments in the field, and examine what makes a great VR artwork, as well as which artists are using the medium most skillfully.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-the-art-institute-of-chicago'><img itemprop="image" alt='Pope.L at the Art Institute of Chicago' 1211 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/48c3389989ba2615c0d5f25da6ac85a4.jpeg' 1212 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-the-art-institute-of-chicago'> 1213 Event | Chicago 1214 </a></div><h1><a href='/news/pope-l-at-the-art-institute-of-chicago'> 1215 Pope.L at the Art Institute of Chicago 1216 </a></h1><h2>The Escape</h2><h3>November 15 â December 6, 2018</h3><div class='summary paragraph-styling'><p>Pope.L’s <em>The Escape</em> is an experimental restaging of one of the earliest extant pieces of African American dramatic literature: the 1858 play <em>The Escape; or, A Leap to Freedom </em>by the abolitionist and freed black slave William Wells Brown. Through comedy and critique, Brown’s story charts the push and pull of sex, power, and black agency on a Southern plantation before the Civil War. Pope.L’s rendition deconstructs and reassembles fragments of the original play, agitating and transfiguring the material in the process.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/bid-on-pope-l-in-the-kitchen-benefit-art-auction'>
1216<img itemprop="image" alt='Bid on Pope.L in The Kitchen Benefit Art Auction' 1217 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cbf4f382c483a838c0bb31d3512d7665.jpeg' 1218 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cbf4f382c483a838c0bb31d3512d7665.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cbf4f382c483a838c0bb31d3512d7665.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/bid-on-pope-l-in-the-kitchen-benefit-art-auction'> 1219 Auction | New York 1220 </a></div><h1><a href='/news/bid-on-pope-l-in-the-kitchen-benefit-art-auction'> 1221 Bid on Pope.L in The Kitchen Benefit Art Auction 1222 </a></h1><h3>November 13, 2018</h3><div class='summary paragraph-styling'><p>Bid on Pope.L in The Kitchen Benefit Art Auction Tuesday, November 13, at The Kitchen</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='General Idea at Maureen Paley' 1223 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ad90ee92de5a4e2fe070c0bc355b51e8.jpeg' 1224 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ad90ee92de5a4e2fe070c0bc355b51e8.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ad90ee92de5a4e2fe070c0bc355b51e8.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 1225 Exhibition | London 1226 </div><h1> 1227 General Idea at Maureen Paley 1228 </h1><h2>AA Bronson + General Idea</h2><h3>September 30 â November 11, 2018</h3><div class='summary paragraph-styling'><p>General Idea is subject of a solo exhibition that marks fifty years since AA Bronson, Felix Partz and Jorge Zontal first met in 1968, initiating their collaboration as the Canadian collective General Idea the following year.</p></div><div class='links in-text'><div class='file'><a href='https://www.maureenpaley.com/exhibitions/aa-bronson?image=1' target="_blank">Maureen Paley</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-in-the-mit-2018-wasserman-forum-on-contemporary-art'><img itemprop="image" alt='Jacolby Satterwhite in the MIT 2018 Wasserman Forum on Contemporary Art' 1229 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f70cb8530f2017002b702361acbedd12.jpeg' 1230 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f70cb8530f2017002b702361acbedd12.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f70cb8530f2017002b702361acbedd12.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-in-the-mit-2018-wasserman-forum-on-contemporary-art'> 1231 Forum | Cambridge, MA 1232 </a></div><h1><a href='/news/jacolby-satterwhite-in-the-mit-2018-wasserman-forum-on-contemporary-art'> 1233 Jacolby Satterwhite in the MIT 2018 Wasserman Forum on Contemporary Art 1234 </a></h1><h2>Future Genders</h2><h3>November 10, 2018</h3><div class='summary paragraph-styling'><p>Jacolby Satterwhite will participate in MIT List Visual Art Center's 2018 Wasserman Forum on Contemporary Art: Future Genders. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-in-conversation-with-darsie-alexander-at-the-jewish-museum'><img itemprop="image" alt='Martha Rosler in Conversation with Darsie Alexander at the Jewish Museum' 1235 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8c604759446d2be9861300e0aac140be.jpeg' 1236 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8c604759446d2be9861300e0aac140be.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8c604759446d2be9861300e0aac140be.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-in-conversation-with-darsie-alexander-at-the-jewish-museum'> 1237 Artist Talk | New York 1238 </a></div><h1><a href='/news/martha-rosler-in-conversation-with-darsie-alexander-at-the-jewish-museum'> 1239 Martha Rosler in Conversation with Darsie Alexander at the Jewish Museum 1240 </a></h1><h2>Dialogue and Discourse</h2><h3>November 8, 2018</h3><div class='summary paragraph-styling'><p>Susan and Elihu Rose Chief Curator Darsie Alexander speaks with artist Martha Rosler on the occasion of her survey exhibition<em> Martha Rosler: Irrespective</em> at the Jewish Museum.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pat-o-neill-at-villa-arson-nice'><img itemprop="image" alt='Pat O'Neill at Villa Arson Nice' 1241 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b9495197416a224d20f7d4057a72385d.jpeg' 1242 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pat-o-neill-at-villa-arson-nice'> 1243 Exhibition | Nice 1244 </a></div><h1><a href='/news/pat-o-neill-at-villa-arson-nice'> 1245 Pat O'Neill at Villa Arson Nice 1246 </a></h1><h2>Los Angeles, les années cool / Judy Chicago</h2><h3>July 1 â November 4, 2018</h3><div class='summary paragraph-styling'><p>Pat O'Neill is included in the group show <em>Los Angeles, les anées cool / Judy Chicago</em> at Villa Arson in Nice. The exhibition is centered around Chicago and includes artworks by other west coast contemporaries. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/sarah-braman-at-umass-amherst'><img itemprop="image" alt='Sarah Braman at UMass Amherst' 1247 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3745911868c034288b4d39459aa9e5b9.jpeg' 1248 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3745911868c034288b4d39459aa9e5b9.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3745911868c034288b4d39459aa9e5b9.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/sarah-braman-at-umass-amherst'> 1249 Exhibition | Amherst, MA 1250 </a></div><h1><a href='/news/sarah-braman-at-umass-amherst'> 1251 Sarah Braman at UMass Amherst 1252 </a></h1><h2>XTCA: Cross Town Contemporary Art</h2><h3>July 1 â November 1, 2018</h3><div class='summary paragraph-styling'><p>Sarah Braman is included in <em>XTCA: Cross Town Contemporary Art</em>, an outdoor public art exhibition that seeks to reveal our interconnectedness as citizens and to highlight the gateway district between downtown Amherst and the University of Massachusetts. â</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Jay DeFeo at Aspen Art Museum' 1253 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a201d88782540558c951171ab55fbcb5.jpeg' 1254 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a201d88782540558c951171ab55fbcb5.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a201d88782540558c951171ab55fbcb5.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 1255 Exhibition | Aspen 1256 </div><h1> 1257 Jay DeFeo at Aspen Art Museum 1258 </h1><h2>The Ripple Effect</h2><h3>June 29 â October 28, 2018</h3><div class='links in-text'><div class='file'><a href='https://www.aspenartmuseum.org/exhibitions/145-jay-defeo-the-ripple-effect' target="_blank">Aspen Art Museum</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/bid-on-daniel-lefcourt-in-the-two-x-two-benefit-dinner-and-auction'><img itemprop="image" alt='Bid on Daniel Lefcourt in the Two x Two Benefit Dinner and Auction' 1259 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/89a4bbb5cab5e8aa10d76c70b6819c38.jpeg' 1260 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/89a4bbb5cab5e8aa10d76c70b6819c38.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/89a4bbb5cab5e8aa10d76c70b6819c38.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/bid-on-daniel-lefcourt-in-the-two-x-two-benefit-dinner-and-auction'> 1261 Auction | Dallas 1262 </a></div><h1><a href='/news/bid-on-daniel-lefcourt-in-the-two-x-two-benefit-dinner-and-auction'> 1263 Bid on Daniel Lefcourt in the Two x Two Benefit Dinner and Auction 1264 </a></h1><h2>For Aids and Art</h2><h3>October 27, 2018</h3><div class='summary paragraph-styling'><p>Bid on Daniel Lefcourt in the 20th aunnual benefit dinner and art auction hosted by Two x Two, now live through Fiday, October 26 at 5 pm CST </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/bid-on-pope-l-in-the-independent-curators-international-ici-2018-benefit-auction'>
1264<img itemprop="image" alt='Bid on Pope.L in the Independent Curators International (ICI) 2018 Benefit &amp; Auction' 1265 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/33c3f8424245f341c8c7899cfc8520f3.jpeg' 1266 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/33c3f8424245f341c8c7899cfc8520f3.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/33c3f8424245f341c8c7899cfc8520f3.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/bid-on-pope-l-in-the-independent-curators-international-ici-2018-benefit-auction'> 1267 Auction | New York 1268 </a></div><h1><a href='/news/bid-on-pope-l-in-the-independent-curators-international-ici-2018-benefit-auction'> 1269 Bid on Pope.L in the Independent Curators International (ICI) 2018 Benefit & Auction 1270 </a></h1><h3>October 23, 2018</h3><div class='summary paragraph-styling'><p>Bid on Pope.L in the Independent Curators International (ICI) 2018 Annual Benefit & Auction, now live on Artsy through October 23, 2018 at 10:30 pm EDT. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jessica-stockholder-included-in-another-world-charity-postcard-sale'><img itemprop="image" alt='Jessica Stockholder included in Another World charity postcard sale' 1271 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/9ec2e7680216701f261a5946325d9e6f.jpeg' 1272 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jessica-stockholder-included-in-another-world-charity-postcard-sale'> 1273 Charity Event | London 1274 </a></div><h1><a href='/news/jessica-stockholder-included-in-another-world-charity-postcard-sale'> 1275 Jessica Stockholder included in Another World charity postcard sale 1276 </a></h1><h2>Deutsche Bank Wealth Management</h2><h3>October 5, 2018 â October 15, 2018</h3><div class='summary paragraph-styling'><p>Jessica Stockholder is participating in an online postcard charity sale available through Monday, October 15, at 8 pm.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-at-the-portland-art-museum'><img itemprop="image" alt='Jacolby Satterwhite at the Portland Art Museum' 1277 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/af57e4df6984d8bcd54ba12dc0a0cbbc.jpeg' 1278 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/af57e4df6984d8bcd54ba12dc0a0cbbc.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/af57e4df6984d8bcd54ba12dc0a0cbbc.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-at-the-portland-art-museum'> 1279 Exhibition | Portland 1280 </a></div><h1><a href='/news/jacolby-satterwhite-at-the-portland-art-museum'> 1281 Jacolby Satterwhite at the Portland Art Museum 1282 </a></h1><h2>Between.</h2><h3>July 20 â October 14, 2018</h3><div class='summary paragraph-styling'><p>Jacolby Satterwhite is included in <em>BETWEEN</em>., the fourth installment of <em>We.Construct.Marvels.Between.Monuments.</em>, a series of five exhibitions highlighting artists working within the queer and trans diaspora.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/london-book-launch-and-reading-with-amal-khalaf-of-gcc'><img itemprop="image" alt='London book launch and reading with Amal Khalaf of GCC' 1283 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/24e14b5610d08e720827c6bc077fe72f.jpeg' 1284 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/24e14b5610d08e720827c6bc077fe72f.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/24e14b5610d08e720827c6bc077fe72f.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/london-book-launch-and-reading-with-amal-khalaf-of-gcc'> 1285 Book Launch | London 1286 </a></div><h1><a href='/news/london-book-launch-and-reading-with-amal-khalaf-of-gcc'> 1287 London book launch and reading with Amal Khalaf of GCC 1288 </a></h1><h2>Tenderbooks</h2><h3>October 31, 2018</h3><div class='summary paragraph-styling'><p>Join us for the launch of the new book series “ ” (quotation mark quotation mark) with an introduction and reading by series editors Adam Gibbons and Eva Wilson together with Amal Khalaf (of the artist collective GCC) on Saturday, October 13, at 5 pm.</p><p>Tenderbooks | 6 Cecil Court, London</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/josephine-nash-in-the-25-rising-power-players-who-will-run-the-art-market'><img itemprop="image" alt='Josephine Nash in The 25 Rising Power Players Who Will Run the Art Market' 1289 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/35b2e40c5b2549697b0a22abcaa9fc6b.png' 1290 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/josephine-nash-in-the-25-rising-power-players-who-will-run-the-art-market'> 1291 By Nate Freeman 1292 </a></div><h1><a href='/news/josephine-nash-in-the-25-rising-power-players-who-will-run-the-art-market'> 1293 Josephine Nash in The 25 Rising Power Players Who Will Run the Art Market 1294 </a></h1><h2>Artsy</h2><h3>October 3, 2018</h3><div class='summary paragraph-styling'><p>Josephine Nash is one of Artsy's "25 Rising Power Players Who Will Run the Art Market."</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-in-conversation-with-noam-segal'><img itemprop="image" alt='Pope.L in conversation with Noam Segal' 1295 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/e113d6f1e343e0c52c1ba3f73ee4d61f.jpeg' 1296 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/e113d6f1e343e0c52c1ba3f73ee4d61f.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/e113d6f1e343e0c52c1ba3f73ee4d61f.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-in-conversation-with-noam-segal'> 1297 Artist Talk | New York 1298 </a></div><h1><a href='/news/pope-l-in-conversation-with-noam-segal'> 1299 Pope.L in conversation with Noam Segal 1300 </a></h1><h2>534 west 26th Street</h2><h3>Wednesday, October 3 at 7:30 PM</h3><div class='summary paragraph-styling'><p>Please join us on Wednesday, October 3 for a conversation with Pope.L and Noam Segal at the gallery's Chelsea location. </p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Pope.L in Seattle' 1301 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3a3cc0e094ea08c65e26db31492931b1.jpeg' 1302 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3a3cc0e094ea08c65e26db31492931b1.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3a3cc0e094ea08c65e26db31492931b1.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 1303 Exhibition | Seattle 1304 </div><h1> 1305 Pope.L in Seattle 1306 </h1><h2>Becoming American</h2><h3>August 4 â September 30, 2018</h3><div class='summary paragraph-styling'><p>Pope.L is included in <em style="letter-spacing: 0.24px;">Becoming American, </em><span style="letter-spacing: 0.24px;">an international group exhibition curated by Fionn Meade and sited on the grounds of the American and English camps on San Juan Island, WA, and satellite venues in Seattle. </span></p></div><div class='links in-text'><div class='file'>
1306<a href='https://www.becomingamericanexhibition.com/' target="_blank">Becoming American</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/julian-stanczak-jessica-stockholder-included-in-the-front-international-cleveland-triennial-for-contemporary-art'><img itemprop="image" alt='Julian Stanczak &amp; Jessica Stockholder included in the FRONT International: Cleveland Triennial for Contemporary Art' 1307 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b6df1741e61072367ab0602c021439e5.jpeg' 1308 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b6df1741e61072367ab0602c021439e5.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b6df1741e61072367ab0602c021439e5.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/julian-stanczak-jessica-stockholder-included-in-the-front-international-cleveland-triennial-for-contemporary-art'> 1309 Trinnial | Cleveland 1310 </a></div><h1><a href='/news/julian-stanczak-jessica-stockholder-included-in-the-front-international-cleveland-triennial-for-contemporary-art'> 1311 Julian Stanczak & Jessica Stockholder included in the FRONT International: Cleveland Triennial for Contemporary Art 1312 </a></h1><h2>An American City: Eleven Cultural Exercises</h2><h3>July 14 â September 30, 2018</h3><div class='summary paragraph-styling'><p>Julian Stanczak and Jessica Stockholder are included in the FRONT International: Cleveland Triennial for Contemporary Art's first edition titled <i>An American City: Eleven Cultural Exercises, </i>running July 14, 2018 through September 30, 2018. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jacolby-satterwhite-at-asakusa'><img itemprop="image" alt='Jacolby Satterwhite at Asakusa' 1313 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/27f0d79e4c95f5a2e2bca3f595a3041d.jpeg' 1314 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jacolby-satterwhite-at-asakusa'> 1315 Exhibition | Tokyo 1316 </a></div><h1><a href='/news/jacolby-satterwhite-at-asakusa'> 1317 Jacolby Satterwhite at Asakusa 1318 </a></h1><h2>Coloured Bondage: Jacolby Satterwhite & Danshoku</h2><h3>September 1â24, 2018</h3><div class='summary paragraph-styling'><p>Jacolby Satterwhite presents a 3D animated video projection and panoramic picture scroll of the 14th century <em>danshoku </em>(homsexuality) at his solo exhibition at Asakusa in Tokyo, Japan.</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Martha Rosler at Fundação Serralves' 1319 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8ac73ac7ebb0cfc16e319759221224fb.jpeg' 1320 ></div><div class='info'><div class="list-detail-title"> 1321 Exhibition | Porto, Portugal 1322 </div><h1> 1323 Martha Rosler at Fundação Serralves 1324 </h1><h2>Zéro de Conduite: Works from the Serralves Collection</h2><h3>June 1 â September 9, 2018</h3><div class='summary paragraph-styling'><p>Martha Rosler's <em>Vital Statistics of a Citizen, Simply Obtained</em> is included in Serralves' current collection show <em>Zéro de Conduite</em>. </p></div><div class='links in-text'><div class='file'>
1324<a href='/attachment/en/63936142fcaaf75aef06bd82/News/5b5f3ca831d850132493190f' target="_blank">Download PDF</a><a href='https://www.serralves.pt/en/activities/zero-de-conduite-works-from-the-serralves-collection/' target="_blank">Serralves</a></div></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Jay DeFeo &amp; Pope.L at Secession' 1325 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/058c65a79f7dd77ddf3fe3d799302c3c.jpeg' 1326 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/058c65a79f7dd77ddf3fe3d799302c3c.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/058c65a79f7dd77ddf3fe3d799302c3c.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 1327 Exhibition | Vienna 1328 </div><h1> 1329 Jay DeFeo & Pope.L at Secession 1330 </h1><h2>Other Mechanisms</h2><h3>June 29 â September 2, 2018</h3><div class='summary paragraph-styling'><p>Jay DeFeo and Pope.L are included in the group exhibition <em>Other Mechanisms</em>, curated by Anthony Huberman, at Secession. </p></div><div class='links in-text'><div class='file'><a href='https://www.secession.at/en/exhibition/other-mechanisms/' target="_blank">Secession</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-the-carnegie-museum-of-art'><img itemprop="image" alt='Pope.L at the Carnegie Museum of Art' 1331 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1809272b66af66bc8952b479a4ea45ae.jpeg' 1332 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1809272b66af66bc8952b479a4ea45ae.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1809272b66af66bc8952b479a4ea45ae.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-the-carnegie-museum-of-art'> 1333 Exhibition | Pittsburgh 1334 </a></div><h1><a href='/news/pope-l-at-the-carnegie-museum-of-art'> 1335 Pope.L at the Carnegie Museum of Art 1336 </a></h1><h2>Crossroads: Carnegie Museum of Art's Collection, 1945 to Now</h2><h3>Currently on view</h3><div class='summary paragraph-styling'><p>Recently acquired by the museum, Pope.L's <em>Fountain (reparations version)</em> (2016-17) is now on view at the Carnegie Museum of Art in <font face="Helvetica Neue, Helvetica, Arial, sans-serif"><i>Crossroads</i>, curated by Eric Crosby. </font></p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-la-panacee'><img itemprop="image" alt='Pope.L at La Panacée' 1337 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/6b2605f58b06397d462f3eec8eda31a1.jpeg' 1338 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/6b2605f58b06397d462f3eec8eda31a1.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/6b2605f58b06397d462f3eec8eda31a1.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-la-panacee'> 1339 Solo Exhibition | Montpellier, France 1340 </a></div><h1><a href='/news/pope-l-at-la-panacee'> 1341 Pope.L at La Panacée 1342 </a></h1><h2>One thing after another</h2><h3>June 2 â August 26, 2018</h3><div class='summary paragraph-styling'><p>La Panacée presents Pope.L's first major solo exhibition in France, <em>One thing after another</em>, on view in Montpellier through August 26, 2018. The exhibition includes early and recent work, as well as a new site-responsive project, in which Pope.L questions our relationship to and structuring of logic and knowledge within an ongoing irreverence to social construction.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/gcc-at-hamburger-bahnhof-museum-fur-genenwart'><img itemprop="image" alt='GCC at Hamburger Bahnhof Museum für Genenwart' 1343 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/36f43953ec4a083b24dd09c166e93fbc.jpeg' 1344 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/36f43953ec4a083b24dd09c166e93fbc.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/36f43953ec4a083b24dd09c166e93fbc.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/gcc-at-hamburger-bahnhof-museum-fur-genenwart'> 1345 Exhibition | Berlin 1346 </a></div><h1><a href='/news/gcc-at-hamburger-bahnhof-museum-fur-genenwart'> 1347 GCC at Hamburger Bahnhof Museum für Genenwart 1348 </a></h1><h2>Hello World. Revising a Collection</h2><h3>April 28 â August 26, 2018</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash congratulates GCC on their inclusion in <em>Hello World. Revising a Collection</em> at Hamburger Banhof, on view now through August 26, 2018. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/bid-on-keltie-ferris-in-the-california-coalition-for-women-prisoners-2018-benefit-auction'><img itemprop="image" alt='Bid on Keltie Ferris in the California Coalition for Women Prisoners 2018 Benefit Auction' 1349 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d8c2458c340b7a53aa1a1131617faec1.jpeg' 1350 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d8c2458c340b7a53aa1a1131617faec1.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d8c2458c340b7a53aa1a1131617faec1.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/bid-on-keltie-ferris-in-the-california-coalition-for-women-prisoners-2018-benefit-auction'> 1351 Auction | Los Angeles 1352 </a></div><h1><a href='/news/bid-on-keltie-ferris-in-the-california-coalition-for-women-prisoners-2018-benefit-auction'> 1353 Bid on Keltie Ferris in the California Coalition for Women Prisoners 2018 Benefit Auction 1354 </a></h1><h2>Blum & Poe</h2><h3>August 18, 2018</h3><div class='summary paragraph-styling'><p>Bid on a work on paper Keltie Ferris in the California Coalition for Women Prisoners 2018 Benefit Auction August 15 through August 29, 2018.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-reading-and-conversation-at-the-underground-museum'><img itemprop="image" alt='Pope.L reading and conversation at The Underground Museum' 1355 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/28cd1740bc52a75aa29ee8297083bf68.jpeg' 1356 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-reading-and-conversation-at-the-underground-museum'> 1357 Artist Talk | Los Angeles 1358 </a></div><h1><a href='/news/pope-l-reading-and-conversation-at-the-underground-museum'> 1359 Pope.L reading and conversation at The Underground Museum 1360 </a></h1><h2>The Cypress</h2><h3>August 9, 2018</h3><div class='summary paragraph-styling'><p>X-TRA presents a reading of "The Cypress," an original short story by Pope.L commissioned for the X-TRA Artist Writes program. A conversation between the artist and curator Hamza Walker will follow. The program is hosted by The Underground Museum in Los Angeles. </p><p> </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/monica-bonvicini-in-new-glass-review-39'><img itemprop="image" alt='Monica Bonvicini in New Glass Review 39' 1361 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/933485363e82a60182267f2e9742b064.jpeg' 1362 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/monica-bonvicini-in-new-glass-review-39'> 1363 Book | New York 1364 </a></div><h1><a href='/news/monica-bonvicini-in-new-glass-review-39'> 1365 Monica Bonvicini in New Glass Review 39 1366 </a></h1><h2>Corning Museum of Glass</h2><h3>2018</h3><div class='summary paragraph-styling'><p>Monica Bonvicini's hot-sculpted glass sculpture, Bonded, was selected to be a part of the<em> New Glass Review 39</em></p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/mitchell-innes-nash-represents-jacolby-satterwhite'><img itemprop="image" alt='Mitchell-Innes &amp; Nash represents Jacolby Satterwhite' 1367 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1a443e80ddd3833dc1937b99116f5553.jpeg' 1368 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1a443e80ddd3833dc1937b99116f5553.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1a443e80ddd3833dc1937b99116f5553.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/mitchell-innes-nash-represents-jacolby-satterwhite'> 1369 News 1370 </a></div><h1><a href='/news/mitchell-innes-nash-represents-jacolby-satterwhite'> 1371 Mitchell-Innes & Nash represents Jacolby Satterwhite 1372 </a></h1><h3>July 2018</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash is pleased to announce representation of Jacolby Satterwhite. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/listen-to-jessica-stockholder-on-bad-at-sports'><img itemprop="image" alt='Listen to Jessica Stockholder on Bad at Sports' 1373 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4a45674552e9e6b3fbc9363e31dfd7a8.jpeg' 1374 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4a45674552e9e6b3fbc9363e31dfd7a8.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4a45674552e9e6b3fbc9363e31dfd7a8.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/listen-to-jessica-stockholder-on-bad-at-sports'> 1375 Podcast 1376 </a></div><h1><a href='/news/listen-to-jessica-stockholder-on-bad-at-sports'> 1377 Listen to Jessica Stockholder on Bad at Sports 1378 </a></h1><h3>July 24, 2018</h3><div class='summary paragraph-styling'><p>Listen to Jessica Stokcholder in conversatino with Duncan Mackenzie on the podcast, Bad at Sports. </p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Jay DeFeo at Galerie Frank Elbaz' 1379 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/e8ab8f8b22632fec324f8f2408c22a98.
1379jpeg' 1380 ></div><div class='info'><div class="list-detail-title"> 1381 Exhibition | Dallas 1382 </div><h1> 1383 Jay DeFeo at Galerie Frank Elbaz 1384 </h1><h2>Object Lessons: Jay DeFeo Works on Paper from the 1970s</h2><h3>April 5 â July 14, 2018</h3><div class='summary paragraph-styling'><p>Curated by Paul Galvez</p></div><div class='links in-text'><div class='file'><a href='http://www.galeriefrankelbaz.com/407/object-lessons-jay-defeo-works-on-paper-from-the-1970s' target="_blank">Galerie Frank Elbaz</a></div></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Jessica Stockholder at Sammlung Goetz' 1385 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/abe49872d87f5ff30714573ad0ebfbf2.jpeg' 1386 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/abe49872d87f5ff30714573ad0ebfbf2.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/abe49872d87f5ff30714573ad0ebfbf2.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 1387 Exhibition | Munich 1388 </div><h1> 1389 Jessica Stockholder at Sammlung Goetz 1390 </h1><h2>Generations Female Artists in Dialogue Part 1</h2><h3>February 22 â July 13, 2018</h3><div class='summary paragraph-styling'><p>The Sammlung Goetz celebrates its 25th anniversary in 2018 with a three-part exhibition dedicated to artistic creations by women. </p></div><div class='links in-text'><div class='file'><a href='https://www.sammlung-goetz.de/en/Exhibitions/current/Generations_1_en.htm' target="_blank">Sammlung Goetz</a></div></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Eddie Martinez in Beyond the Streets' 1391 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5b23a2957108312117ea525b2ac5f987.jpeg' 1392 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5b23a2957108312117ea525b2ac5f987.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5b23a2957108312117ea525b2ac5f987.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 1393 Exhibition | Los Angeles 1394 </div><h1> 1395 Eddie Martinez in Beyond the Streets 1396 </h1><h2>The Definitive Showcase of Graffiti & Street Art</h2><h3>May 6 â July 6, 2018</h3><div class='links in-text'><div class='file'><a href='https://www.beyondthestreets.com/' target="_blank">Beyond the Streets</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/aziz-alqatami-of-gcc-and-monica-bonvicini-in-the-16th-venice-architecture-biennale'><img itemprop="image" alt='Aziz Alqatami of GCC and Monica Bonvicini in the 16th Venice Architecture Biennale' 1397 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f642ff400eff46ac352e40c1088a782a.png' 1398 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f642ff400eff46ac352e40c1088a782a.png 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f642ff400eff46ac352e40c1088a782a.png 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/aziz-alqatami-of-gcc-and-monica-bonvicini-in-the-16th-venice-architecture-biennale'> 1399 Biennale | Venice 1400 </a></div><h1><a href='/news/aziz-alqatami-of-gcc-and-monica-bonvicini-in-the-16th-venice-architecture-biennale'> 1401 Aziz Alqatami of GCC and Monica Bonvicini in the 16th Venice Architecture Biennale 1402 </a></h1><h2>The Cruising Pavilion</h2><h3>May 24 â July 1, 2018</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash congratulates Atelier Aziz Alqatami of artist collective GCC and Monica Bonvicini on their inclusion in the 16th Venice Architecture Biennale. <span style="letter-spacing: 0.24px;">The pavilion calls into question hetero-normative considerations of architectural space.</span></p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/sarah-braman-keltie-ferris-and-eddie-martinez-in-the-2018-white-columns-benefit-auction'><img itemprop="image" alt='Sarah Braman, Keltie Ferris and Eddie Martinez in the 2018 White Columns Benefit Auction' 1403 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3928bfcee962e269f616eccca53befc9.jpeg' 1404 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3928bfcee962e269f616eccca53befc9.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3928bfcee962e269f616eccca53befc9.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/sarah-braman-keltie-ferris-and-eddie-martinez-in-the-2018-white-columns-benefit-auction'> 1405 Auction | New York 1406 </a></div><h1><a href='/news/sarah-braman-keltie-ferris-and-eddie-martinez-in-the-2018-white-columns-benefit-auction'> 1407 Sarah Braman, Keltie Ferris and Eddie Martinez in the 2018 White Columns Benefit Auction 1408 </a></h1><h2>White Columns</h2><h3>June 22 at 7 pm</h3><div class='summary paragraph-styling'><p>Bid on Sarah Braman, Keltie Ferris and Eddie Martinez in the 2018 White Columns Benefit Auction. All proceeds benefit White Columns, New York's oldest alternative, non-profit space. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/mary-kelly-on-bbc-four'><img itemprop="image" alt='Mary Kelly on BBC Four' 1409 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/acd3b0d670dd874e2178d7aedf6692ed.jpeg' 1410 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/acd3b0d670dd874e2178d7aedf6692ed.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/acd3b0d670dd874e2178d7aedf6692ed.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/mary-kelly-on-bbc-four'> 1411 News 1412 </a></div><h1><a href='/news/mary-kelly-on-bbc-four'> 1413 Mary Kelly on BBC Four 1414 </a></h1><h2>Rebel Women: The Great Art Fight Back</h2><h3>June 18, 2018</h3><div class='summary paragraph-styling'><p>BBC Four presents "Rebel Women: The Great Art Fight Back," broadcasting tonight at 10:30 pm (BST). Mary Kelly is one of fourteen artists interviewed, along with Carolee Schneemann, Alison Gingeras and Laurie Simmons, to tell the story of revolutionary women artists fighting for liberation in the late 1960s.</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Jessica Stockholder in Parcours at Art Basel' 1415 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5dd9af810ae3073876239b4c7435ef49.jpeg' 1416 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5dd9af810ae3073876239b4c7435ef49.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5dd9af810ae3073876239b4c7435ef49.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 1417 Art Fair | Basel 1418 </div><h1> 1419 Jessica Stockholder in Parcours at Art Basel 1420 </h1><h2>Three square on on the riverbank</h2><h3>June 14 â 17, 2018</h3><div class='summary paragraph-styling'><p>Jessica Stockholder presents a new site-specific project, <em>Three square on the riverbank</em>, for the 2018 iteration of Parcours for Art Basel. </p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Jessica Stockholder at the Palmer Museum of Art at Penn State University' 1421 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d4d6f61a230b2ddd8279e438bccff3c2.jpeg' 1422 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d4d6f61a230b2ddd8279e438bccff3c2.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d4d6f61a230b2ddd8279e438bccff3c2.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 1423 Exhibition | University Park, PA 1424 </div><h1> 1425 Jessica Stockholder at the Palmer Museum of Art at Penn State University 1426 </h1><h2>PLASTIC ENTANGLEMENTS: ECOLOGY, AESTHETICS, MATERIALS</h2><h3>February 13 â June 17, 2018</h3><div class='summary paragraph-styling'><p>Jessica Stockholder is included in the Palmer Museum of Art's group exhibition <em>Plastic Entanglements, </em>which brings together sixty works by thirty contemporary artists to explore the environmental, aesthetic, and technological entanglements of our ongoing love affair with this paradoxical, infinitely malleable substance.</p></div><div class='links in-text'><div class='file'><a href='https://palmermuseum.psu.edu/exhibitions/upcoming/plastic-entanglements-ecology-aesthetics-materials' target="_blank">Palmer Museum of Art</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/mitchell-innes-nash-represents-the-foundation-of-kiki-kogelnik'><img itemprop="image" alt='Mitchell-Innes &amp; Nash represents the Foundation of Kiki Kogelnik' 1427 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/e1e82f2cfb51fb409b5ce9f557faa6e4.jpeg' 1428 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/e1e82f2cfb51fb409b5ce9f557faa6e4.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/e1e82f2cfb51fb409b5ce9f557faa6e4.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/mitchell-innes-nash-represents-the-foundation-of-kiki-kogelnik'> 1429 News 1430 </a></div><h1><a href='/news/mitchell-innes-nash-represents-the-foundation-of-kiki-kogelnik'> 1431 Mitchell-Innes & Nash represents the Foundation of Kiki Kogelnik 1432 </a></h1><h3>June 2018</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash is pleased to announce representation of the Foundation of Kiki Kogelnik. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jessica-stockholder-in-the-regenstein-library-reading-room-at-the-university-of-chicago'><img itemprop="image" alt='Jessica Stockholder in the Regenstein Library Reading Room at the University of Chicago' 1433 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8f508ab113cef1c751874ed4f1f32ca0.jpeg' 1434 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8f508ab113cef1c751874ed4f1f32ca0.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8f508ab113cef1c751874ed4f1f32ca0.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jessica-stockholder-in-the-regenstein-library-reading-room-at-the-university-of-chicago'> 1435 Exhibition | Chicago 1436 </a></div><h1><a href='/news/jessica-stockholder-in-the-regenstein-library-reading-room-at-the-university-of-chicago'> 1437 Jessica Stockholder in the Regenstein Library Reading Room at the University of Chicago 1438 </a></h1><h2>Play on Surfaces & Surfing</h2><h3>May 17 â June 2, 2018</h3><div class='summary paragraph-styling'><p>Three works are installed in the library where they exist in and amongst other objects that they are similar to. Each of the works, <em>Sorrow</em>, <em>Keeping Abreast</em>, and <em>Ceded</em> takes as its staring point a generic desktop electronic device.</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Monica Bonvicini &amp; Martha Rosler at the National Museum of Women in the Arts' 1439 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/22bf85f72faa3d8639de467c8f65603e.jpeg' 1440 ></div><div class='info'><div class="list-detail-title"> 1441 Exhibition | Washington D.C. 1442 </div><h1> 1443 Monica Bonvicini & Martha Rosler at the National Museum of Women in the Arts 1444 </h1><h2>Women House</h2><h3>March 9 â May 28, 2018</h3><div class='summary paragraph-styling'><p>Featuring work by thirty-six global artists, <em>Women House</em> challenges conventional ideas about gender and the domestic space. The exhibition is inspired by the landmark project <em>Womanhouse</em>, developed in 1972 by Judy Chicago and Miriam Schapiro. With works that disrupted traditional ideas about the home as a feminine realm, <em>Womanhouse</em> was the first female-centered art installation to appear in the Western world. In the new exhibition, <em>Women House</em>, women artists from the 1960s to today examine the persistence of stereotypes about the house as a feminine space.</p><p><em>Women House</em> was organized by Monnaie de Paris, where it was exhibited from October 20, 2017 throuh January 28, 2018. </p></div><div class='links in-text'><div class='file'><a href='https://nmwa.org/exhibitions/women-house' target="_blank">NMWA</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/mary-kelly-at-the-new-hall-art-collection-at-the-univers
1444ity-of-cambridge'><img itemprop="image" alt='Mary Kelly at the New Hall Art Collection at the University of Cambridge' 1445 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/133504fe4210da6047a36e1e57f63310.jpeg' 1446 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/133504fe4210da6047a36e1e57f63310.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/133504fe4210da6047a36e1e57f63310.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/mary-kelly-at-the-new-hall-art-collection-at-the-university-of-cambridge'> 1447 Exhibition | Cambridge, UK 1448 </a></div><h1><a href='/news/mary-kelly-at-the-new-hall-art-collection-at-the-university-of-cambridge'> 1449 Mary Kelly at the New Hall Art Collection at the University of Cambridge 1450 </a></h1><h2>Nucleus: Mary Kellyâs Extase and the birth of a womenâs art collection</h2><h3>February 7 â May 28, 2018</h3><div class='summary paragraph-styling'><p style="letter-spacing: 0.24px;">Tea & coffee and collection tour: Thursday, February 8 from 3-5 pm</p><p style="letter-spacing: 0.24px;">The New Hall Art Collection presents an exhibition detailing Mary Kelly's time in Cambridge as artist in residence with Kettle's Yard. Kelly's work <em>Extase</em>, part of the series <em>Interim</em>, was the catalyst for the New Hall Art Collection, now the largest collection of modern and contemporary art by women in Europe. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jay-defeo-at-le-consortium'><img itemprop="image" alt='Jay DeFeo at Le Consortium' 1451 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/820f462021d1214ff60828de2a906bdd.jpeg' 1452 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/820f462021d1214ff60828de2a906bdd.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/820f462021d1214ff60828de2a906bdd.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jay-defeo-at-le-consortium'> 1453 Exhibition | Dijon 1454 </a></div><h1><a href='/news/jay-defeo-at-le-consortium'> 1455 Jay DeFeo at Le Consortium 1456 </a></h1><h2>The Ripple Effect</h2><h3>February 3 â May 25, 2018</h3><div class='summary paragraph-styling'><p>Jay DeFeo is the subject of a major survey exhibition, <em>The Ripple Effect</em>, at Le Consortium, Dijon. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/chris-johanson-johanna-jackson-edition-to-benefit-the-welcome-project'><img itemprop="image" alt='Chris Johanson &amp; Johanna Jackson edition to benefit the Welcome Project' 1457 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/24a318438a9158156cf6aa2388d347e3.jpeg' 1458 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/24a318438a9158156cf6aa2388d347e3.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/24a318438a9158156cf6aa2388d347e3.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/chris-johanson-johanna-jackson-edition-to-benefit-the-welcome-project'> 1459 Event | New York 1460 </a></div><h1><a href='/news/chris-johanson-johanna-jackson-edition-to-benefit-the-welcome-project'> 1461 Chris Johanson & Johanna Jackson edition to benefit the Welcome Project 1462 </a></h1><h3>May 16, 2018</h3><div class='summary paragraph-styling'><p style="letter-spacing: 0.24px;">Welcome Editions are limited edition art objects designed by nationally recognized artists and fabricated at least in part by the refugee and immigrant women of the Welcome Project. Chris Johanson and Johanna Jackson have created an edition of 75 w
1462oodblock printed denim capes and blankets, along with 50 woodblock prints on paper with the same design. </p><p style="letter-spacing: 0.24px;">Kim Hastreiter, Cheryl Dunn, Chris Johanson, Johanna Jackson and Josephine Nash invite you to join us at Mitchell-Innes & Nash on Wednesday, May 16 to purchase an edition. Light refreshments will be served. </p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='General Idea &amp; Martha Rosler at Hirshhorn Museum and Sculpture Garden' 1463 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d8437f16d9c69b2c7823b9a43af02a29.jpeg' 1464 ></div><div class='info'><div class="list-detail-title"> 1465 Exhibition | Washington D.C. 1466 </div><h1> 1467 General Idea & Martha Rosler at Hirshhorn Museum and Sculpture Garden 1468 </h1><h2>Brand New: Art and Commodity in the 1980s</h2><h3>February 14 â May 13, 2018</h3><div class='summary paragraph-styling'><p>Organized by Gianni Jetzer, the Hirshhorn’s curator-at-large, <em>Brand New</em> examines the origins and rise of the key group of artists in New York City’s East Village who first used the language and objects of commerce as a radical new approach to art making.</p></div><div class='links in-text'><div class='file'><a href='https://hirshhorn.si.edu/collection/upcoming-exhibitions/#detail=https%3A//hirshhorn.si.edu/bio/press-release-brand-new/' target="_blank">Hirschhorn Museum and Sculpture Garden</a></div></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Martha Rosler and Pope.L at Centro de Arte Dos de Mayo, Madrid' 1469 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d1f5c0c997f41e536044cd5cda729a67.jpeg' 1470 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d1f5c0c997f41e536044cd5cda729a67.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d1f5c0c997f41e536044cd5cda729a67.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 1471 Exhibition | Madrid 1472 </div><h1> 1473 Martha Rosler and Pope.L at Centro de Arte Dos de Mayo, Madrid 1474 </h1><h2>Elements of vogue. A Case Study in Radical Performance</h2><h3>November 17, 2017 â May 6, 2018</h3><div class='summary paragraph-styling'><p>Martha Rosler and Pope.L are included in the group exhibition <em>Elements of vogue. A Case Study in Radical Performance</em> at CA2M, Madrid. </p></div><div class='links in-text'><div class='file'><a href='http://ca2m.org/en/elements-of-vogue-a-case-study-of-radical-performance' target="_blank">CA2M</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jessica-stockholder-at-the-2018-aldrich-benefit-bash'><img itemprop="image" alt='Jessica Stockholder at The 2018 Aldrich Benefit Bash' 1475 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cda97e0243f8a8a61b956cfcd9c61265.jpeg' 1476 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cda97e0243f8a8a61b956cfcd9c61265.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cda97e0243f8a8a61b956cfcd9c61265.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jessica-stockholder-at-the-2018-aldrich-benefit-bash'> 1477 Benefit | Ridgefield, CT 1478 </a></div><h1><a href='/news/jessica-stockholder-at-the-2018-aldrich-benefit-bash'> 1479 Jessica Stockholder at The 2018 Aldrich Benefit Bash 1480 </a></h1><h3>April 21, 2018</h3><div class='summary paragraph-styling'><p>Join us at The 2018 Aldrich Benefit Bash on Saturday, April 21 from 7 to 10 pm, honoring Jessica Stockholder and chaired by Lucy Mitchell-Innes. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jessica-stockholder-to-the-american-academy-of-arts-and-sciences'><img itemprop="image" alt='Jessica Stockholder to the American Academy of Arts and Sciences' 1481 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/32f5d4b819038a0ac2e3bf9364b4156b.jpeg' 1482 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/32f5d4b819038a0ac2e3bf9364b4156b.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/32f5d4b819038a0ac2e3bf9364b4156b.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jessica-stockholder-to-the-american-academy-of-arts-and-sciences'> 1483 News 1484 </a></div><h1><a href='/news/jessica-stockholder-to-the-american-academy-of-arts-and-sciences'> 1485 Jessica Stockholder to the American Academy of Arts and Sciences 1486 </a></h1><h2>Visual Arts and Performing Arts - Criticism and Practice</h2><h3>April 2018</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash congratulates Jessica Stockholder on her inclusion in the 2018 Class of the American Academy of Arts and Sciences. </p><p> </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/eddie-martinez-and-brent-wadden-in-the-free-arts-nyc-benefit-auction-2018'><img itemprop="image" alt='Eddie Martinez and Brent Wadden in the Free Arts NYC: Benefit Auction 2018' 1487 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/18a51d9ba01d08e40c35d762274f2be1.jpeg' 1488 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/18a51d9ba01d08e40c35d762274f2be1.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/18a51d9ba01d08e40c35d762274f2be1.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/eddie-martinez-and-brent-wadden-in-the-free-arts-nyc-benefit-auction-2018'> 1489 Auction | New York 1490 </a></div><h1><a href='/news/eddie-martinez-and-brent-wadden-in-the-free-arts-nyc-benefit-auction-2018'> 1491 Eddie Martinez and Brent Wadden in the Free Arts NYC: Benefit Auction 2018 1492 </a></h1><h2>Artsy</h2><h3>Through April 11, 2018</h3><div class='summary paragraph-styling'><p>Bid on Eddie Martinez and Brent Wadden in the Free Arts NYC: Benefit Auction 2018. Free Arts NYC is an arts and mentoring nonprofit dedicated to providing New York City youth with access to the arts and creative careers.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/sarah-braman-at-mass-moca'><img itemprop="image" alt='Sarah Braman at MASS MoCA' 1493 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/05138bf1299fc9e94227b1676e183316.jpeg' 1494 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/05138bf1299fc9e94227b1676e183316.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/05138bf1299fc9e94227b1676e183316.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/sarah-braman-at-mass-moca'> 1495 Exhibition | North Adams, MA 1496 </a></div><h1><a href='/news/sarah-braman-at-mass-moca'> 1497 Sarah Braman at MASS MoCA 1498 </a></h1><h2>In the Abstract</h2><h3>May 6, 2017 â April 9, 2018</h3><div class='summary paragraph-styling'><p>Sarah Braman is included in MASS MoCA's exhibition, <em>In the Abstract. </em></p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Sarah Braman and Keltie Ferris at CANADA Gallery' 1499 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/27314480da0a5590e16cd6f7e0b02a25.jpeg' 1500 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/27314480da0a5590e16cd6f7e0b02a25.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/27314480da0a5590e16cd6f7e0b02a25.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 1501 Exhibition | New York 1502 </div><h1> 1503 Sarah Braman and Keltie Ferris at CANADA Gallery 1504 </h1><h2>Noon - One</h2><h3>February 24 â April 8, 2018</h3><div class='summary paragraph-styling'><p>Sarah Braman and Keltie Ferris are included in the group show, <em>Noon - One</em>, at CANADA Gallery, New York. </p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Pope.L joins NYU Institute of Fine Arts' Board of Trustees' 1505 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/83b7c00ce603be82dffd52a3d351d985.jpeg' 1506 ></div><div class='info'><div class="list-detail-title"> 1507 News 1508 </div><h1> 1509 Pope.L joins NYU Institute of Fine Arts' Board of Trustees 1510 </h1><h3>April 3, 2018</h3><div class='summary paragraph-styling'><p>Pope.L, along with Jennifer Russell and Rachel G. Wilf, is the newest member of the NYU Institute of Fine Arts' Board of Trustees. </p></div><div class='links in-text'><div class='file'><a href='http://www.nyu.edu/about/news-publications/news/2018/april/pope-l--jennifer-russell--and-rachel-g--wilf-join-nyu-institute-.html' target="_blank">NYU</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/toronto-book-launch-and-signing-with-aa-bronson-of-the-estate-of-general-idea'><img itemprop="image" alt='Toronto book launch and signing with AA Bronson of The Estate of General Idea' 1511 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7b34626a38554daf4e7df145fd4323c8.jpeg' 1512 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7b34626a38554daf4e7df145fd4323c8.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7b34626a38554daf4e7df145fd4323c8.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/toronto-book-launch-and-signing-with-aa-bronson-of-the-estate-of-general-idea'> 1513 Book Launch | Toronto 1514 </a></div><h1><a href='/news/toronto-book-launch-and-signing-with-aa-bronson-of-the-estate-of-general-idea'> 1515 Toronto book launch and signing with AA Bronson of The Estate of General Idea 1516 </a></h1><h2>Art Metropole</h2><h3>March 28, 2018</h3><div class='summary paragraph-styling'><p>Please join Art Metropole for a book launch and signing with AA Bronson of The Estate of General Idea on Wednesday, March 28 from 7 to 9 pm at the Gladstone Hotel, Toronto. </p><p>Gladstone Hotel, 2nd Floor Gallery, 1214 Queen Street W, Toronto </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/talk-with-amanda-ross-ho'><img itemprop="image" alt='Talk with Amanda Ross-Ho' 1517 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/0d8ecd74d6fd08703b76a4541e81ca73.jpeg' 1518 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/talk-with-amanda-ross-ho'> 1519 Artist Talk | New York 1520 </a></div><h1><a href='/news/talk-with-amanda-ross-ho'> 1521 Talk with Amanda Ross-Ho 1522 </a></h1><h2>Public Art Fund Talks at The New School</h2><h3>March 27, 2018</h3><div class='summary paragraph-styling'><p>Join us for a talk with Amanda Ross-Ho at The New School on Tuesday, March 27 at 6:30 pm. The artist will discuss appropriation and dissemination of images, focusing on her most recent public works. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/brent-wadden-at-contemporary-art-gallery-vancouver'><img itemprop="image" alt='Brent Wadden at Contemporary Art Gallery, Vancouver' 1523 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d15e3fb25acdda5c74e0244da9cac83c.jpeg' 1524 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d15e3fb25acdda5c74e0244da9cac83c.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d15e3fb25acdda5c74e0244da9cac83c.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/brent-wadden-at-contemporary-art-gallery-vancouver'> 1525 Exhibition | Vancouver 1526 </a></div><h1><a href='/news/brent-wadden-at-contemporary-art-gallery-vancouver'> 1527 Brent Wadden at Contemporary Art Gallery, Vancouver 1528 </a></h1><h2>Two Scores</h2><h3>January 12 â March 25, 2018</h3><div class='summary paragraph-styling'><p><em>Two Scores</em> is a solo exhibition of ambitious new work by Vancouver-based artist Brent Wadden, his first in a public institution. Presented across both spaces, Two Scores is dominated by singular woven statements upon the floor and walls. In their dramatic scale and graphic simplicity, they mark a point of departure for the artist, but might also be said to reveal both an unseen structure and a complex set of tensions that quietly anchor Wadden’s ongoing practice as a whole.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/gcc-in-the-room-at-art-dubai'><img itemprop="image" alt='GCC in The Room at Art Dubai' 1529 src='h
1529ttps://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ecdea992682eac97286f7b1e17d68f7a.png' 1530 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ecdea992682eac97286f7b1e17d68f7a.png 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ecdea992682eac97286f7b1e17d68f7a.png 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/gcc-in-the-room-at-art-dubai'> 1531 Art Fair | Dubai 1532 </a></div><h1><a href='/news/gcc-in-the-room-at-art-dubai'> 1533 GCC in The Room at Art Dubai 1534 </a></h1><h2>GOOD MORNING GCC (.ØµØ¨Ø§Ø Ø§ÙØ®Ùر جÙ. سÙ. سÙ)</h2><h3>March 20 â 23, 2018</h3><div class='summary paragraph-styling'><p>Titled <em>GOOD MORNING GCC (.ØµØ¨Ø§Ø Ø§ÙØ®Ùر جÙ. سÙ. سÙ</em>), this year’s edition of The Room will recreate a live TV show on site, using the tropes of daytime talk shows commonly featured on TV stations across the Arab world as an anchor for the programming, which will include daily segments such as fashion, cooking and health.</p><p><span style="letter-spacing: 0.24px;">From Wednesday, March 20 – Friday, March 23, GCC’s TV studio set on Fort Island will serve as the background for a series of after-hours parties, featuring a line-up of internationally renowned DJ’s. The night events/segments will take place under the title GCC After Dark.</span></p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Jay DeFeo at the Mills College Art Museum' 1535 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/deca680e6a00d77d25c25aa1620541b4.jpeg' 1536 ></div><div class='info'><div class="list-detail-title"> 1537 Exhibition | Oakland, California 1538 </div><h1> 1539 Jay DeFeo at the Mills College Art Museum 1540 </h1><h2>Jennifer Brandon & Jay DeFeo</h2><h3>January 17 â March 11, 2018</h3><div class='summary paragraph-styling'><p>The exhibition presents new work by Bay Area photographer Jennifer Brandon, shown in conjunction with rarely seen photocopies and photographs by groundbreaking visual artist Jay DeFeo. </p></div><div class='links in-text'><div class='file'><a href='https://mcam.mills.edu/exhibitions/upcoming.php#upcex5' target="_blank">Mills College of Art</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/talk-and-book-signing-with-aa-bronson-of-the-estate-of-general-idea'><img itemprop="image" alt='Talk and Book Signing with AA Bronson of The Estate of General Idea' 1541 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/80a5058067a2afef3b7a5cad5a28ae6b.png' 1542 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/80a5058067a2afef3b7a5cad5a28ae6b.png 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/80a5058067a2afef3b7a5cad5a28ae6b.png 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/talk-and-book-signing-with-aa-bronson-of-the-estate-of-general-idea'> 1543 Artist Talk | New York 1544 </a></div><h1><a href='/news/talk-and-book-signing-with-aa-bronson-of-the-estate-of-general-idea'> 1545 Talk and Book Signing with AA Bronson of The Estate of General Idea 1546 </a></h1><h2>Printed Matter</h2><h3>March 10, 2018</h3><div class='summary paragraph-styling'><p>Please join us for a special talk and book signing with AA Bronson of The Estate of General Idea on Saturday, March 10 at 4 pm. Kindl
1546y RSVP to <a href="mailto:[email protected]">[email protected]</a> as space is limited. </p><p><span style="letter-spacing: 0.24px;">Printed Matter | 231 Eleventh Avenue, New York</span></p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/gcc-at-the-james-gallery-the-graduate-center-cuny'><img itemprop="image" alt='GCC at The James Gallery, The Graduate Center, CUNY' 1547 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ca8d10c277ddb84a31e8bcb596ad2b21.jpeg' 1548 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ca8d10c277ddb84a31e8bcb596ad2b21.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ca8d10c277ddb84a31e8bcb596ad2b21.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/gcc-at-the-james-gallery-the-graduate-center-cuny'> 1549 Exhibition | New York 1550 </a></div><h1><a href='/news/gcc-at-the-james-gallery-the-graduate-center-cuny'> 1551 GCC at The James Gallery, The Graduate Center, CUNY 1552 </a></h1><h2>Belief in the Power of Believe</h2><h3>January 25 â March 10, 2018</h3><div class='summary paragraph-styling'><p>GCC is the subject of a solo exhibition, <em>Belief in the Power of Believe</em>, at The James Gallery, The Gradaute Center, CUNY. </p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='General Idea at Fondation Louis Vuitton' 1553 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/aea638b48fa5a2574e117d55c4b82402.jpeg' 1554 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/aea638b48fa5a2574e117d55c4b82402.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/aea638b48fa5a2574e117d55c4b82402.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 1555 Exhibition | Paris 1556 </div><h1> 1557 General Idea at Fondation Louis Vuitton 1558 </h1><h2>Being Modern: MoMA in Paris</h2><h3>October 11, 2017 â March 5, 2017</h3><div class='summary paragraph-styling'><p>The Museum of Modern Art, New York and Fondation Louis Vuitton announce the first exhibition in France to present MoMA's unparalleled collection. A selection of rarely shown documentary material from MoMA's archives will be incorporated in the galleries, tracing the history of the Museum and contextualizing the works. </p></div><div class='links in-text'><div class='file'><a href='http://www.fondationlouisvuitton.fr/en/expositions/exposition-moma0.html' target="_blank">Fondation Louis Vuitton</a></div></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='General Idea at Centraal Museum, Utrecht' 1559 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2978b71ccf268727f811624888ada67c.jpeg' 1560 ></div><div class='info'><div class="list-detail-title"> 1561 Exhibition | Utrecht, The Netherlands 1562 </div><h1> 1563 General Idea at Centraal Museum, Utrecht 1564 </h1><h2>Bye Bye De Stijl</h2><h3>December 16, 2017 â March 4, 2018</h3><div class='summary paragraph-styling'><p>The year 2017 marked 100 years of De Stijl. This renowned modern art movement has been presented and celebrated in a series of exhibitions across the country, and Centraal Museum is presenting a final exhibition to round off this nation-wide manifestation. This exhibition is devoted to works by contemporary artists, from the 1990s until today, for whom the iconic
1564works by Rietveld and Mondriaan are something to mock or to emulate, to interpret or to elaborate on.</p></div><div class='links in-text'><div class='file'><a href='http://centraalmuseum.nl/en/visit/exhibitions/bye-bye-de-stijl/' target="_blank">Centraal Museum</a></div></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Martha Rosler at University of California, San Diego' 1565 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8a73111f3f51efc374fd255bba069140.jpeg' 1566 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8a73111f3f51efc374fd255bba069140.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8a73111f3f51efc374fd255bba069140.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 1567 Exhibition | San Diego 1568 </div><h1> 1569 Martha Rosler at University of California, San Diego 1570 </h1><h2>Stories That We Tell: Art and Identity</h2><h3>January 18 - March 3, 2018</h3><div class='summary paragraph-styling'><p>Celebrating the 50th anniversary of its founding, the UC San Diego Visual Arts Department is presenting a series of retrospective exhibitions at the University Art Gallery (UAG), located in the Mandeville Complex on the UCSD campus. The goal of the two-year series is to open a dialogue on the past and possible future of the department and to reconsider its role in the community and the art world at large.</p></div><div class='links in-text'><div class='file'><a href='http://calendar.ucsd.edu/event/stories-that-we-tell-art-and-identity/' target="_blank">AUG UCSD</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/watch-pope-l-in-make-t-something-for-t-magazine'><img itemprop="image" alt='Watch Pope.L in Make T Something for T Magazine' 1571 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/6eab3f5ab2bcaaffc3b99866233856d3.png' 1572 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/6eab3f5ab2bcaaffc3b99866233856d3.png 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/6eab3f5ab2bcaaffc3b99866233856d3.png 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/watch-pope-l-in-make-t-something-for-t-magazine'> 1573 News 1574 </a></div><h1><a href='/news/watch-pope-l-in-make-t-something-for-t-magazine'> 1575 Watch Pope.L in Make T Something for T Magazine 1576 </a></h1><h2>By United Labor</h2><h3>March 2, 2018</h3><div class='summary paragraph-styling'><p>Using only a few select materials, Pope.L creates something – and turns it into a performance form beginning to end. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/walk-through-of-jay-defeo-with-dana-miller'><img itemprop="image" alt='Walk through of Jay DeFeo with Dana Miller' 1577 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f0a4824004408bbff3d00115670d37c8.jpeg' 1578 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f0a4824004408bbff3d00115670d37c8.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f0a4824004408bbff3d00115670d37c8.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/walk-through-of-jay-defeo-with-dana-miller'> 1579 Walk Through | New York 1580 </a></div><h1><a href='/news/walk-through-of-jay-defeo-with-dana-miller'> 1581 Walk through of Jay DeFeo with Dana Miller 1582 </a></h1><h2>Outrageous Fortune: Jay DeFeo and Surrealism</h2><h3>March 1 at 5 PM</h3><div class='summary paragraph-styling'><p>Please join us for a special walk through with Dana Miller, whose essay is featured in the exhibition catalogue, on Thursday, March 1 at 5 PM in advance of the opening from 6 to 8 PM at our Chelsea location. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jay-defeo-at-ica-miami'><img itemprop="image" alt='Jay DeFeo at ICA Miami' 1583 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cdcd0ed607cc7b4915c2e89af8f69ea6.jpeg' 1584 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cdcd0ed607cc7b4915c2e89af8f69ea6.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cdcd0ed607cc7b4915c2e89af8f69ea6.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jay-defeo-at-ica-miami'> 1585 Exhibition | Miami 1586 </a></div><h1><a href='/news/jay-defeo-at-ica-miami'> 1587 Jay DeFeo at ICA Miami 1588 </a></h1><h2>The Everywhere Studio</h2><h3>December 1, 2017 â February 26, 2018</h3><div class='summary paragraph-styling'><p>The Institute of Contemporary Art, Miami will open its new permanent home with a major group exhibition exploring the significance of the artist’s studio, from the post-war period to the present day.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/monica-bonvicini-at-berlinische-galerie-museum-of-modern-art'><img itemprop="image" alt='Monica Bonvicini at Berlinische Galerie Museum of Modern Art' 1589 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ce9acdbb8d225a7ad5ab666b13cc24f5.jpeg' 1590 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ce9acdbb8d225a7ad5ab666b13cc24f5.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ce9acdbb8d225a7ad5ab666b13cc24f5.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/monica-bonvicini-at-berlinische-galerie-museum-of-modern-art'> 1591 Exhibition | Berlin 1592 </a></div><h1><a href='/news/monica-bonvicini-at-berlinische-galerie-museum-of-modern-art'> 1593 Monica Bonvicini at Berlinische Galerie Museum of Modern Art 1594 </a></h1><h2>3612,54 M³ VS 0,05 M³</h2><h3>September 16, 2017 â February 26, 2018</h3><div class='summary paragraph-styling'><p>Conceived for the large exhibition hall of the Berlinische Galerie Museum of Modern Art, Bonvicini's installation amongst other things investigates the term facade and its function. The show runs parallel to the 15th Istanbul Biennale in
1594which the artist is also participating and features elements from both cities - Berlin and Istanbul.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-moca-la'><img itemprop="image" alt='Martha Rosler at MOCA LA' 1595 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d0e7ab13fcf244770347c48c6930109c.png' 1596 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d0e7ab13fcf244770347c48c6930109c.png 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d0e7ab13fcf244770347c48c6930109c.png 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-moca-la'> 1597 Lecture | Los Angeles 1598 </a></div><h1><a href='/news/martha-rosler-at-moca-la'> 1599 Martha Rosler at MOCA LA 1600 </a></h1><h2>Feminism and the State: Art, Politics, and Resistance</h2><h3>Saturday, February 24, 2018</h3><div class='summary paragraph-styling'><p><em>Feminism and the State: Art, Politics, and Resistance</em> is a symposium organized by The Feminist Art Project (TFAP), Rutgers, The State University of New Jersey, and presented as a part of the 2018 College Art Association Conference. The TFAP symposium will open space for a discussion of art and art history that sheds light on historical precedents and paths for feminist resistance, with a special focus on methodologies pressing at the limits of art history. Artist Martha Rosler will deliver the keynote address.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jay-defeo-pope-l-at-the-wattis-institute-for-contemporary-arts'><img itemprop="image" alt='Jay DeFeo &amp; Pope.L at the Wattis Institute for Contemporary Arts' 1601 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ac35a90334d0902ac395d4f82e62511e.jpeg' 1602 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ac35a90334d0902ac395d4f82e62511e.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ac35a90334d0902ac395d4f82e62511e.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jay-defeo-pope-l-at-the-wattis-institute-for-contemporary-arts'> 1603 Exhibition | San Fransisco 1604 </a></div><h1><a href='/news/jay-defeo-pope-l-at-the-wattis-institute-for-contemporary-arts'> 1605 Jay DeFeo & Pope.L at the Wattis Institute for Contemporary Arts 1606 </a></h1><h2>Mechanisms</h2><h3>October 12, 2017 - February 24, 2018</h3><div class='summary paragraph-styling'><p>Jay DeFeo and Pope.L are included in the Wattis Instutute for Contemporary Arts' exhibition, <em>Mechanisms</em>. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/amanda-ross-ho-at-dodd-galleries-at-university-of-georgia'><img itemprop="image" alt='Amanda Ross-Ho at Dodd Galleries at University of Georgia' 1607 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/188b91721161fbc214cdbe730daa75a4.jpeg' 1608 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/amanda-ross-ho-at-dodd-galleries-at-university-of-georgia'> 1609 Exhibition | Athens, Georgia 1610 </a></div><h1><a href='/news/amanda-ross-ho-at-dodd-galleries-at-university-of-georgia'> 1611 Amanda Ross-Ho at Dodd Galleries at University of Georgia 1612 </a></h1><h2>THIS IS A DEVELOPING STORY</h2><h3>January 26 â February 23, 2018</h3><div class='summary paragraph-styling'><p>Amanda Ross-Ho presents a new exhibition for the Dodd Galleries comprised of video, sculpture and textiles. Continuing her ongoing interest in the recursive ecologies of observed phenomena, sites of production, and individual versus collective experience, THIS IS A DEVELOPING STORY combines amplified forms into a theatrical tableau.</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Pope.L at Ãcole nationale supérieure des beaux-arts de Lyon' 1613 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d585c3d7c9ce27847078cf7387d832d5.jpeg' 1614 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d585c3d7c9ce27847078cf7387d832d5.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d585c3d7c9ce27847078cf7387d832d5.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 1615 Exhibition | Lyon 1616 </div><h1> 1617 Pope.L at Ãcole nationale supérieure des beaux-arts de Lyon 1618 </h1><h2>Citizen Collision â contre l'architecture</h2><h3>January 18 â February 10, 2018</h3><div class='summary paragraph-styling'><p>
1618Pope.L is included in the group exhibtion <em>Citizen Collision <span style="font-size: 12px;">– contre l'architecture</span>, </em>curated by Simon Bergala, at <span style="font-size: 12px;">École nationale supérieure des beaux-arts de Lyon. </span></p></div><div class='links in-text'><div class='file'><a href='/attachment/en/63936142fcaaf75aef06bd82/News/5a5f9fa9a9db50d92f5c7bd2' target="_blank">Download PDF</a><a href='https://www.ensba-lyon.fr/actualite_citizen-collision-contre-l-architecture-bergala' target="_blank">Ãcole nationale supérieure des beaux-arts de Lyon</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/monica-bonvicini-martha-rosler-at-monnaie-de-paris'><img itemprop="image" alt='Monica Bonvicini &amp; Martha Rosler at Monnaie de Paris' 1619 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1fb6bc3a3c0ce59ffb409c9a2848fbba.jpeg' 1620 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1fb6bc3a3c0ce59ffb409c9a2848fbba.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1fb6bc3a3c0ce59ffb409c9a2848fbba.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/monica-bonvicini-martha-rosler-at-monnaie-de-paris'> 1621 Exhibition | Paris 1622 </a></div><h1><a href='/news/monica-bonvicini-martha-rosler-at-monnaie-de-paris'> 1623 Monica Bonvicini & Martha Rosler at Monnaie de Paris 1624 </a></h1><h2>Women House</h2><h3>October 20, 2017 â January 28, 2018</h3><div class='summary paragraph-styling'><p><em>Women House </em>is the meeting of two notions: a gender - the female - and a space - the domestic one. Architecture and public space have been masculine while the domestic space was for a long time the prison or the shelter of women: this historical evidence is nevertheless not a fatality and the exhibition <em>Women House </em>shows this. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/eddie-martinez-at-the-drawing-center'><img itemprop="image" alt='Eddie Martinez at The Drawing Center' 1625 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b01ca0f8c84fac81d5138aeed5351423.jpeg' 1626 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b01ca0f8c84fac81d5138aeed5351423.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b01ca0f8c84fac81d5138aeed5351423.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/eddie-martinez-at-the-drawing-center'> 1627 Exhibition | New York 1628 </a></div><h1><a href='/news/eddie-martinez-at-the-drawing-center'> 1629 Eddie Martinez at The Drawing Center 1630 </a></h1><h2>Studio Wall</h2><h3>October 13, 2017 - January 21, 2018</h3><div class='summary paragraph-styling'><p>The Drawing Center’s forthcoming exhibition <em>Eddie Martinez: Studio Wall</em>, will bring the drawing wall to the museum. The artist will paper the gallery with thousands of sketches that he will change throughout the exhibition’s run. In addition, several large drawings and paintings will be hung on top of these sketches allowing viewers to observe the interconnection between all aspects of Martinez’s practice.</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Pope.L at Williams College Museum of Art' 1631 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/6f86b5a0fd0999801231c886dc30ae81.jpeg' 1632 ></div><div class='info'><div class="list-detail-title"> 1633 Exhibition | Williamstown, Massachusetts 1634 </div><h1> 1635 Pope.L at Williams College Museum of Art 1636 </h1><h2>Active Ingredients: Prompts, Props, Performance</h2><h3>October 20, 2017 â January 7, 2018</h3><div class='summary paragraph-styling'><p>At the Williams College Museum of Art (WCMA) <em>Active Ingredients: Prompts, Props, Performance</em> flips the script on the performativity of art objects and the objectness of human performers. This two-part show consists of both a theatrical event and a gallery-based exhibition. Together, the two parts reverse the common distinction of performance as “live” and art objects as “dead.”</p></div><div class='links in-text'><div class='file'><a href='https://wcma.williams.edu/active-ingredients-prompts-props-
1636performance/' target="_blank">WCMA</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-logan-center-gallery-at-the-art-institute-of-chicago'><img itemprop="image" alt='Pope.L at Logan Center Gallery at the Art Institute of Chicago' 1637 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/377d82b29375e5cd2807d76f1f3dfefa.jpeg' 1638 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/377d82b29375e5cd2807d76f1f3dfefa.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/377d82b29375e5cd2807d76f1f3dfefa.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-logan-center-gallery-at-the-art-institute-of-chicago'> 1639 Exhibition | Chicago 1640 </a></div><h1><a href='/news/pope-l-at-logan-center-gallery-at-the-art-institute-of-chicago'> 1641 Pope.L at Logan Center Gallery at the Art Institute of Chicago 1642 </a></h1><h2>Brown People Are the Wrens in the Parking Lot</h2><h3>November 10, 2017 â January 7, 2018</h3><div class='summary paragraph-styling'><p><em>Brown People Are the Wrens in the Parking Lot</em> was intitated by artist and University of Chicago Department of VIsual Arts Faculty member Pope.L, and facilitated by faculty, students, staff and community members of the Reva and David Logan Center for the Arts to reflect on issues of connectedness, home and immigration. The exhibition is on view from November 10, 2017 through January 7, 2018 in the Logan Center Gallery and gathers various ephemera from the campaign as well as serves as a space for open conversation, relaxation and reflection.</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Brent Wadden at Beeler Gallery at the Columbus College of Art &amp; Design' 1643 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1be480d7b9d25f75732d5aeb7300d9c4.jpeg' 1644 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1be480d7b9d25f75732d5aeb7300d9c4.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1be480d7b9d25f75732d5aeb7300d9c4.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 1645 Exhibition | Columbus, Ohio 1646 </div><h1> 1647 Brent Wadden at Beeler Gallery at the Columbus College of Art & Design 1648 </h1><h2>STITCH</h2><h3>August 22, 2017 - January 2, 2018</h3><div class='summary paragraph-styling'><p>Brent Wadden is included in Beeler Gallery at the Columbus College of Art & Design's group exhibition <em>STITCH</em>. </p></div><div class='links in-text'><div class='file'><a href='http://beelergallery.org/stitch/' target="_blank">Beeler Gallery</a></div></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Justine Kurland: Portraits of Hard Living in America' 1649 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/59e78cedcf4215872712a196c69d0b46.png' 1650 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/59e78cedcf4215872712a196c69d0b46.png 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/59e78cedcf4215872712a196c69d0b46.png 2x" ></div><div class='info'><div class="list-detail-title"> 1651 Essay 1652 </div><h1> 1653 Justine Kurland: Portraits of Hard Living in America 1654 </h1><h2>
1654Topic</h2><h3>2017</h3><div class='summary paragraph-styling'><p>As part of Topic's Federal Project No. 2: Re-examining America, Justine Kurland on Fulton, New York is published alongside Walker Evans on Altanta, Georgia from 1936. </p></div><div class='links in-text'><div class='file'><a href='https://www.topic.com/fp2/portraits-of-hard-living-in-america' target="_blank">Topic</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/leigh-ledare-at-the-art-institute-of-chicago'><img itemprop="image" alt='Leigh Ledare at the Art Institute of Chicago' 1655 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f4eee67024cda55ce9bd4df6c0ccfcda.jpeg' 1656 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f4eee67024cda55ce9bd4df6c0ccfcda.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f4eee67024cda55ce9bd4df6c0ccfcda.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/leigh-ledare-at-the-art-institute-of-chicago'> 1657 Exhibition | Chicago 1658 </a></div><h1><a href='/news/leigh-ledare-at-the-art-institute-of-chicago'> 1659 Leigh Ledare at the Art Institute of Chicago 1660 </a></h1><h2>Leigh Ledare: The PlotâRuttenberg Contemporary Photography Series</h2><h3>September 9 â December 31, 2017</h3><div class='summary paragraph-styling'><p>At the center of this exhibition is <em>The Task</em>—a film directed by Ledare during a three-day conference that he organized in Chicago that was structured according to the Tavistock method—a project that involved recruiting 30 participants, securing the collaboration of 10 psychologists trained in the method, and directing a film crew.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/sarah-braman-at-linn-luhn-dusseldorf'>
1660<img itemprop="image" alt='Sarah Braman at Linn Lühn, Düsseldorf' 1661 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/441193b8622d577c22165ff32ac3623c.jpeg' 1662 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/441193b8622d577c22165ff32ac3623c.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/441193b8622d577c22165ff32ac3623c.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/sarah-braman-at-linn-luhn-dusseldorf'> 1663 Exhibition | Düsseldorf 1664 </a></div><h1><a href='/news/sarah-braman-at-linn-luhn-dusseldorf'> 1665 Sarah Braman at Linn Lühn, Düsseldorf 1666 </a></h1><h2>In Spite of Ourselves</h2><h3>November 17 - December 22, 2017</h3><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/amanda-ross-ho-at-tramway'><img itemprop="image" alt='Amanda Ross-Ho at Tramway' 1667 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4807b0f6766767bfc08fde2ff9f7e20c.jpeg' 1668 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4807b0f6766767bfc08fde2ff9f7e20c.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4807b0f6766767bfc08fde2ff9f7e20c.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/amanda-ross-ho-at-tramway'> 1669 Exhibition | Glasgow 1670 </a></div><h1><a href='/news/amanda-ross-ho-at-tramway'> 1671 Amanda Ross-Ho at Tramway 1672 </a></h1><h2>UNTITLED PERIOD PIECE</h2><h3>November 10 â December 20, 2017</h3><div class='summary paragraph-styling'><p><em>UNTITLED PERIOD PIECE</em> is Ross-Ho’s first solo exhibition in the United Kingdom and was originally commissioned by Bonner Kunstverein, Germany and Vleeshal, Middelburg. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/eddie-martinez-at-the-davis-museum-at-wellesley-college'><img itemprop="image" alt='Eddie Martinez at The Davis Museum at Wellesley College' 1673 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/91ccd8abb390c251bc0733ee4ae43edf.jpeg' 1674 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/91ccd8abb390c251bc0733ee4ae43edf.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/91ccd8abb390c251bc0733ee4ae43edf.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/eddie-martinez-at-the-davis-museum-at-wellesley-college'> 1675 Exhibition | Wellesley, Massachusetts 1676 </a></div><h1><a href='/news/eddie-martinez-at-the-davis-museum-at-wellesley-college'> 1677 Eddie Martinez at The Davis Museum at Wellesley College 1678 </a></h1><h2>Ants at a Picknic</h2><h3>September 19 - December 17, 2017</h3><div class='summary paragraph-styling'><p>Eddie Martinez: <em>Ants at a Picknic</em> is the artist's first museum solo exhibition. The installation includes a suite of seven new large-scale “mandala” paintings, accompanied by a range of table-top painted bronze sculptures and large graphite drawings.</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Pope.L at KADIST' 1679 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/fd071e7f5515f17f3a3c4d9458b6061b.jpeg' 1680 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/fd071e7f5515f17f3a3c4d9458b6061b.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/fd071e7f5515f17f3a3c4d9458b6061b.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 1681 Exhibition | San Francisco 1682 </div><h1> 1683 Pope.L at KADIST 1684 </h1><h2>If Not Apollo, the Breeze</h2><h3>October 11 â December 16, 2017</h3><div class='summary paragraph-styling'><p><em>If Not Apollo, the Breeze, </em>curated by Jordan Stein, takes the literary history of the ancient oracle at Delphi as its starting point to explore the irrational, ambiguous, infallible, portentous, performative, hallucinatory, and predictive. Like the oracle itself, the exhibition presents a series of coded messages that address a future that is both hard to discern and right under our feet, like a road. Nine artists and one underground newspaper are included.</p></div><div class='links in-text'><div class='file'><a href='http://kadist.org/program/if-not-apollo-the-breeze/' target="_blank">KADIST</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail">
1684<a href='/news/martha-rosler-at-hessel-museum-of-art-at-bard-college'><img itemprop="image" alt='Martha Rosler at Hessel Museum of Art at Bard College' 1685 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8644a003b7fc8541e5096f2e75e196c6.jpeg' 1686 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8644a003b7fc8541e5096f2e75e196c6.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8644a003b7fc8541e5096f2e75e196c6.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-hessel-museum-of-art-at-bard-college'> 1687 Exhibition | Annandale-On-Hudson, New York 1688 </a></div><h1><a href='/news/martha-rosler-at-hessel-museum-of-art-at-bard-college'> 1689 Martha Rosler at Hessel Museum of Art at Bard College 1690 </a></h1><h2>Picture Industry</h2><h3>June 24 - December 15, 2017</h3><div class='summary paragraph-styling'><p>Martha Rosler is included in the Hessel Museum of Art's exhibition <font face="HelveticaNeueItalic"><i>Picture Industry</i>. </font></p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/sarah-braman-chris-johanson-and-eddie-martinez-in-merge-records-auctions'><img itemprop="image" alt='Sarah Braman, Chris Johanson and Eddie Martinez in Merge Records Auctions' 1691 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/e4e88cc38018f0348313c5f8a470a255.jpeg' 1692 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/sarah-braman-chris-johanson-and-eddie-martinez-in-merge-records-auctions'> 1693 Benefit Auction 1694 </a></div><h1><a href='/news/sarah-braman-chris-johanson-and-eddie-martinez-in-merge-records-auctions'> 1695 Sarah Braman, Chris Johanson and Eddie Martinez in Merge Records Auctions 1696 </a></h1><h2>Paddle8</h2><h3>Online bidding closes Thursday, December 14 at 5pm</h3><div class='summary paragraph-styling'><p>Bid on Sarah Braman, Chris Johanson and Eddie Martinez in the Merge Records Auction. All proceeds benefit the Southern Poverty Law Center and their initiatives to fight hate and bigotry. Along with the original artwork, auction winners will receive an exclusive signed vinyl record by Merge's flagship band Superchunk. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/getty-research-institute-acquires-archive-of-mary-kelly'><img itemprop="image" alt='Getty Research Institute Acquires Archive of Mary Kelly' 1697 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/72654f5cd2ae917b7b69a9a7887ebbc0.jpeg' 1698 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/72654f5cd2ae917b7b69a9a7887ebbc0.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/72654f5cd2ae917b7b69a9a7887ebbc0.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/getty-research-institute-acquires-archive-of-mary-kelly'> 1699 News 1700 </a></div><h1><a href='/news/getty-research-institute-acquires-archive-of-mary-kelly'> 1701 Getty Research Institute Acquires Archive of Mary Kelly 1702 </a></h1><h3>December 13, 2017</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash congratulates Mary Kelly on the acquisition of her archive by the Getty Research Institute in Los Angeles. The archive not only includes research, documentation and ephemera related to works created between 1968 and 2014 but also Kelly’s collections of Marxist, feminist, and political journals, pamphlets and flyers collected during her time in London and Beirut. Notable projects include <em>Post-Partum Document</em> (1973-79), <em>Interim</em> (1984-89) and <em>Gloria Patri</em> (1992). All documentation will be catalogued and made available to the public by the Institute. </p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Jessica Stockholder at Fine Arts Center Gallery at University of Arkansas' 1703 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a787afa457b7f061ef83dfe288ee5c14.jpeg' 1704 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a787afa457b7f061ef83dfe288ee5c14.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a787afa457b7f061ef83dfe288ee5c14.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 1705 Exhibition | Fayetteville, Arkansas 1706 </div><h1> 1707 Jessica Stockholder at Fine Arts Center Gallery at University of Arkansas 1708 </h1><h2>Contra</h2><h3>November 6 â December 10, 2017</h3><div class='summary paragraph-styling'><p>Jessica Stockholder is included in the Fine Arts Center Gallery's group exhibition <em>Contra. </em></p></div><div class='links in-text'><div class='file'><a href='http://www.fnargallery.com/pastexhibitions/#/contra/' target="_blank">Fine Arts Center Gallery</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-in-conversation-with-jeremy-deller-at-the-new-museum'><img itemprop="image" alt='Martha Rosler in conversation with Jeremy Deller at The New Museum' 1709 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f9327273a3a3864f4adc9545c1e07007.jpeg' 1710 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-in-conversation-with-jeremy-deller-at-the-new-museum'> 1711 Artist Talk | New York 1712 </a></div><h1><a href='/news/martha-rosler-in-conversation-with-jeremy-deller-at-the-new-museum'> 1713 Martha Rosler in conversation with Jeremy Deller at The New Museum 1714 </a></h1><h2>Whoâs Afraid of the New Now?: 40 Artists in Dialogue</h2><h3>December 3, 2017 at 11 AM</h3><div class='summary paragraph-styling'><p>Borrowing its title from a work of the same name by Allen Ruppersberg—who had his first New York survey at the New Museum in 1985—the event features a selection of public conversations with artists whose exhibitions, works, and interventions have shaped and transformed the identity and history of the New Museum. Engaging in dialogue with each other, the forty artists will discuss an array of topics related to their practice, their history with the Museum, and beyond.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/feminism-s-practical-past'><img itemprop="image" alt='Feminism's Practical Past' 1715 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4e92566a71ea84b169be1e2d36300123.jpeg' 1716 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4e92566a71ea84b169be1e2d36300123.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4e92566a71ea84b169be1e2d36300123.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/feminism-s-practical-past'> 1717 Roundtable discussion | New York 1718 </a></div><h1><a href='/news/feminism-s-practical-past'> 1719 Feminism's Practical Past 1720 </a></h1><h2>
1720Roundtable discussion with Mary Kelly</h2><h3>November 10, 2017</h3><div class='summary paragraph-styling'><p><span style="font-size: 12px; letter-spacing: 0.24px;">A roundtable discussion considering how memory shapes precedents for intersectional feminism in the present with Mary Kelly, Emily Apter, Sonia Louise Davis, Renee Green, Trista Mallory and Aliza Shvarts, moderated by Courtney Willis Blair in conjunction with the exhibition </span><em style="font-size: 12px; letter-spacing: 0.24px;">Mary Kelly:</em><span style="font-size: 12px; letter-spacing: 0.24px;"> </span><em style="font-size: 12px; letter-spacing: 0.24px;">The Practical Past</em><span style="font-size: 12px; letter-spacing: 0.24px;">.</span></p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='General Idea, Mary Kelly and Martha Rosler at the Whitney Museum of American Art' 1721 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/72a3d7135e828d3693e747922cf22143.jpeg' 1722 ></div><div class='info'><div class="list-detail-title"> 1723 Exhibition | New York 1724 </div><h1> 1725 General Idea, Mary Kelly and Martha Rosler at the Whitney Museum of American Art 1726 </h1><h2>An Incomplete History of Protest: Selections from the Whitneyâs Collection, 1940â2017</h2><h3>August 18, 2017 -</h3><div class='summary paragraph-styling'><p>General Idea, Mary Kelly and Martha Rosler are included in the Whitney Museum's <em>An Incomplete History of Protest: Selections from the Whitney’s Collection, 1940–2017â. </em></p></div><div class='links in-text'><div class='file'><a href='http://whitney.org/Exhibitions/AnIncompleteHistoryOfProtest' target="_blank">The Whitney Museum</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/sarah-braman-keltie-ferris-and-eddie-martinez-in-friends-for-puerto-rico-benefit-auction'><img itemprop="image" alt='Sarah Braman, Keltie Ferris and Eddie Martinez in Friends for Puerto Rico Benefit Auction' 1727 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b0f69aea0ecaaef40d59a23a692c199f.jpeg' 1728 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/sarah-braman-keltie-ferris-and-eddie-martinez-in-friends-for-puerto-rico-benefit-auction'> 1729 Benefit Auction 1730 </a></div><h1><a href='/news/sarah-braman-keltie-ferris-and-eddie-martinez-in-friends-for-puerto-rico-benefit-auction'> 1731 Sarah Braman, Keltie Ferris and Eddie Martinez in Friends for Puerto Rico Benefit Auction 1732 </a></h1><h2>Paddle8</h2><h3>Through November 30, 2017</h3><div class='summary paragraph-styling'><p>Support those impacted by the hurricanes in Puerto Rico by bidding on artworks generously donated by artists including Katherine Bernhardt, Joe Bradley, Keltie Ferris, Angel Otero, Josh Smith, Stanley Whitney and more. All proceeds will go to the MariaFund, which provides immediate relief to Puerto Rican communities in need, and El Serrucho, an emergency grant program that supports artists and cultural workers on the island.</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Karl Haendel at KUNSTVERENIGING DIEPENHEIM' 1733 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3fd43a2bb1bf289de566588dceb3df0f.jpeg' 1734 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3fd43a2bb1bf289de566588dceb3df0f.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3fd43a2bb1bf289de566588dceb3df0f.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 1735 Exhibition | Diepenheim, The Netherlands 1736 </div><h1> 1737 Karl Haendel at KUNSTVERENIGING DIEPENHEIM 1738 </h1><h2>I who make mistakes on the eternal typewriter</h2><h3>September 16 â November 26, 2017</h3><div class='summary paragraph-styling'><p>Karl Haendel is included in Kunstvereniging's group exhibition <em>I who make mistakes on the eternal typewriter, </em>curated by Marcel van Eeden and Nanette Kraaikamp. </p></div><div class='links in-text'><div class='file'><a href='http://www.kunstvereniging.nl/en/exhibition/i-who-make-mistakes-on-the-eternal-typewriter/' target="_blank">Kunstvereniging Diepenheim</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pat-o-neill-at-tate-modern'><img itemprop="image" alt='Pat O'Neill at Tate Modern' 1739 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/94bd8a264c8bdebea5ad9c3f6731d473.jpeg' 1740 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/94bd8a264c8bdebea5ad9c3f6731d473.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/94bd8a264c8bdebea5ad9c3f6731d473.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pat-o-neill-at-tate-modern'> 1741 Screening | London 1742 </a></div><h1><a href='/news/pat-o-neill-at-tate-modern'> 1743 Pat O'Neill at Tate Modern 1744 </a></h1><h2>Where the Chocolate Mountains</h2><h3>November 23, 2017</h3><div class='summary paragraph-styling'><p>In 2017, the Tate Modern's <em>ARTISTS'
1744 CINEMA </em>film series will expand the conversation between film and live performance, and examine artists’ various approaches to ethnography and the representation of cultural identities. The series will also feature the UK premiere of Pat O’Neill’s stunning experimental film <em>Where the Chocolate Mountains</em>.</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Artist Walkthrough with Eddie Martinez and Chief Curator Claire Gilman' 1745 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7e31b45c9a2a87d117ff0bf406271e2f.jpeg' 1746 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7e31b45c9a2a87d117ff0bf406271e2f.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7e31b45c9a2a87d117ff0bf406271e2f.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 1747 Artist Walkthrough | New York 1748 </div><h1> 1749 Artist Walkthrough with Eddie Martinez and Chief Curator Claire Gilman 1750 </h1><h2>The Drawing Center</h2><h3>November 16, 2017</h3><div class='summary paragraph-styling'><p>Eddie Martinez and Chief Curator Claire Gilman will lead a walkthrough of Eddie Martinez: <em>Studio Wall </em>at The Drawing Center, New York at 6:30 pm. </p></div><div class='links in-text'><div class='file'><a href='http://www.drawingcenter.org/en/drawingcenter/20/events/21/public-programs/1690/artist-walkthrough/' target="_blank">The Drawing Center</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/monica-bonvicini-to-give-atlantic-lecture'><img itemprop="image" alt='Monica Bonvicini to give Atlantic Lecture' 1751 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/56c8513ec754aea9bcba9b7a57371c93.jpeg' 1752 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/monica-bonvicini-to-give-atlantic-lecture'> 1753 Artist Lecture | Claremont, CA 1754 </a></div><h1><a href='/news/monica-bonvicini-to-give-atlantic-lecture'> 1755 Monica Bonvicini to give Atlantic Lecture 1756 </a></h1><h2>Claremont Graduate University</h2><h3>November 2, 2017</h3><div class='summary paragraph-styling'><p>This year the Atlantic Lecture looks beyond our national boundary across the ocean. Monica Bonvicini is an Italian artist who lives and works in Berlin and teaches sculpture and performance at the Akedemie der Bildenden KuÌnste in Vienna. She is one of the most acclaimed artists to emerge from the mid-1990s. Her multi-faceted practice, which investigates the relationship between architecture, power, gender, space, surveillance, and control, is translated into works that question the meaning of making art, the ambiguity of language, and the limits and possibilities attached to the ideal of freedom.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/art-architecture-sex-and-power-monica-bonvicini-in-conversation'><img itemprop="image" alt='Art, Architecture, Sex, and Power: Monica Bonvicini in Conversation' 1757 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/0e691d51cf6198adb615a702cc3b7bd2.jpeg' 1758 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/art-architecture-sex-and-power-monica-bonvicini-in-conversation'> 1759 Artist Talk | Los Angeles 1760 </a></div><h1><a href='/news/art-architecture-sex-and-power-monica-bonvicini-in-conversation'> 1761 Art, Architecture, Sex, and Power: Monica Bonvicini in Conversation 1762 </a></h1><h2>Claremont Graduate University</h2><h3>November 1, 2017</h3><div class='summary paragraph-styling'><p>Sotheby’s Institute of Art – Los Angeles, in conjunction with Claremont Graduate University’s Department of Art and its Atlantic Lecture Series, presents an evening with renowned artist Monica Bonvicini, in conversation with Jonathan T. D. Neil, Director of Sotheby’s Institute of Art – Los Angeles.</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Chris Johanson at Converge 45' 1763 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/852df4f6ad2d8694a655bbccfa4e3524.jpeg' 1764 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/852df4f6ad2d8694a655bbccfa4e3524.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/852df4f6ad2d8694a655bbccfa4e3524.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 1765 Exhibition | Portland 1766 </div><h1> 1767 Chris Johanson at Converge 45 1768 </h1><h2>YOU IN MIND</h2><h3>August 9 â October, 2017</h3><div class='summary paragraph-styling'><p>Chris Johanson has contributed a public sculpture to Converge 45's exhibition, <em>YOU IN MIND</em>. </p></div><div class='links in-text'><div class='file'><a href='http://converge45.org/#converge 45 â you in mind' target="_blank">Converge 45</a></div></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Julian Stanczak at Diane Rosenstein' 1769 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1d5b2f255c62ff1ec9bbde5b1ebbdcfe.jpeg' 1770 ></div><div class='info'><div class="list-detail-title"> 1771 Exhibition | Los Angeles 1772 </div><h1> 1773 Julian Stanczak at Diane Rosenstein 1774 </h1><h2>DUO</h2><h3>September 16 â October 21, 207</h3><div class='summary paragraph-styling'><p>Julian Stanczak is the subject of <em>
1774DUO</em>, a solo exhibition of geometric paintings with a reduced pairing of two colors at Diane Rosenstein in Los Angeles. </p></div><div class='links in-text'><div class='file'><a href='http://dianerosenstein.com/exhibitions/information/julian-stanczak-duo/' target="_blank">Diane Rosenstein</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-what-pipeline'><img itemprop="image" alt='Pope.L at What Pipeline' 1775 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1bc6b8832f6fada59b40e3b61a6a4691.png' 1776 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1bc6b8832f6fada59b40e3b61a6a4691.png 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1bc6b8832f6fada59b40e3b61a6a4691.png 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-what-pipeline'> 1777 Exhibition | Detroit 1778 </a></div><h1><a href='/news/pope-l-at-what-pipeline'> 1779 Pope.L at What Pipeline 1780 </a></h1><h2>Flint Water Project</h2><h3>September 7 - October 21, 2017</h3><div class='summary paragraph-styling'><p><span style="letter-spacing: 0.24px;">Chicago-based artist Pope.L, who has been making public interventionist art for over twenty years, comes to Detroit artist-run gallery What Pipeline with</span><em style="letter-spacing: 0.24px;"> Flint Water</em><span style="letter-spacing: 0.24px;">, on view September 7 through October 21, 2017. Conceived by Pope.L as one Midwest city helping another, both struck by similar blight, </span><em style="letter-spacing: 0.24px;">Flint Water</em><span style="letter-spacing: 0.24px;"> is an art installation, a performance and an intervention that calls attention to the water crisis in Flint by bottling Flint tap water and putting it on display in Detroit. </span></p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/the-consequence-of-conceptual-art-terry-smith-and-mary-kelly-in-conversation-with-robert-bailey'><img itemprop="image" alt='The Consequence of Conceptual Art: Terry Smith and Mary Kelly in Conversation with Robert Bailey' 1781 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a78e5e49816b32adf49f513d694e2309.jpeg' 1782 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a78e5e49816b32adf49f513d694e2309.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a78e5e49816b32adf49f513d694e2309.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/the-consequence-of-conceptual-art-terry-smith-and-mary-kelly-in-conversation-with-robert-bailey'> 1783 Artist Talk | New York 1784 </a></div><h1><a href='/news/the-consequence-of-conceptual-art-terry-smith-and-mary-kelly-in-conversation-with-robert-bailey'> 1785 The Consequence of Conceptual Art: Terry Smith and Mary Kelly in Conversation with Robert Bailey 1786 </a></h1><h2>The Graduate Center CUNY</h2><h3>October 20, 2017 6:30 pm</h3><div class='summary paragraph-styling'><p>The conceptual art movement of the 1960s and 1970s continues to exert a strong influence on contemporary art the world over. Art historians Terry Smith and Robert Bailey and artist Mary Kelly, themselves either participants in the movement or scholars now revisiting it, discuss conceptual art’s turn to language within a visual arts context, how conceptual art’s embrace of written and spoken discourse gave art new intellectual powers, and the political, psych
1786ological, and philosophical consequences that issue from these transformations.</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Pope.L in conversation with Christopher Y. Lew' 1787 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/6658f3e5486d1b75d721ed15889e9ba9.jpeg' 1788 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/6658f3e5486d1b75d721ed15889e9ba9.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/6658f3e5486d1b75d721ed15889e9ba9.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 1789 Artist Talk | New York 1790 </div><h1> 1791 Pope.L in conversation with Christopher Y. Lew 1792 </h1><h2>The Whitney Museum of American Art</h2><h3>October 19, 2017</h3><div class='summary paragraph-styling'><p>Christopher Y. Lew, Nancy and Fred Poses Associate Curator and co-curator of the 2017 Biennial, joins Pope.L to discuss his practice in context of contemporary art in America.</p></div><div class='links in-text'><div class='file'><a href='http://whitney.org/Events/PopeLChristopherLewConversation' target="_blank">The Whitney Museum</a></div></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Pope.L at Pratt Institute' 1793 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/41dee5c02b77cdb9b3fa9787fa2a2e41.jpeg' 1794 ></div><div class='info'><div class="list-detail-title"> 1795 Exhibition | New York 1796 </div><h1> 1797 Pope.L at Pratt Institute 1798 </h1><h2>Survey Exhibition (part I): Camerado, this is no book</h2><h3>October 7 â 15, 2017</h3><div class='summary paragraph-styling'><p>This survey exhibition, presented in two parts, brings together the artworks of participants within Pratt Institute’s program over the course of the past 125-plus years. Part one, <em>Camerado, this is no book</em>, curated by Jenni Crain, takes its title from Walt Whitman’s poem “So Long!” first published as the final poem in the third release of Leaves of Grass in 1860. </p></div><div class='links in-text'><div class='file'><a href='https://www.pratt.edu/events/single/?id=61216' target="_blank">Pratt Institute</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-macba'><img itemprop="image" alt='Martha Rosler at MACBA' 1799 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7c5889e1ed2274e961baa525ebd5d2da.jpeg' 1800 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7c5889e1ed2274e961baa525ebd5d2da.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7c5889e1ed2274e961baa525ebd5d2da.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-macba'> 1801 Exhibition | Barcelona 1802 </a></div><h1><a href='/news/martha-rosler-at-macba'> 1803 Martha Rosler at MACBA 1804 </a></h1><h2>MACBA COLLECTION. MARTHA ROSLER: GOD BLESS AMERICA!</h2><h3>May 18 - October 15, 2017</h3><div class='summary paragraph-styling'><p>While her career has encompassed performance, photography, installation and essay writing, Rosler is perhaps best known for her work in video. <em>MACBA Collection. Martha Rosler: God Bless America!</em> focuses on Rosler’s video production through eleven works spanning the 1970s to 2006. The show centres on the key thematic lines in Rosler’s work, where politics as the ideological exercise of power, class hierarchy and economic interest is addressed, especially through the enactment of U.S. imperialism and the social control of women’s bodies. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/monica-bonvicini-included-in-the-15th-istanbul-biennial'><img itemprop="image" alt='Monica Bonvicini included in the 15th Istanbul Biennial' 1805 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/9fe89b437c778362e35e54e50af56ccd.jpeg' 1806 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/9fe89b437c778362e35e54e50af56ccd.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/9fe89b437c778362e35e54e50af56ccd.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/monica-bonvicini-included-in-the-15th-istanbul-biennial'> 1807 Biennial | Istanbul 1808 </a></div><h1><a href='/news/monica-bonvicini-included-in-the-15th-istanbul-biennial'> 1809 Monica Bonvicini included in the 15th Istanbul Biennial 1810 </a></h1><h2>a good neighbor</h2><h3>September 16 - November 12, 2017</h3><div class='summary paragraph-styling'><p style="">From September 16 – November 12, the 15th Istanbul Biennial—which is curated by Elmgreen & Dragset and is centered around the concept of “a good neighbor”—will be staged across six venues in the heart of the Turkish city.</p><p style="">
1810Details about the highly-anticipated exhibition have been released periodically over the past year, initially making waves in April 2016 when the artist duo Elmgreen & Dragset was selected as the 2017 curators. Their appointment was a notable first for the Biennial, which had previously never seen artists moonlight in a curatorial role.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/leigh-ledare-at-artspace-sydney'><img itemprop="image" alt='Leigh Ledare at Artspace, Sydney' 1811 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5a17c7e44e376fae7b2edbf0e70e261b.jpeg' 1812 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5a17c7e44e376fae7b2edbf0e70e261b.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5a17c7e44e376fae7b2edbf0e70e261b.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/leigh-ledare-at-artspace-sydney'> 1813 Exhibition | Sydney 1814 </a></div><h1><a href='/news/leigh-ledare-at-artspace-sydney'> 1815 Leigh Ledare at Artspace, Sydney 1816 </a></h1><h2>THE PUBLIC BODY .02</h2><h3>July 28 - October 2, 2017</h3><div class='summary paragraph-styling'><p>Leigh Ledare is included in the group exhibition <em>THE PUBLIC BODY .02</em> at Artspace, Syndey. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/justine-kurland-at-fondation-cartier'><img itemprop="image" alt='Justine Kurland at Fondation Cartier' 1817 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/0bce0a6779d3aa63220e7b7038ecd290.jpeg' 1818 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/0bce0a6779d3aa63220e7b7038ecd290.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/0bce0a6779d3aa63220e7b7038ecd290.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/justine-kurland-at-fondation-cartier'> 1819 Exhibition | Paris 1820 </a></div><h1><a href='/news/justine-kurland-at-fondation-cartier'> 1821 Justine Kurland at Fondation Cartier 1822 </a></h1><h2>Autophoto</h2><h3>April 19 - October 2017</h3><div class='summary paragraph-styling'><p>Justine Kurland is featured in Fondation Cartier's <em>Autophoto</em>, an exhibition on the relationship between photography and the automobile. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/book-signing-for-eddie-martinez-drawings'><img itemprop="image" alt='Book Signing for Eddie Martinez: Drawings' 1823 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8bbdbb70c6d9959c0c5930e656cb25fe.jpeg' 1824 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8bbdbb70c6d9959c0c5930e656cb25fe.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8bbdbb70c6d9959c0c5930e656cb25fe.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/book-signing-for-eddie-martinez-drawings'> 1825 Book Signing | New York 1826 </a></div><h1><a href='/news/book-signing-for-eddie-martinez-drawings'> 1827 Book Signing for Eddie Martinez: Drawings 1828 </a></h1><h2>Spoonbill Studio</h2><h3>September 22, 2017</h3><div class='summary paragraph-styling'><p>Join us for the launch and book signing of Eddie Martinez's <em>Drawings</em>, published by Triangle Books,
1828on Friday, September 22 from 7:30 to 9:30pm at Spoonbill Studio, Brooklyn. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-in-documenta14'><img itemprop="image" alt='Pope.L in Documenta14' 1829 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b1777625f0816f06e7b0715ea5d4ed20.jpeg' 1830 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b1777625f0816f06e7b0715ea5d4ed20.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b1777625f0816f06e7b0715ea5d4ed20.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-in-documenta14'> 1831 Kassel 1832 </a></div><h1><a href='/news/pope-l-in-documenta14'> 1833 Pope.L in Documenta14 1834 </a></h1><h2>Whispering Campaign</h2><h3>June 10 - September 17, 2017</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash congratulates Pope.L on his inclusion in documenta 14 for which he conceived a new sound performance piece that takes place partially in the streets. The "Whispering Campaign" will run for the 100 days in both Athens and Kassel. Five performers will wander throughout designated areas of the city either broadcasting a pre-recorded score in English, Greek and German or whispering live their observations as they roam the city. </p><p>Performances occur Tuesdays, Thursdays, and Saturdays in designated areas throughout both cities. In addition to the live performances occurring three days a week, there will be several broadcasts of the pre-recorded text will play at select documenta 14 venues.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/chris-johanson-at-soccer-club-club'><img itemprop="image" alt='Chris Johanson at Soccer Club Club' 1835 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/e44da8f934f5427d1c123c1f0afada25.jpeg' 1836 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/chris-johanson-at-soccer-club-club'> 1837 Exhibition | Chicago 1838 </a></div><h1><a href='/news/chris-johanson-at-soccer-club-club'> 1839 Chris Johanson at Soccer Club Club 1840 </a></h1><h2>Worms, Birds, People, and Air - The Art of Oh No and Dissociative Thinking</h2><h3>September 15, 2017</h3><div class='summary paragraph-styling'><p><em>Worms, Birds, People, and Air<br /> 1841The Art of Oh No and Dissociative Thinking</em><br /> 1842by Chris Johanson</p><p>Opening Reception on Friday September 15th<br /> 18438pm-11PM<br /> 1844Musical Performance by Sally Timms and Sunfoot</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/karl-haendel-jay-defeo-pink-cup-and-the-facts'><img itemprop="image" alt='Karl Haendel &amp; Jay DeFeo: Pink Cup and The Facts' 1845 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/fe0f7f3d8e939731e4f87331b588f536.jpeg' 1846 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/fe0f7f3d8e939731e4f87331b588f536.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/fe0f7f3d8e939731e4f87331b588f536.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/karl-haendel-jay-defeo-pink-cup-and-the-facts'> 1847 Artist Talk | New York 1848 </a></div><h1><a href='/news/karl-haendel-jay-defeo-pink-cup-and-the-facts'> 1849 Karl Haendel & Jay DeFeo: Pink Cup and The Facts 1850 </a></h1><h2>Watch the conversation</h2><h3>September 12, 2017</h3><div class='summary paragraph-styling'><p>A conversation between artist Karl Haendel and Leah Levy, director of The Jay DeFeo Foundation, moderated by Claire Gilman, chief curator of The Drawing Center, on the occasion of Karl Haendel & Jay DeFeo: <em>Pink Cup and The Facts</em> at Mitchell-Innes & Nash, NY. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/general-idea-at-mamco-geneva'><img itemprop="image" alt='General Idea at MAMCO Geneva' 1851 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/0267e4d355a131aa019fe2a569e15e2d.jpeg' 1852 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/general-idea-at-mamco-geneva'> 1853 Exhibition | Geneva 1854 </a></div><h1><a href='/news/general-idea-at-mamco-geneva'> 1855 General Idea at MAMCO Geneva 1856 </a></h1><h2>Photographs (1969 - 1982)</h2><h3>May 30 - September 10, 2017</h3><div class='summary paragraph-styling'><p>General Idea is the subject of a solo exhibition at the Musée d'art modern et contemporain, Geneva. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail">
1856<a href='/news/whitney-museum-announces-2017-bucksbaum-award-to-pope-l'><img itemprop="image" alt='WHITNEY MUSEUM ANNOUNCES 2017 BUCKSBAUM AWARD TO POPE.L' 1857 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/12e8ca39e8be9d558105a3cf47f98a63.png' 1858 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/12e8ca39e8be9d558105a3cf47f98a63.png 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/12e8ca39e8be9d558105a3cf47f98a63.png 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/whitney-museum-announces-2017-bucksbaum-award-to-pope-l'> 1859 News 1860 </a></div><h1><a href='/news/whitney-museum-announces-2017-bucksbaum-award-to-pope-l'> 1861 WHITNEY MUSEUM ANNOUNCES 2017 BUCKSBAUM AWARD TO POPE.L 1862 </a></h1><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash congratulates Pope.L on receiving this year’s Bucksbaum Award.<br /><br /> 1863Established in 2000 by longtime Whitney Museum of American Art trustee Melva Bucksbaum and her family, the Bucksbaum Award recognizes an artist included in the Whitney Biennial “who has previously produced a significant body of work, whose project for the Biennial is itself outstanding, and whose future artistic contribution promises to be lasting.”</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/sarah-braman-at-the-brant-foundation'><img itemprop="image" alt='Sarah Braman at the Brant Foundation' 1864 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/60f978acf39c20d4e444eb866b4aee1e.jpeg' 1865 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/60f978acf39c20d4e444eb866b4aee1e.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/60f978acf39c20d4e444eb866b4aee1e.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/sarah-braman-at-the-brant-foundation'> 1866 Exhibition | Greenwich, CT 1867 </a></div><h1><a href='/news/sarah-braman-at-the-brant-foundation'> 1868 Sarah Braman at the Brant Foundation 1869 </a></h1><h2>Animal Farm</h2><h3>May 14 - September 15, 2017</h3><div class='summary paragraph-styling'><p>Sarah Braman is included in the exhibition, <em>Animal Farm</em>, curated by Sadie Laska at the Brant Foundation. </p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Jay DeFeo at MoMA' 1870 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cb37d2b82fb880ed154de73dfd6c74d4.png' 1871 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cb37d2b82fb880ed154de73dfd6c74d4.png 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cb37d2b82fb880ed154de73dfd6c74d4.png 2x" ></div><div class='info'><div class="list-detail-title"> 1872 Exhibition | New York 1873 </div><h1> 1874 Jay DeFeo at MoMA 1875 </h1><h2>Making Space</h2><h3>April 15 - August 13, 2017</h3><div class='summary paragraph-styling'><p><em>Making Space</em> shines a spotlight on the stunning achievements of women artists between the end of World War II (1945) and the start of the Feminist movement (around 1968). Drawn entirely from the Museum’s collection, the exhibition features nearly 100 paintings, sculptures, photographs, drawings, prints, textiles, and ceramics by more than 50 artists. Jay DeFeo is represented by <em>Blossom</em> (1958).</p></div><div class='links in-text'><div class='file'><a href='https://www.moma.org/calendar/exhibitions/3663?locale=en' target="_blank">MoMA</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail">
1875<a href='/news/pat-o-neill-at-otis-college-of-art-and-design'><img itemprop="image" alt='Pat O'Neill at Otis College of Art and Design' 1876 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1774a9ca2fb6e6e9136b8856430c1d3c.jpeg' 1877 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pat-o-neill-at-otis-college-of-art-and-design'> 1878 Exhibition | Los Angeles 1879 </a></div><h1><a href='/news/pat-o-neill-at-otis-college-of-art-and-design'> 1880 Pat O'Neill at Otis College of Art and Design 1881 </a></h1><h2>Patterns Bigger Than Any of Us</h2><h3>May 7 - August 13, 2017</h3><div class='summary paragraph-styling'><p>Two-person exhibition with Los Angeles-based artists Jesse Fleming and Pat O'Neill. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jessica-stockholder-and-amanda-ross-ho-at-the-museum-of-contemporary-art-detroit'><img itemprop="image" alt='Jessica Stockholder and Amanda Ross-Ho at the Museum of Contemporary Art Detroit' 1882 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/338f930a76788b1e93c0e07fa9627fa1.jpeg' 1883 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/338f930a76788b1e93c0e07fa9627fa1.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/338f930a76788b1e93c0e07fa9627fa1.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jessica-stockholder-and-amanda-ross-ho-at-the-museum-of-contemporary-art-detroit'> 1884 Exhibition | Detroit 1885 </a></div><h1><a href='/news/jessica-stockholder-and-amanda-ross-ho-at-the-museum-of-contemporary-art-detroit'> 1886 Jessica Stockholder and Amanda Ross-Ho at the Museum of Contemporary Art Detroit 1887 </a></h1><h2>99 Cents or Less</h2><h3>May 19 - August 6, 2017</h3><div class='summary paragraph-styling'><p>Jessica Stockholder and Amanda Ross-Ho are included in MOCAD's exhibition titled <em>99 Cents or Less</em>, curated by Jens Hoffmann, Susanne Feld Hilberry Senior Curator at Large. The large-scale exhibition explores themes of consumption, globalization, labor and income inequality. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/karl-haendel-at-kunsthalle-bielefeld'><img itemprop="image" alt='Karl Haendel at Kunsthalle Bielefeld' 1888 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5e636e6d90d559fee121d2b65dd6b065.jpeg' 1889 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/karl-haendel-at-kunsthalle-bielefeld'> 1890 Exhibition | Bielefeld, Germany 1891 </a></div><h1><a href='/news/karl-haendel-at-kunsthalle-bielefeld'> 1892 Karl Haendel at Kunsthalle Bielefeld 1893 </a></h1><h2>Unsere Amerikaner (Our Americans)</h2><h3>November 5, 2016 - July 23, 2017</h3><div class='summary paragraph-styling'><p>Karl Haendel is included in Kunsthalle Bielefeld's exhibition, <em>Unsere Amerikaner </em>(<em>Our Americans</em>). </p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Pope.L at University of South Florida Contemporary Art Museum' 1894 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c0b026b417e04d9167bdea0e78b285ce.jpeg' 1895 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c0b026b417e04d9167bdea0e78b285ce.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c0b026b417e04d9167bdea0e78b285ce.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 1896 Exhibition | Tampa 1897 </div><h1> 1898 Pope.L at University of South Florida Contemporary Art Museum 1899 </h1><h2>BLACK PULP!</h2><h3>June 2 - July 22, 2017</h3><div class='summary paragraph-styling'><p><em>BLACK PULP!</em> was first exhibited at the International Print Center New York and will travel to the Ezra and Cecile Zilkha Gallery at Wesleyan University in Middletown Connecticut. </p></div><div class='links in-text'><div class='file'><a href='http://www.ira.usf.edu/CAM/cam_exhibitions.html' target="_blank">USF Contemporary Art Museum</a></div></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Jay DeFeo at the Whitney Museum of American Art' 1900 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ef95f1adfc92c61368622be397f9704c.jpeg' 1901 ></div><div class='info'><div class="list-detail-title"> 1902 Exhibition | New York 1903 </div><h1> 1904 Jay DeFeo at the Whitney Museum of American Art 1905 </h1><h2>Where we are</h2><h3>April 28 â</h3><div class='summary paragraph-styling'><p><em>Where we are</em> focuses on works from the Whitney’s collection made between 1900 and 1960, a tumultuous period in the history of the United States when life in the country changed drastically due to war, economic collapse, and demands for civil rights. Artists responded in complex and diverse ways, and the exhibition honors their efforts to put forward new ways of presenting the self and American life. Jay DeFeo is represented by <em>The Eyes</em> (1958).</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/gcc-in-public-art-fund'><img itemprop="image" alt='GCC in Public Art Fund' 1906 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/67cb0c5a2415056f09832bb71c1f7ee2.jpeg' 1907 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/67cb0c5a2415056f09832bb71c1f7ee2.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/67cb0c5a2415056f09832bb71c1f7ee2.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/gcc-in-public-art-fund'> 1908 Exhibition | New York 1909 </a></div><h1><a href='/news/gcc-in-public-art-fund'> 1910 GCC in Public Art Fund 1911 </a></h1><h2>Commercial Break</h2><h3>February 6 - June 30, 2017</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash congratulates GCC on their participation in Public Art Fund's 40th anniversary exhibition, <em>Commercial Break</em>, a citywide exhibition that celebrates and expands on the institutions commitment to media-based art work.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/chris-johanson-in-auction-to-benefit-planned-parenthood'><img itemprop="image" alt='Chris Johanson in auction to benefit Planned Parenthood' 1912 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/908f3cbf8b5771aa7836be288dbf53d8.jpeg' 1913 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/chris-johanson-in-auction-to-benefit-planned-parenthood'> 1914 Benefit Auction | New York 1915 </a></div><h1><a href='/news/chris-johanson-in-auction-to-benefit-planned-parenthood'> 1916 Chris Johanson in auction to benefit Planned Parenthood 1917 </a></h1><h2>Paddle8</h2><h3>Through June 29, 2017</h3><div class='summary paragraph-styling'><p>For a special vinyl 7” release to benefit Planned Parenthood, Merge Records and its flagship band Superchunk asked their favorite contemporary artists including Joyce Pensato, Brian Calvin, and Amy Sillman to create unique works of art the size of a 7” record sleeve. Along with the original art, auction winners receive an exclusive pink swirl vinyl edition of the record. All net proceeds will be donated to Planned Parenthood South Atlantic. Please note this auction charges a 20% buyers premium.</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='General Idea at MALBA Buenos Aires' 1918 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5d43ab420b1fdd94f73fb8f9d4094ecc.jpeg' 1919 ></div><div class='info'><div class="list-detail-title"> 1920 Exhibition | Buenos Aires 1921 </div><h1> 1922 General Idea at MALBA Buenos Aires 1923 </h1><h2>Broken Time</h2><h3>March 24 - June 26, 2017</h3><div class='summary paragraph-styling'><p>General Idea is the subject of a major retrospective at the Museo de Arte Latinoamericano, Buenos Aires. The exhibition travelled from the Museo Jumex in Mexico City. </p></div><div class='links in-text'><div class='file'><a href='http://www.malba.org.ar/en/evento/general-idea/' target="_blank">MALBA Buenos Aires</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/mary-kelly-at-the-katonah-museum-of-art'><img itemprop="image" alt='Mary Kelly at the Katonah Museum of Art' 1924 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ead1ebfe8ed39029009b695eee7d8dde.jpeg' 1925 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/mary-kelly-at-the-katonah-museum-of-art'> 1926 Exhibition | Katonah, New York 1927 </a></div><h1><a href='/news/mary-kelly-at-the-katonah-museum-of-art'> 1928 Mary Kelly at the Katonah Museum of Art 1929 </a></h1><h2>Picturing Love: Photographyâs Pursuit of Intimacy</h2><h3>March 19 - June 25, 2017</h3><div class='summary paragraph-styling'><p>Mary Kelly is included in the Katonah Museum of Art's exhibition, <em>Picturing Love: Photgraphy's Pursuit of Intimacy</em>. </p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Pope.L at Martos Gallery' 1930 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/fe38ef7
19305890e003a58bc57615d602382.jpeg' 1931 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/fe38ef75890e003a58bc57615d602382.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/fe38ef75890e003a58bc57615d602382.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 1932 Exhibition | New York 1933 </div><h1> 1934 Pope.L at Martos Gallery 1935 </h1><h2>Invisible Man</h2><h3>May 3 - June 24, 2017</h3><div class='summary paragraph-styling'><p>Pope.L is included in the group exhibition, <em>Invisible Man, </em>at Martos Gallery. </p></div><div class='links in-text'><div class='file'><a href='http://www.martosgallery.com/invisible-man' target="_blank">Martos Gallery</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/how-to-basel-with-amanda-ross-ho'><img itemprop="image" alt='How to Basel with Amanda Ross-Ho' 1936 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/563958b0a4d3e1dc2135cccf4f91c52a.png' 1937 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/563958b0a4d3e1dc2135cccf4f91c52a.png 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/563958b0a4d3e1dc2135cccf4f91c52a.png 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/how-to-basel-with-amanda-ross-ho'> 1938 Parcours | Basel 1939 </a></div><h1><a href='/news/how-to-basel-with-amanda-ross-ho'> 1940 How to Basel with Amanda Ross-Ho 1941 </a></h1><h2>Artsy</h2><h3>June 18, 2017</h3><div class='summary paragraph-styling'><p>Walk through Art Basel Parcours with Amanda Ross-Ho as she explains her new outdoor installation 'Untitled Finding (ACCESS)'.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-in-documenta142'><img itemprop="image" alt='Pope.L in Documenta14' 1942 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7ed006800f69626d3ca8df4968da7b49.png' 1943 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7ed006800f69626d3ca8df4968da7b49.png 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7ed006800f69626d3ca8df4968da7b49.png 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-in-documenta142'> 1944 Athens 1945 </a></div><h1><a href='/news/pope-l-in-documenta142'> 1946 Pope.L in Documenta14 1947 </a></h1><h2>Whispering Campaign</h2><h3>April 8 - July 16, 2017</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash congratulates Pope.L on his inclusion in documenta 14 for which he conceived a new sound performance piece that takes place partially in the streets. The "Whispering Campaign" will run for the 100 days in both Athens and Kassel. Five performers will wander throughout designated areas of the city either broadcasting a pre-recorded score in English, Greek and German or whispering live their observations as they roam the city. </p><p>Performances occur Tuesdays, Thursdays, and Saturdays in designated areas throughout both cities. In addition to the live performances occurring three days a week, there will be several broadcasts of the pre-recorded text will play at select documenta 14 venues.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/gcc-leigh-ledare-pope-l-in-the-2017-whitney-biennial'><img itemprop="image" alt='GCC, Leigh Ledare &amp;
1947 Pope.L in the 2017 Whitney Biennial' 1948 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4f1d861ffad6e96b027b3eb03d3cdc70.jpeg' 1949 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4f1d861ffad6e96b027b3eb03d3cdc70.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4f1d861ffad6e96b027b3eb03d3cdc70.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/gcc-leigh-ledare-pope-l-in-the-2017-whitney-biennial'> 1950 Biennial | New York 1951 </a></div><h1><a href='/news/gcc-leigh-ledare-pope-l-in-the-2017-whitney-biennial'> 1952 GCC, Leigh Ledare & Pope.L in the 2017 Whitney Biennial 1953 </a></h1><h3>March 17, 2017 - June 11, 2017</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash congratulates GCC, Leigh Ledare and Pope.L on their inclusion in the 2017 Whitney Biennial co-curated by Christopher Y. Lew and Mia Locks.</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Mary Kelly in Conversation with Eve Meltzer' 1954 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3ef79fd44527725c2ef33b9263b47e27.jpeg' 1955 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3ef79fd44527725c2ef33b9263b47e27.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3ef79fd44527725c2ef33b9263b47e27.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 1956 Artist Talk | Sweden 1957 </div><h1> 1958 Mary Kelly in Conversation with Eve Meltzer 1959 </h1><h2>Malmö Konsthall</h2><h3>June 4, 2017</h3><div class='links in-text'><div class='file'><a href='http://malmo.se/english' target="_blank">Malmö Konsthall</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/lund-university-awards-honorary-doctorate-to-mary-kelly'><img itemprop="image" alt='Lund University awards honorary doctorate to Mary Kelly' 1960 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/96b730c687b8eb2c14ea8f20121c59a7.jpeg' 1961 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/lund-university-awards-honorary-doctorate-to-mary-kelly'> 1962 News 1963 </a></div><h1><a href='/news/lund-university-awards-honorary-doctorate-to-mary-kelly'> 1964 Lund University awards honorary doctorate to Mary Kelly 1965 </a></h1><h2>Sweden</h2><h3>June 2, 2017</h3><div class='summary paragraph-styling'><p>Artist Mary Kelly will receive an honorary doctorate degree from the Faculty of Fine and Performing Arts at Lund University in Swede
1965n at a doctorate conferment ceremony in May.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/mitchell-innes-nash-represents-the-estate-of-general-idea'><img itemprop="image" alt='Mitchell-Innes &amp; Nash represents The Estate of General Idea' 1966 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/dd4185ee62868a94ac2bd3dcec21db6f.jpeg' 1967 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/dd4185ee62868a94ac2bd3dcec21db6f.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/dd4185ee62868a94ac2bd3dcec21db6f.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/mitchell-innes-nash-represents-the-estate-of-general-idea'> 1968 News 1969 </a></div><h1><a href='/news/mitchell-innes-nash-represents-the-estate-of-general-idea'> 1970 Mitchell-Innes & Nash represents The Estate of General Idea 1971 </a></h1><h3>June 2017</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash is pleased to announce representation of Canadian artist collective General Idea. </p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Sarah Braman at Marlborough Contemporary' 1972 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d23977bc4b0e5dde754425d20f31f224.jpeg' 1973 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d23977bc4b0e5dde754425d20f31f224.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d23977bc4b0e5dde754425d20f31f224.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 1974 Exhibition | London 1975 </div><h1> 1976 Sarah Braman at Marlborough Contemporary 1977 </h1><h2>Here</h2><h3>April 27 - May 27, 2017</h3><div class='links in-text'><div class='file'><a href='http://www.marlboroughcontemporary.com/' target="_blank">Marlborough Contemporary</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-the-barnes-foundation'><img itemprop="image" alt='Pope.L at The Barnes Foundation' 1978 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/069ccee3b6b33aaa77b84936c793a153.jpeg' 1979 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/069ccee3b6b33aaa77b84936c793a153.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/069ccee3b6b33aaa77b84936c793a153.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-the-barnes-foundation'> 1980 Exhibition | Philadelphia 1981 </a></div><h1><a href='/news/pope-l-at-the-barnes-foundation'> 1982 Pope.L at The Barnes Foundation 1983 </a></h1><h2>Person of the Crowd: The Contemporary Art of Flânerie</h2><h3>February 25 - May 22, 2017</h3><div class='summary paragraph-styling'><p>Pope.L is included in The Barnes Foundation's exhibition, <em>Person of the Crowd: The Contemporary Art of Flânerie, </em>which features <span style="letter-spacing: 0.24px;">work by more than 50 international artists who have taken to the street to play detective, make fantastic maps, scavenge and shop for new materials, launch guerrilla campaigns, and make provocative spectacles of themselves to speak to issues as diverse as commodity fetishism, gentrification, gender politics, globalization, racism, and homelessness. </span></p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/eddie-martinez-at-timothy-taylor'><img itemprop="image" alt='Eddie Martinez at Timothy Taylor' 1984 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d7b629559271e6fb4a5f17508540f971.jpeg' 1985 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d7b629559271e6fb4a5f17508540f971.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d7b629559271e6fb4a5f17508540f971.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/eddie-martinez-at-timothy-taylor'> 1986 Exhibition | London 1987 </a></div><h1><a href='/news/eddie-martinez-at-timothy-taylor'> 1988 Eddie Martinez at Timothy Taylor 1989 </a></h1><h2>Cowboy Town</h2><h3>March 30 - May 6, 2017</h3><div class='summary paragraph-styling'><p>
1989Deeply indebted to the histories of painting, yet realised in an immediately contemporary manner, Martinez’s canvases – formed from oil paint, enamel, spray paint, screen printing and studio detritus – are loaded with coloured, quasi-abstract masses in varying densities juxtaposed against shifting lines. The resulting dynamic imagery moves and merges from figuration to abstraction and back again.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-the-getty'><img itemprop="image" alt='Martha Rosler at the Getty' 1990 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/88fa30ec38de09b64178e208c15f5e65.jpeg' 1991 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/88fa30ec38de09b64178e208c15f5e65.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/88fa30ec38de09b64178e208c15f5e65.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-the-getty'> 1992 Exhibition | Los Angeles 1993 </a></div><h1><a href='/news/martha-rosler-at-the-getty'> 1994 Martha Rosler at the Getty 1995 </a></h1><h2>Breaking News: Turning the Lens on Mass Media</h2><h3>December 20, 2016 - April 30, 2017</h3><div class='summary paragraph-styling'><p>Martha Rosler is featured in the Getty's <em>Breaking News: Turning the Lens on Mass Media. </em></p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/a-short-documentary-about-julian-stanczak-by-vincent-prochoroff'><img itemprop="image" alt='A short documentary about Julian Stanczak by Vincent Prochoroff' 1996 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/14d31608658c489db238b298718a088d.png' 1997 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/14d31608658c489db238b298718a088d.png 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/14d31608658c489db238b298718a088d.png 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/a-short-documentary-about-julian-stanczak-by-vincent-prochoroff'> 1998 Documentary 1999 </a></div><h1><a href='/news/a-short-documentary-about-julian-stanczak-by-vincent-prochoroff'> 2000 A short documentary about Julian Stanczak by Vincent Prochoroff 2001 </a></h1><h2>Harmonies in the Abstract</h2><h3>April 2017</h3><div class='summary paragraph-styling'><p>Watch the short documentary titled <em>Harmonies of the Abstract</em> about Julian Stanczak by Vincent Prochoroff. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/leigh-ledare-named-2017-fellow-of-the-john-simon-guggenheim-foundation'><img itemprop="image" alt='Leigh Ledare named 2017 fellow of The John Simon Guggenheim Foundation' 2002 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3975a4139a220a9953013b7a91e22808.png' 2003 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3975a4139a220a9953013b7a91e22808.png 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3975a4139a220a9953013b7a91e22808.png 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/leigh-ledare-named-2017-fellow-of-the-john-simon-guggenheim-foundation'> 2004 Artist News 2005 </a></div><h1><a href='/news/leigh-ledare-named-2017-fellow-of-the-john-simon-guggenheim-foundation'> 2006 Leigh Ledare named 2017 fellow of The John Simon Guggenheim Foundation 2007 </a></h1><h3>April 6, 2017</h3><div class='summary paragraph-styling'><p>“It’s exciting to name 173 new Guggenheim fellows,” Edward Hirsch, the foundation’s president, said in a statement. “Each year since 1925, the Guggenheim Foundation has bet everything on the individual, and we’re thrilled to continue to do so with this wonderfully talented and diverse group. It’
2007s an honor to be able to support these individuals to do the work they were meant to do.”</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/amanda-ross-ho-at-bonner-kustverein'><img itemprop="image" alt='Amanda Ross-Ho at Bonner Kustverein' 2008 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d9a35159f9b0d1b07abf3b72101e384b.jpeg' 2009 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d9a35159f9b0d1b07abf3b72101e384b.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d9a35159f9b0d1b07abf3b72101e384b.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/amanda-ross-ho-at-bonner-kustverein'> 2010 Exhibition | Bonn, Germany 2011 </a></div><h1><a href='/news/amanda-ross-ho-at-bonner-kustverein'> 2012 Amanda Ross-Ho at Bonner Kustverein 2013 </a></h1><h2>UNTITLED PERIOD PIECE</h2><h3>January 28 - April 2, 2017</h3><div class='summary paragraph-styling'><p>The exhibition at Bonner Kunstverein presents a new body of work inspired in part by Charlie Chaplin’s political comedy 'Modern Times', made in 1936 during the last great global recession.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/julian-stanczak-1928-2017'><img itemprop="image" alt='Julian Stanczak: 1928 - 2017' 2014 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/81c530037cc0e7321a6bb7170302e863.jpeg' 2015 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/julian-stanczak-1928-2017'> 2016 News 2017 </a></div><h1><a href='/news/julian-stanczak-1928-2017'> 2018 Julian Stanczak: 1928 - 2017 2019 </a></h1><h3>March 25, 2017</h3><div class='summary paragraph-styling'><p><span style="letter-spacing: 0.24px;">It is with the saddest regret that Mitchell-Innes & Nash announces the death of Julian Stanczak.</span></p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-purchase-college-suny'><img itemprop="image" alt='Pope.L at Purchase College, SUNY' 2020 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4a4306b05f364cc65201c3b7c2ece193.jpeg' 2021 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4a4306b05f364cc65201c3b7c2ece193.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4a4306b05f364cc65201c3b7c2ece193.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-purchase-college-suny'> 2022 Exhibition | Purchase, New York 2023 </a></div><h1><a href='/news/pope-l-at-purchase-college-suny'> 2024 Pope.L at Purchase College, SUNY 2025 </a></h1><h2>Punching Up</h2><h3>February 22 - March 24, 2017</h3><div class='summary paragraph-styling'><p>Pope.L is included in the exhibtion, <em>Punching Up</em>, at The <span style="font-family: Arial, Helvetica, sans-serif; font-size: 13px; letter-spacing: normal;">Richard and Dolly Maass Gallery at Purchase College, SUNY. </span></p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-uniondocs'><img itemprop="image" alt='Martha Rosler at UnionDocs' 2026 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2b4815dc8b302dd1043e3974a5a083a2.jpeg' 2027 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2b4815dc8b302dd1043e3974a5a083a2.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2b4815dc8b302dd1043e3974a5a083a2.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-uniondocs'> 2028 Screening | New York 2029 </a></div><h1><a href='/news/martha-rosler-at-uniondocs'> 2030 Martha Rosler at UnionDocs 2031 </a></h1><h2>South Africa: Crossing the River Without a Bridge</h2><h3>March 23, 2017</h3><div class='summary paragraph-styling'><p>UnionDocs will screen Martha Rosler's film <em>South Africa: crossing the river without a bridge </em>(2016). </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/julian-stanczak-at-the-museum-of-modern-art'><img itemprop="image" alt='Julian Stanczak at The Museum of Modern Art' 2032 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5af4af781437d8f8b22f309c338a5d89.jpeg' 2033 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/julian-stanczak-at-the-museum-of-modern-art'> 2034 Exhibition | New York 2035 </a></div><h1><a href='/news/julian-stanczak-at-the-museum-of-modern-art'> 2036 Julian Stanczak at The Museum of Modern Art 2037 </a></h1><h2>4th Floor Collection</h2><h3>March 26, 2016 - March 19, 2017</h3><div class='summary paragraph-styling'><p>The Museum of Modern Art has reinstalled its fourth-floor collection galleries with works exclusively from the 1960s. Interweaving works from all of MoMA’s curatorial departments and the Museum Archives, this presentation focuses on a decade in which interdisciplinary artistic experimentation flourished, traditional mediums were transformed, and sociopolitical upheaval occurred across the globe. The galleries proceed chronologically, with work installed by year. This organizing principle steps back from the classification of galleries by art historical themes or “isms” and instead aims to provide a variety of fresh discoveries and unexpected connections. The product of a collaborative effort among curators from all departments, the presentation will undergo periodic reinstallations, reflecting the depth and richness of the Museum’
2037s collection and the view that there are countless ways to explore the history of modern art, architecture, design, and the moving image.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jay-defeo-at-the-menil-collection'><img itemprop="image" alt='Jay DeFeo at The Menil Collection' 2038 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7f44aa4fbf370e6b2c2c6d727647261e.jpeg' 2039 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7f44aa4fbf370e6b2c2c6d727647261e.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7f44aa4fbf370e6b2c2c6d727647261e.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jay-defeo-at-the-menil-collection'> 2040 Exhibition | Houston 2041 </a></div><h1><a href='/news/jay-defeo-at-the-menil-collection'> 2042 Jay DeFeo at The Menil Collection 2043 </a></h1><h2>Holy Barbarians: Beat Culture on the West Coast</h2><h3>November 18, 2016 - March 12, 2017</h3><div class='summary paragraph-styling'><p>This exhibition brings together a selection of California artists who emerged following the Second World War and took advantage of the region’s permissive atmosphere to help create a thriving new art scene. Artists like John Altoon, Wallace Berman, Bruce Conner, Jay DeFeo, George Herms, and Edward Kienholz were part of a “Beat” generation, whose social critiques would eventually be incorporated into the counterculture and social protest movements that shaped the second half of the 20th century.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/leigh-ledare-at-fondazione-prada'><img itemprop="image" alt='Leigh Ledare at Fondazione Prada' 2044 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/eba7274f9cdbc6b7eb99e29b94c45528.png' 2045 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/eba7274f9cdbc6b7eb99e29b94c45528.png 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/eba7274f9cdbc6b7eb99e29b94c45528.png 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/leigh-ledare-at-fondazione-prada'> 2046 Exhibition | Milan 2047 </a></div><h1><a href='/news/leigh-ledare-at-fondazione-prada'> 2048 Leigh Ledare at Fondazione Prada 2049 </a></h1><h2>Give Me Yesterday</h2><h3>December 21, 2016 - March 12, 2017</h3><div class='summary paragraph-styling'><p>Leigh Ledare is featured in Fondazione Prada's <em>Give Me Yesterday</em>, curated by Francesco Zanot. The exhibtion will inaugurate the program of Osservatorio, the foundation's new exhibition space in Milan. </p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='GCC at Kraupa-Tuskany Zeidler' 2050 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c84effb90f4eee0f21c6dd78100779d4.png' 2051 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c84effb90f4eee0f21c6dd78100779d4.png 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c84effb90f4eee0f21c6dd78100779d4.png 2x" ></div><div class='info'><div class="list-detail-title"> 2052 Exhibition | Berlin 2053 </div><h1> 2054 GCC at Kraupa-Tuskany Zeidler 2055 </h1><h2>Gestures</h2><h3>January 25 â March 8, 2017</h3><div class='summary paragraph-styling'><p>As part of GGC’s ongoing research in the increasingly pervasive trend of Positive Energy gaining momentum in the Gulf region, <em>Gestures</em> focuses on ways in which these lifestyle attitudes are appropriated, employed, and transformed as part of a greater political mechanism.</p></div><div class='links in-text'><div class='file'><a href='https://k-t-z.com/gestures/' target="_blank">KTZ</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pat-o-neill-at-international-house-philadelphia'><img itemprop="image" alt='Pat O'Neill at International House Philadelphia' 2056 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3ecefe4959fff1bd159b14322958725c.jpeg' 2057 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pat-o-neill-at-international-house-philadelphia'> 2058 Screening | Philadelphia 2059 </a></div><h1><a href='/news/pat-o-neill-at-international-house-philadelphia'> 2060 Pat O'Neill at International House Philadelphia 2061 </a></h1><h2>Where the Chocolate Mountains / Runs Good</h2><h3>March 3, 2017</h3><div class='summary paragraph-styling'><p>International House Philadelphia will screen Pat O'Neill's <em>Where the Chocolate Mountains</em> (2015) and <em>Runs Good</em> (1971). </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/monica-bonvicini-at-the-baltic-centre-for-contemporary-art'><img itemprop="image" alt='Monica Bonvicini at the BALTIC Centre for Contemporary Art' 2062 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7bf56fc958bed9dd41aad1f4e62e6969.jpeg' 2063 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7bf56fc958bed9dd41aad1f4e62e6969.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7bf56fc958bed9dd41aad1f4e62e6969.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/monica-bonvicini-at-the-baltic-centre-for-contemporary-art'> 2064 Exhibition | Gateshead, United Kingdom 2065 </a></div><h1><a href='/news/monica-bonvicini-at-the-baltic-centre-for-contemporary-art'> 2066 Monica Bonvicini at the BALTIC Centre for Contemporary Art 2067 </a></h1><h2>her hand around the room</h2><h3>November 18, 2016 - February 26, 2017</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash is pleased to announce that Monica Bonvicini will be the subject of a major one-person survey at the BALTIC Centre for Contemporary Art, Gateshead, UK. Using sculpture, installation, video, photography, text and performance, Bonvicini's work ranges from the intimate to the architectural in scale, questioning some of the often hidden forces that shape identity. The exhibition, titled <em>her hand around the room</em>, will present an overview of Bonvicini's work from throughout her career alongside specially comissioned new works. </p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Jay DeFeo, Mary Kelly &amp; Martha Rosler at the Whitney' 2068 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/78689f3020082e7d50507b65c2225f72.jpeg' 2069 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/78689f3020082e7d50507b65c2225f72.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/78689f3020082e7d50507b65c2225f72.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 2070 Exhibition | New York 2071 </div><h1> 2072 Jay DeFeo, Mary Kelly & Martha Rosler at the Whitney 2073 </h1><h2>Human Interest: Portraits from the Whitney's Collection</h2><h3>April 27, 2016 - February 12, 2017</h3><div class='links in-text'><div class='file'><a href='http://whitney.org/Exhibitions/HumanInterest' target="_blank">The Whitney Museum</a></div></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Karl Haendel at Susanne Vielmetter Projects' 2074 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/0d50e3fbae207713172b8ca53e9ca84d.png' 2075 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/0d50e3fbae207713172b8ca53e9ca84d.png 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/0d50e3fbae207713172b8ca53e9ca84d.png 2x" ></div><div class='info'><div class="list-detail-title"> 2076 Exhibition | Los Angeles 2077 </div><h1> 2078 Karl Haendel at Susanne Vielmetter Projects 2079 </h1><h2>By and By</h2><h3>January 7 - February 11, 2016</h3><div class='links in-text'><div class='file'><a href='https://www.vielmetter.com/exhibitions/current/528/view.html' target="_blank">Susanne Vielmetter</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/human-interest-martha-rosler-on-susan-meiselas'><img itemprop="image" alt='HUMAN INTEREST: MARTHA ROSLER ON SUSAN MEISELAS' 2080 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f1beb0850bf3fb1b279f0d5e4439f944.png' 2081 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f1beb0850bf3fb1b279f0d5e4439f944.png 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f1beb0850bf3fb1b279f0d5e4439f944.png 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/human-interest-martha-rosler-on-susan-meiselas'> 2082 Interview | New York 2083 </a></div><h1><a href='/news/human-interest-martha-rosler-on-susan-meiselas'> 2084 HUMAN INTEREST: MARTHA ROSLER ON SUSAN MEISELAS 2085 </a></h1><h2>The Whitney Museum of American Art</h2><h3>February 10, 2017</h3><div class='summary paragraph-styling'><p>Martha Rosler describes Susan Meiselas's multi-year project <em>Carnival Strippers</em>, and the intensive engagement Meiselas developed in relation to her subjects.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-the-jewish-museum2'><img itemprop="image" alt='Martha Rosler at the Jewish Museum' 2086 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/656e77658a3c9bb0e9db7115ee30a862.png' 2087 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-the-jewish-museum2'> 2088 Exhibition | New York 2089 </a></div><h1><a href='/news/martha-rosler-at-the-jewish-museum2'> 2090 Martha Rosler at the Jewish Museum 2091 </a></h1><h2>Take Me (I'm Yours)</h2><h3>September 16, 2016 - February 5, 2017</h3><div class='summary paragraph-styling'><p>Martha Rosler will be included in the Jewish Museum's upcoming group show, <em>Take Me (I'm Yours)</em>. Originally conceived by curator Hans Ulrich Obrist and artist Christian Boltansky in 1995, the show encourages visitors to participate in the exhibition by touching and even taking home works of art. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/leigh-ledare-at-office-baroque'><img itemprop="image" alt='Leigh Ledare at Office Baroque' 2092 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/26e5fb75f57b5fb3cf2b798b9b2114ac.jpeg' 2093 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/leigh-ledare-at-office-baroque'> 2094 Exhibition | Brussels 2095 </a></div><h1><a href='/news/leigh-ledare-at-office-baroque'> 2096 Leigh Ledare at Office Baroque 2097 </a></h1><h2>place du jardin aux fleurs</h2><h3>November 10 - December 23, 2016</h3><div class='summary paragraph-styling'><p>Three bodies of work by Ledare will be on view at Office Baroque’s downtown gallery at Place du Jardin aux Fleurs:<em> Vokzal</em>, <em>The Walk</em>, and <em>The Large Group</em>. These three overlapping works intervene into, or choreograph anew, a series of open systems — submitting both their subjects, and viewers, to distinct social, material or psychological processes. </p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='A conversation with Liam Gillick, Leigh Ledare and Svetlana Mintcheva' 2098 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c453f01d05d0adde6b971c5
2098d1686fd6d.jpeg' 2099 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c453f01d05d0adde6b971c5d1686fd6d.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c453f01d05d0adde6b971c5d1686fd6d.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 2100 Artist Talk | New York 2101 </div><h1> 2102 A conversation with Liam Gillick, Leigh Ledare and Svetlana Mintcheva 2103 </h1><h2>James Fuentes Gallery, New York</h2><h3>December 15, 2016</h3><div class='summary paragraph-styling'><p>Thursday, December 15 at 7:30 PM<br /> 210455 Delancey Street<br /> 2105New York, NY</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-to-give-the-walter-annenberg-annual-lecture'><img itemprop="image" alt='Martha Rosler to give the Walter Annenberg Annual Lecture' 2106 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/e2a9069dc137f5b2be46c2ba1428f99c.png' 2107 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/e2a9069dc137f5b2be46c2ba1428f99c.png 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/e2a9069dc137f5b2be46c2ba1428f99c.png 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-to-give-the-walter-annenberg-annual-lecture'> 2108 News 2109 </a></div><h1><a href='/news/martha-rosler-to-give-the-walter-annenberg-annual-lecture'> 2110 Martha Rosler to give the Walter Annenberg Annual Lecture 2111 </a></h1><h2>The Whitney Museum of American Art</h2><h3>December 13, 2016</h3><div class='summary paragraph-styling'><p>For the 2016 Walter Annenberg Lecture, Rosler will speak about her multidisciplinary practice and the genealogy of conceptual and feminist art in the United States with Adam D. Weinberg, the Museum’s Alice Pratt Brown Director.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/amanda-ross-ho-at-vleeshal-markt'><img itemprop="image" alt='Amanda Ross-Ho at Vleeshal Markt' 2112 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/66d807f2b6259e5e462df8871aa5de39.jpeg' 2113 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/66d807f2b6259e5e462df8871aa5de39.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/66d807f2b6259e5e462df8871aa5de39.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/amanda-ross-ho-at-vleeshal-markt'> 2114 Exhibition | Middleburg, Netherlands 2115 </a></div><h1><a href='/news/amanda-ross-ho-at-vleeshal-markt'> 2116 Amanda Ross-Ho at Vleeshal Markt 2117 </a></h1><h2>UNTITLED PERIOD PIECE</h2><h3>September 25 - December 11, 2016</h3><div class='summary paragraph-styling'><p>Vleeshal is pleased to present <em>UNTITLED PERIOD PIECE</em>, a solo exhibition of new work by Amanda Ross-Ho. <em>UNTITLED PERIOD PIECE</em> continues Ross-Ho’s exploration of labor, time and economy. The exhibition will be Amanda Ross-Ho’s first solo exhibition in the Netherlands and is co-commissioned with Bonner Kunstverein, where it will open on January 27 and run to April 2 2017.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail">
2117<a href='/news/mary-kelly-in-conversation-with-rosalyn-deutsche'><img itemprop="image" alt='Mary Kelly in Conversation with Rosalyn Deutsche' 2118 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2e2ee8e34e3702d3e524f346998f3e7c.jpeg' 2119 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2e2ee8e34e3702d3e524f346998f3e7c.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2e2ee8e34e3702d3e524f346998f3e7c.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/mary-kelly-in-conversation-with-rosalyn-deutsche'> 2120 Artist Talk | New York 2121 </a></div><h1><a href='/news/mary-kelly-in-conversation-with-rosalyn-deutsche'> 2122 Mary Kelly in Conversation with Rosalyn Deutsche 2123 </a></h1><h2>The Whitney Museum of American Art</h2><h3>December 1, 2016</h3><div class='summary paragraph-styling'><p>To mark the publication of October Files: Mary Kelly, a new anthology of essays and interviews that span the artist’s career, Kelly discusses her work with the critic and theorist Rosalyn Deutsche. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/david-nash-in-artnews'><img itemprop="image" alt='David Nash in ArtNews' 2124 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/659bde80462afa46c075bee6d2379587.png' 2125 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/659bde80462afa46c075bee6d2379587.png 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/659bde80462afa46c075bee6d2379587.png 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/david-nash-in-artnews'> 2126 News 2127 </a></div><h1><a href='/news/david-nash-in-artnews'> 2128 David Nash in ArtNews 2129 </a></h1><h2>How to Fix the Art World</h2><h3>November 28, 2016</h3><div class='summary paragraph-styling'><p>David Nash included in ARTNEWS' <em>How to Fix the Art World, Part 3</em>. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pat-o-neill-matrix-262'><img itemprop="image" alt='Pat O'Neill / Matrix 262' 2130 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/43d2bfa03a32d73343a8ec648d87c316.png' 2131 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pat-o-neill-matrix-262'> 2132 Exhibition | Berkeley, California 2133 </a></div><h1><a href='/news/pat-o-neill-matrix-262'> 2134 Pat O'Neill / Matrix 262 2135 </a></h1><h2>Berkeley Museum of Art Pacific Film Archive</h2><h3>September 28 â November 27, 2016</h3><div class='summary paragraph-styling'><p>The Berkeley Museum of Art Pacific Film Archive will present a wide selection of the films O’Neill has made since the 1960s. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pat-o-neill-at-the-whitney'><img itemprop="image" alt='Pat O'Neill at The Whitney' 2136 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/9e49d9996d698b458d0968f11d5eb4a7.png' 2137 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pat-o-neill-at-the-whitney'> 2138 Screening | New York 2139 </a></div><h1><a href='/news/pat-o-neill-at-the-whitney'> 2140 Pat O'Neill at The Whitney 2141 </a></h1><h2>Water and Power</h2><h3>November 20, 2016</h3><div class='summary paragraph-styling'><p>In conjunction with the exhibition <em>Dreamlands: Immersive Cinema and Art, 1905 - 2016</em>, the Whitney Museum of American Art will be screening Pat O'Neill's 1989 film, <em>Water and Power</em>, on Sunday, November 20th at 3 pm. </p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Mitchell-Innes &amp; Nash Represents GCC' 2142 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3aa897748094caf42fe38274a679d224.jpeg' 2143 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3aa897748094caf42fe38274a679d224.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3aa897748094caf42fe38274a679d224.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 2144 News 2145 </div><h1> 2146 Mitchell-Innes & Nash Represents GCC 2147 </h1><h3>November 15, 2016</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash is pleased to announce representation of artist collective GCC. </p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/book-signing-for-highway-kind-by-justine-kurland'><img itemprop="image" alt='Book Signing for Highway Kind by Justine Kurland' 2148 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7a5d4b59afcc8a60fe826420ca759a32.png' 2149 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/book-signing-for-highway-kind-by-justine-kurland'> 2150 Book Signing | New York 2151 </a></div><h1><a href='/news/book-signing-for-highway-kind-by-justine-kurland'> 2152 Book Signing for Highway Kind by Justine Kurland 2153 </a></h1><h2>Dashwood Books</h2><h3>November 15, 2016</h3><div class='summary paragraph-styling'><p>Join us for the launch and book signing of Justine Kurland's <em>Highway Kind</em> on Tuesday, November 15 from 6 to 8pm at Dashwood Books. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jay-defeo-at-marc-selwyn-fine-art'><img itemprop="image" alt='Jay DeFeo at Marc Selwyn Fine Art' 2154 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a234963e4e3b9ff7da2d9493003c5d2d.jpeg' 2155 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jay-defeo-at-marc-selwyn-fine-art'> 2156 Exhibition | Beverly Hills, California 2157 </a></div><h1><a href='/news/jay-defeo-at-marc-selwyn-fine-art'> 2158 Jay DeFeo at Marc Selwyn Fine Art 2159 </a></h1><h2>Jay DeFeo: Paintings on Paper 1986 - 1987</h2><h3>November 5, 2016 - January 7, 2017</h3><div class='summary paragraph-styling'><p>The solo exhibition highlights DeFeo’s <em>Samurai</em> series, a body of paintings on heavy paper influenced by DeFeo’s 1985 trip to Japan as well as the exhibition <em>Spectacular Helmets of Japan, 16 – 19th Century</em>, which she viewed the same year in San Francisco. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail">
2159<a href='/news/pope-l-at-the-museum-of-modern-at-art-warsaw'><img itemprop="image" alt='Pope.L at The Museum of Modern at Art Warsaw' 2160 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5a4721e483ae178f66a94cbc69b89c66.png' 2161 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-the-museum-of-modern-at-art-warsaw'> 2162 Exhibition | Warsaw 2163 </a></div><h1><a href='/news/pope-l-at-the-museum-of-modern-at-art-warsaw'> 2164 Pope.L at The Museum of Modern at Art Warsaw 2165 </a></h1><h2>PLAMA/THE SPOT</h2><h3>October 2016</h3><div class='summary paragraph-styling'><p><em>PLAMA</em> is a tv spot Pope.L produced in October 2016 in Warsaw. The spot had its premiere in Poland on November 10, on the eve of the Independence Day in Warsaw and two days past the presidential elections in the U.S.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/andrea-bowers-on-martha-rosler'><img itemprop="image" alt='Andrea Bowers on Martha Rosler' 2166 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/887941ccb8caad4b50ebfad979aa7817.jpg' 2167 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/andrea-bowers-on-martha-rosler'> 2168 Artist Talk | Wilmington, Ohio 2169 </a></div><h1><a href='/news/andrea-bowers-on-martha-rosler'> 2170 Andrea Bowers on Martha Rosler 2171 </a></h1><h2>Artists on Artists Lecture Series at Dia:Chelsea</h2><h3>September 27, 2016</h3><div class='summary paragraph-styling'><p>As part of the Artists on Artists Lecture Series at Dia:Chelsea, Andrea Bowers will give a talk on Martha Rolser's exhibtiion <em>If you can't afford to live here, mo-o-ove!! </em>on Tuesday, September 27 at 6:30 pm. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/a-conversation-with-pope-l'><img itemprop="image" alt='A conversation with Pope.L' 2172 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/230ae64678403e440e74a10956ad661a.png' 2173 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/a-conversation-with-pope-l'> 2174 News 2175 </a></div><h1><a href='/news/a-conversation-with-pope-l'> 2176 A conversation with Pope.L 2177 </a></h1><h2>São Paulo Biennal</h2><h3>September 19, 2016</h3><div class='summary paragraph-styling'><p>Pope.L talks about his most recent performance, <em>Baile,</em> at the São Paulo Biennal. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-in-the-sao-paulo-bienal'><img itemprop="image" alt='Pope.L in the São Paulo Bienal' 2178 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/9c7dd04694d9d595d25115e0ffaa21ad.jpeg' 2179 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-in-the-sao-paulo-bienal'> 2180 Bienal | São Paulo 2181 </a></div><h1><a href='/news/pope-l-in-the-sao-paulo-bienal'> 2182 Pope.L in the São Paulo Bienal 2183 </a></h1><h2>Baile, a new performance by Pope.L</h2><h3>September 7 - 10, 2016</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash is pleased to announce a new performance piece conceived by Pope.L for the 32nd São Paulo Bienal. </p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Publication of October Files: Mary Kelly' 2184 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8e8fbbe3fafcd5651933eb13d222d48c.png' 2185 ></div><div class='info'><div class="list-detail-title"> 2186 Publication 2187 </div><h1> 2188 Publication of October Files: Mary Kelly 2189 </h1><h2>MIT Press, Edited by Mignon Nixon</h2><h3>September 2016</h3><div class='summary paragraph-styling'><p>MIT Press' recent publication of<em> October Files</em> explores Mary Kelly's prolific artistic career, addressing such themes as labor, war, trauma, and the politics of care, while emphasizing the artist’s sustained engagement with histories of feminism and generations of feminists.</p></div><div class='links in-text'><div class='file'><a href='https://mitpress.mit.edu/books/mary-kelly' target="_blank">MIT Press</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail">
2189<a href='/news/jessica-stockholder-in-time-out-new-york'><img itemprop="image" alt='Jessica Stockholder in Time Out New York' 2190 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3001792cf040e7d9f4249becd97bd8ad.png' 2191 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3001792cf040e7d9f4249becd97bd8ad.png 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3001792cf040e7d9f4249becd97bd8ad.png 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jessica-stockholder-in-time-out-new-york'> 2192 Artist Interview 2193 </a></div><h1><a href='/news/jessica-stockholder-in-time-out-new-york'> 2194 Jessica Stockholder in Time Out New York 2195 </a></h1><h2>Read Our Interview with Artist Jessica Stockholder</h2><h3>August 30, 2016</h3><div class='summary paragraph-styling'><p>Blurring the line between painting and sculpture, Jessica Stockholder mixes found and bought objects with constructed and painted elements to a compelling effect. Although currently based in Chicago, Stockholder has exhibited frequently in various
2195New York galleries, as well museums like the Whitney. Over the course of a 30-year career, she’s become one of the most influential artists of her generation, setting the stage for the hybrid style of sculpture and installation that dominates the art world today. Recently, the artist chatted with Time Out New York to discuss her new gallery show in Chelsea at Mitchell-Innes & Nash featuring, colorful assemblages, drawings and a large-scale, site-specific installation.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/mitchell-innes-nash-in-blouin-artinfo2'><img itemprop="image" alt='Mitchell-Innes &amp; Nash in Blouin ArtInfo' 2196 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b29679307779e4135bf53a1671adf3a3.jpg' 2197 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/mitchell-innes-nash-in-blouin-artinfo2'> 2198 News 2199 </a></div><h1><a href='/news/mitchell-innes-nash-in-blouin-artinfo2'> 2200 Mitchell-Innes & Nash in Blouin ArtInfo 2201 </a></h1><h2>Top Galleries of 2016</h2><h3>August 23, 2016</h3><div class='summary paragraph-styling'><p> 2202 Mitchell-Innes & Nash is named one of Blouin's 500 Best Galleries Worldwide. </p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Justine Kurland in Cabinet Magazine' 2203 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f2ae41ccf037b4751d6fb4fd71f41936.jpeg' 2204 ></div><div class='info'><div class="list-detail-title"> 2205 News 2206 </div><h1> 2207 Justine Kurland in Cabinet Magazine 2208 </h1><h2>F-Hole</h2><h3>Spring-Summer 2016</h3><div class='summary paragraph-styling'><p>I want to tell you why I sold my van. It’s not the first van I’ve left behind but it might be the last. I would like to publicly renounce a belief system that once seemed useful and true to me; I’ve outgrown the romantic escapism of this mode of travel. The boy who bought my van was excited to have it. He had just graduated from Bard and was planning to use it to drive to Marfa, where he had an internship. I felt like I was passing a baton. But exactly what kind of baton was it? Few things in the popular imagination are as symbolically loaded as cars. Or as guitars, for that matter. But let me start with vans.</p></div><div class='links in-text'><div class='file'><a href='/attachment/en/63936142fcaaf75aef06bd82/News/5890fb83ced750ef2d975348' target="_blank">Download PDF</a><a href='http://cabinetmagazine.org/issues/61/kurland.php' target="_blank">Cabinet Magazine</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-gallery-400-at-uic-college-of-architecture-the-arts'><img itemprop="image" alt='Martha Rosler at Gallery 400 at UIC College of Architecture &amp; the Arts' 2209 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/47c2af4b0394b186167eda1168815d19.jpg' 2210 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-gallery-400-at-uic-college-of-architecture-the-arts'> 2211 Exhibition | Chicago 2212 </a></div><h1><a href='/news/martha-rosler-at-gallery-400-at-uic-college-of-architecture-the-arts'> 2213 Martha Rosler at Gallery 400 at UIC College of Architecture & the Arts 2214 </a></h1><h2>Precarity: Contingency in Artmaking and Academia</h2><h3>
2214June 24 - July 30, 2016</h3><div class='summary paragraph-styling'><p>Martha Rosler will be featured in Gallery 400's upcoming exhibition, "Precarity: Contingency in Artmaking and Academia." </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-the-international-center-for-photography'><img itemprop="image" alt='Martha Rosler at the International Center for Photography' 2215 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/52266ae757059c9cbf3475a08f6452df.jpg' 2216 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-the-international-center-for-photography'> 2217 Exhibition | New York 2218 </a></div><h1><a href='/news/martha-rosler-at-the-international-center-for-photography'> 2219 Martha Rosler at the International Center for Photography 2220 </a></h1><h2>Public, Private, Secret</h2><h3>June 23, 2016</h3><div class='summary paragraph-styling'><p>Martha Rosler's iconic conceptual piece <em>The Bowery in Two Inadequate Descriptive Systems</em> from 1974-5 is to be included in the International Center for Photography's first exhibtiion, titled "Public, Private, Secret." </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/mitchell-innes-nash-in-travelmag'><img itemprop="image" alt='Mitchell-Innes &amp; Nash in TravelMag' 2221 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/de351500b8346fbda80c6b36c0bd53d8.jpeg' 2222 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/mitchell-innes-nash-in-travelmag'> 2223 News 2224 </a></div><h1><a href='/news/mitchell-innes-nash-in-travelmag'> 2225 Mitchell-Innes & Nash in TravelMag 2226 </a></h1><h2>Top 7 Art Galleries in Chelsea</h2><h3>June 22, 2016</h3><div class='summary paragraph-styling'><p>Named after its owners, a couple who formerly worked at the storied auction house Sotheby’s, this sky-lit space hosts a wide range of contemporary artists in shows that change roughly every month. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/mitchell-innes-nash-in-blouin-artinfo'><img itemprop="image" alt='Mitchell-Innes &amp; Nash in Blouin ArtInfo' 2227 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/53c6f00848959ffa314d04aa846cf461.jpeg' 2228 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/mitchell-innes-nash-in-blouin-artinfo'> 2229 News 2230 </a></div><h1><a href='/news/mitchell-innes-nash-in-blouin-artinfo'> 2231 Mitchell-Innes & Nash in Blouin ArtInfo 2232 </a></h1><h2>Must-See Booths at Art Basel 47</h2><h3>June 17, 2016</h3><div class='summary paragraph-styling'><p>Postwar classics combine in this booth with more jarring contemporary fare in a vibrant mix with an electric charge.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/mitchell-innes-nash-in-the-new-york-times'><img itemprop="image" alt='Mitchell-Innes &amp; Nash in The New York Times' 2233 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f834a666061720737d5ccc396d535c0b.jpeg' 2234 ></a></div><div class='info'><div class="list-detail-title">
2234<a href='/news/mitchell-innes-nash-in-the-new-york-times'> 2235 News 2236 </a></div><h1><a href='/news/mitchell-innes-nash-in-the-new-york-times'> 2237 Mitchell-Innes & Nash in The New York Times 2238 </a></h1><h2>At Art Basel, Upbeat Dealers and Brisk Sales</h2><h3>June 16, 2016</h3><div class='summary paragraph-styling'><p>BASEL, Switzerland — An art fair like the one here this week can feel as hermetic and all-consuming as a casino, so focused are the crowds on buying art — arguably its own form of gambling — and double-kissing that they lose track of time or what’s happening outdoors (in this case, gray skies and sporadic drizzle).</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-in-unlimited-at-art-basel'><img itemprop="image" alt='Martha Rosler in Unlimited at Art Basel' 2239 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/150ee522e7d64e075651e94f3ae75071.jpg' 2240 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-in-unlimited-at-art-basel'> 2241 Art Fair | Basel 2242 </a></div><h1><a href='/news/martha-rosler-in-unlimited-at-art-basel'> 2243 Martha Rosler in Unlimited at Art Basel 2244 </a></h1><h2>House Beautiful: Bringing the War Home, 1967-72</h2><h3>June 16 - 19, 2016</h3><div class='summary paragraph-styling'><p>Presented in conjunction with Galerie Nagel Draxler, Martha Rosler's <em>House Beautiful: Bringing the War Home</em> from 1967-72 will be included in the Unlimited Section at Art Basel 2016. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/mitchell-innes-nash-in-artnews'><img itemprop="image" alt='Mitchell-Innes &amp; Nash in ArtNews' 2245 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/674fb79a407aeb336640ae2d75a88093.jpg' 2246 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/mitchell-innes-nash-in-artnews'> 2247 News 2248 </a></div><h1><a href='/news/mitchell-innes-nash-in-artnews'> 2249 Mitchell-Innes & Nash in ArtNews 2250 </a></h1><h2>Art Basel Begins, as the world's primo dealers fight a cooling market</h2><h3>June 14, 2016</h3><div class='summary paragraph-styling'><p> 2251 With market prognosticators fearing a tepid start to Art Basel amid an international slowdown in art sales, the world’s biggest galleries shipped a ballsy set of offerings to Switzerland.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-in-unlimited-at-art-basel'><img itemprop="image" alt='Pope.L in Unlimited at Art Basel' 2252 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ff4499fc3af63c28db077174b873e08b.jpg' 2253 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-in-unlimited-at-art-basel'> 2254 Art Fair | Basel 2255 </a></div><h1><a href='/news/pope-l-in-unlimited-at-art-basel'> 2256 Pope.L in Unlimited at Art Basel 2257 </a></h1><h3>June 13, 2016</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash announces <em>The Problem</em>, a new performance piece conceived by Pope.L staged for the opening of Unlimited during Art Basel in Basel. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/leigh-ledare-in-manifesta-2016'><img itemprop="image" alt='Leigh Ledare in Manifesta 2016' 2258 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/9bde1145b239c2b5c0cb3892f9027a4d.jpg' 2259 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/leigh-ledare-in-manifesta-2016'> 2260 Biennial | Zuric
2260h 2261 </a></div><h1><a href='/news/leigh-ledare-in-manifesta-2016'> 2262 Leigh Ledare in Manifesta 2016 2263 </a></h1><h2>What do I do for money?</h2><h3>June 6 - August 18, 2016</h3><div class='summary paragraph-styling'><p>Leigh Ledare is to participate in Manifesta 2016 in collaboration with Christian Jankowski. Ledare will present a project with Dr. Christoph Müller, group therapist and doctor for childhood and adolescent psychiatry and psychotherapy in Zurich. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/tom-wesselmann-panel-discussion'><img itemprop="image" alt='Tom Wesselmann Panel Discussion' 2264 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7982884437f9216caf040e6e1bc7409a.jpg' 2265 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/tom-wesselmann-panel-discussion'> 2266 Panel Discussion | New York 2267 </a></div><h1><a href='/news/tom-wesselmann-panel-discussion'> 2268 Tom Wesselmann Panel Discussion 2269 </a></h1><h3>May 21, 2016</h3><div class='summary paragraph-styling'><p>Please join us this Saturday, May 21 at 4 pm for a panel discussion on the life and work of Tom Wesselmann.</p><p>Moderated by Lucy Mitchell-Innes, the panelists will include: Isabelle Dervaux, Curator of Modern and Contemporary Drawings, The Morgan Library & Museum; Jamian Juliano-Villani, artist; Michael Lobel, Professor of Art History, Hunter College and Jeffrey Sturges, from the Tom Wesselmann Estate.</p><p> </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/karl-haendel-at-laxart'><img itemprop="image" alt='Karl Haendel at LAXART' 2270 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/e93e31badc1dc069dcdfd0ec237a69bb.jpeg' 2271 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/karl-haendel-at-laxart'> 2272 Exhibition | Los Angeles 2273 </a></div><h1><a href='/news/karl-haendel-at-laxart'> 2274 Karl Haendel at LAXART 2275 </a></h1><h2>Karl Haendel and Tony Lewis</h2><h3>April 9 - May 21, 2016</h3><div class='summary paragraph-styling'><p>LAxART is pleased to present a collaborative exhibition by Karl Haendel and Tony Lewis. This exhibition developed out of conversations around the possibilities of drawing as a personal, material, and metaphoric practice, an ongoing dialogue largely began when Lewis was Haendel’s student at the School of the Art Institute of Chicago. Since that time, the artists have continued an exchange around their respective approaches to drawing and this exhibition marks the first time such dialogues have been made public. The selected works reflect a shared interest in figuration, social conduct, familial relations, the efficacy of communication, and drawing as a personal and idiosyncratic language.</p><p> </p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Mitchell-Innes &amp; Nash Represents Monica Bonvicini' 2276 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d2fbbdbff7a42afc34b7f39e64c912d6.png' 2277 ></div><div class='info'><div class="list-detail-title"> 2278 News 2279 </div><h1> 2280 Mitchell-Innes & Nash Represents Monica Bonvicini 2281 </h1><h3>May 2016</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash is pleased to annouce representation of Monica Bonvicini. </p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Sarah Braman at the Kunsthalle Helsinki' 2282 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/53785f0c56a7e53343b899f10f7ba971.jpeg' 2283 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/53785f0c56a7e53343b899f10f7ba971.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/53785f0c56a7e53343b899f10f7ba971.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 2284 Exhibition | Helsinki 2285 </div><h1> 2286 Sarah Braman at the Kunsthalle Helsinki 2287 </h1><h2>The Zabludowicz Collection</h2><h3>March 19 - April 24, 2016</h3><div class='summary paragraph-styling'><p>Nature meets contemporary art in Sarvisalo, Pernaja. The Zabludowicz estate hosts an artistic residency for young, international artists, whose work can be seen in different ways on the island. Art has spread to Sarvisalo, but the idyllic seaside venue is only open to public on special occasions so this exhibition offers an exciting opportunity to see works from Sarvisalo in the city.</p><p>This exhibition drawn from the Zabludowicz Collection presents contemporary art from nine artists who have visited or been exhibited in Sarvisalo.</p></div><div class='links in-text'><div class='file'><a href='http://taidehalli.fi/en/nayttelyt/zabludowicz-collection' target="_blank">Kunsthalle Helsinki</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/keltie-ferris-in-auction-to-benefit-the-center'><img itemprop="image" alt='Keltie Ferris in Auction to Benefit The Center' 2288 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/56c83561fd5dcb4589c8321256dbfde5.jpeg' 2289 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/keltie-ferris-in-auction-to-benefit-the-center'> 2290 Benefit Auction | New York 2291 </a></div><h1><a href='/news/keltie-ferris-in-auction-to-benefit-the-center'> 2292 Keltie Ferris in Auction to Benefit The Center 2293 </a></h1><h3>April 14, 2016</h3><div class='summary paragraph-styling'><p>Curated by Arnold Lehman, Artspace has partnered with The Lesbian, Gay, Bisexual & Transgender Community Center of New York for a benefit auction at their annual Center Dinner fundraiser, this year honoring Mary-Louise Parker and Timothy Chow. The auction, featuring artworks by Keltie Ferris, Deborah Kass, Shepard Fairey, Inez and Vinoodh and more, is now open for bidding. The online auction closes on Thursday, April 14, at 9:15 p.m. EST.</p><p>About The Center: <a href="https://gaycenter.org/home"><em>The Center</em></a> fosters a welcoming environment where everyone is celebrated for who they are. We offer the LGBT communities of NYC health and wellness programs; arts, entertainment and cultural events; recovery, wellness, parenthood and family support services.</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"></div><div class='info'><div class="list-detail-title"> 2294 Artist Talk | New York 2295 </div><h1> 2296 Justine Kurland in Converstation at the New York Public LIbrary 2297 </h1><h2>Wild Stainless | Winona Barton-Ballentine, Justine Kurland | An Artist Dialogue Series Event</h2><h3>April 9, 2016</h3><div class='summary paragraph-styling'><p>American photographers and mothers Justine Kurland and Winona Barton-Ballentine make work about the search for self-defined space, from inside of the home to out on the road. In celebration of Winona Barton-Ballentine's site-specific Photo Walls n Picture Collection exhibition Wild Stainless, Kurland and Barton-Ballentine converse about how culture, gender, social class, and motherhood, among other things, affect the desire for self-reinvention through the shaping of one’s surroundings; and how this is explored in photography and literature.</p></div><div class='links in-text'><div class='file'><a href='http://www.nypl.org/events/programs/2016/04/09/wild-stainless-winona-barton-ballentine-justine-kurland-artist-dialogue' target="_blank">New York Public Library</a></div></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Jessica Stockholder in Conversation at Rice University' 2298 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/35c8fd98c2b3b4cdc832c0d4d1b696ab.jpeg' 2299 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/35c8fd98c2b3b4cdc832c0d4d1b696ab.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/35c8fd98c2b3b4cdc832c0d4d1b696ab.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 2300 Artist Talk | Houston 2301 </div><h1> 2302 Jessica Stockholder in Conversation at Rice University 2303 </h1><h3>April 7, 2016</h3><div class='summary paragraph-styling'><p>RIce University Art Gallery<br /> 23046100 Main St, Houston, Texas 77005<br /> 230506:00 PM</p><p>Talk by former Rice Gallery artist Jessica Stockholder, whose newest public work, Color Jam Houston, is in progress as part of Art Blocks in Main Street Square in Downtown Houston. Co-sponsored by Rice University and Blaffer Art Museum. With introductions by Rice Gallery Director Kim Davenport and Blaffer Art Museum Director Claudia Schmuckli, Stockholder will discuss her
2305current project in conversation with past projects, including her installation at Rice Gallery in 2004, and her 2004 solo exhibition at the University of Houston Blaffer Gallery: Jessica Stockholder, Kissing the Wall: Works, 1988-2003.</p><p>Reception to follow.</p></div><div class='links in-text'><div class='file'><a href='http://houmuse.com/explore/events/jessica-stockholder-artist-talk-reception/' target="_blank">Rice University Art Gallery</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-the-walker-art-center'><img itemprop="image" alt='Pope.L at The Walker Art Center' 2306 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c6440418dad589e78b1e923158c8412a.jpg' 2307 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-the-walker-art-center'> 2308 Exhibition | Minneapolis 2309 </a></div><h1><a href='/news/pope-l-at-the-walker-art-center'> 2310 Pope.L at The Walker Art Center 2311 </a></h1><h2>Less Than One</h2><h3>April 7 - December 31, 2016</h3><div class='summary paragraph-styling'><p>Less Than One is an international, multigenerational group show offering in-depth presentations of work from the 1960s to the present by 16 artists central to the Walker’s collection. Included alongside such signature artworks as Sigmar Polke’s Mrs. Autumn and Her Two Daughters (1991) are major acquisitions on view here for the first time, including Ericka Beckman’s You The Better, Film Installation (1983/2015), Adrian Piper’s The Mythic Being: Sol’s Drawing #1–5 (1974), and Renée Green’s Bequest (1991), among other featured pieces.</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Julian Stanczak at the Museo de Arte Contemporáneo Buenos Aires' 2312 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/305e2b9c490187b55c7317c04c5334b5.jpeg' 2313 ></div><div class='info'><div class="list-detail-title"> 2314 Exhibition | Buenos Aires 2315 </div><h1> 2316 Julian Stanczak at the Museo de Arte Contemporáneo Buenos Aires 2317 </h1><h2>Geometric Obsession: American School 1965-2015</h2><h3>Oct. 15th, 2015 â Mar. 6th, 2016</h3><div class='summary paragraph-styling'><p>In celebration of fifty year anniversary of William Seitz's "The Responsive Eye"at MoMA, MACBA has organized "Geometric Obsession," bringing together 30 pieces of American abstract art in dialogue with contemporary artists who have continued the Op Art legacy to the present.</p></div><div class='links in-text'><div class='file'><a href='http://www.macba.com.ar/eng-novedad.php?n=72' target="_blank">Museo de Arte Contemporáneo Buenos Aires</a></div></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Mitchell-Innes &amp; Nash Represents Mary Kelly' 2318 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/0137f9e565fe639ea1d41c0a4f800cee.jpeg' 2319 ></div><div class='info'><div class="list-detail-title"> 2320 News 2321 </div><h1> 2322 Mitchell-Innes & Nash Represents Mary Kelly 2323 </h1><h3>March 2016</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash is pleased to annouce representation of LA-based artist Mary Kelly. </p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/amanda-ross-ho-at-the-walker-art-center'><img itemprop="image" alt='Amanda Ross-Ho at the Walker Art Center' 2324 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/90932c13b6ca7465821cfe2537ed02b4.jpeg' 2325 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/90932c13b6ca7465821cfe2537ed02b4.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/90932c13b6ca7465821cfe2537ed02b4.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/amanda-ross-ho-at-the-walker-art-center'> 2326 Exhibition | Minneapolis 2327 </a></div><h1><a href='/news/amanda-ross-ho-at-the-walker-art-center'> 2328 Amanda Ross-Ho at the Walker Art Center 2329 </a></h1><h2>Ordinary Pictures</h2><h3>February 27, 2016 â October 9, 2016</h3><div class='summary paragraph-styling'><p>Featuring works by some 30 artists, Ordinary Pictures surveys a range of conceptual image-based practices since the 1960s through the lens of the stock photograph, an under-researched yet pervasive aspect of our visual culture. Despite its apparent throwaway status, the stock
2329image comprises the primary commodity of a billion-dollar global industry with far-reaching effects in the marketplace and the public sphere.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/tom-wesselmann-at-the-philadelphia-museum-of-art'><img itemprop="image" alt='Tom Wesselmann at the Philadelphia Museum of Art' 2330 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c78c7b7bf5ef60f2a856b9b018a90397.png' 2331 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/tom-wesselmann-at-the-philadelphia-museum-of-art'> 2332 Exhibition | Philadelphia 2333 </a></div><h1><a href='/news/tom-wesselmann-at-the-philadelphia-museum-of-art'> 2334 Tom Wesselmann at the Philadelphia Museum of Art 2335 </a></h1><h3>February 24, 2016 - May 15, 2016</h3><div class='summary paragraph-styling'><p>This exhibition chronicles Pop art’s emergence as an international movement, migrating from the United Kingdom and the United States to western and eastern Europe, Latin America, and Japan. Although Pop arose in distinct forms within each region, artists expressed a shared interest in mass media, consumerism, and figuration. International Pop navigates a fast-paced world packed with bold and thought-provoking imagery, revealing a vibrant cultural period shaped by widespread social and political revolution.</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"></div><div class='info'><div class="list-detail-title"> 2336 Artist Talk | New York 2337 </div><h1> 2338 Martha Rosler in Conversation at the Brooklyn Museum 2339 </h1><h2>with Nancy Buchanan and Andrea Bowers</h2><h3>February 20, 2016</h3><div class='summary paragraph-styling'><p>February 20, 2016<br /> 23402:00 p.m.<br /> 2341Iris and B. Gerald Cantor Auditorium, 3rd Floor</p><p>Join Agitprop! artists Martha Rosler, Nancy Buchanan, and Andrea Bowers in a discussion on the intersection of art and activism in their practices. The speakers represent the chain of artist-driven nominations that shape Agitprop!’s evolving installation: Rosler, invited for wave one, nominated Buchanan for wave two; Buchanan in turn invited Bowers for wave three.</p><p>Free with Museum admission.</p></div><div class='links in-text'><div class='file'><a href='https://www.brooklynmuseum.org/calendar/event/martha_rosler_nancy_buchanan_andrea_bowers_february_2016' target="_blank">Brooklyn Museum</a></div></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Eddie Martinez Skateboard Launch and Catalog Signing' 2342 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8cd4c86170489a0909c76c74b62accd7.jpg' 2343 ></div><div class='info'><div class="list-detail-title"> 2344 News 2345 </div><h1> 2346 Eddie Martinez Skateboard Launch and Catalog Signing 2347 </h1><h3>February 17, 2016</h3><div class='summary paragraph-styling'><p> 2348 Mitchell-Innes & Nash is pleased to announce the release of a new box set of three signed skate decks by Eddie Martinez produced in conjunction with <a href="http://makeskateboards.com/">MAKE Skateboards</a>. Please join us at the gallery on Wednesday, February 17 from 6:30 to 8:00 pm to celebrate the launch of this limited edition as well the launch of Martinez's new catalog Salmon Eye. The artist will be signing catalogs from 7:00 - 7:30 pm. </p></div><div class='links in-text'><div class='file'><a href='http://makeskateboards.com/' target="_blank">MAKE Skateboards</a></div></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"></div><div class='info'><div class="list-detail-title"> 2349 Artist Talk | New York 2350 </div><h1> 2351 Martha Rosler in Conversation at the New York Public Library 2352 </h1><h3>February 10, 2016</h3><div class='summary paragraph-styling'><p>In conjunction with the publication of American Artists against War, 1935–2010, author David McCarthy is joined by artists Joyce Kozloff and Martha Rosler for a discussion about artists’ activism and antiwar art in the age of the American Century. McCarthy provides a historical overview of the continuities and changes in antiwar art from the 1930s until today, while Kozloff and Rosler contextualize this broader history with their experiences as artists and activists since the 1960s.</p><p>Wednesday, February 10, 2016, 6 - 8 p.m. FREE</p><p>Stephen A. Schwarzman Building, Celeste Auditorium, Fifth Avenue at 42nd Street</p></div><div class='links in-text'><div class='file'><a href='http://www.nypl.org/events/programs/2016/02/10/american-artists-against-war-joyce-kozloff-david-mccarthy-martha-rosler' target="_blank">New York Public Library</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/keltie-ferris-at-the-university-art-museum'><img itemprop="image" alt='Keltie Ferris at the University Art Museum' 2353 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/abc0534c88ce4afe60837d5724f151b0.jpeg' 2354 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/abc0534c88ce4afe60837d5724f151b0.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/abc0534c88ce4afe60837d5724f151b0.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/keltie-ferris-at-the-university-art-museum'> 2355 Exhibition | New York 2356 </a></div><h1><a href='/news/keltie-ferris-at-the-university-art-museum'> 2357 Keltie Ferris at the University Art Museum 2358 </a></h1><h2>University of Albany, University of New York</h2><h3>February 2 â April 2, 2016</h3><div class='summary paragraph-styling'><p>Built up in layers of spray gun washes and palette knife zips, these fresh and original large-scale abstractions reference textiles, graffiti, and modernist painting through a pixilated haze of neon, dark night tones, and tempered pastels. The body prints are an extension of this layered approach to image-making.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pat-o-neill-at-mitchell-innes-nash'><img itemprop="image" alt='Pat O'Neill at Mitchell-Innes &amp; Nash'
2359 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/df75f4a6cec6e1b9a8ff41f67ac3ff7d.jpeg' 2360 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pat-o-neill-at-mitchell-innes-nash'> 2361 Screening | New York 2362 </a></div><h1><a href='/news/pat-o-neill-at-mitchell-innes-nash'> 2363 Pat O'Neill at Mitchell-Innes & Nash 2364 </a></h1><h2>Where the Chocolate Mountains</h2><h3>January 14, 2016</h3><div class='summary paragraph-styling'><p>In the spring of 2015, with the assistance of a Creative Capital grant, O’Neill completed a new feature film entitled <em>Where the Chocolate Mountains</em>. Following the New York debut at Anthology Film Archives earlier this year, Mitchell-Innes & Nash is excited to be screening this new feature for a one-night-only event at the Chelsea gallery. Refreshments and snacks will be served; no RSVP required. Run time is 55 minutes.</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Pat O'Neill Screening at the University of Washington' 2365 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7e067f1af1e7524f219c80a5354c76b0.jpeg' 2366 ></div><div class='info'><div class="list-detail-title"> 2367 Screening | Seattle 2368 </div><h1> 2369 Pat O'Neill Screening at the University of Washington 2370 </h1><h2>Early Films</h2><h3>January 8, 2015</h3><div class='summary paragraph-styling'><p>Henry Art Gallery at the University of Washington will present a selection of short films produced by experimental filmmaker and artist, Pat O'Neill. The program features a number of key early works, including 7362 (1967), a three-screen version of <em>Runs Good</em> (1970), <em>Easy Out</em> (1971), <em>Last of the Persimmons</em> (1972), and <em>Down Wind</em> (1973). Art Historian Johanna Gosse will introduce the films and lead a post-screening Q&A.</p></div><div class='links in-text'><div class='file'><a href='https://henryart.org/programs/pat-oneill-early-films' target="_blank">Henry Art Gallery, the University of Washington</a></div></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Keltie Ferris in Discussion at The Whitney Museum of American Art' 2371 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5cdfba1b3cf459c5500eb816f0129fc7.jpeg' 2372 ></div><div class='info'><div class="list-detail-title"> 2373 Artist Talk | New York 2374 </div><h1> 2375 Keltie Ferris in Discussion at The Whitney Museum of American Art 2376 </h1><h2>Working Space: Contemporary artists on Frank Stella</h2><h3>January 8, 2016</h3><div class='summary paragraph-styling'><p>On the occasion of Frank Stella: A Retrospective, this roundtable discussion with artists Walead Beshty, Keltie Ferris, Jordan Kantor, and Sarah Morris explores key aspects of Stella’s heterogeneous approach to painting and its significance for younger generations of artists working today.</p></div><div class='links in-text'><div class='file'><a href='http://whitney.org/Events/WorkingSpace' target="_blank">The Whitney Museum of American Art</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/allan-d-arcangelo-and-tom-wesselmann-at-the-museum-of-contemporary-art-chicago'><img itemprop="image" alt='Allan D'Arcangelo and Tom Wesselmann at the Museum of Contemporary Art Chicago' 2377 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c10561dbac25d9e17eac6dda0f0aee8c.jpg' 2378 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/allan-d-arcangelo-and-tom-wesselmann-at-the-museum-of-contemporary-art-chicago'> 2379 Exhibition | Chicago 2380 </a></div><h1><a href='/news/allan-d-arcangelo-and-tom-wesselmann-at-the-museum-of-contemporary-art-chicago'> 2381 Allan D'Arcangelo and Tom Wesselmann at the Museum of Contemporary Art Chicago 2382 </a></h1><h2>Pop Art Design</h2><h3>December 19 â March 27, 2016</h3><div class='summary paragraph-styling'><p>While we may think we know pop inside-out through the well-documented and widely discussed work of Andy Warhol and his peers, the spirit of pop not only manifested itself in Warhol’s paintings of Marilyn Monroe and Campbell’s soup cans, it also influenced the look of chairs, sofas, lamps, and even architecture during the culturally ebullient 1960s and 1970s. Pop Art Design, an exhibition organized by the Vitra Design Museum, one of the preeminent furniture and design museums in the world, pairs iconic design objects with artworks from this celebrated era to show the cross-pollination between these creative worlds.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pat-o-neill-screening-at-anthology-film-archives'><img itemprop="image" alt='Pat O'Neill Screening at Anthology Film Archives' 2383 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/203394801a2dc30bf4ca535355b5f1f6.png' 2384 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/203394801a2dc30bf4ca535355b5f1f6.png 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/203394801a2dc30bf4ca535355b5f1f6.png 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pat-o-neill-screening-at-anthology-film-archives'> 2385 Screening | New York 2386 </a></div><h1><a href='/news/pat-o-neill-screening-at-anthology-film-archives'> 2387 Pat O'Neill Screening at Anthology Film Archives 2388 </a></h1><h2>Where the Chocolate Mountains</h2><h3>Sunday, December 13</h3><div class='summary paragraph-styling'><p>
2388In the spring of 2015, with the assistance of a Creative Capital grant, Pat O’Neill completed a new feature film entitled <em>Where the Chocolate Mountains</em>. Mitchell-Innes & Nash is excited to be screening this new feature for a one day only event at Anthology Film Archives on <strong>Sunday December 13, 2015 at 1 pm.</strong> The film has a 55 minute run time and will followed by a discussion between Pat O’Neill and independent curator Tina Kukielski. </p><p> </p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Martha Rosler at the Seattle Art Museum' 2389 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8e9f9f571010521c1d8470f30ee56f80.png' 2390 ></div><div class='info'><div class="list-detail-title"> 2391 Exhibition | Washington 2392 </div><h1> 2393 Martha Rosler at the Seattle Art Museum 2394 </h1><h3>December 13, 2015-July 3, 2016</h3><div class='summary paragraph-styling'><p>The Seattle Art Museum is pleased to present its first solo exhibition on the work of Martha Rosler opening December 13, 2015. </p></div><div class='links in-text'><div class='file'><a href='http://www.seattleartmuseum.org/' target="_blank">Seattle Art Museum</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-the-brooklyn-museum2'><img itemprop="image" alt='Martha Rosler at the Brooklyn Museum' 2395 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/06f7892c6ade63a80d5d9ac39a73accc.png' 2396 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-the-brooklyn-museum2'> 2397 Exhibition | New York 2398 </a></div><h1><a href='/news/martha-rosler-at-the-brooklyn-museum2'> 2399 Martha Rosler at the Brooklyn Museum 2400 </a></h1><h2>Agitprop!</h2><h3>December 11, 2015-August 11, 2016</h3><div class='summary paragraph-styling'><p>At key moments in history, artists have reached beyond galleries and museums, using their work as a call to action to create political and social change. For the past hundred years, the term agitprop, a combination of agitation and propaganda, has directly reflected the intent of this work.</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"></div><div class='info'><div class="list-detail-title"> 2401 Exhibition | Houston 2402 </div><h1> 2403 Martha Rosler and Jay Defeo at the Museum of Fine Arts, Houston 2404 </h1><h2>A History of Photography: Selections from the Museumâs Collection</h2><h3>December 8, 2015 - April 3, 2016</h3><div class='summary paragraph-styling'><p>A History of Photography: Selections from the Museum's Collection is a series of installations that trace the course of photography from its invention to the present day, showcasing important new acquisitions and treasured masterpieces.</p><p>Every four months, a new selection of photographs, drawn from the rich collection that the Museum has built over the past half century, present the medium's history in a slightly different light. In this way, an increasingly complex picture of photographic history emerges for those who move slowly, look closely, and return for more.</p></div><div class='links in-text'><div class='file'><a href='http://www.mfah.org/history-photography-selections-museums-collection/' target="_blank">Museum of Fine Arts Houston</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/amanda-ross-ho-at-the-rubell-family-collection'><img itemprop="image" alt='Amanda Ross-Ho at the Rubell Family Collection' 2405 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b457193df71ff95f2c41d79abccde971.jpeg' 2406 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/amanda-ross-ho-at-the-rubell-family-collection'> 2407 Exhibition | Miami 2408 </a></div><h1><a href='/news/amanda-ross-ho-at-the-rubell-family-collection'> 2409 Amanda Ross-Ho at the Rubell Family Collection 2410 </a></h1><h2>NO MAN'S LAND: Women Artists from the Rubell Family Collection</h2><h3>December 2, 2015 - May 28, 2016</h3><div class='summary paragraph-styling'><p>The Rubell Family Collection/Contemporary Arts Foundation is pleased to announce its upcoming exhibition, <em>NO MAN’S LAND: Women Artists from the Rubell Family Collection</em>, on view in Miami from December 2nd, 2015 through May 28th, 2016. This exhibition will focus on and celebrate work made by more than a hundred female artists of different generations, cultures and disciplines. These artists will be represented by paintings, photographs, sculptures and video installations that will entirely occupy the Foundation’s 28-gallery, 45,000-square-foot museum. Some galleries will contain individual presentations while others will present thematic groupings of artists. Several installations have been commissioned specifically for this exhibition.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-performance-at-art-basel-miami-beach'><img itemprop="image" alt='Pope.L Performance at Art Basel Miami Beach' 2411 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/73aca73f93f96f785920d1f899b44e3a.jpeg' 2412 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/73aca73f93f96f785920d1f899b44e3a.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/73aca73f93f96f785920d1f899b44e3a.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-performance-at-art-basel-miami-beach'> 2413 Performance | Miami 2414 </a></div><h1><a href='/news/pope-l-performance-at-art-basel-miami-beach'> 2415 Pope.L Performance at Art Basel Miami Beach 2416 </a></h1><h3>December 1-2, 2015</h3><div class='summary paragraph-styling'><p>Curated by Nicholas Baume, Director and Chief Curator of the Public Art Fund, this year's Art Basel Miami Beach Puclic sector will feature <em>The Beautiful</em>, a new performance by Pope.L.</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Mitchell-Innes &amp; Nash represents Pat O'Neill' 2417 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ba5cca462238185a86872755746b860d.jpeg' 2418 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ba5cca462238185a86872755746b860d.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ba5cca462238185a86872755746b860d.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 2419 News 2420 </div><h1> 2421 Mitchell-Innes & Nash represents Pat O'Neill 2422 </h1><h3>November 2015</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash is pleased to announce representation of LA-based artist and filmmaker Pat O'Neill. </p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-the-museum-of-contemporary-art-chicago'><img itemprop="image" alt='Pope.L at the Museum of Contemporary Art Chicago' 2423 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/85d4afc27df15a77a4937b7a61b9a99f.jpg' 2424 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-the-museum-of-contemporary-art-chicago'> 2425 Exhibition | Chicago 2426 </a></div><h1><a href='/news/pope-l-at-the-museum-of-contemporary-art-chicago'> 2427 Pope.L at the Museum of Contemporary Art Chicago 2428 </a></h1><h2>Cage Unrequited</h2><h3>Nov 21â22, 2015</h3><div class='summary paragraph-styling'><p>Cage Unrequited is a 25-hour marathon reading of experimental composer John Cage’s influential book Silence: Lectures and Writings (1961) organized by visual artist Pope.L. The performance reimagines the book for c
2428ontemporary audiences by filtering a bit of the past through the voices and attitudes of a diverse community of more than 100 invited readers from Chicago.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-the-kunstraum-kreuzberg-berlin'><img itemprop="image" alt='Martha Rosler at the Kunstraum Kreuzberg, Berlin' 2429 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1912b1779eff467299fe2bc078799f5c.jpg' 2430 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-the-kunstraum-kreuzberg-berlin'> 2431 Exhibition | Berlin 2432 </a></div><h1><a href='/news/martha-rosler-at-the-kunstraum-kreuzberg-berlin'> 2433 Martha Rosler at the Kunstraum Kreuzberg, Berlin 2434 </a></h1><h2>Regarding Spectatorship</h2><h3>November 21, 2015-January 17, 2016</h3><div class='summary paragraph-styling'><p>A project of the Kunstraum Kreuzberg / Bethanien, curated by Boaz Levin and Marianna Liosi, sponsored by the Capital Cultural Fund.</p><p>In January 2011, social protests broke out in Tunisia which soon spread to other Arab states. In the Western media reports quickly circulated with images of protest graffiti, which were cited as coming from social networks such as Facebook and Twitter. These pictures are often regarded as evidence of the emancipatory potential of the new media.</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Martha Rosler at West Space, Melbourne' 2435 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/6095fb87949679815e36dcc12a27c2c7.png' 2436 ></div><div class='info'><div class="list-detail-title"> 2437 Exhibition | Melbourne 2438 </div><h1> 2439 Martha Rosler at West Space, Melbourne 2440 </h1><h2>Factory Fetish</h2><h3>November 13-December 12, 2015</h3><div class='summary paragraph-styling'><p>West Space is a non-profit artist-led organization supporting the activities of artists within a critical context. Founded in 1993, West Space has developed a significant reputation amongst Australian and international arts organizations. This has been forged through a sustained belief in the importance of artist-run culture to practitioners, audiences and the art industry, and has manifested in a critically renowned exhibition program and a prolific range of self-generated projects and publications.</p></div><div class='links in-text'><div class='file'><a href='http://westspace.org.au/' target="_blank">West Space</a></div></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Martha Rosler at Künstlerhaus Palais Thurn und Taxis, Bregenz' 2441 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3fd5de6adf45387f373acd34227e27c6.gif' 2442 ></div><div class='info'><div class="list-detail-title"> 2443 Exhibition | Bregenz, Austria 2444 </div><h1> 2445 Martha Rosler at Künstlerhaus Palais Thurn und Taxis, Bregenz 2446 </h1><h2>Naming, Giving Names</h2><h3>November 12, 2015 - January 3, 2016</h3><div class='summary paragraph-styling'><p>Martha Rosler, Thomas Schestag, Ingo Springenschmid, Mladen Stilinovic, Jan Tabor</p><p>Curated by M. Christoph Aigner</p></div><div class='links in-text'><div class='file'><a href='http://www.kuenstlerhaus-bregenz.at/index12.htm' target="_blank">
2446Martha Rosler at Künstlerhaus Palais Thurn und Taxis, Bregenz</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jessica-stockholder-featured-in-the-chicago-tribune'><img itemprop="image" alt='Jessica Stockholder featured in the Chicago Tribune' 2447 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/440c281333f3963afcbebaaba031934c.jpeg' 2448 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/440c281333f3963afcbebaaba031934c.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/440c281333f3963afcbebaaba031934c.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jessica-stockholder-featured-in-the-chicago-tribune'> 2449 News 2450 </a></div><h1><a href='/news/jessica-stockholder-featured-in-the-chicago-tribune'> 2451 Jessica Stockholder featured in the Chicago Tribune 2452 </a></h1><h2>Bathtub or mattress, it's all art to Jessica Stockholder</h2><h3>October 28, 2015</h3><div class='summary paragraph-styling'><p>Everything Jessica Stockholder touches turns to art.</p><p>Over the past three decades this has included worn-out couches, an urban intersection, refrigerator doors, a scissors lift, fresh oranges and lemons, a compact car, a mattress, a streetlight, a bathtub, a full-size freezer chest, half-a-dozen wooden dressers and a city park.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-the-haus-der-kulturen-der-welt-berlin'><img itemprop="image" alt='Martha Rosler at the Haus der Kulturen der Welt, Berlin' 2453 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f65d23148dd56469aa50dc7eda77df5d.png' 2454 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-the-haus-der-kulturen-der-welt-berlin'> 2455 Exhibition | Berlin 2456 </a></div><h1><a href='/news/martha-rosler-at-the-haus-der-kulturen-der-welt-berlin'> 2457 Martha Rosler at the Haus der Kulturen der Welt, Berlin 2458 </a></h1><h2>Wohnungsfrage</h2><h3>October 23-December 14, 2015</h3><div class='summary paragraph-styling'><p>The HKW project Wohnungsfrage investigates the tension-ridden relationships between architecture, housing, and social reality in an exhibition of experimental concepts for living, a publication series and an academy.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/leigh-ledare-in-discussion-at-moma-ps1'><img itemprop="image" alt='Leigh Ledare in Discussion at MoMA PS1' 2459 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1da4e3bba1150d27be1b4d336640ebd9.jpg' 2460 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/leigh-ledare-in-discussion-at-moma-ps1'> 2461 Artist Talk | New York 2462 </a></div><h1><a href='/news/leigh-ledare-in-discussion-at-moma-ps1'> 2463 Leigh Ledare in Discussion at MoMA PS1 2464 </a></h1><h2>The Cringe: Art, Anxiety and Performance With Ieva MiseviÄiÅ«tÄ & Rebecca Patek</h2><h3>October 18, 2015</h3><div class='summary paragraph-styling'><p>In the affirmative culture of the art market, where art is tolerated as essentially nonthreatening, what is the place and role of negative affects? The Cringe suggests some of the potential gains of anxiety, embarrassment, shame and mortification through the dark humor of two New York based artists, performers, choreographers and dancers. Previously presented at the Center Pompidou, Paris and Hauser and Wirth, Zurich Ieva MiseviÄiÅ«tÄ’s Lord of Beef presents a series of impersonations: dance and speech acts depicting objects, people, phenomena, and philosophical concepts. Rebecca Patek presents a new work that unsettles the controlling codes and rules of the museum and performance space.</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Tom Wesselmann at the Dallas Museum of Art' 2465 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/0ff374e248c4b3c31e2556d7ca04d924.png' 2466 ></div><div class='info'><div class="list-detail-title"> 2467 Exhibition | Dallas 2468 </div><h1> 2469 Tom Wesselmann at the Dallas Museum of Art 2470 </h1><h2>International Pop</h2><h3>October 11, 2015 to January 17, 2016</h3><div class='summary paragraph-styling'><p>International Pop, organized by the Walker Art Center, chronicles the global emergence of Pop in the 1960s and early 1970s. While previous exhibitions and prevailing scholarship have primarily focused on the dominance of Pop activity in New York and L
2470ondon during this time, this exhibition examines work from artists across the globe who were confronting many of the same radical developments, laying the foundation of the emergence of an art form that embraced figuration, media strategies, and mechanical processes with a new spirit of urgency and/or exuberance. This groundbreaking exhibition follows the trajectories of Pop and its critical points of contact with global developments in art such as Nouveau Réalisme (France), Concretism and Neo-Concretism (Brazil), The Art of Things (Argentina), Anti-Art (Japan), Capitalist Realism (Germany), Happenings, and Neo-Dada.</p><p> </p></div><div class='links in-text'><div class='file'><a href='https://www.dma.org/art/exhibitions/international-pop' target="_blank">Dallas Museum of Art</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-the-museum-moderner-kunst-stiftung-ludwig-vienna'><img itemprop="image" alt='Martha Rosler at the Museum Moderner Kunst Stiftung Ludwig, Vienna' 2471 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/699ac54393757974e58d65c61dc971dd.jpg' 2472 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-the-museum-moderner-kunst-stiftung-ludwig-vienna'> 2473 Exhibition | Vienna 2474 </a></div><h1><a href='/news/martha-rosler-at-the-museum-moderner-kunst-stiftung-ludwig-vienna'> 2475 Martha Rosler at the Museum Moderner Kunst Stiftung Ludwig, Vienna 2476 </a></h1><h2>to expose, to show, to demonstrate, to inform, to offer: Artist Practices Around 1990</h2><h3>October 10, 2015 - January 24, 2016</h3><div class='summary paragraph-styling'><p>In fall 2015, MUMOK will look back at international art activities around 1990. On three levels, we are showing installations, publications, objects, projects, films, and interventions by more than 50 artists and artists’ groups. They all question traditional forms of exhibiting and address the pressing social challenges of their time.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/alberto-burri-at-the-guggenheim'><img itemprop="image" alt='Alberto Burri at the Guggenheim' 2477 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5a0e10937f9ee9a54e702aa8428094ea.jpg' 2478 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/alberto-burri-at-the-guggenheim'> 2479 Exhibition | New York 2480 </a></div><h1><a href='/news/alberto-burri-at-the-guggenheim'> 2481 Alberto Burri at the Guggenheim 2482 </a></h1><h2>The Trauma of Painting</h2><h3>October 9, 2015 - January 6, 2016</h3><div class='summary paragraph-styling'><p>This major retrospective exhibition—the first in the United States in more than 35 years and the most comprehensive ever mounted—showcases the pioneering work of Italian artist Alberto Burri (1915–1995). Exploring the beauty and complexity of Burri’s process-based works, the exhibition positions the artist as a central and singular protagonist of post–World War II art. Burri is best known for his series of Sacchi (sacks) made of stitched and patched remnants of torn burlap bags, often combined with fragments of discarded clothing. Far less familiar to American audiences are his other series, which this exhibition represents in depth: Catrami (tars), Muffe (molds), Gobbi (hunchbacks), Bianchi (whites), Legni (woods), Ferri (irons), Combustioni plastiche (plastic combustions), Cretti, and Cellotex works.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/leigh-ledare-double-bind-fundraising-edition'><img itemprop="image" alt='Leigh Ledare 'Double Bind' Fundraising Edition' 2483 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ef9436a4400c93afd57c5bb7fbdaa19a.png' 2484 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/leigh-ledare-double-bind-fundraising-edition'> 2485 News 2486 </a></div><h1><a href='/news/leigh-ledare-double-bind-fundraising-edition'> 2487 Leigh Ledare 'Double Bind' Fundraising Edition 2488 </a></h1><h2>Available for Sale</h2><div class='summary paragraph-styling'><p> 2489 This fundraising edition is a singular opportunity to acquire a work relating to Ledare’s <em>Double Bind</em>. Ledare’s complex and critically acclaimed project maps structures of social convention and photographic representation onto the triangular relation between himself, his ex-wife Meaghan Ledare-Feddery, and her current husband Adam Fedderly.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/keltie-ferris-art21-film-screening-and-conversation'><img itemprop="image" alt='Keltie Ferris ART21 Film Screening and Conversation' 2490 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cbb1a67cb87b87a127adf7aac6aca58c.jpg' 2491 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/keltie-ferris-art21-film-screening-and-conversation'> 2492 Screening | New York 2493 </a></div><h1><a href='/news/keltie-ferris-art21-film-screening-and-conversation'> 2494 Keltie Ferris ART21 Film Screening and Conversation 2495 </a></h1><h3>October 6, 2015</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash, ART21 and the Blue Rider Group invite you to an evening with Keltie Ferris. This event will include a screening of the ART21 film New York Close Up "Keltie Ferris Spray Paints in Solitude" and the artist in conversation with Jarrett Earnest of The Brooklyn Rail.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-the-tate-modern'><img itemprop="image" alt='Martha Rosler at the Tate Modern' 2496 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7ba3e
249664126ee781d69e145933dd65de6.jpg' 2497 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-the-tate-modern'> 2498 Exhibition | London 2499 </a></div><h1><a href='/news/martha-rosler-at-the-tate-modern'> 2500 Martha Rosler at the Tate Modern 2501 </a></h1><h2>The World Goes Pop</h2><h3>September 17, 2015-January 24, 2016</h3><div class='summary paragraph-styling'><p>From Latin America to Asia, and from Europe to the Middle East, this explosive exhibition connects the dots between art produced around the world during the 1960s and 1970s, showing how different cultures and countries responded to the movement.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/leigh-ledare-book-launch2'><img itemprop="image" alt='Leigh Ledare Book Launc
2501h' 2502 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5d74740f290691418d7203c913bcefd6.jpg' 2503 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/leigh-ledare-book-launch2'> 2504 News 2505 </a></div><h1><a href='/news/leigh-ledare-book-launch2'> 2506 Leigh Ledare Book Launch 2507 </a></h1><h2>Double Bind</h2><h3>September 13, 2015</h3><div class='summary paragraph-styling'><p>Coinciding with the final day of the exhibition Tom of Finland: The Pleasure of Play, and co-presented with A.R.T. Press, this event marks the launch of the publication Double Bind (A.R.T. Press, 2015) by art historian Rhea Anastas and artist Leigh Ledare. The authors will be joined by artists Daniel Bozhkov, K8 Hardy, and John Miller to extend the discussion activated within the book.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/justine-kurland-at-the-montclair-art-museum'><img itemprop="image" alt='Justine Kurland at the Montclair Art Museum' 2508 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/07f7227e27242cbef412fc73d1bc8d92.jpg' 2509 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/justine-kurland-at-the-montclair-art-museum'> 2510 Exhibition | New Jersey 2511 </a></div><h1><a href='/news/justine-kurland-at-the-montclair-art-museum'> 2512 Justine Kurland at the Montclair Art Museum 2513 </a></h1><h2>Work and Leisure in American Art: Selected Works from the Collection</h2><h3>September 13, 2015 - June 19, 2016</h3><div class='summary paragraph-styling'><p>Justine Kurland is included in the Montclair Art Museum group exhibition <em>Work and Leisure in American Art: Selected Works from the Collection</em>. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jessica-stockholder-at-the-smart-museum-of-art-university-of-chicago'><img itemprop="image" alt='Jessica Stockholder at the Smart Museum of Art, University of Chicago' 2514 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a1db790d631af17d475baacd07de43f9.jpg' 2515 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jessica-stockholder-at-the-smart-museum-of-art-university-of-chicago'> 2516 Exhibition | Chicago 2517 </a></div><h1><a href='/news/jessica-stockholder-at-the-smart-museum-of-art-university-of-chicago'> 2518 Jessica Stockholder at the Smart Museum of Art, University of Chicago 2519 </a></h1><h2>Jessica Stockholder: Rose's Inclination</h2><h3>September 12, 2015 â July 2, 2017</h3><div class='summary paragraph-styling'><p>In a site-specific Threshold series installation, Jessica Stockholder transforms the Smart’s lobby with a wave of color and texture that climbs to the clerestory, cuts across the floor, and travels outwards into the Museum’s sculpture garden. Rose’s Inclination makes use of ordinary materials—thrift store lamps, paint, Plexiglas, carpet, and even mulch—to “reach up and out” and vibrantly alter the physical experience of the Smart Museum’s modernist architecture.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-la-casa-dei-tre-oci-venice'><img itemprop="image" alt='Martha Rosler at La Casa Dei Tre Oci, Venice' 2520 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d84e14f0cacfe980519c5dfe7a2d930a.jpg' 2521 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-la-casa-dei-tre-oci-venice'> 2522 Exhibition | Venice 2523 </a></div><h1><a href='/news/martha-rosler-at-la-casa-dei-tre-oci-venice'> 2524 Martha Rosler at La Casa Dei Tre Oci, Venice 2525 </a></h1><h2>Sguardo di Donna</h2><h3>September 10, 2015-January 2016</h3><div class='summary paragraph-styling'><p>La Casa dei Tre Oci in Venice, the historical exhibition at the Giudecca, presents the exhibition A look of woman by Francesca Alfano Miglietti (FAM): 250 works conceived and selected to orient the eye and the mind to a world that talks about diversity, responsibility, compassion and justice. An ambitious project that emphasizes how photography in recent decades has chosen to become a kind of consciousness of the world, becoming a witness also of what is often concealed.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/leigh-ledare-at-kyiv-biennial-2015-school-of-kyiv'><img itemprop="image" alt='Leigh Ledare at Kyiv Biennial 2015, School of Kyiv' 2526 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/0be5864ecb23a812e82088a5909a684d.jpg' 2527 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/leigh-ledare-at-kyiv-biennial-2015-school-of-kyiv'> 2528 Exhibition | Kyiv, Ukraine 2529 </a></div><h1><a href='/news/leigh-ledare-at-kyiv-biennial-2015-school-of-kyiv'> 2530 Leigh Ledare at Kyiv Biennial 2015, School of Kyiv 2531 </a></h1><h3>September 8 - November 1, 2015</h3><div class='summary paragraph-styling'><p>Kicking off in Ukraine in September 2015, “The School of Kyiv” will take place in a variety of settings in the city of Kyiv. The international biennial project unites the efforts of artists, intellectuals, social initiatives and institutions in Ukraine, Europe and beyond. The biennial aims at creating a public space of reflection, breaking down barriers, and building bridges in the time of warfare.</p><p> </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/julije-knifer-in-transmissions-art-in-eastern-europe-and-latin-america-1960-1980-at-moma'><img itemprop="image" alt='Julije Knifer in Transmissions: Art in Eastern Europe and Latin America, 1960â1980 at MoMA' 2532 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/87258dae8855c5c197ab874ad04abfa0.jpg' 2533 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/julije-knifer-in-transmissions-art-in-eastern-europe-and-latin-america-1960-1980-at-moma'> 2534 Exhibition | New York 2535 </a></div><h1><a href='/news/julije-knifer-in-transmissions-art-in-eastern-europe-and-latin-america-1960-1980-at-moma'> 2536 Julije Knifer in Transmissions: Art in Eastern Europe and Latin America, 1960â1980 at MoMA 2537 </a></h1><h3>September 5, 2015âJanuary 3, 2016</h3><div class='summary paragraph-styling'><p><em>Transmissions: Art in Eastern Europe and Latin America, 1960–
25371980</em> focuses on the parallels and connections among an international scene of artists working in—and in reference to—Latin America and Eastern Europe during the 1960s and 1970s. The radical experimentation, expansion, and dissemination of ideas that marked the cultural production of these decades (which flanked the widespread student protests of 1968) challenge established art-historical narratives in the West. Artists from Prague to Mexico City developed alternative and ever-expanding networks of distribution and organization, via Paris, Vienna, and Venice, to circumvent the borders established after World War II, local forms of state and military repression, and Western accounts of artistic mastery and individualism. One major transformation across Latin American and Eastern European art scenes was the embrace of institutional critique and an emphasis on the creation of art outside a market context.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/karl-haendel-in-the-2015-biennial-of-the-americas'><img itemprop="image" alt='Karl Haendel in the 2015 Biennial of the Americas' 2538 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c373c0ac1b8779b1930bad358e9cd876.jpeg' 2539 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c373c0ac1b8779b1930bad358e9cd876.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c373c0ac1b8779b1930bad358e9cd876.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/karl-haendel-in-the-2015-biennial-of-the-americas'> 2540 Exhibition | Denver 2541 </a></div><h1><a href='/news/karl-haendel-in-the-2015-biennial-of-the-americas'> 2542 Karl Haendel in the 2015 Biennial of the Americas 2543 </a></h1><h2>NOW!</h2><h3>July 14âAugust 30, 2015</h3><div class='summary paragraph-styling'><p>The 2015 Biennial of the Americas, kicking off July 14 and continuing through August 30, today announces additional inspiring and innovative public programs and partnerships with featured local and international institutions. Hosted in Denver, the Biennial of the Americas is an international festival of ideas, art and culture. The most inspiring artists, innovators and experts will explore the theme “NOW!,” examining today’s exceptional times in the Western Hemisphere.</p><p>The Biennial of the Americas connects business, art, culture and civic leaders from throughout the Americas by building lasting relationships, addressing shared issues and inspiring action.<br /> 2544 </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-fondazione-nicola-trussardi-at-palazzo-reale-milan'><img itemprop="image" alt='Martha Rosler at Fondazione Nicola Trussardi at Palazzo Reale, Milan' 2545 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d29d91cac5f80bfa2dbcaefecee0c4e0.png' 2546 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-fondazione-nicola-trussardi-at-palazzo-reale-milan'> 2547 Exhibition | Milan 2548 </a></div><h1><a href='/news/martha-rosler-at-fondazione-nicola-trussardi-at-palazzo-reale-milan'> 2549 Martha Rosler at Fondazione Nicola Trussardi at Palazzo Reale, Milan 2550 </a></h1><h2>The Great Mother</h2><h3>August 25 - November 15, 2015</h3><div class='summary paragraph-styling'><p>Through the work of more than a hundred international artists, the exhibition The Great Mother analyzes the iconography of motherhood in the art and visual culture of the twentieth- and twenty-first centuries, from early avant-garde movements to the present.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/justine-kurland-book-launch-and-signing-at-dashwood-books'><img itemprop="image" alt='Justine Kurland Book Launch and Signing at Dashwood Books' 2551 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2e050bb6f405f247b5b1abfa7bbfcc8e.jpeg' 2552 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/justine-kurland-book-launch-and-signing-at-dashwood-books'> 2553 Book signing | New York 2554 </a></div><h1><a href='/news/justine-kurland-book-launch-and-signing-at-dashwood-books'> 2555 Justine Kurland Book Launch and Signing at Dashwood Books 2556 </a></h1><h2>Black Threads from Meng Chiao</h2><h3>August 18, 2015</h3><div class='summary paragraph-styling'><p>In a true collaboration, <a href="http://www.miandn.com/artists/justine-kurland/works/1/"><strong>Justine Kurland</strong></a> and <a href="http://hyperallergic.com/author/john-yau/"><strong>John Yau</strong></a> shared photographs and poems throughout the making of <em>Black Threads from Meng Chiao</em>, each reacting to the work of the other many times over. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-in-triacontagon-a-celebration-of-30-years-of-the-artists-fellowship-program'><img itemprop="image" alt='Martha Rosler in Triacontagon: A Celebration of 30 Years of the Artistsâ Fellowship Program' 2557 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/977fa5f97351be41c5ea16f296af81d4.jpg' 2558 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-in-triacontagon-a-celebration-of-30-years-of-the-artists-fellowship-program'> 2559 Exhibition | New York 2560 </a></div><h1><a href='/news/martha-rosler-in-triacontagon-a-celebration-of-30-years-of-the-artists-fellowship-program'> 2561 Martha Rosler in Triacontagon: A Celebration of 30 Years of the Artistsâ Fellowship Program 2562 </a></h1><h2>Organized by New York Foundation for the Arts at Westbeth Gallery, New York</h2><h3>August 13-30, 2015</h3><div class='summary paragraph-styling'><p>Curated by David C. Terry, NYFA Director of Programs and Curator and Fellow in Sculpture ‘99</p><p>NYFA Curatorial is pleased to announce an exhibition, Triacontagon: A Celebration of 30 Years of the Artists’ Fellowship Program. Triacontagon is a traveling exhibition premiering at Westbeth Gallery featuring 41 NYFA Fellows.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/anthony-caro-in-yorkshire'><img itemprop="image" alt='Anthony Caro in Yorkshire' 2563 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/fa2c709e77c0dbb8d31f1b2e8bb5ba95.jpg' 2564 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/anthony-caro-in-yorkshire'> 2565 Exhibition | Yorkshire 2566 </a></div><h1><a href='/news/anthony-caro-in-yorkshire'> 2567 Anthony Caro in Yorkshire 2568 </a></h1><h2>The Hepworth Wakefield & Yorkshire Sculpture Park</h2><h3>July 18, 2015 - November 1, 2015</h3><div class='summary paragraph-styling'><p><em>Caro in Yorkshire</em> is a major Yorkshire Sculpture Triangle project that celebrates and commemorates the extraordinary career of SIr Anthony Caro (1924–2013). Distinct yet complementary exhibitions at The Hepworth Wakefield and Yorkshire Sculpture Park consider respectively Caro's concerns with the horizontal plane and painting, given context through an academic programme at the prestigious Henry Moore Institute, Leeds.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/chris-johanson-sun-foot-in-generationalpictomusicapolis-at-coney-island-walls'><img itemprop="image" alt='Chris Johanson &amp; Sun Foot in Generationalpictomusicapolis at Coney Island Walls' 2569 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/72efc1f360a37bf658ca7e0ab2f0a68d.png' 2570 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/72efc1f360a37bf658ca7e0ab2f0a68d.png 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/72efc1f360a37bf658ca7e0ab2f0a68d.png 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/chris-johanson-sun-foot-in-generationalpictomusicapolis-at-coney-island-walls'> 2571 Pop-up exhibition | Cony Island, New York 2572 </a></div><h1><a href='/news/chris-johanson-sun-foot-in-generationalpictomusicapolis-at-coney-island-walls'> 2573 Chris Johanson & Sun Foot in Generationalpictomusicapolis at Coney Island Walls 2574 </a></h1><h2>Presented by Jeffrey Deitch and Rong Music</h2><h3>July 17, 2015</h3><div class='summary paragraph-styling'><p><em>Generationalpictomusicapolis</em> is a celebration of collaborative music and art-making. This one night only concert and pop-up exhibition features experimental punk from <strong>NO AGE</strong> (Randy Randall and Dean Spunt), the barely amplified feel-good vibes of <strong>SUN FOOT</strong> (Ron Burns,Chris Johanson, Brian Mumford) and the ramshackle psych-folk of <strong>DEVIN, GARY & ROSS</strong> (Devin Flynn, Gary Panter, Ross Goldstein. Limited-edition, collaboratively made artworks created by each band member are exhibited at the show and are available for purchase.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail">
2574<a href='/news/pope-l-in-the-the-freedom-principle-experiments-in-art-and-music-1965-to-now'><img itemprop="image" alt='Pope.L in the The Freedom Principle: Experiments in Art and Music, 1965 to Now' 2575 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ff3ba4fcbadd0982236e8bdba10bcd44.jpg' 2576 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-in-the-the-freedom-principle-experiments-in-art-and-music-1965-to-now'> 2577 Exhibition | Chicago 2578 </a></div><h1><a href='/news/pope-l-in-the-the-freedom-principle-experiments-in-art-and-music-1965-to-now'> 2579 Pope.L in the The Freedom Principle: Experiments in Art and Music, 1965 to Now 2580 </a></h1><h2>Museum of Contemporary Art Chicago</h2><h3>July 11 - November 22, 2015</h3><div class='summary paragraph-styling'><p>The Freedom Principle: Experiments in Art and Music, 1965 to Now links the vibrant legacy of the 1960s African American avant-garde to current art and culture. It is occasioned in part by the fiftieth anniversary of the founding of the Association for the Advancement of Creative Musicians (AACM), a still-flourishing organization of Chicago musicians whose interdisciplinary explorations expanded the boundaries of jazz. Alongside visual arts collectives such as the African Commune of Bad Relevant Artists (AfriCOBRA), the AACM was part of a deep engagement with black cultural nationalism both in Chicago and around the world during and after the civil rights era. Combining historical materials with contemporary responses, The Freedom Principle illuminates the continued relevance of that engagement today.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/amanda-ross-ho-in-image-objects-public-art-fund'><img itemprop="image" alt='Amanda Ross-Ho in Image Objects, Public Art Fund' 2581 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8fd093b353c5fc1b2ff5e6b2dbedbac0.jpg' 2582 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/amanda-ross-ho-in-image-objects-public-art-fund'> 2583 News 2584 </a></div><h1><a href='/news/amanda-ross-ho-in-image-objects-public-art-fund'> 2585 Amanda Ross-Ho in Image Objects, Public Art Fund 2586 </a></h1><h2>Opening: June 30, 6 - 7 pm</h2><h3>June 30 â November 20, 2015</h3><div class='summary paragraph-styling'><p> 2587 Mitchell-Innes & Nash is pleased to announce a new work by <strong>Amanda Ross-Ho</strong> for the <strong>Public Art Fund</strong>'s upcoming group exhibition,<em> Image Objects</em>, curated by Andrea Hickey and opening <strong>Tuesday, June 30, 2015</strong> from <strong>6 - 7 pm</strong>.</p><p> 2588 Ross-Ho will exhibit a new take on her work from THE CHARACTER AND SHAPE OF ILLUMINATED THINGS, her recent solo outdoor exhibition at the MCA Chicago in 2014.</p><p><em>Image Objects</em> will be on view in New York's City Hall Park in Lower Manhattan, June 30 – November 20, 2015.</p><p> 2589 Caption: Amanda Ross-Ho, THE CHARACTER AND SHAPE OF ILLUMINATED THINGS (FACIAL RECOGNITION), 2015, Fiberglass, neon, alumninum, steel. All photos: Courtesy of the aritst and Mitchell-Innes & Nash, NY; Photo: Liz Ligon, Courtesy Public Art Fund, NY<br /> 2590 </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-moma'><img itemprop="image" alt='Martha Rosler at MoMA' 2591 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d331d95ebdec343b52a80e714db63cd1.jpg' 2592 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-moma'> 2593 Exhibition | New York 2594 </a></div><h1><a href='/news/martha-rosler-at-moma'> 2595 Martha Rosler at MoMA 2596 </a></h1><h2>Endless House: Intersections of Art and Architecture</h2><h3>June 27, 2015âMarch 6, 2016</h3><div class='summary paragraph-styling'><p>Endless House considers the single-family home and archetypes of dwelling as themes for the creative endeavors of architects and artists. Through drawings, photographs, video, installations, and architectural models drawn from MoMA’s collection, the exhibition highlights how artists have used the house as a means to explore universal topics, and how architects have tackled the design of residences to expand their discipline in new ways. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/julian-stanczak-recipient-of-the-2015-cleveland-arts-prize'><img itemprop="image" alt='Julian Stanczak recipient of the 2015 Cleveland Arts Prize' 2597 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/914111927861c66d7f090cba4a9d7513.jpg' 2598 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/julian-stanczak-recipient-of-the-2015-cleveland-arts-prize'> 2599 News 2600 </a></div><h1><a href='/news/julian-stanczak-recipient-of-the-2015-cleveland-arts-prize'> 2601 Julian Stanczak recipient of the 2015 Cleveland Arts Prize 2602 </a></h1><h2>55th Annual Awards Ceremony</h2><h3>June 2015</h3><div class='summary paragraph-styling'><p> 2603 The oldest award of its kind in the United States, the Arts Prize is a testament to the standard of excellence and quality of artists in Northeast Ohio. In addition to artists, the Arts Prize honors individuals who have expanded the community’s participation in the arts and helped make the region more hospitable to creative artistic expression.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-the-palais-de-palais-des-beaux-arts'><img itemprop="image" alt='Martha Rosler at the Palais de Palais des Beaux-Arts' 2604 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7cc26ce11595b65db03e6df975d
2604d8ec3.jpg' 2605 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-the-palais-de-palais-des-beaux-arts'> 2606 Exhibition | Paris 2607 </a></div><h1><a href='/news/martha-rosler-at-the-palais-de-palais-des-beaux-arts'> 2608 Martha Rosler at the Palais de Palais des Beaux-Arts 2609 </a></h1><h2>Transmission</h2><h3>June 18 - July 24, 2015</h3><div class='summary paragraph-styling'><p>Curated by Sarina Basta, this exhibition presents the work of students and graduates of the Beaux-Arts of Paris and guest artists who place pedagogy at the center of their practice, or who use representation of pedagogy as form. The exhibition includes John Baldessari, Joseph Beuys, and Martha Rosler among many others.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/leigh-ledare-book-launch'><img itemprop="image" alt='Leigh Ledare Book Launch' 2610 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/249f282a9256ef6ffc942f982067976a.jpg' 2611 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/leigh-ledare-book-launch'> 2612 News 2613 </a></div><h1><a href='/news/leigh-ledare-book-launch'> 2614 Leigh Ledare Book Launch 2615 </a></h1><h2>Double Bind, coauthored with Rhea Anastas</h2><h3>June 15, 2015, 7 - 8pm</h3><div class='summary paragraph-styling'><p> 2616 The book <em>Double Bind</em> documents conversations between artist Leigh Ledare and art historian Rhea Anastas, provoked by viewing Ledare’s project of the same name as installed at The Box in Los Angeles (2012) and Mitchell-Innes & Nash in New York (2014). Published by A.R.T. Press (2015).</p><p> 2617 The launch will be held on <strong>Monday, June 15</strong> from <strong>7 - 8 pm</strong> at <a href="http://www.birseckerhof.com/Start.html">Restaurant Birseckerhof Binningerstrasse 15, 4051 Basel</a>.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-the-kunst-werke-berlin'><img itemprop="image" alt='Martha Rosler at the Kunst Werke, Berlin' 2618 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/87a81c2119aebfbeabccc715fc40cbb2.png' 2619 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-the-kunst-werke-berlin'> 2620 Exhibition | Berlin 2621 </a></div><h1><a href='/news/martha-rosler-at-the-kunst-werke-berlin'> 2622 Martha Rosler at the Kunst Werke, Berlin 2623 </a></h1><h2>Fire and Forget. On Violence</h2><h3>June 14-August 30, 2015</h3><div class='summary paragraph-styling'><p>"Fire and forget" comes from military jargon, and is a term for weapons systems that are no longer used in direct combat with an enemy but are launched from a safe distance. The exhibition FIRE AND FORGET. ON VIOLENCE takes the military expression as the starting point for an examination of the conventional ideas about war and force. It is oriented towards the most visible agent of violence: weapons.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-the-arts-center-at-governors-island-new-york'><img itemprop="image" alt='Pope.L at the Arts Center at Governors Island, New York' 2624 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/fb973495e59f7e8cc6417f0878a06521.jpg' 2625 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-the-arts-center-at-governors-island-new-york'> 2626 Exhibition | New York 2627 </a></div><h1><a href='/news/pope-l-at-the-arts-center-at-governors-island-new-york'> 2628 Pope.L at the Arts Center at Governors Island, New York 2629 </a></h1><h2>(Counter) Public Art, Intervention & Performance in Lower Manhattan from 1978â1993</h2><h3>May 23 â Sunday, September 27, 2015</h3><div class='summary paragraph-styling'><p>The Lower Manhattan Cultural Council with curators Alex Fialho & Melissa Levin have arranged <em>(Counter) Public Art, Intervention & Performance in Lower Manhattan from 1978–1993</em>: an exhibition featuring artwork and documentation of public art, performance and interventions by Agnes Denes, Eiko & Koma, the Guerilla Girls, Keith Haring, Jenny Holzer, Tehching Hsieh, John Kelly, Pope.L, REPOhistory, Mierle Laderman Ukeles, the collaborative co-creators of Electric Blanket (Allen Frame, Frank Franca and Nan Goldin), and more.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/brent-wadden-pope-l-in-white-columns-benefit-exhibition-auction'><img itemprop="image" alt='Brent Wadden &amp; Pope.L in White Columns Benefit Exhibition &amp; Auction' 2630 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f1183da64ca4b9ce5e039774f6b8ecf6.jpg' 2631 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/brent-wadden-pope-l-in-white-columns-benefit-exhibition-auction'> 2632 Exhibition | New York 2633 </a></div><h1><a href='/news/brent-wadden-pope-l-in-white-columns-benefit-exhibition-auction'> 2634 Brent Wadden & Pope.L in White Columns Benefit Exhibition & Auction 2635 </a></h1><h2>Benefit Auction: May 20, 7 pm</h2><h3>May 2 - 20, 2015</h3><div class='summary paragraph-styling'><p>Brent Wadden and Pope.L will participate in the 2015 White Columns Benefit Auction and Exhibition. The exhibition is currently on view and will close with the auction on May 20th at 7 pm.</p><p>Caption: Brent Wadden, natural / gray single, 2014</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Leigh Ledare at Frieze Talks 2015' 2636 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d803bb2a1420bcc0cb8bad36bd0899c5.png' 2637 ></div><div class='info'><div class="list-detail-title"> 2638 Artist Talk | New York 2639 </div><h1> 2640 Leigh Ledare at Frieze Talks 2015 2641 </h1><h2>Leigh Ledare & Paul McCarthy in conversation with Chrissie Iles</h2><h3>Sunday, May 17 at 12 pm</h3><div class='summary paragraph-styling'><p><strong>Leigh Ledare</strong> joins <strong>Paul McCarthy</strong> in conversation with <strong>Chrissie Iles</strong> Sunday, May 17 at 12 pm for <strong>Frieze Talks 2015</strong> at Frieze New York.</p><p>For more information on this event, please click <a href="http://friezeprojectsny.org/talks/paul-mccarthy-in-conversation-with-leigh-ledare/">here</a>. </p><p>For more information on visiting the fair, please visit Frieze New York's website <a href="http://friezenewyork.com/">here</a>.<br /> 2642 </p></div><div class='links in-text'><div class='file'><a href='http://friezeprojectsny.org/talks/paul-mccarthy-in-conversation-with-leigh-ledare/' target="_blank">Frieze Talks 2015</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-the-museum-of-contemporary-art-krakow'><img itemprop="image" alt='Martha Rosler at the Museum of Contemporary Art Krakow' 2643 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ac6b0428c03914f94b659907288ccb23.jpg' 2644 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-the-museum-of-contemporary-art-krakow'> 2645 Exhibition | Krakow, Poland 2646 </a></div><h1><a href='/news/martha-rosler-at-the-museum-of-contemporary-art-krakow'> 2647 Martha Rosler at the Museum of Contemporary Art Krakow 2648 </a></h1><h2>Gender in Art</h2><h3>May 15-September 27, 2015</h3><div class='summary paragraph-styling'><p>Gender is socially constructed sex. Gender studies examine the way history and culture determine sex. Who a man or a woman is in a given world largely depends on the one who manipulates these images. For centuries the conception of gender has remained in the hands of religions, which have imposed Ê»properʼ social roles on the representatives of different sexes. This has been going for so long that it has come to be seen by many as the law of nature.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/julian-stanczak-among-2015-cleveland-arts-prize-winners'><img itemprop="image" alt='Julian Stanczak among 2015 Cleveland Arts Prize winners'
2649 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ee1c690e838f34854db99b0158095e42.jpg' 2650 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/julian-stanczak-among-2015-cleveland-arts-prize-winners'> 2651 News 2652 </a></div><h1><a href='/news/julian-stanczak-among-2015-cleveland-arts-prize-winners'> 2653 Julian Stanczak among 2015 Cleveland Arts Prize winners 2654 </a></h1><h3>May 4, 2015</h3><div class='summary paragraph-styling'><p> 2655 Major artists and arts advocates in Cleveland, among them concert promoters Mike and Jules Belkin and leading Op Art painter Julian Stanczak, are among the artists who have been awarded the 2015 Cleveland Arts Prize, the organization announced.</p><p> 2656 The winners of the annual awards, now in their 55th year, will be honored at the Cleveland Museum of Art at 6 p.m. Thursday, June 25.</p><p> 2657 [...]</p><p> 2658 Stanczak, an internationally recognized artist and major figure in the Op Art movement, is a Special Honoree for 2015. He won the Cleveland Arts Prize in 1969.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/allan-d-arcangelo-jay-defeo-martha-rosler-and-tom-wesselmann-at-the-whitney-museum'><img itemprop="image" alt='Allan D'Arcangelo, Jay DeFeo, Martha Rosler and Tom Wesselmann at the Whitney Museum' 2659 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a62f75b908fe975559ffaca3f1220f7b.jpg' 2660 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/allan-d-arcangelo-jay-defeo-martha-rosler-and-tom-wesselmann-at-the-whitney-museum'> 2661 Exhibition | New York 2662 </a></div><h1><a href='/news/allan-d-arcangelo-jay-defeo-martha-rosler-and-tom-wesselmann-at-the-whitney-museum'> 2663 Allan D'Arcangelo, Jay DeFeo, Martha Rosler and Tom Wesselmann at the Whitney Museum 2664 </a></h1><h2>America Is Hard to See</h2><h3>May 1 - September 27, 2015</h3><div class='summary paragraph-styling'><p>When the Whitney Museum of American Art opens its new Renzo Piano-designed home in Manhattan’s Meatpacking District on May 1, 2015, the first exhibition on view will be an unprecedented selection of works from the Museum’s renowned permanent collection. Setting forth a distinctly new narrative, America Is Hard to See presents fresh perspectives on the Whitney’s collection and reflects upon art in the United States with over 600 works by some 400 artists, spanning the period from about 1900 to the present. The exhibition—its title is taken from a poem by Robert Frost and also used by the filmmaker Emile de Antonio for one of his political documentaries—is the most ambitious display to date of the Whitney’s collection.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-the-smithsonian-american-art-museum'><img itemprop="image" alt='Martha Rosler at the Smithsonian American Art Museum' 2665 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/aaaaca8e5b234e8402cfe808db685590.jpg' 2666 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-the-smithsonian-american-art-museum'> 2667 Exhibition | Washington D.C. 2668 </a></div><h1><a href='/news/martha-rosler-at-the-smithsonian-american-art-museum'> 2669 Martha Rosler at the Smithsonian American Art Museum 2670 </a></h1><h2>Watch This! Revelations in Media Art</h2><h3>April 24, 2015 â September 7, 2015</h3><div class='summary paragraph-styling'><p>Watch This! Revelations in Media Art presents pioneering and contemporary artworks that trace the evolution of a continuously emerging medium. The exhibition celebrates artists who are engaged in a creative revolution—one shaped as much by developments in science and technology as by style or medium—and explores the pervasive interdependence between technology and contemporary culture. The exhibition includes 44 objects from 1941 to 2013, which were acquired by the museum as part of its longstanding commitment to collecting and exhibiting media art.</p><p>Watch This! includes major works by artists Cory Arcangel, Hans Breder, Takeshi Murata, Bruce Nauman, Raphael Montañez Ortiz, Nam June Paik, Martha Rosler, Eve Sussman, Bill Viola and others that highlight the breadth of media art, including 16 mm films, computer-driven cinema, closed-circuit installations, digital animation, video games and more.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-the-centro-andaluz-de-arte-contemporaneo-seville'><img itemprop="image" alt='Martha Rosler at the Centro Andaluz de Arte Contemporáneo, Seville' 2671 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/04b1292db9abf96429e7733bc8293f64.jpg' 2672 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-the-centro-andaluz-de-arte-contemporaneo-seville'> 2673 Exhibition | Seville, Spain 2674 </a></div><h1><a href='/news/martha-rosler-at-the-centro-andaluz-de-arte-contemporaneo-seville'> 2675 Martha Rosler at the Centro Andaluz de Arte Contemporáneo, Seville 2676 </a></h1><h2>EL PRESENTE EN EL PASADO</h2><h3>April 16, 2015-April 17, 2016</h3><div class='summary paragraph-styling'><p>The American professor Andreas Huyssen noted how in recent decades there has been slippage in the West that favors look back against that put the focus on the changes that would be about to arrive. If modernity was driven by what might be termed "future present" Postmodernism would be characterized by "present pasts."</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/tom-wesselmann-at-the-walker-art-center'><img itemprop="image" alt='Tom Wesselmann at the Walker Art Center' 2677 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/74db53d24a5bbda7695bdb76be3532b6.jpg' 2678 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/tom-wesselmann-at-the-walker-art-center'> 2679 Exhibition | Minneapolis 2680 </a></div><h1><a href='/news/tom-wesselmann-at-the-walker-art-center'> 2681 Tom Wesselmann at the Walker Art Center 2682 </a></h1><h2>International Pop</h2><h3>April 11 - August 29, 2015</h3><div class='summary paragraph-styling'><p>Organized by the Walker and on view April 11 through August 29, 2015, International Pop is a groundbreaking historical survey that chronicles the global emergence of Pop Art from the mid-1950s to the early 1970s. Following the Walker’s presentation, the exhibition will travel to the Dallas Museum of Art and the Philadelphia Museum of Art through 2016.</p><p><br /> 2683 </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-in-art-foods-at-the-triennale-di-milano'><img itemprop="image" alt='Martha Rosler in Art &amp; Foods at the Triennale di Milano' 2684 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/bd284bc31abbbf976ab87d2f9d58b7a2.png' 2685 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-in-art-foods-at-the-triennale-di-milano'> 2686 Exhibition | Milan 2687 </a></div><h1><a href='/news/martha-rosler-in-art-foods-at-the-triennale-di-milano'> 2688 Martha Rosler in Art & Foods at the Triennale di Milano 2689 </a></h1><h3>April 10-November 1, 2105</h3><div class='summary paragraph-styling'><p>The intricate relationship between the arts and food will be retraced and analysed in the Arts & Foods pavilion, the only thematic area of Expo Milan 2015 to be held in the city. La Triennale, will host the event from 9 April to 1 November 2015.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/mitchell-innes-nash-represents-eddie-martinez'><img itemprop="image" alt='Mitchell-Innes &amp; Nash represents Eddie Martinez' 2690 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5dbe87adc873b209730ee84832e84459.jpeg' 2691 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/mitchell-innes-nash-represents-eddie-martinez'> 2692 News 2693 </a></div><h1><a href='/news/mitchell-innes-nash-represents-eddie-martinez'> 2694 Mitchell-Innes & Nash represents Eddie Martinez 2695 </a></h1><h3>April 2015</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash is pleased to announce representation of New York-based artist Eddie Martinez. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-trinket'><img itemprop="image" alt='Pope.L: Trinket' 2696 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a8bc21ff5e1c551159087cca7f268296.jpg' 2697 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-trinket'> 2698 Exhibition | Los Angeles 2699 </a></div><h1><a href='/news/pope-l-trinket'> 2700 Pope.L: Trinket 2701 </a></h1><h2>The Geffen Contemporary at MOCA, Los Angeles</h2><h3>March 20 - June 28, 2015</h3><div class='summary paragraph-styling'><p><em>Pope.L: Trinket</em> is an exhibition of new and recent work by the Chicago-based artist, an essential figure in the development of performance and body art since the 1970s. The exhibition will be installed in the soaring space
2701s of the Geffen Contemporary at MOCA and is comprised of large-scale installations, and features a new performance and sculpture work made specifically for the exhibition. <em>Pope.L: Trinket</em> is curated by MOCA Senior Curator Bennett Simpson.<br /> 2702 </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/nancy-graves'><img itemprop="image" alt='Nancy Graves' 2703 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8f5d2770f5f1bec307afb6f70cee8c37.jpg' 2704 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/nancy-graves'> 2705 Artist Talk | New York 2706 </a></div><h1><a href='/news/nancy-graves'> 2707 Nancy Graves 2708 </a></h1><h2>Panel Discussion at 534 West 26th Street</h2><h3>Saturday, March 7 at 2 pm</h3><div class='summary paragraph-styling'><p>Please join us on <b> Saturday, March 7</b> at <b>2 pm</b>, the final day of the <a href="http://www.miandn.com/exhibitions/nancy-graves_1/installation/1/"><b>Nancy Graves</b></a> exhibition, for a panel discussion on the life and work of the artist. Moderated by <b>Lucy Mitchell-Innes</b>, the panelists will include <b>Laura Hoptman</b>, Curator, Department of Painting and Sculpture, The Museum of Modern Art, <b>Christina Hunter</b>, Director, Nancy Graves Foundation, New York, author and critic <b>Christopher Lyon</b> and artist <b>Jessica Stockholder</b>.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/karl-haendel-in-the-i-70-sign-show'><img itemprop="image" alt='Karl Haendel in the I-70 Sign Show' 2709 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/6243304e0f8793a2d4e3a39e3365f752.jpg' 2710 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/karl-haendel-in-the-i-70-sign-show'> 2711 Exhibition | Los Angeles 2712 </a></div><h1><a href='/news/karl-haendel-in-the-i-70-sign-show'> 2713 Karl Haendel in the I-70 Sign Show 2714 </a></h1><h2>Main Billboard</h2><h3>March - April 2015</h3><div class='summary paragraph-styling'><p>Produced specifically for the Sign Show, "Plow Pose" investigates I-70 message themes including lifestyle, athletics, religion, and masculinity. The ambiguous composition—is the man restrained by or bursting out of the space?—invites viewers to think about representations of the human body on other billboards and in advertising generally. Haendel's piece also subtly engages its agricultural site in presenting a classic yoga position named for its resemblance to traditional Indian and Tibetan farming equipment.</p><p>"Plow Pose" continues a body of work Haendel generated from commercial photographs of women doing yoga, currently on view at Night Gallery in Los Angeles.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/eddie-martinez-at-kunstmuseum-bonn'><img itemprop="image" alt='Eddie Martinez at Kunstmuseum Bonn' 2715 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2153da8afb6c1da70ae477a627f1d807.png' 2716 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/eddie-martinez-at-kunstmuseum-bonn'> 2717 News 2718 </a></div><h1><a href='/news/eddie-martinez-at-kunstmuseum-bonn'> 2719 Eddie Martinez at Kunstmuseum Bonn 2720 </a></h1><h2>New York Painting</h2><h3>February 19 - August 30, 2015</h3><div class='summary paragraph-styling'><p> 2721 Even though globalization has made us aware of the artistic production beyond Europe and the US and the art market searches for new promising talents in the world’s most remote regions, the metropolises’ artistic radiance cannot be dimmed. Considering the “surplus” of important artists that live and work in New York, it becomes evident that the city has lost none of its appeal. This is especially true for the vibrant painting scene that during the last years has been experiencing an increasing inflow of artists from the West Coast. Today, so it seems, painting in New York is as alive as during the times of abstract expressionism in the 1950s and pop art in the 1960s – the only difference being the visibility of the plurality of stiles and forms of expression. After the genre of painting had been declared dead for several decades, it has been enjoying an impressive renaissance with a generation of artists at its base that accept no dictation of what to do and what not to do. It is without reservations and with every confidence that especially those artists born in the 1970s and early 1980s experiment with the medium of painting, which is why the show in Bonn will put its focus on this generation. The exhibition will include recent and latest works by eleven artists, ranging from the painterly experiments of Matt Connors, to the wild post pop painting of Eddie Martinez, to the neo-conceptual approaches of Antek Walczak and Ned Vena. Without prioritizing one painting style, the show will document the panorama of the genre of painting that has left its ideological battle for its existence behind and returned to playing a major role in art again today.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jessica-stockholder-at-l-a-art-book-fair'><img itemprop="image" alt='Jessica Stockholder at L.A. Art Book Fair' 2722 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f4f9b7bbcccb26e3ec3bb93d3a81f85f.jpg' 2723 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jessica-stockholder-at-l-a-art-book-fair'> 2724 News 2725 </a></div><h1><a href='/news/jessica-stockholder-at-l-a-art-book-fair'> 2726 Jessica Stockholder at L.A. Art Book Fair 2727 </a></h1><h2>==#2 Launch at Capricious Booth</h2><h3>Thursday, January 29, 6 - 9 pm</h3><div class='summary paragraph-styling'><p><strong>==#2 Launch @ LA Art Book Fair</strong><br /> 2728 Edited by Matt Keegan<br /> 2729 Designed by Su Barber<br /> 2730 Edition of 500</p><p> 2731 Thursday, January 29, 6–9 pm</p><p><strong>Capricious Booth—F01</strong><br /> 2732 The Geffen Contemporary at MOCA<br /> 2733 152 North Central Avenue<br /> 2734 Los Angeles, CA 90012</p><p> 2735 Thursday Preview Entry, $10<br /> 2736 Friday—Sunday, Free<br /><br /> 2737 Capricious is pleased to announce the release of ==#2, made first available at the upcoming LA Art Book Fair, January 29th-February 1st, 2015.
2737 ==#2 is a non-thematic arts publication contained in a box with a 96-page bound volume featuring artist-to-artist interviews, texts, and transcriptions. Six loose multiples are also included.</p><p> 2738 </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/karl-haendel-at-castello-di-rivoli'><img itemprop="image" alt='Karl Haendel at Castello di Rivoli' 2739 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1b98f1687f2be9545504dc7264c7007a.jpg' 2740 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/karl-haendel-at-castello-di-rivoli'> 2741 Exhibition | Rivoli, Torino 2742 </a></div><h1><a href='/news/karl-haendel-at-castello-di-rivoli'> 2743 Karl Haendel at Castello di Rivoli 2744 </a></h1><h2>Manifest Intention. Drawing In All Its Forms curated by Beatrice Merz with Marianna Vecellio</h2><h3>October 11, 2014 â January 25, 2015</h3><div class='summary paragraph-styling'><p>Never before has the fall season for the Castello di Rivoli been so full of events and important exhibitions. Among these is one of the most comprehensive the Museum has ever conceived, installed in both the spacious Manica Lunga and in the third-floor rooms of the Sabauda Residence. The event – Manifest Intention. Drawing In All Its Forms – focuses on drawing in its various forms and many modes of expression: from everyday and self-controlled practice to elements of analysis and creative outlets, from a means of communication to the need to express. The absolute protagonist of the exhibition, drawing also proposes a broader reflection on themes that over time have shaped the very concept of a museum and a collection, analyzing the medium’s context both as a sign of the work and as the work itself. Drawing, oftentimes hidden or kept in the shadows, is actually the common ground of artistic practice – be it a sketch, a project, or even a work that is finished and laden with messages.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/virginia-overton-in-forum-on-contemporary-photography-at-the-museum-of-modern-art'><img itemprop="image" alt='Virginia Overton in Forum on Contemporary Photography at The Museum of Modern Art' 2745 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ec8a277352e83ad2f11136499197e430.jpg' 2746 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/virginia-overton-in-forum-on-contemporary-photography-at-the-museum-of-modern-art'> 2747 News 2748 </a></div><h1><a href='/news/virginia-overton-in-forum-on-contemporary-photography-at-the-museum-of-modern-art'> 2749 Virginia Overton in Forum on Contemporary Photography at The Museum of Modern Art 2750 </a></h1><h2>Founders Room, 6 - 8 pm</h2><h3>January 12, 2015</h3><div class='summary paragraph-styling'><p> 2751 The next Forum on Contemporary Photography at The Museum of Modern Art will take place on Monday, January 12, 2015 from 6 to 8 PM in the Founders Room at the Museum. Conceived as an experimental platform for free-form critical discussions, the Forums are designed to engage in debates about the perspectives and scope of contemporary photography with leading artists, curators, and theorists in the field.</p><p> 2752 This session will include Barbara Clausen, Curator and Professor for Performance Theory and History at the University of Québec; Lucy Gallun, Assistant Curator, MoMA; artists Sharon Hayes, Liz Magic Laser, and Jill Magid; and Melanie Kress, High Line Art Curatorial Fellow, who will lead a discu
2752ssion about the relationship between photography and performance on the occasion of the exhibitions Art on Camera: Photographs by Shunk-Kender, 1960–1971 (on view May 17–October 4, 2015 at The Museum of Modern Art), and Pier 54 (on view November 6 – December 13, 2014 organized by High Line Art at 120 Eleventh Avenue). These exhibitions present, in the first instance, photographs of conceptual art, actions, instructions, and happenings from the 1960s and early ‘70s, with an emphasis on the historic Pier 18 project; and in the second, photographs of contemporary art and actions enacted in 2014 on Pier 54.<br /> 2753 </p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Amanda Ross-Ho at The approach' 2754 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ec0d317fc4275ff0b695bb88153206f5.jpeg' 2755 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ec0d317fc4275ff0b695bb88153206f5.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ec0d317fc4275ff0b695bb88153206f5.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 2756 Exhibition | London 2757 </div><h1> 2758 Amanda Ross-Ho at The approach 2759 </h1><h2>WHO BURIES WHO</h2><h3>October 15 â December 14, 2014</h3><div class='summary paragraph-styling'><p>WHO BURIES WHO is a new installation by Amanda Ross-Ho that demonstrates her vested exploration into photography as an analogue to experience, the archaeology of activity and time as a material. The artist has transformed the gallery into a cryptic tableau, operating as both theatricised photography studio and abstracted crime scene. Employing symmetry, scale shifts and a forensic gaze, she creates an environment reminiscent of sites of production, examination and dramatisation.</p></div><div class='links in-text'><div class='file'><a href='http://theapproach.co.uk/exhibitions/who-buries-who/images/' target="_blank">The approach</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/the-paintings-of-paul-cezanne-an-online-catalogue-raisonne-is-now-live'><img itemprop="image" alt='The Paintings of Paul Cézanne: An Online Catalogue Raisonné is now live' 2760 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8cf62e3a3fb0fb101a0f8861790e7cd4.jpg' 2761 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/the-paintings-of-paul-cezanne-an-online-catalogue-raisonne-is-now-live'> 2762 News 2763 </a></div><h1><a href='/news/the-paintings-of-paul-cezanne-an-online-catalogue-raisonne-is-now-live'> 2764 The Paintings of Paul Cézanne: An Online Catalogue Raisonné is now live 2765 </a></h1><h3>November 20, 2014</h3><div class='summary paragraph-styling'><p> 2766 The Paintings of Paul Cézanne: An Online Catalogue Raisonné is now live! Developed by David Nash, Jayne Warman and Walter Feilchenfeldt, this is the first-ever free online database providing access to full-color images of all known paintings by Cézanne.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-s-the-limner-performance-published-by-triple-canopy'><img itemprop="image" alt='Pope.L's &quot;The Limner Performance&quot; published by Triple Canopy' 2767 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2d036a7df1
2767db00d56de7547c7cc4fec5.png' 2768 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-s-the-limner-performance-published-by-triple-canopy'> 2769 News 2770 </a></div><h1><a href='/news/pope-l-s-the-limner-performance-published-by-triple-canopy'> 2771 Pope.L's "The Limner Performance" published by Triple Canopy 2772 </a></h1><h3>November 20, 2014</h3><div class='summary paragraph-styling'><p> 2773 A preface is usually written after the fact. And so is this thing you are about to read.</p><p> 2774 A performance of the text occurred on April 26, 2014 at the Whitney Museum of American Art and was enacted by five street artists (four Chinese and one Caucasian) who drew sketches of the audience. On my signal, they threw these sketches into the air. A dancer playing a waitress repeatedly dropped napkins beneath a sound track of drones, trains, and rains and me, yours truly, at the podium voicing a version of the text that follows. What does a preface ever really tell us? That something else follows. And the thing, the thing that follows, preceded the thing with which you first started.zzZ</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/keltie-ferris-visting-artists-lecture-at-school-of-the-art-institute-of-chicago'><img itemprop="image" alt='Keltie Ferris Visting Artists Lecture at School of the Art Institute of Chicago' 2775 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3222f88859ad276a5f4d847f70f5d5a8.jpg' 2776 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/keltie-ferris-visting-artists-lecture-at-school-of-the-art-institute-of-chicago'> 2777 News 2778 </a></div><h1><a href='/news/keltie-ferris-visting-artists-lecture-at-school-of-the-art-institute-of-chicago'> 2779 Keltie Ferris Visting Artists Lecture at School of the Art Institute of Chicago 2780 </a></h1><h2>Columbus Auditorium, 280 S. Columbus Dr.</h2><h3>Monday, November 17, 5:00 pm</h3><div class='summary paragraph-styling'><p><strong>Monday, November 17, 5:00 p.m.<br /> 2781 Columbus Auditorium, 280 S. Columbus Dr.</strong></p><p> 2782 Keltie Ferris was born in Louisville, KY, and lives and works in Brooklyn, New York. Recent solo exhibitions include Keltie Ferris: Doomsday Boogie at the Santa Monica Museum of Art, California, and Body Prints at Chapter, New York. Her works have been included in group exhibitions at institutions such as Contemporary Arts Museum of Houston, Texas; Brooklyn Museum, New York; and Indianapolis Museum of Contemporary Art, Indianapolis. She was recently awarded the Rosenthal Family Foundation Award in Painting by the Academy of Arts and Letters, where her work was included in their 2014 Annual Invitational Exhibition of Visual Arts.<br /> 2783 </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-interview-at-paris-photo'><img itemprop="image" alt='Martha Rosler Interview at Paris Photo' 2784 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/26f65d68ac9a9a2baedb70f9d5faeb90.jpg' 2785 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-interview-at-paris-photo'> 2786 News 2787 </a></div><h1><a href='/news/martha-rosler-interview-at-paris-photo'> 2788 Martha Rosler Interview at Paris Photo 2789 </a></h1><h3>November 14, 2014</h3><div class='summary paragraph-styling'><p> 2790 Martha Rosler speaks at Paris Photo 2014 with writer and educator Stephanie Schwartz, discussing everything from her early work on the subject of the Bowery, the ethical responsibilities of photographers, the paucity of critics in the US, and the overall critical reception of her work.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/anthony-caro-monograph-launch'><img itemprop="image" alt='Anthony Caro Monograph Launch' 2791 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/6d75f4f17b3437378b9e30f1f72468d7.png' 2792 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/anthony-caro-monograph-launch'> 2793 News 2794 </a></div><h1><a href='/news/anthony-caro-monograph-launch'> 2795 Anthony Caro Monograph Launch 2796 </a></h1><h2>4 - 6 pm</h2><h3>November 8, 2014</h3><div class='summary paragraph-styling'><p> 2797 Please join us at our Chelsea location on <strong>Saturday, November 8</strong> from <strong>4 to 6 pm</strong> for the launch of the new monograph <strong>Anthony Caro</strong>, published by <strong>Phaidon</strong>.</p><p><strong>Anthony Caro Monograph Launch</strong><br /> 2798 Saturday, November 8, 4 – 6 p.m.<br /> 2799 Mitchell-Innes & Nash<br /> 2800 534 West 26th Street<br /> 2801 New York, NY 10001</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/virginia-overton-in-pier-54-high-line-channel-14'><img itemprop="image" alt='Virginia Overton in Pier 54, High Line Channel 14' 2802 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/062edc64c7d0451474ec7025cc0bef56.jpg' 2803 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/virginia-overton-in-pier-54-high-line-channel-14'> 2804 News 2805 </a></div><h1><a href='/news/virginia-overton-in-pier-54-high-line-channel-14'> 2806 Virginia Overton in Pier 54, High Line Channel 14 2807 </a></h1><h2>High Line Art</h2><h3>Novemeber 6 - December 13, 2014</h3><div class='summary paragraph-styling'><p> 2808 High Line Art presents <em>Pier 54</em>, an exhibition conceived as a tribute to and a reaction against Pier 18, a legendary project organized by artist and curator Willoughby Sharp in 1971.</p><p><strong>EXHIBITION</strong><br /> 2809 November 6 - December 13, 2014<br /> 2810 Exhibition at 120 Eleventh Avenue at West 20th Street<br /> 2811 Tuesday - Saturday, 11 am - 6 pm</p><p><strong>PUBLIC OPENING:</strong> November 6, 6 - 8 pm</p><div id="stcpDiv" style="position: absolute; top: -1999px; left: -1988px;"><strong>EXHIBITION</strong><br /> 2812 November 6 – December 13, 2014<br /> 2813 Exhibition at 120 Eleventh Avenue at West 20th Street<br /> 2814 Tuesday – Saturday, 11:00 AM – 6:00 PM<br /><span style="color: #0000ff;"><em><strong> * Public Opening, November 6, 2014, 6:00 – 8:00 PM</strong></em></span> - See more at: http://art.thehighline.org/project/pier54/#sthash.KusVpTfj.dpuf</div><div id="stcpDiv" style="position: absolute; top: -1999px; left: -1988px;"><strong>EXHIBITION</strong><br /> 2815 November 6 – December 13, 2014<br /> 2816 Exhibition at 120 Eleventh Avenue at West 20th Street<br /> 2817 Tuesday – Saturday, 11:00 AM – 6:00 PM<br /><span style="color: #0000ff;"><em><strong> * Public Opening, November 6, 2014, 6:00 – 8:00 PM</strong></em></span> - See more at: http://art.thehighline.org/project/pier54/#sthash.KusVpTfj.dpuf</div><div id="stcpDiv" style="position: absolute; top: -1999px; left: -1988px;"><strong>EXHIBITION</strong><br /> 2818 November 6 – December 13, 2014<br /> 2819 Exhibition at 120 Eleventh Avenue at West 20th Street<br /> 2820 Tuesday – Saturday, 11:00 AM – 6:00 PM<br /><span style="color: #0000ff;"><em><strong> * Public Opening, November 6, 2014, 6:00 – 8:00 PM</strong></em></span> - See more at: http://art.thehighline.org/project/pier54/#sthash.KusVpTfj.dpuf</div></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-the-art-gallery-of-new-south-wales'><img itemprop="image" alt='Martha Rosler at the Art Gallery of New South Wales' 2821 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/e1cf83f6ee4c31bfc2730978ea75a715.png' 2822 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-the-art-gallery-of-new-south-wales'> 2823 News 2824 </a></div><h1><a href='/news/martha-rosler-at-the-art-gallery-of-new-south-wales'> 2825 Martha Rosler at the Art Gallery of New South Wales 2826 </a></h1><h2>Pop to popism</h2><h3>November 1, 2014 - March 1, 2015</h3><div class='summary paragraph-styling'><p> 2827 ‘Popular, witty, sexy, glamorous’ – pop art exploded onto the cultural scene in the 1960s. The pop artists rebelled against ‘high art’ to embrace the new world of advertising, television, film stars, pop music and consumerism. Pop art shocked many but inspired even more.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-the-art-institute-of-chicago'><img itemprop="image" alt='Martha Rosler at The Art Institute of Chicago' 2828 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5534ca0e0dd683cf9ea80c72cc21aa83.png' 2829 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-the-art-institute-of-chicago'> 2830 News 2831 </a></div><h1><a href='/news/martha-rosler-at-the-art-institute-of-chicago'> 2832 Martha Rosler at The Art Institute of Chicago 2833 </a></h1><h2>The City Lost and Found: Capturing New York, Chicago, and Los Angeles, 1960â1980</h2><h3>October 26, 2014 - January 11, 2015</h3><div class='summary paragraph-styling'><p> 2834 The American city of the 1960s and 1970s experienced seismic physical changes and s
2834ocial transformations, from urban decay and political protests to massive highways that threatened vibrant neighborhoods. Nowhere was this sense of crisis more evident than in the country’s three largest cities: New York, Chicago, and Los Angeles.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/chris-johanson-s-quiet-music-festival-at-the-tang-museum'><img itemprop="image" alt='Chris Johanson's Quiet Music Festival at the Tang Museum' 2835 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f9c2de0987b3e4cc4ce63c1ebd14cb4e.png' 2836 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/chris-johanson-s-quiet-music-festival-at-the-tang-museum'> 2837 News 2838 </a></div><h1><a href='/news/chris-johanson-s-quiet-music-festival-at-the-tang-museum'> 2839 Chris Johanson's Quiet Music Festival at the Tang Museum 2840 </a></h1><h2>October 23, 2014</h2><h3>October 23, 2014, 5 to 11 pm</h3><div class='summary paragraph-styling'><p> 2841 Chris Johanson, an artist featured in I was a double, brings the East Coast premiere of his Portland-based Quiet Music Festival to Saratoga Springs. Johanson, festival founder and organizer, describes the event as a communal listening experience that celebrates emotional, vibrant, and low-volume music honoring the quiet act of listening. Johnason’s band Sun Foot will be joined by national and regional guests.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/julije-knifer-at-carre-d-art-musee-d-art-contemporain-nimes'><img itemprop="image" alt='Julije Knifer at Carré dâArt â Musée dâArt Contemporain, Nîmes' 2842 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/49cac0503c452e6cf11442bd1c485a8d.jpg' 2843 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/julije-knifer-at-carre-d-art-musee-d-art-contemporain-nimes'> 2844 News 2845 </a></div><h1><a href='/news/julije-knifer-at-carre-d-art-musee-d-art-contemporain-nimes'> 2846 Julije Knifer at Carré dâArt â Musée dâArt Contemporain, Nîmes 2847 </a></h1><h2>Personal Cuts</h2><h3>October 17, 2014 - January 11, 2015</h3><div class='summary paragraph-styling'><p> 2848 This exhibition connects the works of fifteen artists and one group; it presents a brief personal history of the radical tendencies of modern and contemporary art in Croatia.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-in-the-war-which-is-coming-is-not-the-first-one-great-war-1914-2014'><img itemprop="image" alt='Martha Rosler in The war which is coming is not the first one Great war 1914-2014' 2849 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/921fc5b9e888eebee6bc4f014ffdd73b.jpg' 2850 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-in-the-war-which-is-coming-is-not-the-first-one-great-war-1914-2014'> 2851 News 2852 </a></div><h1><a href='/news/martha-rosler-in-the-war-which-is-coming-is-not-the-first-one-great-war-1914-2014'> 2853 Martha Rosler in The war which is coming is not the first one Great war 1914-2014 2854 </a></h1><h2>MART Rovereto, Italy</h2><h3>October 4, 2014-September 20, 2015</h3><div class='summary paragraph-styling'><p><span style="color: rgb(0, 0, 0); font-family: 'Source Sans Pro', Arial; font-size: 13.3333330154419px; letter-spacing: 0.5px;">The exhibition is a project organized by </span><strong style="margin: 0px; padding: 0px; border: 0px; color: rgb(0, 0, 0); font-family: 'Source Sans Pro', Arial; font-size: 13.3333330154419px; letter-spacing: 0.5px; background-image: initial; background-attachment: initial; background-size: initial; background-origin: initial; background-clip: initial; background-position: initial; background-repeat: initial;">Mart, the museum of modern and contemporary art of Trento and Rovereto</strong><span style="color: rgb(0, 0, 0); font-family: 'Source Sans Pro', Arial; font-size: 13.3333330154419px; letter-spacing: 0.5px;">, with the collaboration of experts in history and contemporary art.</span></p><p><span style="color: rgb(0, 0, 0); font-family: 'Source Sans Pro', Arial; font-size: 13.3333330154419px; letter-spacing: 0.5px;">Through the development of a series of complementary contributions, the exhibition draws a distance from a simple reflection about history and offers a more complex overview regarding the topicality of the conflict, which is still today at the centre of debate.</span></p><p><span style="color: rgb(0, 0, 0); font-family: 'Source Sans Pro', Arial; font-size: 13.3333330154419px; letter-spacing: 0.5px;">
2854Also on show will be the entire series of House beautiful bringing the war home by </span><strong style="margin: 0px; padding: 0px; border: 0px; color: rgb(0, 0, 0); font-family: 'Source Sans Pro', Arial; font-size: 13.3333330154419px; letter-spacing: 0.5px; background-image: initial; background-attachment: initial; background-size: initial; background-origin: initial; background-clip: initial; background-position: initial; background-repeat: initial;">Martha Rosler</strong><span style="color: rgb(0, 0, 0); font-family: 'Source Sans Pro', Arial; font-size: 13.3333330154419px; letter-spacing: 0.5px;">, one of the most noted reflections on the relationship between war and media.</span></p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/justine-kurland-at-expo-chicago'><img itemprop="image" alt='Justine Kurland at EXPO Chicago' 2855 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/fa5e785c69cb3fbd2bfde3bbf730c210.jpg' 2856 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/justine-kurland-at-expo-chicago'> 2857 News 2858 </a></div><h1><a href='/news/justine-kurland-at-expo-chicago'> 2859 Justine Kurland at EXPO Chicago 2860 </a></h1><h2>Dialogues</h2><h3>Sunday, September 21, 2014, 11:30 am</h3><div class='summary paragraph-styling'><p><strong>Justine Kurland and Alec Soth In Conversation with Denise Wolff<br /> 2861 Presented by the Aperture Foundation</strong></p><p> 2862 Artists Justine Kurland and Alec Soth (Weinstein Gallery) will speak with “Aperture” Photobook Editor Denise Wolff about “The Open Road: Photography and the American Road Trip,” the first survey book to consider the American road trip as a photographic genre. The book presents some of the best-loved photography, and the story of the open road as photographer’s muse.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jessica-stockholder-at-expo-chicago'><img itemprop="image" alt='Jessica Stockholder at EXPO Chicago' 2863 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/66b6e8213add9291e944fc3050be61ab.jpeg' 2864 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/66b6e8213add9291e944fc3050be61ab.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/66b6e8213add9291e944fc3050be61ab.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jessica-stockholder-at-expo-chicago'> 2865 News 2866 </a></div><h1><a href='/news/jessica-stockholder-at-expo-chicago'> 2867 Jessica Stockholder at EXPO Chicago 2868 </a></h1><h2>IN/SITU</h2><h3>September 18 - 21, 2014</h3><div class='summary paragraph-styling'><p class="rtejustify"><strong>IN/SITU </strong>provides exhibiting galleries the opportunity to showcase large-scale installations and site-specific works by leading artists during <strong>EXPO CHICAGO</strong>. Curated by Renaud Proch, Executive Director of Independent Curators International (ICI), the 2014 edition of the program is a reflection on artistic practice in Chicago, and on the intense exchange of ideas that the city generates.</p><p class="rtejustify">At Navy Pier, IN/SITU is also presented alongside <strong>EXPO Projects</strong>, organized by EXPO CHICAGO and highlighting works by emerging and established artists.</p><p class="rtejustify">This year and for the first time, IN/SITU connects to the city beyond its traditional site in Navy Pier. It now extends to <strong>IN/SITU Outside</strong>, an inaugural program of temporary public art installations situated along the Lakefront and throughout Chicago neighborhoods, presented by EXPO CHICAGO in partnership with Chicago Park District (CPD) and Department of Cultural Affairs and Special Events (DCASE).</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/julije-knifer-at-museum-of-contemporary-art-zagreb-croatia'><img itemprop="image" alt='Julije Knifer at Museum of Contemporary Art, Zagreb, Croatia' 2869 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c97be7e50d8d2da6e8eb8b8cee910f40.jpg' 2870 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/julije-knifer-at-museum-of-contemporary-art-zagreb-croatia'> 2871 News 2872 </a></div><h1><a href='/news/julije-knifer-at-museum-of-contemporary-art-zagreb-croatia'> 2873 Julije Knifer at Museum of Contemporary Art, Zagreb, Croatia 2874 </a></h1><h2>Without compromise</h2><h3>September 20 - December 6, 2014</h3><div class='summary paragraph-styling'><p> 2875 On the occasion of the anniversary of the nineties and the tenth anniversary of the death of Julije Knifer (Osijek, 1924 - Paris, 2004). Museum of Modern Art will hold a retrospective of one of the greatest Croatian painters of the 20th century, which will cover more than half a century of his artistic activity.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/sarah-braman-in-broadway-morey-boogie-marlborough-chelsea'><img itemprop="image" alt='Sarah Braman in Broadway Morey Boogie, Marlborough Chelsea' 2876 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/0437822c3a82409e3ec7b167f714033a.jpg' 2877 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/sarah-braman-in-broadway-morey-boogie-marlborough-chelsea'> 2878 News 2879 </a></div><h1><a href='/news/sarah-braman-in-broadway-morey-boogie-marlborough-chelsea'> 2880 Sarah Braman in Broadway Morey Boogie, Marlborough Chelsea 2881 </a></h1><h2>Sarah Braman: Another Time Machine</h2><h3>September 17, 2014 - February 2015</h3><div class='summary paragraph-styling'><p><em><strong>Broadway Morey Boogi</strong></em>e, a group exhibition of outdoor sculpture by <strong>Sarah Braman, </strong><strong>Dan Colen, </strong><strong>Paul Druecke,</strong><strong> Lars Fisk</strong><strong>, </strong><strong>Drew Heitzler, Matt Johnson, </strong><strong>Joanna Malinowska, </strong><strong>Tony Matelli</strong><strong>, Davina Semo, </strong>and <strong>Devin Troy Strother</strong>. The exhibition presented by Marlborough Chelsea, in collaboration with the <strong>Broadway Mall Association,</strong> runs from <strong>Columbus Circle</strong> up to <strong>166th and Broadway</strong> until <strong>February of 2015</strong>.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-cornell-fine-arts-museum'><img itemprop="image" alt='Martha Rosler at Cornell Fine Arts Museum' 2882 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/bf1846f143cadb342ad1279ebc1d85f7.png' 2883 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-cornell-fine-arts-museum'> 2884 News 2885 </a></div><h1><a href='/news/martha-rosler-at-cornell-fine-arts-museum'> 2886 Martha Rosler at Cornell Fine Arts Museum 2887 </a></h1><h2>Fractured Narratives: a strategy to engage</h2><h3>September 17, 2014 - January 4, 2015</h3><div class='summary paragraph-styling'><p> 2888 A powerful moment occurs when a narrative is cracked open, when something one expects to be presented simply for what it is, or even more, for fact, is left unguarded as one possibility among many. Suddenly, experiences or information, most typically taken for granted, are made accessible to reflection, debate and perhaps even, a deeper understanding or feeling than would have been possible before.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jessica-stockholder-at-gary-lichtenstein-editions-at-mana-contemporary'><img itemprop="image" alt='Jessica Stockholder at Gary Lichtenstein Editions at Mana Contemporary' 2889 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b8a66dad675ad933eea88a5ffb57cb0a.jpeg' 2890 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jessica-stockholder-at-gary-lichtenstein-editions-at-mana-contemporary'> 2891 Exhibition | Jersey City 2892 </a></div><h1><a href='/news/jessica-stockholder-at-gary-lichtenstein-editions-at-mana-contemporary'> 2893 Jessica Stockholder at Gary Lichtenstein Editions at Mana Contemporary 2894 </a></h1><h2>Trees</h2><h3>September 14, 2014</h3><div class='summary paragraph-styling'><p>Gary Lichtenstein Editions at Mana presents Jessica Stockholder: trees, an exhibition featuring original silkscreen monoprints created by Stockholder and Lichtenstein as a result of their collaboration on the production of Hollow Places Court in Ash-Tree Wood for The Aldrich Contemporary Art Museum in 2011. On view from September 14 to October 24, 2014, the exhibition is presented at Gary Lichtenstein Editions, on the second floor of Mana Contemporary.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/children-families-sound-off-with-virginia-overton-at-storm-king'><img itemprop="image" alt='Children &amp; Families: Sound Off, with Virginia Overton at Storm King' 2895 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/bb637598faf6d0d6b745d526ec86587f.jpg' 2896 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/children-families-sound-off-with-virginia-overton-at-storm-king'> 2897 News 2898 </a></div><h1><a href='/news/children-families-sound-off-with-virginia-overton-at-storm-king'> 2899 Children & Families: Sound Off, with Virginia Overton at Storm King 2900 </a></h1><h2>September 14, 2014 - 1:00 pm</h2><div class='summary paragraph-styling'><p> 2901 Join this special hands-on workshop with 2014 Outlooks artist, Virginia Overton, who will be joined by artist Mike Mitchell. Participants will learn about Virginia’s artistic process while creating their own noise-making artworks from found materials. Recommended for children 5 and up. This program will take place at the western approach to the Outlooks: Virginia Overton site.</p><p> 2902 If you are attending the event with small children, please allow for up to fifteen minutes of walking time from Museum Hill and South Parking to the site.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jessica-stockholder-at-contemporary-art-and-design'><img itemprop="image" alt='Jessica Stockholder at Contemporary Art and Design' 2903 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/33dc536bb819c45161611863a290a6e6.jpeg' 2904 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/33dc536bb819c45161611863a290a6e6.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/33dc536bb819c45161611863a290a6e6.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jessica-stockholder-at-contemporary-art-and-design'> 2905 Exhibition | Pianello, Italy 2906 </a></div><h1><a href='/news/jessica-stockholder-at-contemporary-art-and-design'> 2907 Jessica Stockholder at Contemporary Art and Design 2908 </a></h1><h3>September 12 - October 12, 2014</h3><div class='summary paragraph-styling'><p>The first edition of C.Ar.D. – “Contemporary Art and Design” – inaugurates a series of exhibitions, installations and events by artists, photographers and designers in the hills around Piacenza from 12 September to 12 October 2014.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/justine-kurland-sincere-auto-care-selected-for-artcritical-s-the-review-panel-s-opening-night'><img itemprop="image" alt='Justine Kurland: Sincere Auto Care Selected for artcritical's The Review Panel's Opening Night' 2909 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a99da9868fbe9bd2d2a9a04ba297b7b7.jpg' 2910 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/justine-kurland-sincere-auto-care-selected-for-artcritical-s-the-review-panel-s-opening-night'> 2911 News 2912 </a></div><h1><a href='/news/justine-kurland-sincere-auto-care-selected-for-artcritical-s-the-review-panel-s-opening-night'> 2913 Justine Kurland: Sincere Auto Care Selected for artcritical's The Review Panel's Opening Night 2914 </a></h1><h3>September 3, 2014</h3><div class='summary paragraph-styling'><p> 2915 Justine Kurland: <em>Sincere Auto Care</em> has been selected for the opening night of this year'
2915s season of The Review Panel hosting by artcritical. This popular discussion forum, at the National Academy Museum, sees three critics join David Cohen, artcritical Editor and Publisher, as the moderator, each month for live discussion of current exhibitions in New York recorded for later podcast at artcritical.com.</p><p> 2916 </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/sarah-braman-at-martos-gallery'><img itemprop="image" alt='Sarah Braman at Martos Gallery' 2917 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a6aba08dc56fc5a00eb4475a1a04684e.jpeg' 2918 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a6aba08dc56fc5a00eb4475a1a04684e.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a6aba08dc56fc5a00eb4475a1a04684e.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/sarah-braman-at-martos-gallery'> 2919 Exhibition | East Marion, NY 2920 </a></div><h1><a href='/news/sarah-braman-at-martos-gallery'> 2921 Sarah Braman at Martos Gallery 2922 </a></h1><h2>Another, Once Again, Many Times More, curated by Virginia Overton</h2><h3>July 12 - September 1, 2014</h3><div class='summary paragraph-styling'><p>In its fifth iteration, the Martos Gallery summer exhibition will feature a number of artists invited by curator Bob Nickas to serve as curators, creating shows-within-the show. Outdoors is a show organized by Bob Nickas and Virginia Overton, including works by Sam Anderson, Uri Aran, Lisa Beck, Sarah Braman, Jim Drain, Wayne Gonzales, Eli Hansen, Charles Harlan, Jim Kanter and Lisa Ward, Servane Mary, Jason Metcalf, Greely Myatt, Chuck Nanney, Amy O'Neill, Kelly Parr, Ugo Rondinone, Davina Semo and Aaron Suggs.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/nancy-graves-at-the-dorsky-museum-new-paltz'><img itemprop="image" alt='Nancy Graves at The Dorsky Museum, New Paltz' 2923 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/041a3c091acc9c58cd0ecabdf5877246.jpg' 2924 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/nancy-graves-at-the-dorsky-museum-new-paltz'> 2925 News 2926 </a></div><h1><a href='/news/nancy-graves-at-the-dorsky-museum-new-paltz'> 2927 Nancy Graves at The Dorsky Museum, New Paltz 2928 </a></h1><h2>Dick Polich: Transforming Metal into Art with works by Graves, Koons, Lichtenstein, and more</h2><h3>August 27 - December 14, 2014</h3><div class='summary paragraph-styling'><p> 2929 The Dorsky Museum is delighted to present Dick Polich: Transforming Metal into Art, an exhibition of work by some of the most important artists of our time who have worked with Hudson Valley Master Dick Polich. Organized by the Samuel Dorsky Museum of Art at the State University of New York at New Paltz, the exhibition will be on display from Aug 27 through Dec. 14, 2014, in The Dorsky’s Morgan Anderson, Howard Greenberg Family, and Corridor Galleries. The public opening reception is Saturday, Sept.
29296, 5–7 p.m.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/virginia-overton-at-the-ace-hotel'><img itemprop="image" alt='Virginia Overton at the Ace Hotel' 2930 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d5b63266719a6653019d642dbe9b483f.png' 2931 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/virginia-overton-at-the-ace-hotel'> 2932 News 2933 </a></div><h1><a href='/news/virginia-overton-at-the-ace-hotel'> 2934 Virginia Overton at the Ace Hotel 2935 </a></h1><h2>Due North: Storm King Art Center</h2><h3>August 6 - August 31, 2014</h3><div class='summary paragraph-styling'><p> 2936 Ace Hotel New York invites you to take a trip to Storm King Art Center. For the month of August, we’re proudly displaying contemporary works on loan from the 500-acre institution — peeks at two special exhibitions on view in 2014: Zhang Huan: Evoking Tradition and Outlooks: Virginia Overton, as well as short video interviews and installation footage.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-the-walker-art-center-minneapolis'><img itemprop="image" alt='Pope.L at the Walker Art Center, Minneapolis' 2937 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/58de7d8feaa055cae725173a322e9e81.jpg' 2938 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-the-walker-art-center-minneapolis'> 2939 News 2940 </a></div><h1><a href='/news/pope-l-at-the-walker-art-center-minneapolis'> 2941 Pope.L at the Walker Art Center, Minneapolis 2942 </a></h1><h2>Radical Presence: Black Performance in Contemporary Art</h2><h3>July 24, 2014 - January 4, 2015</h3><div class='summary paragraph-styling'><p> 2943 This groundbreaking exhibition is the first comprehensive survey of performance art by black artists working from the perspective of the visual arts from the 1960s to the present. While black performance has been largely contextualized as an extension of theater, visual artists have integrated performance into their work for more than five decades, generating an important history that has gone largely unrecognized until now.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/chris-johanson-at-the-tang-museum'><img itemprop="image" alt='Chris Johanson at the Tang Museum' 2944 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/28a3668c07e82c97cea397a688d1abe0.jpeg' 2945 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/chris-johanson-at-the-tang-museum'> 2946 Exhibition | Saratoga Springs, NY 2947 </a></div><h1><a href='/news/chris-johanson-at-the-tang-museum'> 2948 Chris Johanson at the Tang Museum 2949 </a></h1><h2>I was a double</h2><h3>July 5, 2014 - January 4, 2015</h3><div class='summary paragraph-styling'><p>Western classical music traditionally splits music making into two distinctly separate jobs—composer and performer. The composer invents the ideas behind the music and the performer realizes them. Sometimes the composer and performer are the same person, sometimes they are separated by hundreds of years, but even across great distances of time and space the composer and performer can communicate with each other, through a series of written instructions, called a score. A score is a set of instructions, a rule book, a description of actions the composer proposes to the performer. We value composers by noticing what qualities of rules they invent; we value performers by noticing what they add to / change / emphasize / ignore in the following of those rules. They are two very different jobs.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/julije-knifer-at-museum-of-slavonia-osijek-croatia'><img itemprop="image" alt='Julije Knifer at Museum of Slavonia, Osijek, Croatia' 2950 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3862f9444667c4d8a87d81077e05905c.jpg' 2951 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/julije-knifer-at-museum-of-slavonia-osijek-croatia'> 2952 News 2953 </a></div><h1><a href='/news/julije-knifer-at-museum-of-slavonia-osijek-croatia'> 2954 Julije Knifer at Museum of Slavonia, Osijek, Croatia 2955 </a></h1><h2>Meander: Julije Knifer</h2><h3>July 3 - August 31, 2014</h3><div class='summary paragraph-styling'><p> 2956 The exhibited works are on loan from the collection of Museum of Contemporary Art, Zagreb, which will exhibit a large retrospective of Julije Knifer's work in the Fall of works from the 70s up until the last century.
2956 These works are presented along side a selection of documents, which are kept in the Archive of Visual Arts Croatian Academy of Sciences and Arts in Zagreb. Izložba was established by the Ministry of Culture and the city of Osijek, which provided the Museum of Slavonia with the funds to purchase one of Knifer drawings, which is also featured in the exhibition.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-the-philadelphia-museum-of-art'><img itemprop="image" alt='Martha Rosler at the Philadelphia Museum of Art' 2957 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/61fe91586178f7183d1f03c9f893286e.png' 2958 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-the-philadelphia-museum-of-art'> 2959 News 2960 </a></div><h1><a href='/news/martha-rosler-at-the-philadelphia-museum-of-art'> 2961 Martha Rosler at the Philadelphia Museum of Art 2962 </a></h1><h2>The Main Dish</h2><h3>July 1 - September 28, 2014</h3><div class='summary paragraph-styling'><p> 2963 One of the most common assumptions about the kitchen is that it is a woman’s space. With this in mind, <i>The Main Dish</i> looks at how modern and contemporary kitchenware reflects attributes of the model homemaker.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/daniel-lefcourt-at-andrew-roth'><img itemprop="image" alt='Daniel Lefcourt at Andrew Roth' 2964 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/af9211e0d9d5670c048ae88f1482e409.jpg' 2965 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/daniel-lefcourt-at-andrew-roth'> 2966 News 2967 </a></div><h1><a href='/news/daniel-lefcourt-at-andrew-roth'> 2968 Daniel Lefcourt at Andrew Roth 2969 </a></h1><h2>Copied</h2><h3>May 7 - June 20, 2014</h3><div class='summary paragraph-styling'><p> 2970 “Well into the twenty-first century, artists use variations on the copy (as a strategy, process, or maneuver) to bestow ironic distance, nod in homage, or to furnish an indexical mark of reality. If the copy’s history in art begins, most basically, with the mimetic act—the imitation of nature by human hands—the primacy of realism has arguably since been superseded by the conceptual possibilities of the copy itself. The notion of the copy that springs most readily to mind may be that involving technologies of facsimile (optical, physical; by hand, by machine) but the copy also includes the knock-off, the remake, the reenactment, the meme. At stake in each of these practices—and in “Copied” as an exhibition—is an investigation of what is made or unmade through the act of copying, the ratio of signal to noise that results in the passage from original to offspring.”</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/walead-beshty-walk-through-of-jay-defeo-exhibition'><img itemprop="image" alt='Walead Beshty walk-through of Jay DeFeo exhibition' 2971 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/625d69857085cc39b8e91a4e987129bd.jpg' 2972 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/walead-beshty-walk-through-of-jay-defeo-exhibition'> 2973 News 2974 </a></div><h1><a href='/news/walead-beshty-walk-through-of-jay-defeo-exhibition'> 2975 Walead Beshty walk-through of Jay DeFeo exhibition 2976 </a></h1><h2>At 534 W 26th St.</h2><h3>Saturday, May 3, 2014 at 3 pm</h3><div class='summary paragraph-styling'><p><strong>Walead Beshty</strong> will give a walk-through of the Jay DeFeo exhibition on view at Mitchell-Innes & Nash's Chelsea location on <strong>Saturday, May 3<sup>rd</sup></strong> at<strong> 3 pm</strong>. </p><p> 2977 A fully illustrated catalogue will be published to accompany the exhibition with an essay written by Beshty titled “The Ritual of Everyday Life: On the Migrating Objects of Jay DeFeo”.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/virginia-overton-at-storm-king-art-center'><img itemprop="image" alt='Virginia Overton at Storm King Art Center' 2978 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f6bb2f1bf39d48d0018b5470e9cad714.jpg' 2979 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/virginia-overton-at-storm-king-art-center'> 2980 News 2981 </a></div><h1><a href='/news/virginia-overton-at-storm-king-art-center'> 2982 Virginia Overton at Storm King Art Center 2983 </a></h1><h2>Outlooks: Virginia Overton</h2><h3>May 3 - November 30, 2014</h3><div class='summary paragraph-styling'><p> 2984 The second artist to be featured in Storm King’s Outlooks series is American artist Virginia Overton. Overton has created a site-specific brass sculpture across an expansive, central, rolling field. A thin tube, some 400 feet in length, will mirror the contours and curves of the sloping hill, carrying sound, picking up slight noises, and allowing visitors different aural experiences on their outdoor treks. The piece suggests tripartite interactivity between itself, Storm King’s visitors, and the topography of its setting.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/leigh-ledare-at-paris-photo-los-angeles'><img itemprop="image" alt='Leigh Ledare at Paris Photo Los Angeles' 2985 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d643ac5a1b4d64dfeb5354d9c14f635a.jpg' 2986 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/leigh-ledare-at-paris-photo-los-angeles'> 2987 News 2988 </a></div><h1><a href='/news/leigh-ledare-at-paris-photo-los-angeles'> 2989 Leigh Ledare at Paris Photo Los Angeles 2990 </a></h1><h2>Sound and Vision - The Conversations</h2><h3>April 26, 2014 at 2 pm</h3><div class='summary paragraph-styling'><p><em>Conversations</em></p><p> 2991 The Conversations, organized by independent curator Douglas Fogle, will offer visitors multiple intellectual perspectives on the use of images by bringing together notable curators and contemporary artists for a discussion of the practice of image-making. Participants will include artists and curators: Walead Beshty, Simon Castets, Doryun Chong, Charlotte Cotton, Clara Kim, Florian Maier-Aichen, Jean-Luc Moulène, Leigh Ledare, Kevin Tent, Stephen Shore, Taryn Simon, Frances Stark, Kerry Tribe, Philippe Vergne and Jeff Wall.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/lucy-mitchell-innes-recognized-in-25-art-world-women-at-the-top'><img itemprop="image" alt='Lucy Mitchell-Innes recognized in 25 Art World Women at the Top' 2992 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a2ce8d60ed84e64779baae4e3255cbd8.jpg' 2993 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/lucy-mitchell-innes-recognized-in-25-art-world-women-at-the-top'> 2994 News 2995 </a></div><h1><a href='/news/lucy-mitchell-innes-recognized-in-25-art-world-women-at-the-top'> 2996 Lucy Mitchell-Innes recognized in 25 Art World Women at the Top 2997 </a></h1><h2>ARTnews</h2><h3>April 18, 2014</h3><div class='summary paragraph-styling'><p> 2998 For centuries, the art world and art market were dominated by men—just look at Giorgio Vasari’s The Lives of the Artists, or, more recently, Jonathan Jones’s all-male list of the greatest artworks ever—but that’s beginning to change. Women now occupy top positions in every sector of the art world, and though they are still paid less than their male colleagues in similar roles, they are slowly helping to right the industry’s historic gender imbalance. Herewith, artnet News recognizes the invaluable work of 25 art world power players who are women.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/virginia-overton-at-the-moca-north-miami'><img itemprop="image" alt='Virginia Overton at the MOCA North Miami' 2999 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/48ef47afd169889675cae665beee25bf.jpg' 3000 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/virginia-overton-at-the-moca-north-miami'> 3001 News 3002 </a></div><h1><a href='/news/virginia-overton-at-the-moca-north-miami'> 3003 Virginia Overton at the MOCA North Miami 3004 </a></h1><h2>Virginia Overton</h2><h3>April 18 - July 6, 2014</h3><div class='summary paragraph-styling'><p> 3005 MOCA’s presentation of work by sculptor and installation artist Virginia Overton will encompass new and site-specific works that directly confront the exhibition space and its surrounding materials, which she sources for these pieces. These repurposed obsolete and ordinary objects often embody a heightened awareness of weight, gravity, and suspension. Overton (b. 1971) works from the tradition of post-Minimalism, creating powerful, poetic situations from simple c
3005onstructions and materials.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-performance-at-the-whitney-museum-of-american-art'><img itemprop="image" alt='Pope.L performance at The Whitney Museum of American Art' 3006 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/fd7dd7b073aba772b090eb1d925921bd.jpg' 3007 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-performance-at-the-whitney-museum-of-american-art'> 3008 News 3009 </a></div><h1><a href='/news/pope-l-performance-at-the-whitney-museum-of-american-art'> 3010 Pope.L performance at The Whitney Museum of American Art 3011 </a></h1><h2>Triple Canopy's Media Replication Services</h2><h3>April 26, 2014 at 6:30 pm</h3><div class='summary paragraph-styling'><p><strong>Pope.L</strong> will participate in Triple Canopy's <em>Media Replication Services</em> at The Whitney Museum of American Art on <strong>April 26, 2014</strong> at <strong>6:30 pm</strong>.</p><p><strong>Pope.L</strong> will join scholar Lisa Gitelman and poet Caroline Bergvall in considering the various forms of reproduction enacted in Triple Canopy's 2014 Biennial installation, <em>Pointing Machines. Media Replication Services</em> and <em>Pointing Machines</em> are components of Triple Canopy’s contribution to the Whitney Biennial. Tickets for the event may be purchased in advance by clicking <a href="http://www.museumtix.com/ticket/ord_eventcat.aspx?vid=857&pid=11483629&eid=16728917&evd=4/26/2014&evt=18:30:00&pvt=wmaa">here</a>. </p><p>For more information on the event and Triple Canopy, please click <a href="http://canopycanopycanopy.com/contents/media_replication_services/">here</a>.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/keltie-ferris-jessica-stockholder-receive-2014-art-awards-from-the-academy-of-arts-and-letters'><img itemprop="image" alt='Keltie Ferris &amp; Jessica Stockholder receive 2014 Art Awards from The Academy of Arts and Letters' 3012 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/58db9813f3b283498a38188f3dd50cdc.png' 3013 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/keltie-ferris-jessica-stockholder-receive-2014-art-awards-from-the-academy-of-arts-and-letters'> 3014 News 3015 </a></div><h1><a href='/news/keltie-ferris-jessica-stockholder-receive-2014-art-awards-from-the-academy-of-arts-and-letters'> 3016 Keltie Ferris & Jessica Stockholder receive 2014 Art Awards from The Academy of Arts and Letters 3017 </a></h1><div class='summary paragraph-styling'><p>New York, March 17, 2014 — The American Academy of Arts and Letters announced today the eleven artists who will receive its 2014 awards in art. The awards will be presented in New York City in May at the Academy’s annual Ceremonial. The art prizes, totaling $112,500, honor both established and emerging artists. The award winners were chosen from a group of 37 artists who had been invited to participate in the Invitational Exhibition of Visual Arts, which opened on March 6, 2014. The Exhibition continues through April 12, 2014, and features over 120 paintings, sculptures, photographs, and works on paper. The members of this year’s award committee were: Lynda Benglis, Varujan Boghosian, Eric Fischl (Chairman), Yvonne Jacquette, Catherine Murphy, Philip Pearlstein, Judy Pfaff, Paul Resika, Dorothea Rockburne, and Terry Winters.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/keltie-ferris-at-santa-monica-museum-of-art'><img itemprop="image" alt='Keltie Ferris at Santa Monica Museum of Art' 3018 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/92208f8ea6555b92e49c83a5ebb3d819.jpeg' 3019 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/keltie-ferris-at-santa-monica-museum-of-art'> 3020 Exhibition | Santa Monica, CA 3021 </a></div><h1><a href='/news/keltie-ferris-at-santa-monica-museum-of-art'> 3022 Keltie Ferris at Santa Monica Museum of Art 3023 </a></h1><h2>Doomsday Boogie</h2><h3>January 18 - April 5, 2014</h3><div class='summary paragraph-styling'><p>
3023Doomsday Boogie includes several of Ferris’s large-scale paintings, along with a series of thin vertical paintings—physical realizations of the zips that originated in Barnett Newman’s abstract expressionist work.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/sarah-braman-at-the-mfa-boston'><img itemprop="image" alt='Sarah Braman at the MFA Boston' 3024 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cd3704f39edde24c2778d64b861e467a.jpeg' 3025 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cd3704f39edde24c2778d64b861e467a.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cd3704f39edde24c2778d64b861e467a.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/sarah-braman-at-the-mfa-boston'> 3026 Exhibition | Boston 3027 </a></div><h1><a href='/news/sarah-braman-at-the-mfa-boston'> 3028 Sarah Braman at the MFA Boston 3029 </a></h1><h2>Sarah Braman: Alive</h2><h3>November 23, 2013 - March 30, 2014</h3><div class='summary paragraph-styling'><p>The exhibition debuts new sculpture, painting, and video by artist Sarah Braman. For the MFA, Braman has designed works in dynamically leaning cubes of colored glass that will respond directly to the natural glow emanating through the vaulted glass ceiling in the Linde Family wing for Contemporary Art. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jessica-stockholder-at-the-milan-triennale'><img itemprop="image" alt='Jessica Stockholder at the Milan Triennale' 3030 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/df7332ec340f70d30568489a7bbdda8e.jpeg' 3031 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jessica-stockholder-at-the-milan-triennale'> 3032 Exhibition | Milano, Italy 3033 </a></div><h1><a href='/news/jessica-stockholder-at-the-milan-triennale'> 3034 Jessica Stockholder at the Milan Triennale 3035 </a></h1><h3>February 25 - March 23, 2014</h3><div class='summary paragraph-styling'><p>Group exhibition, curated by Francesco Poli</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/keltie-ferris-at-the-contemporary-arts-museum-houston'><img itemprop="image" alt='Keltie Ferris at the Contemporary Arts Museum Houston' 3036 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/04dbecb1d0ca8659ccc738b3c8fed85b.jpeg' 3037 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/04dbecb1d0ca8659ccc738b3c8fed85b.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/04dbecb1d0ca8659ccc738b3c8fed85b.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/keltie-ferris-at-the-contemporary-arts-museum-houston'> 3038 Exhibition | Houston, TX 3039 </a></div><h1><a href='/news/keltie-ferris-at-the-contemporary-arts-museum-houston'> 3040 Keltie Ferris at the Contemporary Arts Museum Houston 3041 </a></h1><h2>Painting: A Love Story</h2><h3>January 18 - March 23, 2014</h3><div class='summary paragraph-styling'><p>Without cynicism, these painters stage studio experiences in which one sees acts of painterly lovemaking accumulate over time. By tenderly examining the surfaces of their works, one can reconstruct the painterly decisions, additions, revisions, and erasures that lead to the finished image and thereby reconstruct the narrative by which the artists fall in love with their own work. The painterly pleasure they seek is like the fugitive lover whose loss has to be perpetually risked in order to keep their passion level high, and we, the audience, can experience that pleasure vicariously.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail">
3041<a href='/news/martha-rosler-at-the-new-york-public-library'><img itemprop="image" alt='Martha Rosler at the New York Public Library' 3042 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/839c0cd859a497725cf13ced8399b274.jpg' 3043 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-the-new-york-public-library'> 3044 News 3045 </a></div><h1><a href='/news/martha-rosler-at-the-new-york-public-library'> 3046 Martha Rosler at the New York Public Library 3047 </a></h1><h2>Unfamiliar Streets</h2><h3>March 19, 2014</h3><div class='summary paragraph-styling'><p> 3048 Celebrating the publication of Unfamiliar Streets: The Photographs of Richard Avedon, Charles Moore, Martha Rosler, and Philip-Lorca diCorcia author and curator Katherine Bussard joins two leading lights of contemporary art, Martha Rosler and Philip-Lorca diCorcia to discuss how cities, especially New York, have shaped their practice's engagement with street photography.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martin-kersels-at-galerie-vallois'><img itemprop="image" alt='Martin Kersels at Galerie Vallois' 3049 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/06da6dd6628bac782df14e39816ed239.jpg' 3050 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martin-kersels-at-galerie-vallois'> 3051 News 3052 </a></div><h1><a href='/news/martin-kersels-at-galerie-vallois'> 3053 Martin Kersels at Galerie Vallois 3054 </a></h1><h2>Olympus</h2><h3>March 14 - April 26, 2014</h3><div class='summary paragraph-styling'><p> 3055 At the beginning of the 1990s, Martin Kersels experimented with his body. As an active member of the group SHRIMPS (Paul Casey, Gayle Youngquist, Steve Nagler, Ryan Hill et Weba Garretson), he performed a series of familiar and simple gestures: holding, throwing, falling, kissing, cadencing, rocking; performances that oscillated between radicality and the absurd, both transpiring through the photographs taken during the performance. Simultaneously, he developed a 3-dimensional work guided by movement. Inspired by objects and the body language of daily life, Martin Kersels builds not only staged spaces where body and machine interact, but also animated sculptures producing incongruous actions and sounds. The bizarre dimension of his work is only a façade, his plastic work is in fact underpinned by a conceptual and critical reflexion on our relations to the world and society. The constant discussion between bodies, space, and the object is an integral part of his practice.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/chris-johanson-and-jessica-stockholder-at-sfmoma'><img itemprop="image" alt='Chris Johanson and Jessica Stockholder at SFMOMA' 3056 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4bf4b03f284d6c9175026dbedc6d4daf.jpeg' 3057 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4bf4b03f284d6c9175026dbedc6d4daf.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4bf4b03f284d6c9175026dbedc6d4daf.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/chris-johanson-and-jessica-stockholder-at-sfmoma'> 3058 Exhibition | Silicon Valley, CA 3059 </a></div><h1><a href='/news/chris-johanson-and-jessica-stockholder-at-sfmoma'> 3060 Chris Johanson and Jessica Stockholder at SFMOMA 3061 </a></h1><h2>Project Los Altos</h2><h3>November 9, 2013 - March 2, 2014</h3><div class='summary paragraph-styling'><p>From November 9, 2013 through March 2, 2014, the San Francisco Museum of Modern Art (SFMOMA) will present <em>Project Los Altos: SFMOMA</em> in Silicon Valley, an exhibition sited throughout the downtown commercial core of Los Altos, a town located in the heart of Silicon Valley. <em>Project Los Altos</em> will be on view at indoor and outdoor locations—ranging from commercial spaces to a public intersection—and include existing artworks as well as newly commissioned, site-responsive projects. Featured artists include Jeremy Blake, Spencer Finch, Charles Garoian, Christian Jankowski, Chris Johanson, Mike Mills, KateÅina Šedá, Alec Soth, and Jessica Stockholder.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/cezanne-in-cyberspace'><img itemprop="image" alt='Cézanne in Cyberspace' 3062 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d2f2612f8f8a3ccb6f9188b2834d4218.jpg' 3063 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/cezanne-in-cyberspace'> 3064 News 3065 </a></div><h1><a href='/news/cezanne-in-cyberspace'> 3066 Cézanne in Cyberspace 3067 </a></h1><h2>Mitchell-Innes & Nash to release an online Cézanne Catalogue Raisonné</h2><h3>March 2014</h3><div class='summary paragraph-styling'><p> 3068 ARTnews discusses Mitchell-Innes & Nash's collaboration with scholars Walter Feilchenfeldt and<br /> 3069 Jayne Warman in producing the first-ever online Cézanne Catalogue Raisonné of paintings.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-the-institute-of-contemporary-art-philadelphia'><img itemprop="image" alt='Pope.L at the Institute of Contemporary Art, Philadelphia' 3070 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/052c81f031ad6278feb7ef1b0226ef40.jpg' 3071 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-the-institute-of-contemporary-art-philadelphia'> 3072 News 3073 </a></div><h1><a href='/news/pope-l-at-the-institute-of-contemporary-art-philadelphia'> 3074 Pope.L at the Institute of Contemporary Art, Philadelphia 3075 </a></h1><h2>Ruffneck Constructivists</h2><h3>February 12 - August 17, 2014</h3><div class='summary paragraph-styling'><p><em>Ruffneck Constructivists</em>, a group exhibition curated by artist Kara Walker brings together eleven international artists in order to define a contemporary manifesto of urban architecture and change. On view in ICA's First Floor Space from February 12 through August 17, 2014, the exhibition features sculpture, photography, and video. As Walker states, "Ruffneck Constructivists are defiant shapers of environments. Whatever their gender affiliation, Ruffnecks go hard when all around them they see weakness, softness, compromise, sermonizing, poverty, and lack; they don't change the world through conscious actions, instead they build themselves into the world one assault at a time."</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/leigh-ledare-at-printed-matter-s-la-book-fair'><img itemprop="image" alt='Leigh Ledare at Printed Matter's LA Book Fair' 3076 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/414f591d4ef3db817a89dd751c5eb8ae.jpg' 3077 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/leigh-ledare-at-printed-matter-s-la-book-fair'> 3078 News 3079 </a></div><h1><a href='/news/leigh-ledare-at-printed-matter-s-la-book-fair'> 3080 Leigh Ledare at Printed Matter's LA Book Fair 3081 </a></h1><h2>Nicolás Guagnini and Leigh Ledare: Ana and Carl and some other couples</h2><h3>January 30 - February 2, 2014</h3><div class='summary paragraph-styling'><p> 3082 A collaborative project created exclusively for the LA Book Fair by Leigh Ledare and Nicolás Guagnini in conjunction with Andrew Roth and PPP Editions. It consists of an intervention into 126 books on the social sciences: Marxism, psych
3082oanalysis, linguistics, anthropology, philosophy, literary and art criticism, cultural studies, and literature. The intervention consists of circular holes filled with a variation of positions and possibilities within human sexual interaction.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martin-kersels-xxxxxxxxo-debuts-on-mocatv'><img itemprop="image" alt='Martin Kersels' XXXXXXXXO - Debuts on MOCAtv' 3083 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/0d7d8f9df57229d72067c7bd63566a9a.jpeg' 3084 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/0d7d8f9df57229d72067c7bd63566a9a.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/0d7d8f9df57229d72067c7bd63566a9a.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martin-kersels-xxxxxxxxo-debuts-on-mocatv'> 3085 News 3086 </a></div><h1><a href='/news/martin-kersels-xxxxxxxxo-debuts-on-mocatv'> 3087 Martin Kersels' XXXXXXXXO - Debuts on MOCAtv 3088 </a></h1><h2>MOCATV: Art + Comedy</h2><h3>Published January 13, 2014</h3><div class='summary paragraph-styling'><p>Martin Kersels often plays with what's maladapted, off, and decidedly out of shape. Kersels's playfulness often emerges from his own body—in a nod to his physique, Kersels once called a solo show "Heavyweight Champion"—and deeply informs two of his career interests, sound and physical comedy.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/sarah-braman-chris-johanson-and-chris-martin-at-columbus-college-of-art-design'><img itemprop="image" alt='Sarah Braman, Chris Johanson and Chris Martin at Columbus College of Art &amp; Design' 3089 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/706925f8220216b60887b205a4de8992.jpg' 3090 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/sarah-braman-chris-johanson-and-chris-martin-at-columbus-college-of-art-design'> 3091 Exhibition | Columbus, OH 3092 </a></div><h1><a href='/news/sarah-braman-chris-johanson-and-chris-martin-at-columbus-college-of-art-design'> 3093 Sarah Braman, Chris Johanson and Chris Martin at Columbus College of Art & Design 3094 </a></h1><h2>My Crippled Friend</h2><h3>October 11, 2013 - January 10, 2014</h3><div class='summary paragraph-styling'><p><em>My Crippled Friend</em> investigates the recent history of the intersection of painterly abstraction and the object. While “painting as object” has often been a formalist issue, the works in this exhibition gather their identity through the subversion of formalism—scrambling and reassembling themselves in an aesthetic shell game where the act of painting is always an investigation of a painting’s ability to push into objecthood.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/chris-johanson-at-cheekwood-art-gardens'><img itemprop="image" alt='Chris Johanson at Cheekwood Art &amp; Gardens' 3095 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/401af31e0cff68e3e509fae07d763b2d.jpeg' 3096 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/chris-johanson-at-cheekwood-art-gardens'> 3097 Exhibition | Nashville 3098 </a></div><h1><a href='/news/chris-johanson-at-cheekwood-art-gardens'> 3099 Chris Johanson at Cheekwood Art & Gardens 3100 </a></h1><h2>More Love: Art, Politics and Sharing Since the 1990s</h2><h3>September 20, 2013 - January 5, 2014</h3><div class='summary paragraph-styling'><p>More Love gathers a diverse group of artists working in a range of media—video, photography, sculpture, sound, participatory art projects and choreographed events—to investigate how such an integral part of our everyday lives works. How are today’s ideas of relative truth and individual destiny, understood not just through the head but through the heart? What truth can be found in dialogue vs. hierarchy? What is the wisdom in love as opposed to our love of wisdom? This unique exhibition with new commissions and site-adapted installations brings together forty-five works by thirty artists.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/amanda-ross-ho-at-the-worcester-art-museum'><img itemprop="image" alt='Amanda Ross-Ho at the Worcester Art Museum' 3101 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/e47067641fbae2cbf1680ce6fd376e02.jpg' 3102 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/amanda-ross-ho-at-the-worcester-art-museum'> 3103 News 3104 </a></div><h1><a href='/news/amanda-ross-ho-at-the-worcester-art-museum'> 3105 Amanda Ross-Ho at the Worcester Art Museum 3106 </a></h1><h2>You Are Here</h2><h3>December 21, 2013 â August 31, 2014</h3><div class='summary paragraph-styling'><p><em>You are Here</em> has been conceived around several contemporary artists whose art re-imagines the body and its boundaries. Incorporating a symbolic figurative presence as an alternative to the external appearance of a human figure – a traditional marker of our existence – these works locate the body through spaces, materials, sensations, and information that exist in relation to it (and to us).</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Chris Johanson at The Modern Institute' 3107 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/603b889dd51c27ceae32e16780539630.jpeg' 3108 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/603b889dd51c27ceae32e16780539630.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/603b889dd51c27ceae32e16780539630.jpeg 2x" ></div><div class='info'><div class="list-detail-title"> 3109 Exhibition | Glasgow 3110 </div><h1> 3111 Chris Johanson at The Modern Institute 3112 </h1><h2>Considering</h2><h3>October 26 - December 20, 2013</h3><div class='summary paragraph-styling'><p>Forthcoming solo exhibition at The Modern Institute, Osborne Street, Glasgow</p></div><div class='links in-text'><div class='file'><a href='http://www.themoderninstitute.com/current-and-forthcoming' target="_blank">
3112The Modern Institute</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jay-defeo-at-the-orange-county-museum-of-art'><img itemprop="image" alt='Jay Defeo at the Orange County Museum of Art' 3113 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ca6567e9cdcccb5a08f93cfa9a9a29ec.jpg' 3114 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jay-defeo-at-the-orange-county-museum-of-art'> 3115 News 3116 </a></div><h1><a href='/news/jay-defeo-at-the-orange-county-museum-of-art'> 3117 Jay Defeo at the Orange County Museum of Art 3118 </a></h1><h2>California Landscape Into Abstraction: Works from the Permanent Collection of OCMA</h2><h3>December 15, 2013 - March 2, 2014</h3><div class='summary paragraph-styling'><p> 3119 One of the recurring themes in California art over the past century is the relationship between abstraction and landscape. Particularly in Southern California, a deep schism opened up in the 1930s between naturalist landscape painters and those of a more modernist inclination, and the breach has never entirely healed. This exhibition, drawn entirely from OCMA’s collection, explores ways in which artists from the West Coast have played a role in transforming landscape into abstraction and then back again.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/chris-johanson-at-the-san-francisco-art-institute'><img itemprop="image" alt='Chris Johanson at the San Francisco Art Institute' 3120 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7f7ba32712ecc7ce87e2ae88c9231428.jpeg' 3121 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7f7ba32712ecc7ce87e2ae88c9231428.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7f7ba32712ecc7ce87e2ae88c9231428.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/chris-johanson-at-the-san-francisco-art-institute'> 3122 Exhibition | San Francisco 3123 </a></div><h1><a href='/news/chris-johanson-at-the-san-francisco-art-institute'> 3124 Chris Johanson at the San Francisco Art Institute 3125 </a></h1><h2>ENERGY THAT IS ALL AROUND</h2><h3>September 12 - December 14, 2013</h3><div class='summary paragraph-styling'><p>ENERGY THAT IS ALL AROUND features over 130 early and formative works by five artists—Chris Johanson, Margaret Kilgallen, Alicia McCarthy, Barry McGee, and Ruby Neri—who began their careers in the early 1990s in San Francisco’s Mission District and, by the early aughts, had been identified and celebrated as key members of the so-called Mission School. ENERGY THAT IS ALL AROUND will travel to Grey Art Gallery, New York University, April 15–July 12, 2014.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/chris-martin-at-the-barbara-walters-gallery'><img itemprop="image" alt='Chris Martin at The Barbara Walters Gallery' 3126 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/6989c998413981500bb500166c7cd5e6.jpg' 3127 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/chris-martin-at-the-barbara-walters-gallery'> 3128 News 3129 </a></div><h1><a href='/news/chris-martin-at-the-barbara-walters-gallery'> 3130 Chris Martin at The Barbara Walters Gallery 3131 </a></h1><h2>See with Fingers</h2><h3>November 21 - December 20, 2013</h3><div class='summary paragraph-styling'><p> 3132 Chris Martin will participate in <em>See with Fingers</em> a group exhibition curated by Laurel Sparks at The Barbara Walters Gallery. The exhibition will be open from <strong>November 21 – December 20, 2013 </strong>at the gallery’s location in the Heimbold Visual Arts Center at Sarah Lawrence College, Bronxville, New York.<br /> 3133 â¨An opening reception will be held on <strong>Thursday, November 21st </strong>from <strong>5 – 7 PM</strong>.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/paul-winstanley-art-school-at-karsten-schubert'><img itemprop="image" alt='Paul Winstanley: Art School at Karsten Schubert' 3134 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4dcf25468aaf860eb888523490283402.jpg' 3135 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/paul-winstanley-art-school-at-karsten-schubert'> 3136 News 3137 </a></div><h1><a href='/news/paul-winstanley-art-school-at-karsten-schubert'> 3138 Paul Winstanley: Art School at Karsten Schubert 3139 </a></h1><h2>Book Launch and Signing</h2><h3>November 21, 2013</h3><div class='summary paragraph-styling'><p> 3140 Paul Winstanley will be present at Karsten Schubert on November 21st from 6-8 pm for the launch and signing of his most recent publication of Art School. Filled with photographs of unpopulated studios, Paul Winstanley’s exploration of British art schools highlights their importance at a time when the art school system’s existence is more fraught than ever.</p><p> 3141 </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-performs-cage-unrequited'><img itemprop="image" alt='Pope.L Performs 'Cage Unrequited'' 3142 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d99d6fe41e55ff545b09939fcdd2ce11.jpg' 3143 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-performs-cage-unrequited'> 3144 News 3145 </a></div><h1><a href='/news/pope-l-performs-cage-unrequited'> 3146 Pope.L Performs 'Cage Unrequited' 3147 </a></h1><h2>Clemente Soto Vélez Cultural and Educational Center</h2><h3>November 16 - 17, 2013 10:58 AM - 11:57 AM</h3><div class='summary paragraph-styling'><p>Iconic performance artist Pope.L's <em>Cage Unrequited</em> is a marathon reading of John Cage’s edited anthology, <em>Silence: Lectures and Writings</em> (1961) by over eighty invited collaborators. The performance functions as a refuge, proposing a relationship between the earlier artist’s ideas of indeterminacy, mysticism and chance and the work of contemporary black artists.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-the-studio-museum-in-harlem'><img itemprop="image" alt='Pope.L at the Studio Museum in Harlem' 3148 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f80bc1a68bda910276d09131bf113f44.jpg' 3149 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-the-studio-museum-in-harlem'> 3150 News 3151 </a></div><h1><a href='/news/pope-l-at-the-studio-museum-in-harlem'> 3152 Pope.L at the Studio Museum in Harlem 3153 </a></h1><h2>Radical Presence: Black Performance in Contemporary Art</h2><h3>November 14 - March 9, 2013</h3><div class='summary paragraph-styling'><p> 3154 Providing a critical history beginning with Fluxus and Conceptual art in the early 1960s through present-day practices, Radical Presence: Black Performance in Contemporary Art chronicles the emergence and development of black performance art over three generations, presenting a rich and complex look at this important facet of contemporary art. The exhibition comprises more than 100 works by some 36 artists, including video and photo documentation of performances, performance scores and installations, interactive works, and artworks created as a result of performance actions.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-tate-liverpool'><img itemprop="image" alt='Martha Rosler at Tate Liverpool' 3155 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ee33260e577f7837896820954eadb654.jpg' 3156 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-tate-liverpool'> 3157 News 3158 </a></div><h1><a href='/news/martha-rosler-at-tate-liverpool'> 3159 Martha Rosler at Tate Liverpool 3160 </a></h1><h2>Art Turning Left: How Values Changed Making 1789-2013</h2><h3>November 8, 2013 - February 2, 2014</h3><div class='summary paragraph-styling'><p><em style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; ">Art Turning Left </em>is the first exhibition to examine how the production and reception of art has been influenced by left-wing values, from the French Revolution to the present day.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/julian-stanczak-at-the-akron-museum-of-art'><img itemprop="image" alt='Julian Stanczak at the Akron Museum of Art' 3161 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b40412c0683b2da87d9d063ca9694f60.jpeg' 3162 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/julian-stanczak-at-the-akron-museum-of-art'> 3163 Exhibition | Akron, OH 3164 </a></div><h1><a href='/news/julian-stanczak-at-the-akron-museum-of-art'> 3165 Julian Stanczak at the Akron Museum of Art 3166 </a></h1><h2>Line Color Illusion</h2><h3>April 13 - November 3, 2013</h3><div class='summary paragraph-styling'><p>Line Color Illusion: 40 Years of Julian Stanczak showcases paintings and prints collected by the Akron Art Museum since 1970. The exhibition documents both Julian Stanczak’s impressive career as a master of color and the museum’s longstanding commitment to his work.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/drawings-chris-martin-at-printed-matter'><img itemprop="image" alt='Drawings: Chris Martin at Printed Matter' 3167 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/201aef3d945df31c8351fa813d17ebc9.jpg' 3168 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/drawings-chris-martin-at-printed-matter'> 3169 News 3170 </a></div><h1><a href='/news/drawings-chris-martin-at-printed-matter'> 3171 Drawings: Chris Martin at Printed Matter 3172 </a></h1><h2>Book Launch and Signing</h2><h3>October 26, 2013</h3><div class='summary paragraph-styling'><p> 3173 Chris Martin will be present at Printed Matter on October 26th from 5-7 pm for the launch and signing of his most recent publication of works, <em>Drawings: Chris Martin</em>. This impressive volume of drawings, selected by the artist and Dan Nadel, was published by PictureBox in 2013 and traces the development of Chris Martin's works on paper over the past three decades.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/virginia-overton-at-westfalischer-kunstverein'><img itemprop="image" alt='Virginia Overton at Westfälischer Kunstverein' 3174 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/9e6a735a2001109b2b842783b6701c0e.jpg' 3175 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/virginia-overton-at-westfalischer-kunstverein'> 3176 News 3177 </a></div><h1><a href='/news/virginia-overton-at-westfalischer-kunstverein'> 3178 Virginia Overton at Westfälischer Kunstverein 3179 </a></h1><h2>Munster, Germany</h2><h3>October 19, 2013 - January 12, 2014</h3><div class='summary paragraph-styling'><p> 3180 Westfälischer Kunstverein proudly presents Virginia Overton's first exhibition in Germany. Overton's sculptures appear sometimes rough, but always very direct and unique in that they arise from direct confrontation between the artist, the exhibition space and the existing or available materials. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/chris-johanson-at-museum-of-contemporary-art-pacific-design-center'><img itemprop="image" alt='Chris Johanson at Museum of Contemporary Art, Pacific Design Center' 3181 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f53d380c082db92d183d1063cb91d18d.jpeg' 3182 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/chris-johanson-at-museum-of-contemporary-art-pacific-design-center'> 3183 Exhibition | Los Angeles 3184 </a></div><h1><a href='/news/chris-johanson-at-museum-of-contemporary-art-pacific-design-center'> 3185 Chris Johanson at Museum of Contemporary Art, Pacific Design Center 3186 </a></h1><h2>Within The River Of Time Is My Mind</h2><h3>June 30 - October 13, 2013</h3><div class='summary paragraph-styling'><p>Los Angeles—
3186The Museum of Contemporary Art presents Within The River of Time Is My Mind, a new exhibition by Los Angeles-based artist Chris Johanson on view at MOCA Pacific Design Center from June 29 through September 22, 2013. Organized by guest curator Andrew Berardini, the exhibition features new paintings, sculpture, and found wood site-specific installation. Known for his figurative work that features text, the exhibition will highlight the kaleidoscopic color and angles that Johanson employs.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/leigh-ledare-at-the-photographers-gallery'><img itemprop="image" alt='Leigh Ledare at The Photographers' Gallery' 3187 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4484add42e08561fcbf9ffd5dfeffe23.jpg' 3188 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/leigh-ledare-at-the-photographers-gallery'> 3189 News 3190 </a></div><h1><a href='/news/leigh-ledare-at-the-photographers-gallery'> 3191 Leigh Ledare at The Photographers' Gallery 3192 </a></h1><h2>Home Truths: Photography, Motherhood and Identity</h2><h3>October 11, 2013 - January 5, 2014</h3><div class='summary paragraph-styling'><p> 3193 A home truth can be simply understood as a fact that is somehow discomforting to acknowledge or may cause embarrassment. The work in this show may do all of those things. The title is there to be taken literally, or ironically. The concept of truths in parenting and photography are there to be questioned. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jay-defeo-virginia-overton-and-jack-goldstein-nominated-by-the-rob-pruitt-art-awards-2013'><img itemprop="image" alt='Jay DeFeo, Virginia Overton and Jack Goldstein Nominated by the Rob Pruitt Art Awards 2013' 3194 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/88d91d9518ec855c6886bf05cf82fd0b.jpg' 3195 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jay-defeo-virginia-overton-and-jack-goldstein-nominated-by-the-rob-pruitt-art-awards-2013'> 3196 News 3197 </a></div><h1><a href='/news/jay-defeo-virginia-overton-and-jack-goldstein-nominated-by-the-rob-pruitt-art-awards-2013'> 3198 Jay DeFeo, Virginia Overton and Jack Goldstein Nominated by the Rob Pruitt Art Awards 2013 3199 </a></h1><div class='summary paragraph-styling'><p> 3200 Mitchell-Innes & Nash is delighted to announce the nominations of <strong>Rob Pruitt's 2013 Art Awards</strong>.<br /><br /><strong>Jay DeFeo, Virginia Overton</strong> and <strong>Jack Goldstein</strong> are nominated for Artist of the Year, Solo Gallery Show of the Year and Solo Museum Show of the Year, respectively.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/virginia-overton-at-disjecta'><img itemprop="image" alt='Virginia Overton at Disjecta' 3201 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/fa3e601dc76cefbf585dda27a8c9afe7.jpg' 3202 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/virginia-overton-at-disjecta'> 3203 News 3204 </a></div><h1><a href='/news/virginia-overton-at-disjecta'> 3205 Virginia Overton at Disjecta 3206 </a></h1><h2>subject, answer, countersubject</h2><h3>September 28 - November 3, 2013</h3><div class='summary paragraph-styling'><p> 3207 Virginia Overton will participate in a group exhibition at Disjecta, Contemporary Art Center of Portland. The exhibition was curated by Summer Guthery, Disjecta's 2013–2014 Curator-in-Residence. The exhibition includes works by Talia Chetrit, Shana Lutker, Virginia Overton, Marlo Pascual, Virginia Poundstone, RH Quaytman, Marina Rosenfeld, Blair Saxon-Hill.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-the-national-museum-of-contemporary-art-seoul'><img itemprop="image" alt='Martha Rosler at the National Museum of Contemporary Art, Seoul' 3208 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3ccf823c2f06f81096c9ae83540bab3b.jpg' 3209 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-the-national-museum-of-contemporary-art-seoul'> 3210 News 3211 </a></div><h1><a href='/news/martha-rosler-at-the-national-museum-of-contemporary-art-seoul'> 3212 Martha Rosler at the National Museum of Contemporary Art, Seoul 3213 </a></h1><h2>Vidéo Vintage 1963-1983.</h2><h3>September 25 - December 31, 2013</h3><div class='summary paragraph-styling'><p> 3214 A Selection of the New Media Collection, Musée national d’art moderne, Centre Pompidou, Paris</p><p> 3215 As a medium, the video has been influenced by the full spectrum of aesthetic currents, and has established itself both as one of the most important contemporary means of artistic expression and as critical instrument. In collaboration with the Centre Pompidou Paris, the exhibition entitled “Vidéo Vintage 1963-1983” shows the emergence of video art from the 1960s to the early 1980s by way of a selection of the most popular works in video art. Of particular interest here is the selection of three focal points “Performance and Filmic Self-portrait”, “
3215Television: Research, Experimentation, Criticism”, and “Attitudes, Forms, Concepts”, which show the development of the video, its artistic application as well as ‘research’ and criticism.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jay-defeo-at-the-mills-college-art-museum'><img itemprop="image" alt='Jay Defeo at the Mills College Art Museum' 3216 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/65ae0d30f8f05439cae18c15b75e8e79.jpg' 3217 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jay-defeo-at-the-mills-college-art-museum'> 3218 News 3219 </a></div><h1><a href='/news/jay-defeo-at-the-mills-college-art-museum'> 3220 Jay Defeo at the Mills College Art Museum 3221 </a></h1><h2>Experiments in the Fault Zone</h2><h3>September 25 - December 8, 2013</h3><div class='summary paragraph-styling'><p><em>Experiments in the Fault Zone</em> traces some of the key moments and pivotal artistic figures in the arts at Mills from the 1930s to the present, and showcases the C
3221ollege’s internationally renowned commitment to experimentation and collaboration across the fine arts.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-the-grey-art-gallery'><img itemprop="image" alt='Pope.L at the Grey Art Gallery' 3222 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4e6b9ed557ca7e7847d79c7a5d83c8e7.jpg' 3223 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-the-grey-art-gallery'> 3224 News 3225 </a></div><h1><a href='/news/pope-l-at-the-grey-art-gallery'> 3226 Pope.L at the Grey Art Gallery 3227 </a></h1><h2>Radical Presence: Black Performance in Contemporary Art</h2><h3>September 10 - December 7, 2013</h3><div class='summary paragraph-styling'><p> 3228 Radical Presence chronicles the emergence and develop-<br /> 3229 ment of African American performance practices in contemporary art. Surveying the scene from the 1960s to the present day, this major exhibition examines the rich and complex history of black performance in the United States. The show features work of artists such as Benjamin Patterson, David Hammons, Senga Nengudi, and Coco Fusco.</p><p> 3230 A series of performances by participating artists accompanies the exhibition, which is presented in two parts: Part I, Sept. 10– Dec. 7, 2013, at the Grey Art Gallery, NYU; Part II, Nov. 14, 2013–Mar. 9, 2014, at The Studio Museum in Harlem. Radical Presence is organized by the Contemporary Arts Museum Houston.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/virginia-overton-in-place-is-the-space'><img itemprop="image" alt='Virginia Overton in Place is the Space' 3231 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4d1c10a90c9d6241e6c7798938aa6549.png' 3232 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/virginia-overton-in-place-is-the-space'> 3233 News 3234 </a></div><h1><a href='/news/virginia-overton-in-place-is-the-space'> 3235 Virginia Overton in Place is the Space 3236 </a></h1><h2>Contemporary Art Museum, St. Louis</h2><h3>September 6, 2013 - December 29, 2013</h3><div class='summary paragraph-styling'><p> 3237 Place is the Space marks the beginning of a year-long celebration of the tenth anniversary of CAM's critically acclaimed building. Featuring five new site-specific commissions by major contemporary artists, the exhibition is an unprecedented curatorial collaboration between the building’s architect, Brad Cloepfil, founding principal of Allied Works Architecture, and Dominic Molon, CAM’s chief curator. Known for graceful sculptures that use raw materials such as drywall, mud, and wood beams, Overton will create an elegant arrangement of long metal pipes across architectural voids between the Museum’s main galleries and performance space and between the performance space and lobby. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/virginia-overton-at-the-kunsthalle-bern-switzerland'><img itemprop="image" alt='Virginia Overton at the Kunsthalle Bern, Switzerland' 3238 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c01f8428be57ba8b3bc839b731bb8b0e.png' 3239 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/virginia-overton-at-the-kunsthalle-bern-switzerland'> 3240 News 3241 </a></div><h1><a href='/news/virginia-overton-at-the-kunsthalle-bern-switzerland'> 3242 Virginia Overton at the Kunsthalle Bern, Switzerland 3243 </a></h1><h3>August 23 - October 6, 2013</h3><div class='summary paragraph-styling'><p> 3244 Virginia Overton will have a solo exhibition at the Kunsthalle Bern, Switzerland, on view from August 23 - October 6, 2013. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jack-goldstein-in-times-square'><img itemprop="image" alt='Jack Goldstein in Times Square' 3245 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/705bf799150624af5e9f409e75f24d2d.png' 3246 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jack-goldstein-in-times-square'> 3247 News 3248 </a></div><h1><a href='/news/jack-goldstein-in-times-square'> 3249 Jack Goldstein in Times Square 3250 </a></h1><h3>Thursday, August 1</h3><div class='summary paragraph-styling'><p> 3251 Jack Goldstein’s 1978 video <em>The Jump</em> will be screened on 15 of the largest digital signs in Times Square. According to a news release from Times Square Arts, the video will premiere “just before midnight” on Aug. 1.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/virginia-overton-at-pop-up-1-montauk'><img itemprop="image" alt='Virginia Overton at Pop Up 1: Montauk' 3252 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ed3c95949fdb521d82fd89a51ffdb074.jpg' 3253 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/virginia-overton-at-pop-up-1-montauk'> 3254 News 3255 </a></div><h1><a href='/news/virginia-overton-at-pop-up-1-montauk'> 3256 Virginia Overton at Pop Up 1: Montauk 3257 </a></h1><h2>Opening Reception: Thursday, August 1, 6 to 8 pm</h2><h3>August 1 - Steptember 8, 2013</h3><div class='summary paragraph-styling'><p> 3258 The Art Production Fund, in conjunction with philanthropist Fabiola Beracasa, has announced the opening of an “outdoor pop-up exhibition” in the Long Island town of Montauk. The exhibition will be held in a vacant lot at 333 Old Montauk Highway, from Aug. 1 to Sept. 8, and will include site-specific installations by Anya Kielar, Virginia Overton and Olympia Scarry. <br /><br /> 3259 Opening Reception: Thursday, August 1, 6 - 8 pm<br /> 3260 333 Old Montauk Highway</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/amanda-ross-ho-at-the-mca-chicago-plaza-project'><img itemprop="image" alt='Amanda Ross-Ho at the MCA Chicago Plaza Project' 3261 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/18abd331
3261d9e318c722e7520057b4353a.jpeg' 3262 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/18abd331d9e318c722e7520057b4353a.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/18abd331d9e318c722e7520057b4353a.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/amanda-ross-ho-at-the-mca-chicago-plaza-project'> 3263 Public Installation | Chigago 3264 </a></div><h1><a href='/news/amanda-ross-ho-at-the-mca-chicago-plaza-project'> 3265 Amanda Ross-Ho at the MCA Chicago Plaza Project 3266 </a></h1><h2>THE CHARACTER AND SHAPE OF ILLUMINATED THINGS</h2><h3>July - November 2013</h3><div class='summary paragraph-styling'><p>Los Angeles–based artist Amanda Ross-Ho’s first outdoor public art project, <em class="first_child last_child">THE CHARACTER AND SHAPE OF ILLUMINATED THINGS</em>, explores how photography is similar to the act of seeing. Updating Joseph Beuys’s famous declaration “Everyone is an artist,” Ross-Ho suggests more specifically that today everyone is a photographer, as the ubiquity and speed of digital photography shapes the way we view and experience the world.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jay-defeo-at-the-contemporary-jewish-museum'><img itemprop="image" alt='Jay DeFeo at the Contemporary Jewish Museum' 3267 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d884ed84616318cda8fb738759eda67a.jpg' 3268 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jay-defeo-at-the-contemporary-jewish-museum'> 3269 News 3270 </a></div><h1><a href='/news/jay-defeo-at-the-contemporary-jewish-museum'> 3271 Jay DeFeo at the Contemporary Jewish Museum 3272 </a></h1><h2>Beyond Belief: 100 Years of the Spiritual in Modern Art</h2><h3>Juen 28 - October 27, 2013</h3><div class='summary paragraph-styling'><p> 3273 Highlights of the SFMOMA's Collection</p><p> 3274 Beyond Belief is an expansive exhibition exploring the spiritual dimensions of modern art, especially as seen through the lens of Jewish theological concepts. The exhibition features forty-eight internationally-known artists whose work—painting, sculpture, photography, video, and installation art—are all drawn from SFMOMA’s outstanding collection. Ranging from a 1914 abstraction by Dutch artist Piet Mondrian to a luminous 1960 abstraction by Mark Rothko and oversized prayer beads by contemporary artist Zarina, Beyond Belief provides an engaging alternative that prioritizes spirituality in the reading of art.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jessica-stockholder-at-art-unlimited'><img itemprop="image" alt='Jessica Stockholder at Art Unlimited' 3275 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/6e0c97e2d984fbb1bbd3ce019fa04d65.jpeg' 3276 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/6e0c97e2d984fbb1bbd3ce019fa04d65.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/6e0c97e2d984fbb1bbd3ce019fa04d65.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jessica-stockholder-at-art-unlimited'> 3277 Installation | Basel 3278 </a></div><h1><a href='/news/jessica-stockholder-at-art-unlimited'> 3279 Jessica Stockholder at Art Unlimited 3280 </a></h1><h2>Wide Eyes Smeared Here Dear</h2><h3>June 13 - 16, 2013</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash is pleased to invite you to visit Jessica Stockholder's installation, Wide Eyes Smeared Here Dear at Art Unlimited, Booth U37. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/support-pope-l-s-performance-pull'><img itemprop="image" alt='Support Pope.L's performance Pull!' 3281 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4d5cf8d329ac9eb882a084f161ebebc3.jpg' 3282 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/support-pope-l-s-performance-pull'> 3283 News 3284 </a></div><h1><a href='/news/support-pope-l-s-performance-pull'> 3285 Support Pope.L's performance Pull! 3286 </a></h1><h2>Looking for Participants and Donations</h2><h3>June 7 - 9, 2013</h3><div class='summary paragraph-styling'><p>Pope.L in collaboration with the arts organization SPACES, has challenged the city of Cleveland to help him pull an 8 ton former ice cream truck, by hand, 34 miles from the eastside of the city to the westside over 3 days, June 7 to 9. And he needs your help to do it.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/chris-martin-at-museum-boijmans-van-beuningen'><img itemprop="image" alt='Chris Martin at Museum Boijmans Van Beuningen' 3287 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a7c473c3768325aef7216c79979b8533.jpg' 3288 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/chris-martin-at-museum-boijmans-van-beuningen'> 3289 News 3290 </a></div><h1><a href='/news/chris-martin-at-museum-boijmans-van-beuningen'> 3291 Chris Martin at Museum Boijmans Van Beuningen 3292 </a></h1><h2>XXXL Painting</h2><h3>June 8 - September 29, 2013</h3><div class='summary paragraph-styling'><p> 3293 This summer Klaas Kloosterboer, Chris Martin and Jim Shaw will transform the Submarine Wharf into a gigantic art studio.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/anthony-caro-at-museo-correr-venice'><img itemprop="image" alt='Anthony Caro at Museo Correr, Venice' 3294 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f3e2be5a0f6ce3351d9148f80cdfe1d6.png' 3295 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/anthony-caro-at-museo-correr-venice'> 3296 News 3297 </a></div><h1><a href='/news/anthony-caro-at-museo-correr-venice'> 3298 Anthony Caro at Museo Correr, Venice 3299 </a></h1><h2>Sculptures</h2><h3>June 1 - October 27, 2013</h3><div class='summary paragraph-styling'><p> 3300 The splendid rooms of the Museo Correr will be the setting for the first major Italian retrospective dedicated to one of the greatest of living sculptors: Sir Anthony Caro (New Malden, Surrey, 1924).</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/justine-kurland-at-fotodok'><img itemprop="image" alt='Justine Kurland at Fotodok' 3301 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2835814f385b2fc83d06f5b725f82e6e.jpeg' 3302 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2835814f385b2fc83d06f5b725f82e6e.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2835814f385b2fc83d06f5b725f82e6e.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/justine-kurland-at-fotodok'> 3303 Exhibition | Utrecht 3304 </a></div><h1><a href='/news/justine-kurland-at-fotodok'> 3305 Justine Kurland at Fotodok 3306 </a></h1><h2>Off the Grid</h2><h3>May - June 2013</h3><div class='summary paragraph-styling'><p>Justine Kurland is incldued in FOTODOK's group exhibition <em>Off the Grid, </em>with work by <span style="letter-spacing: 0.24px;">Lucas Foglia, Bertus Gerssen, Justine Kurland, Pavel Prokopchik and Corine Vermeulen.</span></p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/virginia-overton-at-ausstellungsraum-klingental'><img itemprop="image" alt='Virginia Overton at Ausstellungsraum Klingental' 3307 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/23cf519b57eb5777b26d9015575f7285.png' 3308 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/virginia-overton-at-ausstellungsraum-klingental'> 3309 News 3310 </a></div><h1><a href='/news/virginia-overton-at-ausstellungsraum-klingental'> 3311 Virginia Overton at Ausstellungsraum Klingental 3312 </a></h1><h2>WITHIN THE HORIZON OF THE OBJECT</h2><h3>May 26 - June 30 2013</h3><div class='summary paragraph-styling'><p> 3313 with Emilie Ding (CH), Viktor Korol (CH), Virginia Overton (US), Mandla Reuter (DE) and Adam Thompson (GB), curated by Samuel Leuenberger</p><p> 3314 Opening: Saturday, 25 May 2013, 6:00 pm</p><p> 3315 Special Opening Event During Art-Basel Week:<br /> 3316 Wednesday, 12th June from 9 - 10 pm</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jack-goldstein-at-the-jewish-museum'><img itemprop="image" alt='Jack Goldstein at The Jewish Museum' 3317 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c247edfce3809bc626b2370ae9ddc118.jpg' 3318 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jack-goldstein-at-the-jewish-museum'> 3319 News 3320 </a></div><h1><a href='/news/jack-goldstein-at-the-jewish-museum'> 3321 Jack Goldstein at The Jewish Museum 3322 </a></h1><h3>May 10 - September 29, 2013</h3><div class='summary paragraph-styling'><p> 3323 The first American retrospective of the Canadian-born artist Jack Goldstein (1945 - 2003) brings to light his important legacy. This comprehensive exhibition frames Goldstein as a central figure of the Pictures Generation of the 1970s and 1980s and showcases his influential paintings and films, while also including installations, writings, and pioneering sound recordings. The artists of the Pictures Generation, such as Cindy Sherman, Sherrie Levine, Laurie Simmons, Barbara Kruger, David Salle and Robert Longo, explored a new stylistic vocabulary grounded in their interest in popular culture, appropriating images from books, magazines, advertisements, television, and film.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jay-defeo-retrospective-at-the-whitney'><img itemprop="image" alt='Jay DeFeo Retrospective at the Whitney' 3324 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b45276d95db8e08cb9ee157d42b27433.png' 3325 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jay-defeo-retrospective-at-the-whitney'> 3326 News 3327 </a></div><h1><a href='/news/jay-defeo-retrospective-at-the-whitney'> 3328 Jay DeFeo Retrospective at the Whitney 3329 </a></h1><h3>February 28 - June 2, 2013</h3><div class='summary paragraph-styling'><p> 3330 Jay DeFeo: A Retrospective is organized by Dana Miller, Curator of the Permanent Collection. This retrospective is the definitive exhibition to date of the work of Jay DeFeo (1929–89).</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-the-renaissance-society-university-of-chicago'><img itemprop="image" alt='Pope.L at the Renaissance Society, University of Chicago' 3331 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a516823140ce9a531dcd5b5d51f7f12b.png' 3332 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-the-renaissance-society-university-of-chicago'> 3333 News 3334 </a></div><h1><a href='/news/pope-l-at-the-renaissance-society-university-of-chicago'> 3335 Pope.L at the Renaissance Society, University of Chicago 3336 </a></h1><h3>April 28 - June 23, 2013</h3><div class='summary paragraph-styling'><p>The Renaissance Society is proud to conclude its 2012-13 season with <em>Forlesen</em>, a new installation by Chicago-based interdisciplinary artist Pope.L.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/screening-of-the-white-rose'><img itemprop="image" alt='Screening of The White Rose' 3337 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4ab98a9141ac75cdcdb1f1561cd11740.png' 3338 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/screening-of-the-white-rose'> 3339 News 3340 </a></div><h1><a href='/news/screening-of-the-white-rose'> 3341 Screening of The White Rose 3342 </a></h1><h2>The Whitney Museum of American Art</h2><h3>April 25 - May 12, 2013</h3><div class='summary paragraph-styling'><p> 3343 Screened in conjunction with Jay DeFeo: A Retrospective, Bruce Conner’s short film, THE WHITE ROSE (1967), chronicles the removal of DeFeo’s nearly one-ton masterpiece, The Rose (1958-66), from her second-story San Francisco studio. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/allan-d-arcangelo-in-pop-art-design'><img itemprop="image" alt='Allan D'Arcangelo in Pop Art Design' 3344 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/0b1968fc824c3e8ab56397d5c5096a02.png' 3345 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/allan-d-arcangelo-in-pop-art-design'> 3346 News 3347 </a></div><h1><a href='/news/allan-d-arcangelo-in-pop-art-design'> 3348 Allan D'Arcangelo in Pop Art Design 3349
3349 </a></h1><h3>October 2012 - September 2014</h3><div class='summary paragraph-styling'><p> 3350 Pop Art Design is in fact the first extensive exhibition on the interrelations between art and design of the period. It is a traveling exhibition of the Vitra Design Museum, Louisiana Museum of Modern Art and Moderna Museet, Stockholm.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/virginia-overton-at-the-palazzo-delle-esposizioni'><img itemprop="image" alt='Virginia Overton at the Palazzo delle Esposizioni' 3351 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/e7abf9c433d4d8c12303678a8a6c35b9.jpg' 3352 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/virginia-overton-at-the-palazzo-delle-esposizioni'> 3353 News 3354 </a></div><h1><a href='/news/virginia-overton-at-the-palazzo-delle-esposizioni'> 3355 Virginia Overton at the Palazzo delle Esposizioni 3356 </a></h1><h2>Empire State: New York Art Now</h2><h3>April 23 - July 21, 2013</h3><div class='summary paragraph-styling'><p> 3357 “Empire State. Arte a New York oggi” (Empire State. New York Art Now) is an exhibition that asks how artists might reimagine urban life, and how the city of New York might continue to be a site of contestation.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-performance-at-the-whitney-museum'><img itemprop="image" alt='Pope.L performance at the Whitney Museum' 3358 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4057497088f376f5fc596df09cc9c0be.jpg' 3359 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-performance-at-the-whitney-museum'> 3360 News 3361 </a></div><h1><a href='/news/pope-l-performance-at-the-whitney-museum'> 3362 Pope.L performance at the Whitney Museum 3363 </a></h1><h2>Exhibition runs through April 28, 2013</h2><h3>Friday April 19, 2013</h3><div class='summary paragraph-styling'><p><i>Blues for Smoke</i> is an interdisciplinary exhibition that explores a wide range of contemporary art through the lens of the blues and blues aesthetics. In conjunction with Blues for Smoke, Pope.L will stage a performance and hands-on project that invites visitors to explore the definitions surrounding the blues, and ask how the blues “aesthetic” has migrated over place and time.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/sarah-braman-and-jessica-stockholder-at-the-decordova-museum'><img itemprop="image" alt='Sarah Braman and Jessica Stockholder at the DeCordova Museum' 3364 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f1cd25a41f57e711cd9193cfe03d50f3.jpeg' 3365 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f1cd25a41f57e711cd9193cfe03d50f3.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f1cd25a41f57e711cd9193cfe03d50f3.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/sarah-braman-and-jessica-stockholder-at-the-decordova-museum'> 3366 Exhibition | Lincoln, MA 3367 </a></div><h1><a href='/news/sarah-braman-and-jessica-stockholder-at-the-decordova-museum'> 3368 Sarah Braman and Jessica Stockholder at the DeCordova Museum 3369 </a></h1><h2>Paint Things</h2><h3>January 27 - April 14, 2013</h3><div class='summary paragraph-styling'><p>PAINT THINGS navigates the recent direction of contemporary artists to expand painting beyond the stretcher into sculptural forms. This group exhibition focuses on the growing spatial and material freedom in painting as it merges with installation and sculpture. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jay-defeo-retrospective-wins-aica-exhibition-award'><img itemprop="image" alt='Jay DeFeo Retrospective Wins AICA Exhibition Award' 3370 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7276bad6430dfb3494e4139e9a69e865.png' 3371 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jay-defeo-retrospective-wins-aica-exhibition-award'> 3372 News 3373 </a></div><h1><a href='/news/jay-defeo-retrospective-wins-aica-exhibition-award'> 3374 Jay DeFeo Retrospective Wins AICA Exhibition Award 3375 </a></h1><h2>Best Monographic Museum Show Nationally</h2><h3>March 19, 2013</h3><div class='summary paragraph-styling'><p> 3376 BEST MONOGRAPHIC MUSEUM SHOW NATIONALLY</p><p> 3377 “Jay DeFeo: A Retrospective,” San Francisco Museum of Modern Art; travels to the Whitney Museum of American Art. Organized by the Whitney Museum of American Art, New York; Dana Miller, curator.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/leon-kossoff-at-the-manchester-art-gallery'><img itemprop="image" alt='Leon Kossoff at the Manchester Art Gallery' 3378 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1e3f6cea3ba19f43ecac9112009ddfb9.jpg' 3379 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/leon-kossoff-at-the-manchester-art-gallery'> 3380 News 3381 </a></div><h1><a href='/news/leon-kossoff-at-the-manchester-art-gallery'> 3382 Leon Kossoff at the Manchester Art Gallery 3383 </a></h1><h2>Radical Figures: Post-war British Figurative Painting</h2><h3>March 16, 2013 - March 16, 2014</h3><div class='summary paragraph-styling'><p> 3384 In Post-war British art radical work tended towards various styles influenced by the modern art of Paris and New York such as Surrealism, abstraction and Pop Art. Alongside these parallel movements there existed another kind of art pioneered by a group of loosely associated artists later labelled The School of London. What they had in common was a firm belief that they could find new ways to create realist paintings and reinvent the representation of the human figure to make it relevant in a world traumatised by the Second World War.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/norbert-schwontkowski-at-the-williams-college-museum-of-art'><img itemprop="image" alt='Norbert Schwontkowski at the Williams College Museum of Art' 3385 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/45f1faf341e47106f622c5983754e1ec.jpg' 3386 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/norbert-schwontkowski-at-the-williams-college-museum-of-art'> 3387 News 3388 </a></div><h1><a href='/news/norbert-schwontkowski-at-the-williams-college-museum-of-art'> 3389 Norbert Schwontkowski at the Williams College Museum of Art 3390 </a></h1><h2>Painting Between the Lines</h2><h3>February 16 - June 9, 2013</h3><div class='summary paragraph-styling'><p> 3391 For <em>Painting Between The Lines</em>, fourteen contemporary painters created newly commissioned paintings based on descriptions of paintings in historical and contemporary novels by authors such as Marcel Proust, Samuel Beckett, Sylvia Plath, and Milan Kundera. By examining the ways contemporary artists look at storytelling, literature and writing as expressions of individual thought, <em>Painting Between The Lines</em> looks at the state of contemporary painting today, presenting some of its most innovative practitioners such as Laylah Ali, Marcel Dzama, and Fred Tomaselli.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/norbert-schwontkowski-at-the-kunstverein-hamburg'><img itemprop="image" alt='Norbert Schwontkowski at the Kunstverein, Hamburg' 3392 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/9bba4e547c0f02c5804676ff8f394d79.png' 3393 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/norbert-schwontkowski-at-the-kunstverein-hamburg'> 3394 News 3395 </a></div><h1><a href='/news/norbert-schwontkowski-at-the-kunstverein-hamburg'> 3396 Norbert Schwontkowski at the Kunstverein, Hamburg 3397 </a></h1><h2>Blind Man's Faith</h2><h3>January 26 - April 14, 2012</h3><div class='summary paragraph-styling'><p> 3398 In his drawings and paintings, Norbert Schwontkowski (who lives in Bremen and Berlin) does not explore the path to abstract visualization and instead has discernible objects and figures emerge from the foundation to the images he creates.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martin-kersels-at-vera-list-center-for-art-and-politics-at-the-new-school'><img itemprop="image" alt='Martin Kersels at Vera List Center for Art and Politics at the New School' 3399 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/10ddaedc33afc8646071e094aa40e63f.jpeg' 3400 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/10ddaedc33afc8646071e094aa40e63f.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/10ddaedc33afc8646071e094aa40e63f.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martin-kersels-at-vera-list-center-for-art-and-politics-at-the-new-school'> 3401 Lecture Series 3402 </a></div><h1><a href='/news/martin-kersels-at-vera-list-center-for-art-and-politics-at-the-new-school'> 3403 Martin Kersels at Vera List Center for Art and Politics at the New School 3404 </a></h1><h2>Subjective Histories of Sculpture</h2><h3>Monday January 28, 7-9PM</h3><div class='summary paragraph-styling'><p>SculptureCenter, in collaboration with the Vera List Center for Art and Politics at The New School, is thrilled to continue the artist-led lecture series Subjective Histories of Sculpture. This program, initiated in 2006, furthers SculptureCenter's exploration of how contemporary artists think about sculpture, its history, legacies, and potential for innovation.</p><p>This year, Martin Kersels, Agnieszka Kurant, and Allison Smith have been invited to present their own take on art history and consider the thematic focus of thingness.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/catherine-opie-and-martha-rosler-at-the-wexler-center-for-the-arts'><img itemprop="image" alt='Catherine Opie and Martha Rosler at the Wexler Center for the Arts' 3405 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/e184de64172c8b7240ba30ff5bcc34ef.jpg' 3406 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/catherine-opie-and-martha-rosler-at-the-wexler-center-for-the-arts'> 3407 News 3408 </a></div><h1><a href='/news/catherine-opie-and-martha-rosler-at-the-wexler-center-for-the-arts'> 3409 Catherine Opie and Martha Rosler at the Wexler Center for the Arts 3410 </a></h1><h2>More American Photographs</h2><h3>January 27 - April 7, 2013</h3><div class='summary paragraph-styling'><p> 3411 See renowned Farm Security Administration (FSA) photographs, taken between 1934 and 1944, juxtaposed with
3411newly commissioned photographs of 21st-century America by 12 contemporary photographers.</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Justine Kurland and Catherine Opie at Rhode Island School of Design' 3412 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/625758251f545d6f9f8f58bdcbd133d5.jpeg' 3413 ></div><div class='info'><div class="list-detail-title"> 3414 Exhibition | Providence, RI 3415 </div><h1> 3416 Justine Kurland and Catherine Opie at Rhode Island School of Design 3417 </h1><h2>America In View: Landscape Photography 1865 to Now</h2><h3>September 21, 2012 through January 13,2013</h3><div class='summary paragraph-styling'><p>Featuring the works of Catherine Opie and Justine Kurland, <em>America in View</em> reveals a nation's ambitions and failings, beauty and loss, politics and personal stories through about 150 photographs spanning nearly 150 years. </p></div><div class='links in-text'><div class='file'><a href='http://www.risdmuseum.org/exhibition.aspx?type=current&id=8589934611' target="_blank">www.risdmuseum.org</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/mfa-boston-awards-sarah-braman-the-maud-morgan-prize'><img itemprop="image" alt='MFA Boston Awards Sarah Braman the Maud Morgan Prize' 3418 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/384136349a76bc3fa7b4cf1de43c08c4.png' 3419 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/mfa-boston-awards-sarah-braman-the-maud-morgan-prize'> 3420 News 3421 </a></div><h1><a href='/news/mfa-boston-awards-sarah-braman-the-maud-morgan-prize'> 3422 MFA Boston Awards Sarah Braman the Maud Morgan Prize 3423 </a></h1><h3>January 2013</h3><div class='summary paragraph-styling'><p>Braman will receive a $10,000 award and her work will be presented in the MFA’s Linde Family Wing for Contemporary Art in November 2013.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/anthony-caro-at-the-yale-center-for-british-art'><img itemprop="image" alt='Anthony Caro at the Yale Center for British Art' 3424 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7e827293aa16f3b8112fc515a1be552d.jpg' 3425 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/anthony-caro-at-the-yale-center-for-british-art'> 3426 News 3427 </a></div><h1><a href='/news/anthony-caro-at-the-yale-center-for-british-art'> 3428 Anthony Caro at the Yale Center for British Art 3429 </a></h1><h2>Caro: Close Up</h2><h3>Thursday, October 18, 2012âSunday, December 30, 2012</h3><div class='summary paragraph-styling'><p> 3430 With a career spanning more than sixty years, Sir Anthony Caro (b. 1924) is Britain’s most acclaimed living sculptor.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-s-garage-sale-at-moma'> 3431 News 3432 </a></div><h1><a href='/news/martha-rosler-s-garage-sale-at-moma'> 3433 Martha Rosler's Garage Sale at MoMA 3434 </a></h1><h2>Meta-Monumental Garage Sale in MoMA Atrium</h2><h3>November 17, 2012</h3><div class='summary paragraph-styling'><p> 3435 For her first solo exhibition at The Museum of Modern Art, New York–based artist Martha Rosler presents her work <i>Meta-Monumental Garage Sale,</i> a large-scale version of the classic American garage sale, in which Museum visitors can browse and buy second-hand goods organized, displayed, and sold by the artist.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-in-radical-presence-at-camh'> 3436 News 3437 </a></div><h1><a href='/news/pope-l-in-radical-presence-at-camh'> 3438 Pope.L in Radical Presence at CAMH 3439 </a></h1><h2>Radical Presence: Black Performance in Contemporary Art</h2><h3>November 2012</h3><div class='summary paragraph-styling'><p><em>Radical Presence: Black Performance in Contemporary Art</em>, the first comprehensive survey of performance art by black visual artists.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/amanda-ross-ho-at-la-moca'><img itemprop="image" alt='Amanda Ross-Ho at LA MOCA' 3440 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3d0b967bfa5f4a6a717386d6e378f03c.jpeg' 3441 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3d0b967bfa5f4a6a717386d6e378f03c.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3d0b967bfa5f4a6a717386d6e378f03c.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/amanda-ross-ho-at-la-moca'> 3442 Exhibition | Los Angeles 3443 </a></div><h1><a href='/news/amanda-ross-ho-at-la-moca'> 3444 Amanda Ross-Ho at LA MOCA 3445 </a></h1><h2>Teeny Tiny Woman</h2><h3>June 23 â September 23, 2012</h3><div class='summary paragraph-styling'><p>The Museum of Contemporary Art presents AMANDA ROSS-HO: TEENY TINY WOMAN, on view at MOCA Pacific Design Center from June 23 through September 23, 2012. Amanda Ross-Ho is one of the leading Los Angeles artists of her generation and this new installation is her largest and most ambitious exhibition to date.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jessica-stockholder-at-the-ecole-nationale-superieur-d-architecture-de-nantes'><img itemprop="image" alt='Jessica Stockholder at the Ecole Nationale Superieur d'Architecture de Nantes' 3446 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/9ceb9b875893447c910d50bc68c8f4cd.jpeg' 3447 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/9ceb9b875893447c910d50bc68c8f4cd.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/9ceb9b875893447c910d50bc68c8f4cd.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jessica-stockholder-at-the-ecole-nationale-superieur-d-architecture-de-nantes'> 3448 Exhibition | Nantes, France 3449 </a></div><h1><a href='/news/jessica-stockholder-at-the-ecole-nationale-superieur-d-architecture-de-nantes'> 3450 Jessica Stockholder at the Ecole Nationale Superieur d'Architecture de Nantes 3451 </a></h1><h2>Hollow Places Court in Ash-Tree Wood</h2><h3>June 15 - September 2, 2012</h3><div class='summary paragraph-styling'><p>Jessica Stockholder's exhibition "Hollow Places Court in Ash-Tree Wood", initially realized at the Aldrich Museum in Ridgefield, CT, is traveling to the Ecole Nationale Superieur d'Architecture in Nantes, France. The exhibition will open on June 15th, 2012, and remain on view until September 2. For more information, please visit the website for the Frac des Pays de la Loire.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/virginia-overton-on-the-high-line'><img itemprop="image" alt='Virginia Overton on the High Line' 3452 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ece5d75b3d53edb2e79bcf552eb7bf09.jpg' 3453 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/virginia-overton-on-the-high-line'> 3454 News 3455 </a></div><h1><a href='/news/virginia-overton-on-the-high-line'> 3456 Virginia Overton on the High Line 3457 </a></h1><h2>September 13, 2012 to September 2013</h2><div class='summary paragraph-styling'><p> 3458 High Line Art, presented by Friends of the High Line, is pleased to announce that Brooklyn-based artist Virginia Overton will transform an old pickup truck into a site-specific sculpture installed on the stacked parking next to the High Line at West 20th Street, on view from Thursday, September 13, 2012 to September 2013.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail">
3458<a href='/news/pope-l-in-superhuman-at-central-utah-art-center'><img itemprop="image" alt='Pope.L in superHUMAN at Central Utah Art Center' 3459 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/eefe223624fdeca9212dc77a84ecda8c.jpg' 3460 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-in-superhuman-at-central-utah-art-center'> 3461 News 3462 </a></div><h1><a href='/news/pope-l-in-superhuman-at-central-utah-art-center'> 3463 Pope.L in superHUMAN at Central Utah Art Center 3464 </a></h1><h2>Friday, June 8 âFriday, August 3, 2012</h2><div class='summary paragraph-styling'><p>superHUMAN Friday, June 8 –Friday, August 3, 2012 Central Utah Art Center (CUAC) 86 N Main, Ephraim, Utah 84627 Thursday, September 6–Saturday, December 22, 2012 Aljira, a Center for Contemporary Art 591 Broad Street, Newark, NJ 07102 Artists Blanka Amezkua, Edgar Arcenaux, Kevin Darmanie, Kurt Forman, Chitra Ganesh, Fay Ku, Shaun El C. Leonardo, Kerry James Marshall, Wanda Raimundi-Ortiz, Dulce Pinzón, Pope.L, Robert Pruitt, Xaviera Simmons, Saya Woolfalk Curated by Jorge Rojas and David Hawkins</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jessica-stockholder-s-color-jam-for-the-chicago-loop-alliance'><img itemprop="image" alt='Jessica Stockholder's &quot;Color Jam&quot; for the Chicago Loop Alliance' 3465 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/0176b08340528b4934d63d5e55536ea2.jpeg' 3466 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/0176b08340528b4934d63d5e55536ea2.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/0176b08340528b4934d63d5e55536ea2.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jessica-stockholder-s-color-jam-for-the-chicago-loop-alliance'> 3467 Installation | Chicago 3468 </a></div><h1><a href='/news/jessica-stockholder-s-color-jam-for-the-chicago-loop-alliance'> 3469 Jessica Stockholder's "Color Jam" for the Chicago Loop Alliance 3470 </a></h1><h2>Color Jam</h2><h3>Opening June 5, 2012</h3><div class='summary paragraph-styling'><p>Commissioned by Chicago Loop Alliance, renowned artist Jessica Stockholder has begun saturating building façades, sidewalks, and crosswalks in bold colors in what will be the summer’s largest art installation. “Color Jam” – the third public artwork in the Art Loop series – is coming to the intersection of State & Adams on June 5. It will be on display through September, and will feature a series of public programs, taking the form of concerts, talks, happenings, and virtual interactions throughout the Loop. Walk a live stream of the installation site, or the "Jam Cam", from the link to the left.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-s-meta-monumental-garage-sale'><img itemprop="image" alt='Martha Rosler's Meta-Monumental Garage Sale' 3471 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1fcb3f9da329a572bd5337cdaf346e76.jpg' 3472 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-s-meta-monumental-garage-sale'> 3473 News 3474 </a></div><h1><a href='/news/martha-rosler-s-meta-monumental-garage-sale'> 3475 Martha Rosler's Meta-Monumental Garage Sale
3476 </a></h1><h2>Donate at MoMA and PS1</h2><div class='summary paragraph-styling'><p> 3477 For her first solo exhibition at The Museum of Modern Art, Martha Rosler (Brooklyn, New York) will present her work Garage Sale in The Donald B. and Catherine C. Marron Atrium from November 17 to 30, 2012. Rosler held the Garage Sale’s first iteration, Monumental Garage Sale, in 1973 in the student gallery of the University of California, San Diego. She advertised this controversial work as a garage sale in local newspapers and as an art event within the local arts scene. Clothes, books, records, toys, costume jewelry, personal letters, art works, and other mementos, as well as soft-core pornographic magazines and empty welfare-food containers were displayed on racks and tables for visitors to browse and buy, after haggling with the artist over the price. Rosler’s Garage Sale implicates visitors in face-to-face transactions within a secondary, informal cash economy—exactly like garage sales held outside the museum setting. On select weekends from May 12 until summer, you can be a part of this work by donating your castoffs, no-longer-wanted objects, bric-a-brac, and odd items. Click the link to the left for more information on drop off times and locations.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/daniel-lefcourt-at-white-flag-projects'><img itemprop="image" alt='Daniel Lefcourt at White Flag Projects' 3478 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/283f523ece8434ad3a35cb79ed34af93.jpeg' 3479 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/daniel-lefcourt-at-white-flag-projects'> 3480 News 3481 </a></div><h1><a href='/news/daniel-lefcourt-at-white-flag-projects'> 3482 Daniel Lefcourt at White Flag Projects 3483 </a></h1><h2>April 19 - May 26</h2><div class='summary paragraph-styling'><p> 3484 Daniel Lefcourt: Mockup Opening reception Thursday, April 19, 6-8 PM "Mockup" is a storage room, a stage set, a mausoleum, a trade show, a diagram, a game board, a studio, a retail store, a pictograph, a classroom, a museum display, an architectural model, and a sign-maker's workshop. Like composite wood -- the material from which the artworks are made -- each object is at once real and solid, and simultaneously a mere semblance or substitute.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/chris-johanson-at-glasgow-international'><img itemprop="image" alt='Chris Johanson at Glasgow International' 3485 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3cdbab1d36bb3df925e96e6a860ecd0b.jpeg' 3486 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/chris-johanson-at-glasgow-international'> 3487 Exhibition | Glasgow 3488 </a></div><h1><a href='/news/chris-johanson-at-glasgow-international'> 3489 Chris Johanson at Glasgow International 3490 </a></h1><h2>Dialogue of Hands</h2><h3>April 2012 - May 2012</h3><div class='summary paragraph-styling'><p>"Dialogue of Hands" will be a sculpture park for children and adults, located on the elevated ground level sculpture courtyard of the iconic 1964 building, formerly known as the College of Building and Printing (recently renamed City of Glasgow College). The exhibition would be an immersive sensory environment, with an emphasis on real time audience participation and attracting families with children.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/keltie-ferris-at-the-addison-gallery-philips-academy'><img itemprop="image" alt='Keltie Ferris at the Addison Gallery, Philips Academy' 3491 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4b15e9ba8b9e8de05395e42c32952431.jpeg' 3492 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4b15e9ba8b9e8de05395e42c32952431.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4b15e9ba8b9e8de05395e42c32952431.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/keltie-ferris-at-the-addison-gallery-philips-academy'> 3493 Exhibition | Andover, MA 3494 </a></div><h1><a href='/news/keltie-ferris-at-the-addison-gallery-philips-academy'> 3495 Keltie Ferris at the Addison Gallery, Philips Academy 3496 </a></h1><h2>Open Windows</h2><h3>January 14 - April 8, 2012</h3><div class='summary paragraph-styling'><p>Open Windows: Keltie Ferris, Jackie Saccoccio, Billy Sullivan, and Alexi Worth Guest-curated by artist Carroll Dunham, this exhibition presents the work of four contemporary American painters: Keltie Ferris, Jackie Saccoccio, Billy Sullivan, and Alexi Worth. Representing distinct and varied approaches to painting from abstraction to realism, these artists’ works will be set in counterpoint to modernist paintings chosen by Dunham from the Addison’s permanent collection. By juxtaposing new and recent paintings by the four artists with historic works ranging in date from the 1930s to early 1960s by artists such as Franz Kline, Irene Rice Pereira, John Graham, and Reginald Marsh, to name a few, Open Windows reveals sometimes surprising affinities, influences, and contrasts among and between the twenty-first-century works and mid-twentieth-century paintings, opening windows on
3496new possibilities and fresh ways of seeing. On view through April 8, 2012.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/virginia-overton-at-the-kitchen'><img itemprop="image" alt='Virginia Overton at the Kitchen' 3497 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/9460cfef14110f3d146a3a68b113249d.jpg' 3498 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/virginia-overton-at-the-kitchen'> 3499 News 3500 </a></div><h1><a href='/news/virginia-overton-at-the-kitchen'> 3501 Virginia Overton at the Kitchen 3502 </a></h1><h2>March 21 - May 6</h2><div class='summary paragraph-styling'><p> 3503 Curated by Matthew Lyons In her works in sculpture and installation, Virginia Overton employs readily available or repurposed building materials as well as common found imagery in reaction to the particular conditions of the exhibition space and its environs. She has developed a sculptural vocabulary that uses and reuses these materials and images. While the work often incorporates large-scale elements, Overton still allows for a sense of ad hoc fragility in the provisional relationships she sets up between the architecture and her materials. The heightened awareness of the weight-bearing loads and the pull of gravity underscore how the materials have been asked to perform, holding traces of past uses and process to become more than just “raw” material. Exhibition Hours: Tues–Fri, 12–6pm; Sat 11–6pm FREE</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/anthony-caro-at-chatsworth'><img itemprop="image" alt='Anthony Caro at Chatsworth' 3504 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2c4540a7f05e68e163830ba188f3d2c9.jpg' 3505 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/anthony-caro-at-chatsworth'> 3506 News 3507 </a></div><h1><a href='/news/anthony-caro-at-chatsworth'> 3508 Anthony Caro at Chatsworth 3509 </a></h1><h2>March 28 - July 1</h2><div class='summary paragraph-styling'><p> 3510 The Chatsworth House Trust and the New Art Centre, Roche Court Sculpture Park, are proud to present 'Caro at Chatsworth'. This will be the first exhibition dedicated to the work of a single artist to be held in the garden at Chatsworth and will comprise 15 sculptures by Sir Anthony Caro sited around the famous Emperor Fountain, in front of the south façade at Chatsworth. 'Caro at Chatsworth' provides a once in a lifetime chance to see the larger work of Britain's greatest living sculptor in one of Britain's most famous historic settings.</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Pope.L &quot;Reenactor&quot; at Williams Center Gallery' 3511 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5d4cec9c5e85bcc3c328805becadd311.png' 3512 ></div><div class='info'><div class="list-detail-title"> 3513 News 3514 </div><h1> 3515 Pope.L "Reenactor" at Williams Center Gallery 3516 </h1><h2>Lafayette College, February 11- March 17. 2012</h2><div class='links in-text'><div class='file'><a href='http://galleries.lafayette.edu/2011/08/21/grossman-visiting-artist-2/' target="_blank">www.galleries.lafayette.edu</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-in-print-out-at-moma'><img itemprop="image" alt='Martha Rosler in Print/Out at MoMA' 3517 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f373ad4e7c415e237f66a8da1a381ec9.jpeg' 3518 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-in-print-out-at-moma'> 3519 News 3520 </a></div><h1><a href='/news/martha-rosler-in-print-out-at-moma'> 3521 Martha Rosler in Print/Out at MoMA 3522 </a></h1><h2>February 15âMay 14, 2012</h2><div class='summary paragraph-styling'><p> 3523 Organized in conjunction with the exhibition Print/Out, Printin’ takes as its starting point DeLuxe (2005), a tour de force portfolio of 60 works by Ellen Gallagher (American, b. 1965) that challenged traditional ideas of what a print could be. DeLuxe offers a multivalent constellation of ideas, touching on such issues as portraiture, identity, history, advertising, commodity, and the disruption, translation, and recasting of space. Proposing a kind of technical dissection and conceptual unpacking of this portfolio, Printin’ brings together work by more than 50 artists from multiple disciplines in a sweeping chronology that extends from the 17th century to the present day, to propose a free-flowing yet incisive web of associations that are reflected in DeLuxe. Encompassing prints, drawings, films, books, photographs, sculptures, videos, and comic strips, the exhibition features such artists as Vija Celmins, David Hammons, George Herriman, Robert Rauschenberg, Martha Rosler, and many others, forming a dense network of formal, technical, and conceptual connections and intersections.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/amanda-ross-ho-at-the-orange-county-museum'><img itemprop="image" alt='Amanda Ross-Ho at the Orange County Museum' 3524 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f740c44df9f42c333ff028edcb7fb1c8.jpeg' 3525 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/amanda-ross-ho-at-the-orange-county-museum'> 3526 Exhibition | Newport Beach, CA 3527 </a></div><h1><a href='/news/amanda-ross-ho-at-the-orange-county-museum'> 3528 Amanda Ross-Ho at the Orange County Museum 3529 </a></h1><h2>Two Schools of Cool</h2><h3>October 9, 2011 - January 22, 2012</h3><div class='summary paragraph-styling'><p>Amanda Ross-Ho will participate in an exhibition titled <em>Two Schools of Cool </em>at Orange County Museum of Art. </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/paul-winstanley-in-lifelike-at-the-walker-art-center'><img itemprop="image" alt='Paul Winstanley in &quot;Lifelike&quot; at the Walker Art Center' 3530 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/6cfbfdabcae1989f92a883ceaa13d0d6.jpg' 3531 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/paul-winstanley-in-lifelike-at-the-walker-art-center'> 3532 News 3533 </a></div><h1><a href='/news/paul-winstanley-in-lifelike-at-the-walker-art-center'> 3534 Paul Winstanley in "Lifelike" at the Walker Art Center 3535 </a></h1><h2>February 25, 2012 - May 27, 2012</h2><div class='summary paragraph-styling'><p> 3536 Paul Winstanley is to be included in "Lifelike", a traveling exhibition curated by Siri Engberg. Is it real? Lifelike invites a close examination of artworks based on commonplace objects and situations, which are startlingly realistic, often playful, and sometimes surreal. This international group exhibition features artists variously using scale, unusual materials, and sly contextual devices to reveal the manner in which their subjects’ “authenticity” is manufactured. Avoiding the brand-name flashiness embraced by 1960s Po
3536p and the slick urban scenes introduced at that time by the Photorealists, the artists in Lifelike investigate the quieter side of the quotidian, choosing potentially overlooked items or moments as subject matter: a paper bag, an eraser, an apple core, a waiting room, an afternoon nap. They also favor a handmade, labor-intensive practice rather than technological enhancements. The resulting works—including painting, sculpture, photography, drawing, and video—transform the ordinary into something beguiling, loaded with narrative and metaphor, and imbued with an arresting sense of humanity. Lifelike showcases works from the 1960s to the present by more than 55 artists, including Vija Celmins, Keith Edmier, Fischli and Weiss, Robert Gober, Alex Hay, Kaz Oshiro, Charles Ray, Sam Taylor-Wood, and Ai Weiwei. Catalogue forthcoming in February 2012.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/video-of-pope-l-performance-at-moma'><img itemprop="image" alt='Video of Pope.L performance at MoMA' 3537 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f27c0e17dd16b0e77cca740e3256a00f.png' 3538 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/video-of-pope-l-performance-at-moma'> 3539 News 3540 </a></div><h1><a href='/news/video-of-pope-l-performance-at-moma'> 3541 Video of Pope.L performance at MoMA 3542 </a></h1><h2>MoMA Case Study: Pope.L Inteprets "Fluxkit"</h2><div class='summary paragraph-styling'><p>Last month, artist Pope.L spent a day at MoMA, exploring the collections of artists’ multiples on view in Thing/Thought: Fluxus Editions, 1962–1978. While he was here, he produced the above performance video, which incorporates the Fluxkit to incredibly humorous effect. His visit concluded a series of collaborations with visiting artists—some of them original members of Fluxus—who had been invited to select objects from the two Fluxkits on display, which are similar but not identical, and determine their arrangement. Since the late 1970s, Pope.L has produced innovative performances and installations, often tackling potent topics of race and inequality. His interventionist approach frequently involves the public; he interacts with communities, taking on the role of provocateur. At MoMA, Pope.L addressed the institutional paradigms of the Museum. His unconventional arrangement of the Fluxus objects is on view until January 16, when the exhibition closes to the public.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/catherine-opie-featured-on-season-6-of-art21-s-art-in-the-21st-century'><img itemprop="image" alt='Catherine Opie featured on Season 6 of Art21's &quot;Art in the 21st Century&quot;' 3543 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/34732707a0eda7515d411c8003da89a5.png' 3544 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/catherine-opie-featured-on-season-6-of-art21-s-art-in-the-21st-century'> 3545 News 3546 </a></div><h1><a href='/news/catherine-opie-featured-on-season-6-of-art21-s-art-in-the-21st-century'> 3547 Catherine Opie featured on Season 6 of Art21's "Art in the 21st Century" 3548 </a></h1><h2>premieres April 13, 2012 at 9:00 p.m. on PBS</h2><div class='summary paragraph-styling'><p> 3549 Over the past decade, Art21 has established itself as the preeminent chronicler of contemporary art and artists through its Peabody Award-winning biennial television series, "Art in the Twenty-First Century." The nonprofit organization has used the power of digital media to introduce millions of people of all ages to contemporary art and artists and has created a new paradigm for teaching and learning about the creative process. "Art in the Twenty-First Century" Season Six includes 13 profiles of artists from four continents gathered into four, one-hour thematic episodes: Change, Balance, History and Boundaries. Spanning the globe from Nigeria to New York City, from Beijing to Brazil, the programs reveal the artists at work and speaking in their own words as they demonstrate the power of art to alter perception, challenge convention, and change how we see the world around us.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/special-blend-at-the-journal-gallery'><img itemprop="image" alt='Special Blend at the Journal Gallery' 3550 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5303edbea3898d88541d4d7c9583543b.jpeg' 3551 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/special-blend-at-the-journal-gallery'> 3552 News 3553 </a></div><h1><a href='/news/special-blend-at-the-journal-gallery'> 3554 Special Blend at the Journal Gallery 3555 </a></h1><h2>Curated by Chris Martin, Jan 13 - Feb 12</h2><div class='summary paragraph-styling'><p> 3556 Katherine Bradford, Tamara Gonzales, Joanne Greenbaum EJ Hauser, Alison Knowles, Justine Kurland, Lauren Luloff, Joyce Pensato, Amanda Ross-Ho, Niki de Saint Phalle, Michelle Tarantelli The Journal Gallery is delighted to present "Special Blend," curated by Chris Martin. Some of these artists are old friends. Some of them have never met. This show is a way for them to meet and for their work to converse. Presented as a melange, this exhibition has an earthy flavor with a clean finish. Balanced and light-bodied, it combines honey sweetness with a hint of citrus for a smooth-looking exhibition—perfect for viewing all day.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/paul-winstanley-at-le-consortium'><img itemprop="image" alt='Paul Winstanley at Le Consortium' 3557 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/dfc513a7c93683eec63ec9038ade9594.jpeg' 3558 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/dfc513a7c93683eec63ec9038ade9594.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/dfc513a7c93683eec63ec9038ade9594.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/paul-winstanley-at-le-consortium'> 3559 Exhibition | Dijon, France 3560 </a></div><h1><a href='/news/paul-winstanley-at-le-consortium'> 3561 Paul Winstanley at Le Consortium 3562 </a></h1><h2>The Deer</h2><h3>December 21,2011 - March 11, 2012</h3><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/virginia-overton-at-the-power-station-dallas'><img itemprop="image" alt='Virginia Overton at The Power Station, Dallas' 3563 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/236c3d4bf8dafe47a075bef3e44c8aff.jpg' 3564 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/virginia-overton-at-the-power-station-dallas'> 3565 News 3566 </a></div><h1><a href='/news/virginia-overton-at-the-power-station-dallas'> 3567 Virginia Overton at The Power Station, Dallas 3568 </a></h1><h2>"DELUXE", January 14 - March 30</h2><div class='summary paragraph-styling'><p> 3569 VIRGINIA OVERTON: "DELUXE" Opening Saturday January 14th, 2012 For Virginia Overton, the truck is a working tool embodied with stored labor. Rather than a symbolic object of desire in the mode of the co-opted muscle car, she recognizes the truck as a worker. Like most of her tools and materials, the truck functions as an agent for labor production.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jessica-stockholder-at-the-aldrich-contemporary-art-museum'><img itemprop="image" alt='Jessica Stockholder at The Aldrich Contemporary Art Museum' 3570 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ecab3882cb050c1ff2023f7e850a4a06.jpeg' 3571 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ecab3882cb050c1ff2023f7e850a4a06.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ecab3882cb050c1ff2023f7e850a4a06.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jessica-stockholder-at-the-aldrich-contemporary-art-museum'> 3572 Exhibition | Ridgefield, CT 3573 </a></div><h1><a href='/news/jessica-stockholder-at-the-aldrich-contemporary-art-museum'> 3574 Jessica Stockholder at The Aldrich Contemporary Art Museum 3575 </a></h1><h2>Hollow Places Court in Ash-Tree Wood</h2><h3>June 26 - December 31, 2011</h3><div class='summary paragraph-styling'><p>In her solo project <em>Hollow places court in Ash-Tree Wood</em>, Jessica Stockholder has made several works from the wood of a 125-year-old ash tree that formerly grew in the Aldrich’s sculpture garden. The exhibition includes several discrete sculptural works within a site-responsive installation. The major elements in the exhibition are two large freestanding sculptures that resemble folding screens. Fabricated from boards cut from the wood of the tree, they were conceived by Stockholder as static armatures that she will activate with various types of paint, from auto lacquer to acrylic, visually suggesting walls (or a gallery) filled with pictures. The forms represented reference eyes (among other things), mirroring the viewer’s gaze and suggesting both the accumulated experience of the tree and the fleeting experience of the viewer.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/chris-johanson-at-malmo-konsthall'><img itemprop="image" alt='Chris Johanson at Malmö Konsthall' 3576 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/468ee35a64ff428851901aeec9298683.jpeg' 3577 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/chris-johanson-at-malmo-konsthall'> 3578 Exhibition | Sweden 3579 </a></div><h1><a href='/news/chris-johanson-at-malmo-konsthall'> 3580 Chris Johanson at Malmö Konsthall 3581 </a></h1><h2>Alright Alright</h2><h3>September 10- November 27, 2011</h3><div class='summary paragraph-styling'><p>Chris Johanson will be featured in a solo exhibition at the Malmö
3581 Konsthall in Sweden. <em>Alright Alright</em> consists of new drawings, paintings and a large scale pyramid-shaped installation all made specifically for Malmö Konsthall. The installation includes eight sound pieces made by Johanson’s band IS. Chris Johanson (born 1968) is a self-taught product of San Francisco’s skateboard and graffiti culture. In his playful and humorous works he comments on what it is like to be human and live in today’s society. He works in widely varying media such as painting, film, installation and music. Johanson uses bright colors with a cartoon-like style. He is an acute observer, who in a simple and direct way conveys his observations to us. He still regards himself as somewhat of an outsider in the art world, and therefore does not feel bound by any pre-existing limitations. He enjoys exceeding boundaries – the paint spills outside his contour lines and the speech balloons are too small to contain his text.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/catherine-opie-in-hide-seek-at-the-brooklyn-museum'><img itemprop="image" alt='Catherine Opie in HIDE/SEEK at the Brooklyn Museum' 3582 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/74a8dca0610ec36e34949bd192369f07.jpg' 3583 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/catherine-opie-in-hide-seek-at-the-brooklyn-museum'> 3584 News 3585 </a></div><h1><a href='/news/catherine-opie-in-hide-seek-at-the-brooklyn-museum'> 3586 Catherine Opie in HIDE/SEEK at the Brooklyn Museum 3587 </a></h1><h2>November 18, 2011-February 12, 2012</h2><div class='summary paragraph-styling'><p> 3588 Catherine Opie is featured in the first major museum exhibition that showcases themes of gender and sexuality in American portraiture--HIDE/SEEK: Difference and Desire in American Portraiture. Initially organized by the National Portrait Gallery, Smithsonian Institution, the original presentation was co-curated by David C. Ward amd Jonathan D. Katz. The Brooklyn Museum presentation, coordinated by Tricia Laughlin Bloom, charts the underdocumented role that sexual identity has played in the making of modern art, and highlights the contributions of gay and lesbian artists to American art. Tracing the coded narrative of sexual desire in art produced from the early modern period through the present, HIDE/SEEK displays responses to the Stonewall riots of 1969, the AIDS epidemic and post-modern themes of identity.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/chris-martin-at-kunsthalle-dusseldorf'><img itemprop="image" alt='Chris Martin at Kunsthalle Dusseldorf' 3589 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/e160cc0aff04566ca3f7223129f93279.jpg' 3590 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/chris-martin-at-kunsthalle-dusseldorf'> 3591 News 3592 </a></div><h1><a href='/news/chris-martin-at-kunsthalle-dusseldorf'> 3593 Chris Martin at Kunsthalle Dusseldorf 3594 </a></h1><h2>Staring at the Sun</h2><h3>October 22 - January 15</h3><div class='summary paragraph-styling'><p> 3595 The Kunst­hal­le Dusseldorf will present the first in­sti­tu­tio­nal so­lo ex­hi­bi­ti­on outside the United Sta­tes by Chris Mar­tin. The ex­hi­bi­ti­on, cu­ra­ted by Elo­die Evers and Gre­gor Jan­sen, will fo­cus upon the ear­ly and midd­le pe­ri­od of Mar­tin’s oeu­vre. The “Black Pain­tings”, for ex­amp­le, which crea­te the il­lu­si­on of three-di­men­sio­nal space wi­th a few li­nes, be­long to the ol­der works. Mar­tin’s en­ga­ge­ment wi­th pain­ters such as Ma­le­vich and Mon­dri­an, is cle­ar­ly vi­si­ble he­re. In par­al­lel to the­se lar­ge-for­mat pain­tings, which we­re pro­du­ced as part of his work as an art the­ra­pist, Mar­tin al­so wor­ked on a num­ber of small, co­lor­ful can­va­ses. Martin's first com­pre­hen­si­ve ex­hi­bi­ti­on ca­ta­lo­gue, fea­turing nu­me­rous co­lor il­lus­tra­ti­ons, es­says by Gre­gor Jan­sen, Alex­an­der Koch, Bob Nick­as, Lars Bang Lar­sen, and a con­ver­sa­ti­on wi­th Chris Mar­tin and Elo­die Evers, will be pu­blis­hed by Ver­lag der Buch­hand­lung Walt­her Kö­nig.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-prospect-2'><img itemprop="image" alt='Pope.L at Prospect.2' 3596 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a75ba3d271707e8d005daaeaaf35678c.jpg' 3597 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-prospect-2'> 3598 News 3599 </a></div><h1><a href='/news/pope-l-at-prospect-2'> 3600 Pope.L at Prospect.2 3601 </a></h1><h2>October 22, 2011 - January 29, 2012</h2><div class='summary paragraph-styling'><p>Performance artist and sculptor Pope.L will present a performance and video installation entitled Blink at Prospect.2 New Orleans, the second edition of the international contemporary art biennial. For the work, the artist asked New Orleans residents to donate photos of themselves in response to the questions: "When you dream of New Orleans, what do you dream of? When you wake up in the morning, what do you see?" These donated images will be part of a video installation mounted on a truck – a modern, traveling version of a “magic lantern” projection – that will traverse the city of New Orleans from sundown on October 22, 2011 through sunrise the following day. The video, intended to be a collective “memory bank” of the residents of New Orleans, will be stationed at Xavier University's Art Village following the performance for the duration of the biennial.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/roy-lichtenstein-at-pavilion-of-art-and-design-london-october-12-16'><img itemprop="image" alt='Roy Lichtenstein at Pavilion of Art and Design London, October 12-16' 3602 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/fdcf02eb0126cda8c837bb627af1464a.jpg' 3603 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/roy-lichtenstein-at-pavilion-of-art-and-design-london-october-12-16'> 3604 News 3605 </a></div><h1><a href='/news/roy-lichtenstein-at-pavilion-of-art-and-design-london-october-12-16'> 3606 Roy Lichtenstein at Pavilion of Art and Design London, October 12-16 3607 </a></h1><h2>Berkeley Square, Booth 34</h2><div class='summary paragraph-styling'><p> 3608 Mitchell-Innes & Nash invites you to visit our booth at <a href="http://www.padlondon.net/">Pavilion of Art and Design, London</a>. This fair focusing on the best of 20th-century art and design will take place in Berkeley Square, October 12-16. The gallery will present a selection of Roy Lichtenstein collages from the Interiors series.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-in-more-american-photographs-at-cca-wattis-institute'><img itemprop="image" alt='Martha Rosler in More American Photographs at CCA Wattis Institute' 3609 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/13f36d3fb96058f14ec184285cb19d49.jpeg' 3610 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-in-more-american-photographs-at-cca-wattis-institute'> 3611 News 3612 </a></div><h1><a href='/news/martha-rosler-in-more-american-photographs-at-cca-wattis-institute'> 3613 Martha Rosler in More American Photographs at CCA Wattis Institute 3614 </a></h1><h2>San Francisco, October 4-December 17, 2011</h2><div class='summary paragraph-styling'><p> 3615 Martha Rosler is featured in CCA Wattis Institute's More American Photographs--the exhibition will reexamine the well-known photography program of the Farm Security Administration, 1935-44, which included artists such as Walker Evans, Ben Shahn, Dorothea Lange and Marion Post Wolcott. For More American Photographs, twelve contemporary photographers will be commissioned to travel the United States, documenting its land and people. More American Photographs aims to add to the FSA's project through the lens of the twenty-first century, which highlights, amidst natural disasters, the collapse of the housing boom, and a general lack of economic mobility, the distinct effects on different c
3615ommunities.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/norbert-schwontkowski-in-painting-between-the-lines-at-cca-wattis-institute'><img itemprop="image" alt='Norbert Schwontkowski in Painting Between the Lines at CCA Wattis Institute' 3616 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/279f97d6a4894794a1edd1494c3bce8e.jpg' 3617 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/norbert-schwontkowski-in-painting-between-the-lines-at-cca-wattis-institute'> 3618 News 3619 </a></div><h1><a href='/news/norbert-schwontkowski-in-painting-between-the-lines-at-cca-wattis-institute'> 3620 Norbert Schwontkowski in Painting Between the Lines at CCA Wattis Institute 3621 </a></h1><h2>San Francisco, October 4-December 17, 2011</h2><div class='summary paragraph-styling'><p> 3622 Norbert Schwontkowski is featured in the CCA Wattis Institute's Painting Between the Lines, which continues the Institute's investigation into the relationship between literature and art. For this show, the CCA Wattis Institute has commissioned fourteen artists to create paintings based on descriptions of paintings in historical and contemporary novels. Examining the state of contemporary painting, Painting Between the Lines attest to the vitality of the medium. Though literary sources have been a common source of painting's subject matter historically, more recently, painting has looked to history, society, politics and itself for inspiration. Schwontkowski's painting responds to Oscar Wilde's The Picture of Dorian Gray.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-eastside-projects'><img itemprop="image" alt='Pope.L at Eastside Projects' 3623 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/acebd50743374ba621b13b865507ca0e.png' 3624 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-eastside-projects'> 3625 News 3626 </a></div><h1><a href='/news/pope-l-at-eastside-projects'> 3627 Pope.L at Eastside Projects 3628 </a></h1><h2>"CHILD", September 17- November 5, 2011</h2><div class='summary paragraph-styling'><p>Launch 6-8 pm, September 16, 2011 "CHILD" is a new major three screen video commission and film-set installation in the main gallery of Eastside Projects, Birmingham UK. The work seeks to create an atmosphere of melodrama, strangeness and oddness informed by the artist's background in theatre and performance art. The exhibition draws upon the existing context of the gallery and its surroundings combining with the cinematic references. "CHILD" is about a small troubled family coping with the long absence and return of the father. Pope.L continues to construct surprising and unique work around the dispersion and coalescing of matter, values and concepts of what it means to be alive</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-the-orange-county-museum'><img itemprop="image" alt='Martha Rosler at the Orange County Museum' 3629 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4d6e37980ed21aed760e3401e7d1a09f.jpg' 3630 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-the-orange-county-museum'> 3631 News 3632 </a></div><h1><a href='/news/martha-rosler-at-the-orange-county-museum'> 3633 Martha Rosler at the Orange County Museum 3634 </a></h1><h2>State of Mind: New California Art Circa 1970, October 9, 2011 - January 22, 2012</h2><div class='summary paragraph-styling'><p> 3635 State of Mind: New California Art Circa 1970, co-organized by Orange County Museum of Art (OCMA) and UC Berkeley Art Museum and Pacific Film Archive (BAM/PFA), is the most comprehensive exhibition to date to focus on Conceptual art and related new genres in both Northern and Southern California during this pivotal peri
3635od in contemporary art. Featuring more than 150 works of art, the exhibition includes installations, photographs, works on paper, videos and films, artists’ books, extensive performance documentation, and other ephemera. This includes newly discovered work as well as materials culled from archives that have rarely been viewed. State of Mind: New California Art circa 1970 is supported by a grant from the Getty Foundation as part of the unprecedented collaborative initiative Pacific Standard Time: Art in L.A. 1945–1980.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jack-tworkov-at-black-mountain-college'><img itemprop="image" alt='Jack Tworkov at Black Mountain College' 3636 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/35d8be377f77921c7f0ba178ad0df5ca.png' 3637 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jack-tworkov-at-black-mountain-college'> 3638 News 3639 </a></div><h1><a href='/news/jack-tworkov-at-black-mountain-college'> 3640 Jack Tworkov at Black Mountain College 3641 </a></h1><h2>The Accident of Choice, June 17 - September 17, 2011</h2><div class='summary paragraph-styling'><p><em>JACK TWORKOV: The Accident of Choice, the artist at Black Mountain College</em> is a historic exhibition of important works by Tworkov, who taught painting at Black Mountain College during the summer of 1952. On view will be paintings and drawings by Tworkov ranging from 1948-52 including works from one of the artist's most noted series, House of the Sun that began at Black Mountain College. Also on exhibit will be letters, photographs, and ephemera from students and fellow artists including Fielding Dawson, Franz Kline, Robert Rauschenberg, and Stephan Wolpe; photographs of Jack Tworkov at Black Mountain College by Robert Rauschenberg, and several original works by Rauschenberg from 1952. A fully illustrated catalogue will accompany the exhibition including an essay by the exhibition curator, Jason Andrew; a never-before printed interview with Jack Tworkov conducted by the historian Irving Sandler in 1957; and a re-print of the article Tworkov Paints A Picture written by Fairfield Porter and published in Art News in 1953. The exhibition is curated by Jason Andrew.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/amanda-ross-ho-at-queens-museum-of-art'><img itemprop="image" alt='Amanda Ross-Ho at Queens Museum of Art' 3642 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/bad17ef7b7f3c2ff9a40bc21ef97ea10.jpeg' 3643 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/amanda-ross-ho-at-queens-museum-of-art'> 3644 Exhibition | Queens, NY 3645 </a></div><h1><a href='/news/amanda-ross-ho-at-queens-museum-of-art'> 3646 Amanda Ross-Ho at Queens Museum of Art 3647 </a></h1><h2>Not the Way You Remembered</h2><h3>April 10 - August 14, 2011</h3><div class='summary paragraph-styling'><p>Amanda Ross-Ho will be included in the exhibition Not the Way You Remembered at the Queens Museum of Art from April 10 - August 14. As museums have mounted more exhibitions from their permanent collections, revisiting their archives and breathing new life into years’ worth of holdings, this generation’s artists are also looking back-revisiting materiality, composing and recombining nontraditional materials, perhaps out of necessity, or as a comment on a collective loss of intimacy through lives lived online. NOT THE WAY YOU REMEMBERED explores how collecting and displaying personal, physical objects creates and recreates memories and associations, both individual and collective. Participating artists are Taylor Baldwin, Clifford Borress, Barb Choit, Brendan Fowler, Ted Gahl, Rashawn Griffin, Faten Kanaan, Zak Kitnick, Jason Lazarus, Lauren Luloff, Dave Murray, Amanda Ross-Ho, Jean Shin, Hayley Silverman, Agathe Snow, and Bryan Zanisnik. The exhibition is curated by Jamillah James, Queens Museum of Art Van Lier Fun
3647d Fellow.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-white-flag-projects'><img itemprop="image" alt='Pope.L at White Flag Projects' 3648 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/9b3de04009f8c55c88588e5606d02ada.jpeg' 3649 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-white-flag-projects'> 3650 News 3651 </a></div><h1><a href='/news/pope-l-at-white-flag-projects'> 3652 Pope.L at White Flag Projects 3653 </a></h1><h2>Another Kind of Vapor</h2><h3>June 18 - July 23</h3><div class='summary paragraph-styling'><p>IAIN BAXTER & Robert Heinecken David Lieske Paul McCarthy Otto Piene Pope.L Dieter Roth Ed Ruscha Jennifer West Curated by Jenny Gheith and John McKinnon Taking inspiration from Dieter Roth's now legendary exhibition "Staple Cheese (A Race)", "Another Kind of Vapor" presents artists who have experimented with non-traditional materials. Some sculpt, mold, and print with these substances, others conserve marks and stains. Allowed to decay, decompose, or remain in stasis, these objects endure as symbols of impermanence, waste, memory, and time.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/chris-martin-at-the-corcoran-gallery-of-art'><img itemprop="image" alt='Chris Martin at the Corcoran Gallery of Art' 3654 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/20810e9034fbb12ea5e87bce24a348d3.jpg' 3655 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/chris-martin-at-the-corcoran-gallery-of-art'> 3656 News 3657 </a></div><h1><a href='/news/chris-martin-at-the-corcoran-gallery-of-art'> 3658 Chris Martin at the Corcoran Gallery of Art 3659 </a></h1><h2>June 18 - October 23, 2011</h2><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/chris-johanson-sun-foot-perform-at-art-42-basel'><img itemprop="image" alt='Chris Johanson &amp; Sun Foot perform at Art 42 Basel' 3660 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a090dbd57210b60dd3ab4f73ea0af5ad.jpeg' 3661 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/chris-johanson-sun-foot-perform-at-art-42-basel'> 3662 News 3663 </a></div><h1><a href='/news/chris-johanson-sun-foot-perform-at-art-42-basel'> 3664 Chris Johanson & Sun Foot perform at Art 42 Basel 3665 </a></h1><h2>Art Paurcours Night</h2><h3>June 16th, 2011</h3><div class='summary paragraph-styling'><p>Chris Johanson will participate in the second edition of Art Basel's Art Parcours, a series of events and performances selected by Jens Hoffmann, Director of the CCA Wattis Institute, San Francisco. Johanson will perform with his band 'Sun Foot' atop his site-specific artwork, which takes the form of a stage built on a cargo barge docked on the bank of the Rhine. The event includes a projection by Johanna Jackson & DJ set by Christopher Garrett. Art Parcours is open to the public and free of charge.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/mitchell-innes-nash-at-art-42-basel'><img itemprop="image" alt='Mitchell-Innes &amp; Nash at Art|42|Basel' 3666 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/cfc9b76ac501af0c664e7b65a5b91036.jpg' 3667 ></a></div><div class='info'><div class="list-detail-title">
3667<a href='/news/mitchell-innes-nash-at-art-42-basel'> 3668 News 3669 </a></div><h1><a href='/news/mitchell-innes-nash-at-art-42-basel'> 3670 Mitchell-Innes & Nash at Art|42|Basel 3671 </a></h1><h2>June 15-18, Booth E9</h2><div class='summary paragraph-styling'><p> 3672 Mitchell-Innes & Nash will participate in Art|42|Basel, Booth E9. The gallery will exhibit a selection of works by 20th-century masters. Highlights include sculpture and an early wood relief by Jean Arp; photographs by Constantin Brancusi; a collection of small works by Alberto Burri; a standing mobile by Alexander Calder; etchings by Lucian Freud; important works on paper and a painting by Alberto Giacometti; works by Leon Kossoff and Anthony Caro; a large-scale sculpture by Roy Lichtenstein; and 1960s paintings by Kenneth Noland.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/anthony-caro-on-the-roof-metropolitan-museum'><img itemprop="image" alt='Anthony Caro on the Roof, Metropolitan Museum' 3673 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/19e315984786cd2cfff2d2ed282ab33c.jpg' 3674 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/anthony-caro-on-the-roof-metropolitan-museum'> 3675 News 3676 </a></div><h1><a href='/news/anthony-caro-on-the-roof-metropolitan-museum'> 3677 Anthony Caro on the Roof, Metropolitan Museum 3678 </a></h1><h2>New York, April 26 - October 30, 2011</h2><div class='summary paragraph-styling'><p> 3679 Mitchell-Innes & Nash is pleased to announce an installation of sculptures by Sir Anthony Caro on The Metropolitan Museum of Art’s Iris and B. Gerald Cantor Roof Garden opening April 26. This selection of works spans the artist’s career to date and will highlight his principle contributions to sculpture: engagement with form in space, dialogue between sculpture and architecture, and the creation of abstract analogies for the human figure and landscape. The exhibition will be on view in the Museum’s dramatic, nearly 8,000-square-foot open-air space offering unparalleled views of Central Park and the New York City skyline. Anthony Caro on the Roof will be the 14th consecutive single-artist installation on the Cantor Roof Garden.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jessica-stockholder-at-laumeier-sculpture-park'><img itemprop="image" alt='Jessica Stockholder at Laumeier Sculpture Park' 3680 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b4a4db66c4e66c7791efc709f52f601e.jpg' 3681 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jessica-stockholder-at-laumeier-sculpture-park'> 3682 Exhibition | St. Louis 3683 </a></div><h1><a href='/news/jessica-stockholder-at-laumeier-sculpture-park'> 3684 Jessica Stockholder at Laumeier Sculpture Park 3685 </a></h1><h2>Grab grassy this moment your I's</h2><h3>February 12 â May 29, 2011</h3><div class='summary paragraph-styling'><p>Laumeier Sculpture Park, St. Louis presents an exhibition of recent sculpture by Jessica Stockholder. The exhibition, which opens February 12, features eleven sculptures full of quirks and unexpected materials. Stockholder’s work engages elements of painting, sculpture and architecture with objects more commonly found in backyards and living rooms. Her playful nature is reflected in the name of the exhibition, Grab grassy this moment your I’s. The title offers an abstract grammatical puzzle emblematic of her work that strives to change how we see common objects and materials. The exhibition includes Stockholder’s work, Flooded Chambers Maid, 2009-10, installed in Laumeier’s Children’s Sculpture Garden in October 2010. The long-term loan was commissioned by the Madison Square Park Conservancy, was previously exhibited in Manhattan’s Madison Square Park. The work will provide a platform for future performances, readings and children’s programs.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jessica-stockholder-at-palacio-de-cristal'><img itemprop="image" alt='Jessica Stockholder at Palacio de Cristal' 3686 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2871531dfa84bfd9c43a446412cbe6eb.jpeg' 3687 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2871531dfa84bfd9c43a446412cbe6eb.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2871531dfa84bfd9c43a446412cbe6eb.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jessica-stockholder-at-palacio-de-cristal'> 3688 Exhibition | Madrid, Spain 3689 </a></div><h1><a href='/news/jessica-stockholder-at-palacio-de-cristal'> 3690 Jessica Stockholder at Palacio de Cristal 3691 </a></h1><h2>Peer Out to See</h2><h3>July 14, 2010 - April 25, 2011</h3><div class='summary paragraph-styling'><p>Jessica Stockholder Peer out to See July 14, 2010 – February, 2011 Parque del Buen Retiro, Palacio de Cristal</p><p>Jessica Stockholder's first museum exhibition in Spain will take open July 14 at the Palacio de Cristal of the Reina Sofia Museum.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-in-the-2011-singapore-biennale'><img itemprop="image" alt='Martha Rosler in the 2011 Singapore Biennale' 3692 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ab2b7b89dc851d9601cae7288c6deeac.jpg' 3693 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-in-the-2011-singapore-biennale'> 3694 News 3695 </a></div><h1><a href='/news/martha-rosler-in-the-2011-singapore-biennale'> 3696 Martha Rosler in the 2011 Singapore Biennale 3697 </a></h1><h2>March 13 - May 15</h2><div class='summary paragraph-styling'><p> 3698 Martha Rosler will be included in the Singapore Biennale 2011: Open House. Featuring 60 artists from 30 countries, the third Singapore Biennale will be open to the public from 13 March to 15 May 2011. Over half of the artists are creating new commissions or premiering new works. 'Open House' is presented across four exhibition venues, each with their own particular character, that draw upon emblematic spaces in Singapore: Housing Development Board flats (Singapore Art Museum and 8Q), shopping centres and night markets (National Museum of Singapore), and international air and sea ports (Old Kallang Airport). In addition to a community garden project at the Old Kallang Airport, Rosler has been invited to give the Keynote Lecture on March 12.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/amanda-ross-ho-at-visual-arts-center-university-of-texas-in-austin'><img itemprop="image" alt='Amanda Ross-Ho at Visual Arts Center, University of Texas in Austin' 3699 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2828d7dd0e1ea42aafe138487a2ed482.jpg' 3700 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/amanda-ross-ho-at-visual-arts-center-university-of-texas-in-austin'> 3701 News 3702 </a></div><h1><a href='/news/amanda-ross-ho-at-visual-arts-center-university-of-texas-in-austin'> 3703 Amanda Ross-Ho at Visual Arts Center, University of Texas in Austin 3704 </a></h1><h2>UNTITLED NOTHING FACTORY</h2><h3>January 28 â March 12, 2011</h3><div class='summary paragraph-styling'><p>
3704During the course of this evolving on-site work, Amanda Ross-Ho will invite viewers to become participants in an ongoing examination of the boundaries of the white cube, the direct and indirect products of creative expression, and the connectivity of the visual world. Her site-specific installation will transform the Vaulted Gallery into an active worksite dedicated to producing three basic elements: blank stretched canvases, simple hand-built ceramic vessels, and handmade paper. Ross-Ho collapses the life cycle of the creative process through the performative act of embedding the gallery with the energy of production. The three manifestations of the ‘empty’ space produced—canvas, vessel, page—will create an environment that both formalizes the ability for massive potential and serves as witness to mass activity.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-flux-this-at-moma'><img itemprop="image" alt='Pope.L Flux This at MoMA' 3705 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/476c440ef29b04b2cafb121f160ecbae.jpg' 3706 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-flux-this-at-moma'> 3707 News 3708 </a></div><h1><a href='/news/pope-l-flux-this-at-moma'> 3709 Pope.L Flux This at MoMA 3710 </a></h1><h2>Friday, March 25, Celeste Bartos Theater</h2><div class='summary paragraph-styling'><p>Flux This, with Pope.L and Special Guests Museum of Modern Art, New York Instructions, proposals, notions, a phone call, and a trampoline. A day and a half of Fluxus-inspired-and-disgusted workshops, performances, video, and interventions, concluding with an evening of short things and even shorter things. Everyone is invited! 12:00–6:30 p.m. in the Cullman Education Building mezzanine and classrooms (admission is free) 6:30 p.m. in the Celeste Bartos Theater
3710(T3) (tickets required) Open rehearsals for this event take place on March 24. In conjunction with the exhibitions Instruction Lab and Contemporary Art from the Collection Tickets for the 6:30 p.m. theater event ($10; $8 members; $5 students, seniors, staff of other museums) can be purchased online or at the lobby information desk and the film desk.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/the-jewel-thief-at-the-tang-museum'><img itemprop="image" alt='The Jewel Thief at the Tang Museum' 3711 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2ac471bce91bfd5e671ad5e9ae2d3c14.jpeg' 3712 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/the-jewel-thief-at-the-tang-museum'> 3713 Exhibition | Saratoga Springs, NY 3714 </a></div><h1><a href='/news/the-jewel-thief-at-the-tang-museum'> 3715 The Jewel Thief at the Tang Museum 3716 </a></h1><h2>Co-curated by Jessica Stockholder and Ian Berry</h2><h3>Sep 18, 2010 - Feb 27, 2011</h3><div class='summary paragraph-styling'><p>
3716The Jewel Thief will combine works by over fifty contemporary artists with eccentric arrangements to explore new ways to think about and experience abstract art. Through experiments with scale, color, material, and space, the exhibition will create an immersive environment that raises questions about art and display and enables fresh takes on the specific works.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martin-kersels-at-the-museum-tinguely'><img itemprop="image" alt='Martin Kersels at the Museum Tinguely' 3717 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1ea03c5ed7f24f112c0d1186273279b1.jpeg' 3718 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martin-kersels-at-the-museum-tinguely'> 3719 Exhibition | Basel 3720 </a></div><h1><a href='/news/martin-kersels-at-the-museum-tinguely'> 3721 Martin Kersels at the Museum Tinguely 3722 </a></h1><h2>Under Destruction</h2><h3>October 15, 2010 â January 23, 2011</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash is pleased to announce Martin Kersels in Under Destruction October 15, 2010 – January 23, 2011 Destruction in art - 50 years after Tinguely's Homage to New York Group show in collaboration with the Swiss Institute, New York. Co-curated by Chris Sharp and Gianni Jetzer, Under Destruction opens in collaboration with the Swiss Institute, New York and features some twenty internationally known contemporary artists that examine the use and role of destruction in contemporary art.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/amanda-ross-ho-at-museum-of-modern-art'><img itemprop="image" alt='Amanda Ross-Ho at Museum of Modern Art' 3723 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5180825674f9483c6619440b0ecb0131.jpeg' 3724 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/amanda-ross-ho-at-museum-of-modern-art'> 3725 Exhibition | New York 3726 </a></div><h1><a href='/news/amanda-ross-ho-at-museum-of-modern-art'> 3727 Amanda Ross-Ho at Museum of Modern Art 3728 </a></h1><h2>New Photography 2010</h2><h3>September 29, 2010âJanuary 10, 2011</h3><div class='summary paragraph-styling'><p>MoMA's New Photography 2010 presents four artists—Roe Ethridge, Elad Lassry, Alex Prager, and Amanda Ross-Ho—whose photographs, taken in the real world and made in the studio, mine the inexhaustible reservoir of images found in print media, television, and cinema.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jessica-stockholder-s-jewel-thief-in-the-new-york-times'><img itemprop="image" alt='Jessica Stockholder's 'Jewel Thief' in the New York Times' 3729 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a9b1270876bb17692b97ffaab184362f.jpeg' 3730 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jessica-stockholder-s-jewel-thief-in-the-new-york-times'> 3731 News 3732 </a></div><h1><a href='/news/jessica-stockholder-s-jewel-thief-in-the-new-york-times'> 3733 Jessica Stockholder's 'Jewel Thief' in the New York Times 3734 </a></h1><h2>The Tang Museum at Skidmore College</h2><div class='summary paragraph-styling'><p>New Sparkle for an Abstract Ensemble By HOLLAND COTTER SARATOGA SPRINGS, N.Y. — In the echo chamber that is the New York art world, where one voice can give the illusion of being many, the crusading cry of late is “We need more painting!” As if there were a dearth. Is there? Walk through any of the city’s art museums, and what do see? Paintings everywhere. Visit contemporary galleries all over town, and what do you find? They’re painting packed. But still the cry goes on.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/paul-winstanley-at-contemporary-arts-forum'><img itemprop="image" alt='Paul Winstanley at Contemporary Arts Forum' 3735 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/0699f7daf48a5aff3126bb52d8472c7c.jpeg' 3736 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/paul-winstanley-at-contemporary-arts-forum'> 3737 News 3738 </a></div><h1><a href='/news/paul-winstanley-at-contemporary-arts-forum'> 3739 Paul Winstanley at Contemporary Arts Forum 3740 </a></h1><h2>Santa Barbara, California</h2><h3>October 23 - December 19, 2010</h3><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-fiac'><img itemprop="image" alt='Pope.L at FIAC' 3741 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b65b775faf93b89034e073c1150c4602.jpeg' 3742 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-fiac'> 3743 News 3744 </a></div><h1><a href='/news/pope-l-at-fiac'> 3745 Pope.L at FIAC 3746 </a></h1><h2>October 21 - 24</h2><div class='summary paragraph-styling'><p>Pope.L at FIAC, Paris, October 21 - 24 Booth A40 – Mitchell-Innes & Nash New York, September, 2010: Mitchell-Innes & Nash will present a solo booth featuring Pope.L at FIAC, Paris from October 21 through 24. The works on view, dating from the 1990s to the present, will include sculpture, photographs, painting and drawing, as well as a performance in the FIAC booth.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail">
3746<a href='/news/roy-lichtenstein-reflected-in-the-new-york-times'><img itemprop="image" alt='Roy Lichtenstein Reflected in the New York Times' 3747 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1594b0bb8c2189f2c3e10a478f9ab109.jpeg' 3748 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/roy-lichtenstein-reflected-in-the-new-york-times'> 3749 News 3750 </a></div><h1><a href='/news/roy-lichtenstein-reflected-in-the-new-york-times'> 3751 Roy Lichtenstein Reflected in the New York Times 3752 </a></h1><h2>Following the Dots around the City</h2><h3>September 23, 2010</h3><div class='summary paragraph-styling'><p> 3753 Following the Dots Around the City By ROBERTA SMITH Autumn in New York is the perfect time for an accidental festival of the work of the Pop artist Roy Lichtenstein. This one is made possible by three separate exhibitions spread around Manhattan, which seems only fitting.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/roy-lichtenstein-at-the-morgan-library'><img itemprop="image" alt='Roy Lichtenstein at the Morgan Library' 3754 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/025fbd50321f8284a0316327799ff86e.jpeg' 3755 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/roy-lichtenstein-at-the-morgan-library'> 3756 News 3757 </a></div><h1><a href='/news/roy-lichtenstein-at-the-morgan-library'> 3758 Roy Lichtenstein at the Morgan Library 3759 </a></h1><h2>September 24, 2010, through January 2, 2011</h2><div class='summary paragraph-styling'><p> 3760 An extraordinary new exhibition organized by The Morgan Library & Museum, opening September 24, presents an important series of large-scale, black-and-white works as a group for the first time and examines Lichtenstein's less known exploration of the medium of drawing. Created during the early and mid-1960s, the fifty-five drawings on view offer a revealing window into the development of Lichtenstein's art, as he began for the first time to appropriate commercial illustrations and comic strips as subject matter and experimented stylistically with simulating commercial techniques of reproduction—the famous Benday dots. The work represents an essential and original contribution to Pop Art as well as to the history of drawing.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/a-conversation-on-roy-lichtenstein'><img itemprop="image" alt='A Conversation on Roy Lichtenstein' 3761 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/894ba1b632baf5ab2a26993313e7d438.jpeg' 3762 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/a-conversation-on-roy-lichtenstein'> 3763 News 3764 </a></div><h1><a href='/news/a-conversation-on-roy-lichtenstein'> 3765 A Conversation on Roy Lichtenstein 3766 </a></h1><h2>Saturday October 16, 4pm</h2><div class='summary paragraph-styling'><p> 3767 A CONVERSATION ON ROY LICHTENSTEIN MITCHELL-INNES & NASH CHELSEA SATURDAY OCTOBER 16, 4 PM Mitchell-Innes & Nash will hold a round-table discussion on the occasion of the exhibition Roy Lichtenstein Reflected at the Chelsea gallery on Saturday, October 16, at 4pm. Participants will include Dorothy Lichtenstein, David Salle, and Graham Bader.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-the-brooklyn-museum'><img itemprop="image" alt='Martha Rosler at the Brooklyn Museum' 3768 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a34edc8534e865d982f45763b3da6a9a.jpg' 3769 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-the-brooklyn-museum'> 3770 News 3771 </a></div><h1><a href='/news/martha-rosler-at-the-brooklyn-museum'> 3772 Martha Rosler at the Brooklyn Museum 3773 </a></h1><h2>Seductive Subversion: Women Pop Artists, 1958â1968</h2><div class='summary paragraph-styling'><p> 3774 Brooklyn Museum Seductive Subversion: Women Pop Artists, 1958–1968 October 15, 2010–January 9, 2011 Elizabeth A. Sackler Center for Feminist Art and Morris A. and Meyer Schapiro Wing, 4th Floor This large-scale exhibition examines the impact of women artists on the traditionally male-dominated field of Pop art.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-the-new-museum'><img itemprop="image" alt='Pope.L at the New Museum' 3775 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/a898589fcf78417d10da620255b727de.jpeg' 3776 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-the-new-museum'> 3777 News 3778 </a></div><h1><a href='/news/pope-l-at-the-new-museum'> 3779 Pope.L at the New Museum 3780 </a></h1><h2>October 6, 2010 - January 9, 2011</h2><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash is pleased to announce Pope.L's "Eating the Wall Street Journal" in the exhibition "The Last Newspaper" at the New Museum. Pope.L will supervise a performative restaging of this seminal work enlisting a team of collaborators to occasionally wander throughout the museum eating the financial daily.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/christopher-miner-in-tba-festival-portland-or'><img itemprop="image" alt='Christopher Miner in TBA Festival Portland OR' 3781 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c5e4fc56421baff88024604959be5de9.jpeg' 3782 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/christopher-miner-in-tba-festival-portland-or'> 3783 News 3784 </a></div><h1><a href='/news/christopher-miner-in-tba-festival-portland-or'> 3785 Christopher Miner in TBA Festival Portland OR 3786 </a></h1><h2>The Safest Place</h2><div class='summary paragraph-styling'><p> 3787 Mitchell-Innes & Nash is pleased to announce Christopher Miner in the Portland Institute for Contemporary Art's annual Time-Based Art Festival. TBA will feature Miner's video "The Safest Place" which charts a lone man rotating endlessly, floating in an undefined space ship-like interior. As he spins, the figure clasps his knees in perpetual fetal-positioned prayer. Lost in a space of contemplation, he becomes a kind of everyman who quietly reaches out to the great beyond. The music, recorded by Miner, is a reinvented southern spiritual whose song becomes incantation: No harm have I done on my knees When you see me on my knees Come here, Jesus, if you please. The searcher takes comfort in this act of petition, though his waiting, like the silence of the answer, is
3787infinite. Opening reception Thursday September 9, 8-10pm THE WORKS at Washington High School 531 SE 14th Ave. Portland OR 97214 Gallery Hours Sept. 10 - Sept. 19 . Every Day, 12 - 6:30 pm Sept. 23 - Oct 17 . Thurs - Fri . 12 - 6:30 pm; Sat - Sun . 12 - 4 pm</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/item-in-the-new-york-times'><img itemprop="image" alt='ITEM in the New York Times' 3788 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/deac43850ba4ff10405fb6be94c4ea34.jpeg' 3789 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/item-in-the-new-york-times'> 3790 News 3791 </a></div><h1><a href='/news/item-in-the-new-york-times'> 3792 ITEM in the New York Times 3793 </a></h1><h2>Varieties of Abstraction by Roberta Smith</h2><h3>August 5, 2010</h3><div class='summary paragraph-styling'><p> 3794 August 5, 2010 Varieties of Abstraction By ROBERTA SMITH Happy birthday, abstract painting! One of the prides and joys of Western modernism is in the vicinity of its first centennial. It's hard to be much more exact, since its invention was a scattered effort extending over years if not decades.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jack-tworkov'><img itemprop="image" alt='Jack Tworkov' 3795 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4b05474f987b4e2ef1a500bf26205e0d.jpeg' 3796 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jack-tworkov'> 3797 News 3798 </a></div><h1><a href='/news/jack-tworkov'> 3799 Jack Tworkov 3800 </a></h1><h2>Against Extremes: Five Decades of Painting</h2><div class='summary paragraph-styling'><p> 3801 JACK TWORKOV Against Extremes: Five Decades of Painting a major retrospective of the artist's most celebrated work July 9-August 22, 2010 opening reception: Friday, July 9, 8-10PM PROVINCETOWN ART ASSOCIATION AND MUSEUM Provincetown, MA MUSEUM HOURS : 11 am to 8 pm, Monday through Thursday 11 am to 10 pm, Friday 11 am to 5 pm, Saturday and Sunday PAAM is located on the corners of Commercial and Bangs Streets in Provincetown's East End. Take Route 6 to the Provincetown Center exit. Turn left at light onto Conwell Street, then left at stop sign onto Bradford Street, 1/2 mile on right is Bang Street, right one block to Commercial. Parking is available in many private and municipal lots in Provincetown, and depending on the season, parking may be available on Commercial Street.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martin-kersels-at-the-whitney-biennial'><img itemprop="image" alt='Martin Kersels at the Whitney Biennial' 3802 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/358ea52caa742bab16eb3641f03f65b4.jpeg' 3803 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martin-kersels-at-the-whitney-biennial'> 3804 News 3805 </a></div><h1><a href='/news/martin-kersels-at-the-whitney-biennial'> 3806 Martin Kersels at the Whitney Biennial 3807 </a></h1><h3>February 25 - May 30, 2010</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash is pleased to announce that Martin Kersels is included in the 2010 Whitney Biennial. He has created a sculptural installation in the Lobby Gallery that also functions as a stage for curatorial programs involving artists, writers, musicians, choreographers, and DJs. Kersels will perform Friday April 2 at 7:30 pm as part of the Whitney's My Turn program in conjunction with the Biennial.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/amanda-ross-ho-at-the-museum-of-contemporary-art-chicago2'><img itemprop="image" alt='Amanda Ross-Ho at the Museum of Contemporary Art, Chicago' 3808 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/9025d931ea545e26cbcd94b14f044e6b.jpeg' 3809 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/amanda-ross-ho-at-the-museum-of-contemporary-art-chicago2'> 3810 Exhibition | Chicago 3811 </a></div><h1><a href='/news/amanda-ross-ho-at-the-museum-of-contemporary-art-chicago2'> 3812 Amanda Ross-Ho at the Museum of Contemporary Art, Chicago 3813 </a></h1><h2>Production Site: The Artist's Studio Inside-Out</h2><h3>February 6 - May 30, 2010</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash is pleased to announce Amanda Ross-Ho in Production Site: The Artist's Studio Inside-Out February 6 - May 30, 2010 at the Museum of Contemporary Art, Chicago. The exhibition reflects and addresses the pivotal role of the studio in artists' practice while alluding to its enduring status in the popular imagination. The works that comprise Production Site include multi-channel video projections, photographic light-boxes and installations, and life-sized fabrications of artists' studios -- real and imagined -- that either extol the virtues of the studio or problematize the preconceived and often highly romanticized notions associated with it. The exhibition provides the viewer with an unprecedented and illuminating look at how some of the most compelling artists of our time have demystified, remystified, and reconsidered this site within the physical and conjectured space of the work of art.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail">
3813<a href='/news/new-york-gallery-week'><img itemprop="image" alt='New York Gallery Week' 3814 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2fa4d65c480cf9aac4c91c5e1f371d72.png' 3815 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/new-york-gallery-week'> 3816 News 3817 </a></div><h1><a href='/news/new-york-gallery-week'> 3818 New York Gallery Week 3819 </a></h1><h2>May 7-10, 2010</h2><div class='summary paragraph-styling'><p> 3820 Mitchell-Innes & Nash is pleased to announce its participation in New York Gallery Week, May 7-10, 2010. The gallery will feature the work of William Pope.L in conjunction with New York Gallery Week's events throughout the weekend.</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Pope.L Cusp' 3821 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/99439da47318a1a7032caf06e49b8823.jpeg' 3822 ></div><div class='info'><div class="list-detail-title"> 3823 News 3824 </div><h1> 3825 Pope.L Cusp 3826 </h1><h2>Performance</h2><div class='summary paragraph-styling'><p> 3827 An endurance performance taking place Saturday afternoons throughout Pope.L's exhibition, landscape + object + animal.</p><p> 3828 Performance Times:<br /> 3829 Saturday May 8 5:15pm 6:30pm<br /> 3830 Sunday May 9 2pm 3:15pm 4:30pm<br /> 3831 Monday May 10 2pm 3:15pm 4:30pm<br /> 3832 Saturday May 15 2pm 3:15pm 4:30pm<br /> 3833 Saturday May 22 3:15pm 4:30pm<br /> 3834 Saturday May 29 2pm 3:15pm 4:30pm<br /> 3835 Saturday June 5 2pm 3:15pm 4:30pm<br /> 3836 Saturday June 12 2pm 3:15pm 4:30pm<br /> 3837 Saturday June 19 2pm 3:15pm 4:30pm</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-talk-at-the-new-school'><img itemprop="image" alt='Pope.L talk at the New School' 3838 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/32a84eb40bc1d3de2ddf01ffba076d2c.jpeg' 3839 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-talk-at-the-new-school'> 3840 News 3841 </a></div><h1><a href='/news/pope-l-talk-at-the-new-school'> 3842 Pope.L talk at the New School 3843 </a></h1><h2>Monday April 19th</h2><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash is pleased to announce Pope.L's participation in SCULPTURECENTER AT THE NEW SCHOOL Expanded, Exploded, Collapsed? Monday, April 19, 2010 – 6:30 to 8:30 p.m. The New School, Theresa Lang Community and Student Center 55 West 13th Street, 2nd floor Admission: $8, free for all students as well as SculptureCenter members and New School faculty, staff, and alumni with ID.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/amanda-ross-ho-at-the-pomona-college-museum-of-art'><img itemprop="image" alt='Amanda Ross-Ho at the Pomona College Museum of Art' 3844 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1e724842c22e10045e2630ae961032f4.jpeg' 3845 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/amanda-ross-ho-at-the-pomona-college-museum-of-art'> 3846 Exhibition | Claremont, CA 3847 </a></div><h1><a href='/news/amanda-ross-ho-at-the-pomona-college-museum-of-art'> 3848 Amanda Ross-Ho at the Pomona College Museum of Art 3849 </a></h1><h2>Project Series 40: Amanda Ross-Ho The Cheshire Cat Principle</h2><h3>January 23 â April 11, 2010</h3><div class='summary paragraph-styling'><p>"Project Series 40: Amanda Ross-Ho The Cheshire Cat Principle" will be on view January 23 through April 11, 2010, at the Pomona College Museum of Art in Claremont, CA. An opening reception will be held at the Museum on Saturday, January 23 from 4-6 p.m. Amanda Ross-Ho will present a public lecture about her work on Tuesday, March 2 at 10:30 a.m. in the Museum.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/adaa-collector-s-forum'><img itemprop="image" alt='ADAA Collector's Forum' 3850 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/bdacad7ce089681ee37ff09f8713a476.jpeg' 3851 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/adaa-collector-s-forum'> 3852 News 3853 </a></div><h1><a href='/news/adaa-collector-s-forum'> 3854 ADAA Collector's Forum 3855 </a></h1><h2>A Committed Vision</h2><div class='summary paragraph-styling'><p> 3856 ADAA Collectors' Forum: A Committed Vision Collecting in the New Economy Saturday, March 6, 11:00 am The Park Avenue Armory The panel will focus on a variety of issues related to collecting art in different economic climates, and the vision and dedication that marks the best art collectors and collections.
3856</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jessica-stockholder-at-carreras-mugica'><img itemprop="image" alt='Jessica Stockholder at Carreras Mugica' 3857 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/fb46c44865d0422f2399ecb5baf32d83.jpeg' 3858 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/fb46c44865d0422f2399ecb5baf32d83.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/fb46c44865d0422f2399ecb5baf32d83.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jessica-stockholder-at-carreras-mugica'> 3859 Installation | Vizcaya, Spain 3860 </a></div><h1><a href='/news/jessica-stockholder-at-carreras-mugica'> 3861 Jessica Stockholder at Carreras Mugica 3862 </a></h1><h2>Air Padded Table Haunches, and...</h2><h3>January 15 - February 26, 2010</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & nash is pleased to announce Jessica Stockholder's installation "Air Padded Table Haunches, and..." at Carreras Mugica</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/mira-schor-reads-the-extreme-of-the-middle'><img itemprop="image" alt='Mira Schor reads The Extreme of the Middle' 3863 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c35863e7afee209d8e0bf4d6fdba01ea.jpeg' 3864 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/mira-schor-reads-the-extreme-of-the-middle'> 3865 News 3866 </a></div><h1><a href='/news/mira-schor-reads-the-extreme-of-the-middle'> 3867 Mira Schor reads The Extreme of the Middle 3868 </a></h1><h2>Writings of Jack Tworkov</h2><div class='summary paragraph-styling'><p> 3869 BOOK READING THE EXTREME OF THE MIDDLE WRITINGS OF JACK TWORKOV Friday, February 5th at 5pm Mitchell-Innes & Nash Chelsea 534 West 26th Street, New York, NY 10001</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-in-the-decordova-biennial'><img itemprop="image" alt='Pope.L in the DeCordova Biennial' 3870 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/931ff1919ba36b49b0204df144c4bac9.jpeg' 3871 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-in-the-decordova-biennial'> 3872 News 3873 </a></div><h1><a href='/news/pope-l-in-the-decordova-biennial'> 3874 Pope.L in the DeCordova Biennial 3875 </a></h1><h2>January 23 - April 11, 2010</h2><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash is pleased to announce Pope.L in the DeCordova Biennial. The 2010 DeCordova Biennial exhibition is the newest iteration in DeCordova's long history of showcasing contemporary art in New England. The museum is located at 51 Sandy Pond Rd, Lincoln, MA and is open Tuesday-Sunday from 10-5 and select holidays. Please call 781 259-8355 for more information.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/chris-martin-at-the-nerman-museum'><img itemprop="image" alt='Chris Martin at the Nerman Museum' 3876 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1fed166ce0bf135c01cd83c18e9ba56f.jpeg' 3877 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/chris-martin-at-the-nerman-museum'> 3878 News 3879 </a></div><h1><a href='/news/chris-martin-at-the-nerman-museum'> 3880 Chris Martin at the Nerman Museum 3881 </a></h1><h2>November 20, 2009 - January 31, 2010</h2><div class='summary paragraph-styling'><p> 3882 Mitchell-Innes & Nash is pleased to announce Chris Martin in "Aberrant Abstraction" at the Nerman Museum in Kansas City, Kansas.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/chris-martin-and-amanda-ross-ho-at-the-saatchi-gallery'><img itemprop="image" alt='Chris Martin and Amanda Ross-Ho at the Saatchi Gallery' 3883 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5ebccab7089d732dccab72b069de6e3f.jpeg' 3884 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/chris-martin-and-amanda-ross-ho-at-the-saatchi-gallery'> 3885 Exhibition | London 3886 </a></div><h1><a href='/news/chris-martin-and-amanda-ross-ho-at-the-saatchi-gallery'> 3887 Chris Martin and Amanda Ross-Ho at the Saatchi Gallery 3888 </a></h1><h2>Abstract America: New Paintings and Sculpture</h2><h3>May 29, 2009 - January 17, 2010</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash is pleased to announce Chris Martin and Amanda Ross-Ho in Abstract America at the Saatchi Gallery, May 29, 2009 - January 17, 2010. Thirty-five artists are in the exhibition, representing an exciting new generation of American painters and sculptors.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail">
3888<a href='/news/martin-kersels-announced-for-2010-whitney-biennial'><img itemprop="image" alt='Martin Kersels announced for 2010, Whitney Biennial' 3889 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/44758470c6ac4bf3a89fdcbf93c77a57.jpeg' 3890 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martin-kersels-announced-for-2010-whitney-biennial'> 3891 News 3892 </a></div><h1><a href='/news/martin-kersels-announced-for-2010-whitney-biennial'> 3893 Martin Kersels announced for 2010, Whitney Biennial 3894 </a></h1><h2>Opening February 25, 2010</h2><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-s-black-factory-at-abmb'><img itemprop="image" alt='Pope.L's Black Factory at ABMB' 3895 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/627f6e3e1253bd08121da9ac12c02a7e.jpeg' 3896 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-s-black-factory-at-abmb'> 3897 News 3898 </a></div><h1><a href='/news/pope-l-s-black-factory-at-abmb'> 3899 Pope.L's Black Factory at ABMB 3900 </a></h1><h2>December 3-6 at the Botanical Gardens</h2><div class='summary paragraph-styling'><p>"The Black Factory does not make blackness, it performs blackness. Sometimes the performance is a conversation, sometimes a provocation, sometimes its a commodity, sometimes its losing your commodities and sleeping at the shelter, sometimes its working in the soup kitchen of that shelter, sometimes the performance of blackness is simply an idea bearing on some distant resemblance from which I will always say: From here I dare to begin."<br /> 3901- Pope.L</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jessica-stockholder-at-the-denver-art-museum'><img itemprop="image" alt='Jessica Stockholder at the Denver Art Museum' 3902 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/149f4360a67ef18a7564815a50fa70d6.jpeg' 3903 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jessica-stockholder-at-the-denver-art-museum'> 3904 Exhibition | Denver 3905 </a></div><h1><a href='/news/jessica-stockholder-at-the-denver-art-museum'> 3906 Jessica Stockholder at the Denver Art Museum 3907 </a></h1><h2>Embrace!</h2><h3>On view through April 4, 2010</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash is pleased to announce Jessica Stockholder in Embrace! at the Denver Art Museum, on view through April 4, 2010. Stockholder's installation "Wide Eyes Smeared Here Dear " is on view within the architecture of the Frederic C. Hamilton building.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/amanda-ross-ho-at-the-yerba-buena-center-for-the-arts'><img itemprop="image" alt='Amanda Ross-Ho at the Yerba Buena Center for the Arts' 3908 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7a5e1f2e1efff1b087c6a0ceeade963e.jpeg' 3909 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7a5e1f2e1efff1b087c6a0ceeade963e.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7a5e1f2e1efff1b087c6a0ceeade963e.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/amanda-ross-ho-at-the-yerba-buena-center-for-the-arts'> 3910 Exhibition | San Francisco, CA 3911 </a></div><h1><a href='/news/amanda-ross-ho-at-the-yerba-buena-center-for-the-arts'> 3912 Amanda Ross-Ho at the Yerba Buena Center for the Arts 3913 </a></h1><h2>Wallworks</h2><h3>July 18 - October 25, 2009</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash is pleased to announce Amanda Ross-Ho's participation in Wallworks at the Yerba Buena Center for the Arts in San Francisco. Wallworks is the highly anticipated curatorial debut of Betti-Sue Hertz, YBCA's newly appointed Director of Visual Arts.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/mitchell-innes-nash-at-fiac-paris'><img itemprop="image" alt='Mitchell-Innes &amp; Nash at FIAC, Paris' 3914 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4d77aa8a79c19ce784f1a5ab828c1e28.jpeg' 3915 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/mitchell-innes-nash-at-fiac-paris'> 3916 News 3917 </a></div><h1><a href='/news/mitchell-innes-nash-at-fiac-paris'> 3918 Mitchell-Innes & Nash at FIAC, Paris 3919 </a></h1><h2>October 22 - 25, 2009</h2><div class='summary paragraph-styling'><p> 3920 Mitchell-Innes & Nash is pleased to announce its participation in FIAC 2009 at the Grand Palais Booth No. A36. On view: Pierre Alechinsky Jean Arp Anthony Caro Allan D'Arcangelo Jean Dubuffet Axel Geis Alberto Giacometti Albert Gleizes Jack Goldstein Julio Gonzalez Leon Kossoff Justine Kurland Roy Lichtenstein Chris Martin Henri Matisse Henry Moore Enoc Perez Odilon Redon Martha Rosler Mark Rothko Georges Rouault Egon Schiele Norbert Schwontowski George Segal Nicolas de Stael Jessica Stockholder Pavel Tchelitchew Jack Tworkov Andy Warhol Paul Winstanley</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/adaa-collectors-forum-october-3'><img itemprop="image" alt='ADAA Collectors' Forum: October 3' 3921 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b3b349723774ebd156c27fd558783627.jpeg' 3922 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/adaa-collectors-forum-october-3'> 3923 News 3924 </a></div><h1><a href='/news/adaa-collectors-forum-october-3'> 3925 ADAA Collectors' Forum: October 3 3926 </a></h1><h2>The Informed Eye: An Expert Look at Print Collecting</h2><div class='summary paragraph-styling'><p> 3927 Saturday 3 October; 10:30 am The Morgan Library & Museum 225 Madison Avenue, NYC Produced in cooperation with the International Fine Print Dealers Association, the forum will explore the criteria used to look at and purchase prints as a genre of collecting.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-in-the-icp-triennial'><img itemprop="image" alt='Martha Rosler in the ICP Triennial' 3928 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b1e9bc1e81711d79ce1630ef0a8d255a.jpg' 3929 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-in-the-icp-triennial'> 3930 News 3931 </a></div><h1><a href='/news/martha-rosler-in-the-icp-triennial'> 3932 Martha Rosler in the ICP Triennial 3933 </a></h1><h2>October 2, 2009âJanuary 17, 2010</h2><div class='summary paragraph-styling'><p> 3934 Mitchell-Innes & Nash is pleased to announce Martha Rosler in Dress Codes, the third ICP Triennial exhibition.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jack-goldstein-at-mmk-frankfurt'><img itemprop="image" alt='Jack Goldstein at MMK Frankfurt' 3935 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1accc3434d5a5d20a6e2b24ea9272826.jpeg' 3936 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jack-goldstein-at-mmk-frankfurt'> 3937 News 3938 </a></div><h1><a href='/news/jack-goldstein-at-mmk-frankfurt'> 3939 Jack Goldstein at MMK Frankfurt 3940 </a></h1><h2>October 3, 2009 - January 10, 2010</h2><div class='summary paragraph-styling'><p> 3941 "Art should be a trailer for the future"<br /> 3942 - Jack Goldstein</p><p> 3943 Mitchell-Innes & Nash is pleased to announce Jack Goldstein at MMK Frankfurt. The exhibition is the first one in a new series, which focu
3943ses on comprehensive retrospectives devoted to selected artists of the MMK's collection.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-reinvents-allan-kaprow-s-yard'><img itemprop="image" alt='Pope.L Reinvents Allan Kaprow's Yard' 3944 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f2c2a79da0ce7ae5eb6771e82f162de2.jpeg' 3945 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-reinvents-allan-kaprow-s-yard'> 3946 News 3947 </a></div><h1><a href='/news/pope-l-reinvents-allan-kaprow-s-yard'> 3948 Pope.L Reinvents Allan Kaprow's Yard 3949 </a></h1><h2>Opening September 23 at Hauser and Wirth New York</h2><div class='summary paragraph-styling'><p>September 23 – October 24, 2009 Opening: Wednesday, September 23, 6 – 8 pm Hauser & Wirth New York 32 East 69th Street New York NY 10021</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/alexander-liberman-at-ward-pound-ridge-reservation'><img itemprop="image" alt='Alexander Liberman at Ward Pound Ridge Reservation' 3950 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d3938e8ecd5f85a309cbce161c92a7b1.jpeg' 3951 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/alexander-liberman-at-ward-pound-ridge-reservation'> 3952 News 3953 </a></div><h1><a href='/news/alexander-liberman-at-ward-pound-ridge-reservation'> 3954 Alexander Liberman at Ward Pound Ridge Reservation 3955 </a></h1><h2>Currently on view</h2><div class='summary paragraph-styling'><p>Alexander Liberman's monumental sculpture, Castle, is now on view at the Ward Pound Ridge Reservation in Westchester, New York. Ward Pound Ridge Reservation Route 35 & 121 South Cross River, NY (914) 864-7317</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/justine-kurland-at-cepa-gallery'><img itemprop="image" alt='Justine Kurland at CEPA Gallery' 3956 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b0fb4c42acf74258ce661c71b80bcb15.jpeg' 3957 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/justine-kurland-at-cepa-gallery'> 3958 Exhibition | Buffalo, NY 3959 </a></div><h1><a href='/news/justine-kurland-at-cepa-gallery'> 3960 Justine Kurland at CEPA Gallery 3961 </a></h1><h2>Photographs</h2><h3>June 27 - August 22, 2009</h3><div class='summary paragraph-styling'><p>Photographs : photographs by Justine Kurland CEPA Gallery 617 Main Street Buffalo, New York June 27 - August 22, 2009 New York City based Justine Kurland was born in Warsaw, NY, and is returning to her Western New York roots for her first exhibition in the region.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jessica-stockholder-at-madison-square-park'><img itemprop="image" alt='Jessica Stockholder at Madison Square Park' 3962 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/6a2fb8f009f752c535bd740b20806a30.jpeg' 3963 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/6a2fb8f009f752c535bd740b20806a30.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/6a2fb8f009f752c535bd740b20806a30.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jessica-stockholder-at-madison-square-park'> 3964 Installation | New York 3965 </a></div><h1><a href='/news/jessica-stockholder-at-madison-square-park'> 3966 Jessica Stockholder at Madison Square Park 3967 </a></h1><h2>Flooded Chambers Maid</h2><h3>May 1 - August 15, 2009</h3><div class='summary paragraph-styling'><p>JESSICA STOCKHOLDER</p><p>FLOODED CHAMBERS MAID</p><p>MAY 1 - AUGUST 15, 2009 The Madison Square Park Conservancy continues its 2009 season of Mad. Sq. Art with Flooded Chambers Maid, a site-specific multimedia installation on and around Madison Square Park's Oval Lawn by genre-bending sculptor, painter and installation artist Jessica Stockholder.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jack-tworkov-at-ubs'><img itemprop="image" alt='Jack Tworkov at UBS' 3968 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/3b26c7a6e7c3da2a89d77e24696b9cef.jpeg' 3969 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jack-tworkov-at-ubs'> 3970 News 3971 </a></div><h1><a href='/news/jack-tworkov-at-ubs'> 3972 Jack Tworkov at UBS 3973 </a></h1><h2>August 13 â November 13, 2009</h2><div class='summary paragraph-styling'><p> 3974 JACK TWORKOV: AGAINST EXTREMES, Five Decades of Painting On view at The UBS Art Gallery, August 13 – October 27, 2009</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail">
3974<a href='/news/jessica-stockholder-in-the-new-york-times'><img itemprop="image" alt='Jessica Stockholder in the New York Times' 3975 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/787f740c0138e85d9facaad8b327dc50.jpeg' 3976 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/787f740c0138e85d9facaad8b327dc50.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/787f740c0138e85d9facaad8b327dc50.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jessica-stockholder-in-the-new-york-times'> 3977 News 3978 </a></div><h1><a href='/news/jessica-stockholder-in-the-new-york-times'> 3979 Jessica Stockholder in the New York Times 3980 </a></h1><h2>Go Ahead, Play With (and on) the Art</h2><div class='summary paragraph-styling'><p>June 14, 2009 Go Ahead, Play With (and on) the Art By CAROL KINO</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/justine-kurland-at-the-museum-of-modern-art'><img itemprop="image" alt='Justine Kurland at the Museum of Modern Art' 3981 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/34028950683e88464aab369d7e263907.jpg' 3982 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/justine-kurland-at-the-museum-of-modern-art'> 3983 Exhibition | New York 3984 </a></div><h1><a href='/news/justine-kurland-at-the-museum-of-modern-art'> 3985 Justine Kurland at the Museum of Modern Art 3986 </a></h1><h2>Into the Sunset: Photographyâs Image of the American West</h2><h3>March 29 - June 8, 2009</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash is pleased to announce Justine Kurland's inclusion in <em>Into the Sunset</em>, opening March 29th at the Museum of Modern Art, New York.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/leon-kossoff-in-artforum'><img itemprop="image" alt='Leon Kossoff in ARTFORUM' 3987 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/73b810981b1917d1738e4b35f7dca0cd.jpeg' 3988 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/leon-kossoff-in-artforum'> 3989 News 3990 </a></div><h1><a href='/news/leon-kossoff-in-artforum'> 3991 Leon Kossoff in ARTFORUM 3992 </a></h1><h2>Summer 2009</h2><div class='summary paragraph-styling'><p> 3993 ARTFORUM Summer 2009 Leon Kossoff MITCHELL-INNES & NASH Leon Kossoff's painterliness invites us to scan the image of subconscious meaning—to play on Anton Ehrernzweig's idea of the way we approach what he calls "gestalt-free painting"—and the meaning we find involves what Freud called "primary process thinking," and traces of what D.W. Winnicott, elaborating and deepening Freud's idea, called "primary creativity," by which he meant the spontaneity innate to us all yet often stifled or channeled into trivial pursuits by society.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/roy-lichtenstein-at-the-katonah-museum-of-art'><img itemprop="image" alt='Roy Lichtenstein at the Katonah Museum of Art' 3994 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b808e
39940c25188803da122f0fde0a9d376.jpeg' 3995 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/roy-lichtenstein-at-the-katonah-museum-of-art'> 3996 News 3997 </a></div><h1><a href='/news/roy-lichtenstein-at-the-katonah-museum-of-art'> 3998 Roy Lichtenstein at the Katonah Museum of Art 3999 </a></h1><h2>March 29 - June 28, 2009</h2><div class='summary paragraph-styling'><p> 4000 This exhibition of 65 works on paper and board examines Roy Lichtenstein's creative process and artistic evolution during the 1980s and 90s. Drawings, collages, and sketchbooks are on view, offering some of the best clues to Lichtenstein's thoughts and working methods. Almost every drawing served as a study for a future painting, print, or sculpture.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/chris-martin-at-acme-los-angeles'><img itemprop="image" alt='Chris Martin at ACME Los Angeles' 4001 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7d80ec93c0f9676c65a5fac386521bed.jpg' 4002 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/chris-martin-at-acme-los-angeles'> 4003 News 4004 </a></div><h1><a href='/news/chris-martin-at-acme-los-angeles'> 4005 Chris Martin at ACME Los Angeles 4006 </a></h1><h2>March 21 - April 19, 2009</h2><div class='summary paragraph-styling'><p> 4007 Mitchell-Innes & Nash is pleased to announce Chris Martin in The Ballad that Becomes an Anthem, curated by Stephen Westfall at ACME Los Angeles. The exhibition will run from through April 19, 2009 and features works by Mary Heilmann, Chris Martin, Rebecca Morris, Amy Sillman, Mary Weatherford, and Stephen Westfall.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/amanda-ross-ho-at-the-2008-california-biennial'><img itemprop="image" alt='Amanda Ross-Ho at The 2008 California Biennial' 4008 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1c756f8470e927ac8e5e43d7c5d2b0d7.jpeg' 4009 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1c756f8470e927ac8e5e43d7c5d2b0d7.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/1c756f8470e927ac8e5e43d7c5d2b0d7.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/amanda-ross-ho-at-the-2008-california-biennial'> 4010 Exhibition | Newport Beach, CA 4011 </a></div><h1><a href='/news/amanda-ross-ho-at-the-2008-california-biennial'> 4012 Amanda Ross-Ho at The 2008 California Biennial 4013 </a></h1><h3>October 26, 2008 - March 15, 2009</h3><div class='summary paragraph-styling'><p>2008 California Biennial Newport Beach and Orange Lounge, South Coast Plaza</p><p>The 2008 California Biennial continues the Orange County Museum of Art's four-decade long history of presenting new developments in California art. This year's biennial is guest-curated by Lauri Firstenberg, founder and director/curator of LAXART in Los Angeles.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/the-armory-show-2009'><img itemprop="image" alt='The Armory Show 2009' 4014 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/562771280cbca43f95f848f2f84d84fa.jpg' 4015 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/the-armory-show-2009'> 4016 News 4017 </a></div><h1><a href='/news/the-armory-show-2009'> 4018 The Armory Show 2009 4019 </a></h1><h2>March 5-8, 2009</h2><div class='summary paragraph-styling'><p> 4020 Featuring works by: Allan D'Arcangelo Natalie Frank Axel Geis Justine Kurland Chris Martin Christopher Miner Enoc Perez William Pope.L Martha Rosler Amanda Ross-Ho Norbert Schwontkowski Jessica Stockholder Paul Winstanley</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-at-the-carpenter-center'>
4020<img itemprop="image" alt='Pope.L at the Carpenter Center' 4021 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f25e694533a81f2b756d8b090c6bbb2e.jpg' 4022 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-at-the-carpenter-center'> 4023 News 4024 </a></div><h1><a href='/news/pope-l-at-the-carpenter-center'> 4025 Pope.L at the Carpenter Center 4026 </a></h1><h2>February 19 - April 5, 2009</h2><div class='summary paragraph-styling'><p>Performance by the Corbu Pop Singers and reception Thursday, February 19 following the 6 pm Carpenter Center Lecture by Pope.L</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/enoc-perez-at-mills-college-art-museum'><img itemprop="image" alt='Enoc Perez at Mills College Art Museum' 4027 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/2b29512e903e68de36b42556730743ec.jpg' 4028 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/enoc-perez-at-mills-college-art-museum'> 4029 News 4030 </a></div><h1><a href='/news/enoc-perez-at-mills-college-art-museum'> 4031 Enoc Perez at Mills College Art Museum 4032 </a></h1><h2>Painting the Glass House: Artists Revisit Modern Architecture</h2><div class='summary paragraph-styling'><p> 4033 Works by Enoc Perez will be featured in a group show with works by Alexander Apostol, Daniel Arsham, Gordon, Cheung, David Claerbout, Angela Dufresne, Mark Dziewulski, Christine Erhard, Cyprien Gaillard, Terence Gower, Angelina Gualdoni, Natasha Kissell, Luisa Lambri, Dorit Margreiter, Russell Nachman, and Lucy Williams. The exhibition runs January 21 - March 22nd.</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Martha Rosler at Centro José Guerrero' 4034 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/e58a1df66b99c552c56b42d4a628cb05.jpeg' 4035 ></div><div class='info'><div class="list-detail-title"> 4036 News 4037 </div><h1> 4038 Martha Rosler at Centro José Guerrero 4039 </h1><h2>January 29 - March 12</h2><div class='summary paragraph-styling'><p> 4040 Mitchell-Innes is pleased to announce a survey of photographic and video works by Martha Rosler at Centro José Guerrero in Granada. The exhibition is curated by Juan Vicente Aliaga.</p></div><div class='links in-text'><div class='file'><a href='http://www.centroguerrero.org/index.php/Martha_Rosler/767/0/?&L=0' target="_blank">Centro José Guerrero</a></div></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Pope.L at the Rubell Collection' 4041 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/289a0a04dafb72fa0f46f76c978246d9.jpg' 4042 ></div><div class='info'><div class="list-detail-title"> 4043 News 4044 </div><h1> 4045 Pope.L at the Rubell Collection 4046 </h1><h2>December 3 - November 28, 2009</h2><div class='summary paragraph-styling'><p> 4047 Mitchell-Innes & Nash is pleased to announce the participation of Pope.L in the exhibition, "30 Americans," at the Rubell Family Collection. December 3, 2008 – November 28, 2009 Rubell Family Collection 95 NW 29th Street Miami, Florida 33127 Phone: (305) 573-6090 </p><p> 4048 Open to the public: December 3, 2008 – May 30, 2009 Wednesday through Saturday 10 AM – 6 PM Art Basel 2008 Hours: December 3, 9 AM – 6 PM December 4, 8 AM – 6 PM December 5 – 9, 9 AM – 6 PM</p></div><div class='links in-text'><div class='file'><a href='http://www.30americans.com/' target="_blank">30 Americans</a></div></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Amanda Ross-Ho at the Station' 4049 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/69dd2cd83647f552cdacc76f0cde77ea.jpg' 4050 ></div><div class='info'><div class="list-detail-title"> 4051 Exhibition | Miami 4052 </div><h1> 4053 Amanda Ross-Ho at the Station 4054 </h1><h3>December 3-7, 2008</h3><div class='summary paragraph-styling'><p>Mitchell-Innes & Nash is pleased to announce the participation of Amanda Ross-Ho in the exhibition co-curated by Shamim M. Momin (Co-Curator of the 2004 and 2008 Whitney Bie
4054nnials) and New York-based artist and curator Nate Lowman at the Station, Miami. The Station's artworks include commissioned, site-specific installations, new works, and borrowed works, set within the massive 12,000 square foot space. The Station 2008 will take place from December 3rd through 7th at Midblock East in the Midtown Miami District, 3250 NE 1st Avenue/Midtown Boulevard, Miami, FL 33137. The exhibition will be open during the hours of 12pm – 9pm. There will be a musical performance featuring Lansing-Dreiden and New Humans on the evening of Thursday, December 4th, from 9pm – 1am.</p></div><div class='links in-text'><div class='file'></div></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Martha Rosler Wins USA Visual Artist Fellowship' 4055 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/47baf94cfd6661bddb040ae26c571287.jpg' 4056 ></div><div class='info'><div class="list-detail-title"> 4057 News 4058 </div><h1> 4059 Martha Rosler Wins USA Visual Artist Fellowship 4060 </h1><h2>2008</h2><div class='summary paragraph-styling'><p> 4061 Martha Rosler has been awarded the prestigious 2008 USA Visual Artist Fellowship Grant.</p></div><div class='links in-text'><div class='file'><a href='http://www.unitedstatesartists.org/Public2/USAFellows/index.cfm' target="_blank">USA Fellows</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/pope-l-animal-nationalism'><img itemprop="image" alt='Pope.L: Animal Nationalism' 4062 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/dc0fafea3ce74da6f065bf19902ec2b0.jpg' 4063 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/pope-l-animal-nationalism'> 4064 News 4065 </a></div><h1><a href='/news/pope-l-animal-nationalism'> 4066 Pope.L: Animal Nationalism 4067 </a></h1><h2>Grand Arts Kansas City September 5 - October 18</h2><div class='summary paragraph-styling'><p> 4068 Animal Nationalism is comprised of two works: "Trinket," a large-scale, publicly accessible installation at the Exhibition Hall at the Municipal Auditorium, Kansas City Convention Center, and a video and performance piece called "Small Cup" at Grand Arts.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/anthony-caro-at-eglise-saint-jean-de-baptiste-of-bourbourg'><img itemprop="image" alt='Anthony Caro at Eglise Saint-Jean de Baptiste of Bourbourg' 4069 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/9091452148e5ccf7afc27db7fd551560.jpg' 4070 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/anthony-caro-at-eglise-saint-jean-de-baptiste-of-bourbourg'> 4071 News 4072 </a></div><h1><a href='/news/anthony-caro-at-eglise-saint-jean-de-baptiste-of-bourbourg'> 4073 Anthony Caro at Eglise Saint-Jean de Baptiste of Bourbourg 4074 </a></h1><h2>Opening October 11, 2008</h2><div class='summary paragraph-styling'><p> 4075 Mitchell-Innes & Nash is pleased to announce the public commission by Sir Anthony Caro at the Eglise Saint-Jean de Baptiste of Bourbourg and a major retrospective of the Artist's work in France presented simultaneously at the museums of Calais, Dunkirk and Gravelines. Eglise Saint-Jean Baptiste de Bourbourg Chapel of Light/ Chœur de lumière</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-book-launch'><img itemprop="image" alt='Martha Rosler Book Launch' 4076 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/27cf31b86c150ddb03c1e1250af4e13b.jpg' 4077 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-book-launch'> 4078 News 4079 </a></div><h1><a href='/news/martha-rosler-book-launch'> 4080 Martha Rosler Book Launch 4081 </a></h1><h2>Saturday, September 13, 2008</h2><div class='summary paragraph-styling'><p> 4082 Martha Rosler Service: A Trilogy on Colonization Martha Rosler Library Launch of Two Martha Rosler books, with Printed Matter and e-flux Saturday, September 13, 2008, 5:00 – 7:00 PM Printed Matter is pleased to announce the launch of two Martha Rosler publications: Printed Matter's facsimile edition of Service: A Trilogy on Colonization and e-flux's Martha Rosler Library.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-the-bronx-museum'><img itemprop="image" alt='Martha Rosler at the Bronx Museum' 4083 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/5331cbfdf707462a0a97e4072667a9b9.jpg' 4084 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-the-bronx-museum'> 4085 News 4086 </a></div><h1><a href='/news/martha-rosler-at-the-bronx-museum'> 4087 Martha Rosler at the Bronx Museum 4088 </a></h1><h2>September 14, 2008 â January 25, 2009</h2><div class='summary paragraph-styling'><p> 4089 Organized by guest curator Lydia Yee, Street Art, Street Life examines the street as subject matter, venue, and source of inspiration for artists and photographers from the late 1950s to the present. This far ranging exhibition, one of the largest to consider the subject, includes street photography; documentation of performance, events, and artworks presented in the street; works using material from the street; and examples of street culture by more than thirty artists.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-portikus'><img itemprop="image" alt='Martha Rosler at Portikus' 4090 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c661853c3b4165257bb0b4be135235ba.jpg' 4091 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-portikus'> 4092 News 4093 </a></div><h1><a href='/news/martha-rosler-at-portikus'> 4094 Martha Rosler at Portikus 4095 </a></h1><h2>July 12 - September 14, 2008</h2><div class='summary paragraph-styling'><p> 4096 Martha Rosler location, location, location Portikus Alte Brücke 2 / Maininsel D-60594 Frankfurt am<br /> 4097 Main Opening: July 11, 2008, 8 pm<br /> 4098 Lecture: July 11, 2008, 6.30 pm<br /> 4099 Exhibition on view: July 12 - September 14, 2008<br /> 4100 Press conversation: July 11, 2008, 11 am</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Enoc Perez at Collezione Maramotti' 4101 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/4e01d7767d08ed47b408c1984eab7044.jpg' 4102 ></div><div class='info'><div class="list-detail-title"> 4103 News 4104 </div><h1> 4105 Enoc Perez at Collezione Maramotti 4106 </h1><h2>Opening June 6</h2><div class='summary paragraph-styling'><p> 4107 A commission of two monumental-sized paintings of Casa Malaparte, a famous architectural landmark on Punta Massullo, on the eastern side of the Isle of Capri. The paintings were commissioned by the C
4107ollezione Maramotti, a public collection in Reggio Emilia, Italy. The paintings will be on view as of June 6 in a dedicated room at the collection. A small publication will accompany the exhibition.</p></div><div class='links in-text'><div class='file'><a href='http://www.collezionemaramotti.org/bin/driver?module=render&program=linkProgetto' target="_blank">Collezione Maramotti</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-the-institut-d-art-contemporain'><img itemprop="image" alt='Martha Rosler at the Institut d'art contemporain' 4108 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/642827a3cf99c92172e00142ffada9f0.png' 4109 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-the-institut-d-art-contemporain'> 4110 News 4111 </a></div><h1><a href='/news/martha-rosler-at-the-institut-d-art-contemporain'> 4112 Martha Rosler at the Institut d'art contemporain 4113 </a></h1><h2>May 16 - September 21, 2008</h2><div class='summary paragraph-styling'><p> 4114 Ambition d'art Alighiero Boetti, Daniel Buren, Jordi Colomer, Tony Cragg, Luciano Fabro, Yona Friedman, Anish Kapoor, On Kawara, Martha Rosler, Jeff Wall, Lawrence Weiner Exhibition from May 16th to September 21st 2008 Curator: Jean Louis Maubant </p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-the-jewish-museum'><img itemprop="image" alt='Martha Rosler at the Jewish Museum' 4115 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/337cad31c99c6bf8544747880d41e07d.jpg' 4116 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-the-jewish-museum'> 4117 News 4118 </a></div><h1><a href='/news/martha-rosler-at-the-jewish-museum'> 4119 Martha Rosler at the Jewish Museum 4120 </a></h1><h2>May 4, 2008 - September 21, 2008</h2><div class='summary paragraph-styling'><p> 4121 Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976 May 04, 2008 - September 21, 2008</p><p> 4122 In Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976, the first major U.S. exhibition in 20 years to rethink Abstract Expressionism and the movements that followed, over fifty key works by 32 artists – among them Jackson Pollock, Willem de Kooning, Helen Frankenthaler, Mark Rothko – will be viewed from the perspectives of influential, rival art critics Clement Greenberg and Harold Rosenberg, the artists, and popular culture.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-library-in-liverpool'> 4123 News 4124 </a></div><h1><a href='/news/martha-rosler-library-in-liverpool'> 4125 Martha Rosler Library in Liverpool 4126 </a></h1><h2>April 12 - June 14, 2008</h2><div class='summary paragraph-styling'><p> 4127 Martha Rosler Library April 12 - June 14, 2008 Site Liverpool John Moores University School of Art and Design 68 Hope Street Liverpool L19EB Opening hours: Mon - Sat 11-6 pm Site is pleased to announce the opening of Martha Rosler Library on Friday, April 11, 2008 at 6pm.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/paul-winstanley-at-artspace-new-zealand'><img itemprop="image" alt='Paul Winstanley at ARTSPACE New Zealand' 4128 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/140b60177777f1b46eac
41285b2a42f4c40c.jpg' 4129 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/paul-winstanley-at-artspace-new-zealand'> 4130 News 4131 </a></div><h1><a href='/news/paul-winstanley-at-artspace-new-zealand'> 4132 Paul Winstanley at ARTSPACE New Zealand 4133 </a></h1><h2>April 26 - May 31</h2><div class='summary paragraph-styling'><p> 4134 Paul Winstanley Paintings 1989–2007 Exhibition dates: 26 April – 31 May 2008 Opening reception: Friday 25 April 6pm ARTSPACE is proud to present the first survey exhibition of the work of British artist Paul Winstanley. The exhibition includes a group of paintings from a recent Red Mansion Foundation exchange programme in China and a selection of paintings from 1989-2007.</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Christopher Miner at IFC Film Center' 4135 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8b3862b5b56f30fbdbc807fce701ec8b.jpg' 4136 ></div><div class='info'><div class="list-detail-title"> 4137 News 4138 </div><h1> 4139 Christopher Miner at IFC Film Center 4140 </h1><h2>April</h2><div class='summary paragraph-styling'><p> 4141 New York Underground Film Festival Shorts: Christopher Miner "chats" with galpal Amy Grant.</p></div><div class='links in-text'><div class='file'><a href='http://www.ifccenter.com/index' target="_blank">IFC Center</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/justine-kurland-at-the-american-folk-art-museum'><img itemprop="image" alt='Justine Kurland at the American Folk Art Museum' 4142 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/ce89b690b5e86fc54371417df2ca8f26.jpg' 4143 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/justine-kurland-at-the-american-folk-art-museum'> 4144 News 4145 </a></div><h1><a href='/news/justine-kurland-at-the-american-folk-art-museum'> 4146 Justine Kurland at the American Folk Art Museum 4147 </a></h1><h2>April 15 - September 21, 2008</h2><div class='summary paragraph-styling'><p> 4148 Dargerism: Contemporary Artists and Henry Darger Featuring Amy Cutler, Henry Darger, Jefferson Friedman, Anthony Goicolea, Trenton Doyle Hancock, Yun-Fei Ji, Justine Kurland, Justin Lieberman, Robyn O'Neil, Grayson Perry, Paula Rego, and Michael St. John Brooke Davis Anderson, curator</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jack-tworkov-at-acme-fine-arts'><img itemprop="image" alt='Jack Tworkov at ACME Fine Arts' 4149 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/25ab57aa29cb893578b7b10ec91869bd.jpg' 4150 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jack-tworkov-at-acme-fine-arts'> 4151 News 4152 </a></div><h1><a href='/news/jack-tworkov-at-acme-fine-arts'> 4153 Jack Tworkov at ACME Fine Arts 4154 </a></h1><h2>March 28 - May 3</h2><div class='summary paragraph-styling'><p> 4155 ACME Fine Art is delighted to announce the Spring exhibition of important oil paintings by one of New York School's most distinguished practitioners, Jack Tworkov. The exhibition will feature paintings from the final 15 years of Tworkov's distinguished career. It will open with a reception from 6 to 8 on the evening of Friday, 28 March, and will be on view through Saturday, 3 May 2008.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/the-armory-show3'><img itemprop="image" alt='The Armory Show' 4156 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f92669faf2d07805b7169291d
4156d175ade.jpg' 4157 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/the-armory-show3'> 4158 News 4159 </a></div><h1><a href='/news/the-armory-show3'> 4160 The Armory Show 4161 </a></h1><h2>March 27 - 30, 2008</h2><div class='summary paragraph-styling'><p> 4162 Featuring works by: Tjorg Douglas Beer Natalie Frank Axel Geis Jack Goldstein Justine Kurland Chris Martin Chris Miner Enoc Perez Martha Rosler Norbert Schwontkowski Jessica Stockholder</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/natalie-frank-at-rose-art-museum'><img itemprop="image" alt='Natalie Frank at Rose Art Museum' 4163 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d0cb3948edf8d1117b948aee22dd3aca.jpg' 4164 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/natalie-frank-at-rose-art-museum'> 4165 News 4166 </a></div><h1><a href='/news/natalie-frank-at-rose-art-museum'> 4167 Natalie Frank at Rose Art Museum 4168 </a></h1><h2>January 24 - April 13</h2><div class='summary paragraph-styling'><p> 4169 WALTHAM, Mass. – This winter, the Rose Art Museum at Brandeis will present more than 50 artists representing the extraordinary diversity of the Rose collection and emerging talents – several of whom will be exhibiting for the first time in a U.S. museum. In the Lois Foster Wing, critic/curator Dominique Nahas and artist Margaret Evangeline will curate "Empires and Environments," an exhibition featuring several works from the Rose collection exhibited with new work from emerging artists.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/martha-rosler-at-the-new-museum'><img itemprop="image" alt='Martha Rosler at the New Museum' 4170 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/bfc137c07fb1704c159b88196d34d9f3.jpg' 4171 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/martha-rosler-at-the-new-museum'> 4172 News 4173 </a></div><h1><a href='/news/martha-rosler-at-the-new-museum'> 4174 Martha Rosler at the New Museum 4175 </a></h1><h2>January 16 - March 30, 2008</h2><div class='summary paragraph-styling'><p> 4176 Collage: The Unmonunmental Picture and Art & Social Life; The Case of Video Art Screening "Unmonumental" expands on January 16, 2008 with the opening of "Collage: The Unmonumental Picture." Recent collages by eleven artists, including works made expressly for the exhibition, will be installed on the gallery walls surrounding the sculptures already on view.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/the-art-show3'><img itemprop="image" alt='The Art Show' 4177 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8508712e9d3ea97cbe14571a3cd5df2f.jpg' 4178 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/the-art-show3'> 4179 News 4180 </a></div><h1><a href='/news/the-art-show3'> 4181 The Art Show 4182 </a></h1><h2>February 21-25, 2008</h2><div class='summary paragraph-styling'><p> 4183 Arp Caro Cornell Degas Liberman Lichtenstein Maillol Moore Tworkov Warhol</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/alberto-burri'><img itemprop="image" alt='Alberto Burri' 4184 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f4becf80a99fa93e1eb013fb64cac43b.jpg' 4185 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/alberto-burri'> 4186 News 4187 </a></div><h1><a href='/news/alberto-burri'> 4188 Alberto Burri 4189 </a></h1><h2>at De Pury & Luxembourg</h2><div class='summary paragraph-styling'><p> 4190 Zurich, 15 February, following the Alberto Burri exhibition at Mitchell-Innes & Nash, de Pury & Luxembourg is proud to present the first solo show in Switzerland of Italian post-war artist Alberto Burri (1915-1995). For the first time in 26 years, De Pury & Luxembourg display the full cycle of 12 monumental Cellotex paintings that Alberto Burri was commissioned to produce in 1982 for an exhibition at the Palm Springs Desert Museum, California.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/roy-lichtenstein-at-fairchild-garden'><img itemprop="image" alt='Roy Lichtenstein at Fairchild Garden' 4191 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/6021d74fbf159eadb08283c75b2a84fa.jpg' 4192 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/roy-lichtenstein-at-fairchild-garden'> 4193 News 4194 </a></div><h1><a href='/news/roy-lichtenstein-at-fairchild-garden'> 4195 Roy Lichtenstein at Fairchild Garden 4196 </a></h1><h2>December 8, 2007 - May 31, 2008</h2><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/wack-art-and-the-feminist-revolution-at-p-s-1'><img itemprop="image" alt='WACK! Art and the Feminist Revolution at P.S.1' 4197 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b5bdf095a9e34022dc4d5d24cdb520c8.jpg' 4198 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/wack-art-and-the-feminist-revolution-at-p-s-1'> 4199 News 4200 </a></div><h1><a href='/news/wack-art-and-the-feminist-revolution-at-p-s-1'> 4201 WACK! Art and the Feminist Revolution at P.S.1 4202 </a></h1><h2>February 17 - May 2008</h2><div class='summary paragraph-styling'><p> 4203 A comprehensive survey examining the foundations and legacy of early feminist art (1965 to 1980) including works by Martha Rosler at P.S.1 Contemporary Art Center, Long Island City, Queens.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/art-basel-miami-beach3'><img itemprop="image" alt='Art | Basel | Miami Beach' 4204 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/50ffef763a99d2d01eaadbbd3b67d50b.jpg' 4205 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/art-basel-miami-beach3'> 4206 News 4207 </a></div><h1><a href='/news/art-basel-miami-beach3'> 4208 Art | Basel | Miami Beach 4209 </a></h1><h2>December 6 - 9, 2007</h2><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/enoc-perez-at-moca-miami'><img itemprop="image" alt='Enoc Perez at MOCA Miami' 4210 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/409224499333d2e9038352a9f40a4be2.jpg' 4211 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/enoc-perez-at-moca-miami'> 4212 News 4213 </a></div><h1><a href='/news/enoc-perez-at-moca-miami'> 4214 Enoc Perez at MOCA Miami 4215 </a></h1><h2>MOCA at Goldman Warehouse</h2><h3>December 6, 2007 - March 22, 2008</h3><div class='summary paragraph-styling'><p>
4216 Over 40 major canvases from 2000 to the present will be the focus of this first major museum exhibition for this young artist.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/anthony-caro-at-annely-juda-fine-art'><img itemprop="image" alt='Anthony Caro at Annely Juda Fine Art' 4217 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7cf0ace2d04f8858abc7c64a8b3f2b58.jpg' 4218 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/anthony-caro-at-annely-juda-fine-art'> 4219 News 4220 </a></div><h1><a href='/news/anthony-caro-at-annely-juda-fine-art'> 4221 Anthony Caro at Annely Juda Fine Art 4222 </a></h1><h2>September 12 - October 27, 2007</h2><div class='summary paragraph-styling'><p> 4223 Annely Juda Fine Art will be presenting the first exhibition of a series of new galvanized sculptures by Sir Anthony Caro. The exhibition will take place over two floors at Annely Juda Fine Art including the recently expanded third floor gallery space. It has been organized in collaboration with Mitchell-Innes & Nash's exhibition in the Chelsea gallery, from October 19 to November 21, 2007.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/art-38-basel'><img itemprop="image" alt='Art | 38 | Basel' 4224 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/bf67e9300fbb586af92ef4b83b5e5dab.jpg' 4225 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/art-38-basel'> 4226 News 4227 </a></div><h1><a href='/news/art-38-basel'> 4228 Art | 38 | Basel 4229 </a></h1><h2>June 13-17, 2007</h2><div class='summary paragraph-styling'><p> 4230 At this year's Art Basel our booth will be divided into two groups: major modern masters of the Twentieth Century and a comprehensive selection from our contemporary program. </p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Martha Rosler in Skulptur Projekte Munster' 4231 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d847e22fc069ad6e65cf170f043232e4.jpg' 4232 ></div><div class='info'><div class="list-detail-title"> 4233 News 4234 </div><h1> 4235 Martha Rosler in Skulptur Projekte Munster 4236 </h1><h2>June 17 - September 30, 2007</h2><div class='links in-text'><div class='file'><a href='http://www.skulptur-projekte.de/' target="_blank">Skulptur Projekte Munster</a></div></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"><img itemprop="image" alt='Martha Rosler in Documenta 12' 4237 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/f48daf8a022833fb83886ba3d3253e27.jpg' 4238 ></div><div class='info'><div class="list-detail-title"> 4239 News 4240 </div><h1> 4241 Martha Rosler in Documenta 12 4242 </h1><h2>June 16 - September 23, 2007</h2><div class='links in-text'><div class='file'><a href='http://www.documenta12.de/geschichte0.html?&L=1' target="_blank">Documenta 12</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/adaa-collectors-forum'><img itemprop="image" alt='ADAA Collectors' Forum' 4243 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/037310c18482c1ce171460ea10d5ae62.jpg' 4244 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/adaa-collectors-forum'> 4245 News 4246 </a></div><h1><a href='/news/adaa-collectors-forum'> 4247 ADAA Collectors' Forum 4248 </a></h1><h2>May 24, 2007</h2><div class='summary paragraph-styling'><p> 4249 The Art Show Phenomenon: How the Art Market's Hottest Trend is Shaping the Cultural Landscape PANELISTS Andrew Fabricant Richard Gray Gallery, Chicago and New York Carla Chammas CRG Gallery, New York L
4249awrence Luhring Luhring Augustine, New York Lucy Mitchell-Innes Mitchell-Innes & Nash, New York MODERATOR Allan Schwatrzman, art advisor and writer LOCATION Mitchell-Innes & Nash, Chelsea 534 West 26th Street Sponsorship provided by Lehman Brothers</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/stockholder-at-vancouver-art-gallery'><img itemprop="image" alt='Stockholder at Vancouver Art Gallery' 4250 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8a055e480bb43e526c69241b3d40746b.jpg' 4251 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/stockholder-at-vancouver-art-gallery'> 4252 News 4253 </a></div><h1><a href='/news/stockholder-at-vancouver-art-gallery'> 4254 Stockholder at Vancouver Art Gallery 4255 </a></h1><h2>"Paint", September 30 - February 25, 2007</h2><div class='summary paragraph-styling'><p> 4256 In the current climate of increasingly sophisticated imaging technologies, hyper-mediation and virtual realities, artists are reconsidering notions of the picture as a vital interface with a changing world. In Vancouver and elsewhere, recent years have been marked by a vigorous, renewed interest in painting. In Paint, guest curator Neil Campbell, a leading Vancouver artist and an influential teacher of painting at local institutions, brings together an exhibition that investigates emerging practices and their precedents.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/the-armory-show2'><img itemprop="image" alt='The Armory Show' 4257 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/8c9c88163b2862a4d32013daeade0034.jpg' 4258 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/the-armory-show2'> 4259 News 4260 </a></div><h1><a href='/news/the-armory-show2'> 4261 The Armory Show 4262 </a></h1><h2>February 23-26, 2007</h2><div class='summary paragraph-styling'><p> 4263 ARTISTS Tjorg Douglas Beer Anthony Caro Natalie Frank David Godbold Chris Martin Enoc Perez Martha Rosler Jessica Stockholder Veron Urdarianu Paul Winstanley</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/art-basel-miami-beach2'><img itemprop="image" alt='Art | Basel | Miami Beach' 4264 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/416f85231bae1c4d1b06c606f0268fc5.jpg' 4265 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/art-basel-miami-beach2'> 4266 News 4267 </a></div><h1><a href='/news/art-basel-miami-beach2'> 4268 Art | Basel | Miami Beach 4269 </a></h1><h2>December 7-10, 2006</h2><div class='summary paragraph-styling'><p> 4270 ARTISTS Tjorg Douglas Beer Natalie Frank Jack Goldstein Henning Kles Justine Kurland Alexander Liberman Roy Lichtenstein Chris Miner Enoc Perez Martha Rosler Norbert Schwontkowski Jessica Stockholder Veron Urdarianu Paul Winstanley</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/art-37-basel'><img itemprop="image" alt='Art | 37 | Basel' 4271 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/634e2438ed1a2f7bc219e43dd2cfd7c9.jpg' 4272 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/art-37-basel'> 4273 News 4274 </a></div><h1><a href='/news/art-37-basel'> 4275 Art | 37 | Basel 4276 </a></h1><h2>June 14 - 18, 2006</h2><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/jessica-stockholder-at-p-s-1'><img itemprop="image" alt='Jessica Stockholder at P.S.1' 4277 src='https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/803beca39feb3ab41e0d8df43d52637e.jpeg' 4278 srcset="https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/803beca39feb3ab41e0d8df43d52637e.jpeg 1x, https://static-assets.artlogic.net/w_768,h_576,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/803beca39feb3ab41e0d8df43d52637e.jpeg 2x" ></a></div><div class='info'><div class="list-detail-title"><a href='/news/jessica-stockholder-at-p-s-1'> 4279 Exhibition | Long Island City, NY 4280 </a></div><h1><a href='/news/jessica-stockholder-at-p-s-1'> 4281 Jessica Stockholder at P.S.1 4282 </a></h1><h2>Of Standing Float Roots in Thin Air</h2><h3>February 2 - May 1, 2006</h3><div class='summary paragraph-styling'><p>EXHIBITION PRESS RELEASE JESSICA STOCKHOLDER: OF STANDING FLOAT ROOTS IN THIN AIR February 2, 2006 through May 1, 2006 P.S.1 Opening Day Celebration: February 26, 2006 from noon to 6 (Long Island City, New York &nd
4282ash; January 20, 2006) P.S.1 Contemporary Art Center is pleased to present a new solo project by Jessica Stockholder, her second presentation at the museum.</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/the-armory-show'><img itemprop="image" alt='The Armory Show' 4283 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/dca140cc1759049adb6a8d65b8683bb7.jpg' 4284 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/the-armory-show'> 4285 News 4286 </a></div><h1><a href='/news/the-armory-show'> 4287 The Armory Show 4288 </a></h1><h2>March 10 - 13, 2006The International Fair of New ArtBooth 90-028</h2><div class='summary paragraph-styling'><p> 4289 REPRESENTED ARTISTS Tjorg Douglas Beer Anthony Caro Jack Goldstein Bryan Hunt Leon Kossoff Justine Kurland Roy Lichtenstein Christopher Miner Enoc Perez Martha Rosler Jessica Stockholder</p></div><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/the-art-show'><img itemprop="image" alt='The Art Show' 4290 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/b9bf260f565db532446a938e266be907.jpg' 4291 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/the-art-show'> 4292 News 4293 </a></div><h1><a href='/news/the-art-show'> 4294 The Art Show 4295 </a></h1><h2>Organized by the ADAA</h2><h3>February 23 - 27, 2006</h3><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/art-basel-miami-beach'><img itemprop="image" alt='Art | Basel | Miami Beach' 4296 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/7929dcfd420809baff5c60c2727bc64c.jpg' 4297 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/art-basel-miami-beach'> 4298 News 4299 </a></div><h1><a href='/news/art-basel-miami-beach'> 4300 Art | Basel | Miami Beach 4301 </a></h1><h2>December 1 - 4, 2005Booth F7</h2><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/chelsea-opening-night'><img itemprop="image" alt='Chelsea Opening Night' 4302 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/d7589485685536fb016e081eeb492477.jpg' 4303 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/chelsea-opening-night'> 4304 News 4305 </a></div><h1><a href='/news/chelsea-opening-night'> 4306 Chelsea Opening Night 4307 </a></h1><h2>Roy Lichtenstein: Conversations with Surrealism</h2><div class='links in-text'></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/new-chelsea-space-now-open'><img itemprop="image" alt='New Chelsea Space Now Open' 4308 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/55a1adc0961f913bcea2b1b6aecb99db.jpg' 4309 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/new-chelsea-space-now-open'> 4310 News 4311 </a></div><h1><a href='/news/new-chelsea-space-now-open'> 4312 New Chelsea Space Now Open 4313 </a></h1><h2>534 W 26th StreetLichtenstein</h2><div class='summary paragraph-styling'><p> 4314 MITCHELL-INNES & NASH: TWO NEW YORK GALLERIES</p><p> 4315 Lichtenstein: Surrealism is the first exhibition in Mitchell-Innes & Nash Chelsea, a 3,500 square-foot space in the heart of Chelsea's gallery district.</p></div><div class='links in-text'></div></div></div></div><div class='entry not-clickable'><div class="container"><div class="thumbnail"></div><div class='info'><div class="list-detail-title"> 4316 News 4317 </div><h1> 4318 Welcome to MI&N Website 4319 </h1><div class='links in-text'><div class='file'><a href='/attachment/en/63936142fcaaf75aef06bd82/News/57f5105e84184e06458b5c77' target="_blank">Download PDF</a><a href='google-site-verification: googlec31c90f1d3493879.html' target="_blank">Verify</a></div></div></div></div></div><div class='entry '><div class="container"><div class="thumbnail"><a href='/news/in-the-company-of-old-masters'><img itemprop="image" alt='In the Company of Old Masters' 4320 src='https://static-assets.artlogic.net/w_384,h_288,c_lfill/exhibit-e/63936142fcaaf75aef06bd82/c1aaba3c87006fbc205b705be104d30a.png' 4321 ></a></div><div class='info'><div class="list-detail-title"><a href='/news/in-the-company-of-old-masters'> 4322 News 4323 </a></div><h1><a href='/news/in-the-company-of-old-masters'> 4324 In the Company of Old Masters 4325 </a></h1><h2>Julian Schnabel, Tina Barney and Eve Sussman & the Rufus CorporationPresented by Colnaghi and Mitchell-Innes & Nash</h2><div class='summary paragraph-styling'><p> 4326 We are pleased to collaborate with our colleagues at Colnaghi on this exhibition, "In the Company of Old Masters: Julian Schnabel, Tina Barney and Eve Sussman & the Rufus Corporation".</p></div><div class='links in-text'></div></div></div></div></div></div></div> 4327 4328 </section> 4329 4330 </div> 4331 4332<footer class="divider show4col full-width-divider"><div class="container clearfix"><div class='divider'></div><div class='footer-cols'><div class="footer-col1"><p>526 W 26th Street, New York NY 10001<br /> 4333Tel 212-744-7400 <br /> 4334For general inquires or more information please contact <a href="mailto:[email protected]"> [email protected]</a><br /><br /> 4335Open Monday through Friday 10 AM - 6 PM<br /> 4336© 2025 Mitchell-Innes & Nash, New York</p></div><div class="footer-col3"><p class="ee-editor-button" style="font-size:11px;"><a href="https://app.artlogic.net/miandn/signup" target="_blank">Join Mailing List</a></p></div><div class="footer-col4"><p>Mitchell-Innes & Nash is committed to making its website accessible to all people, including individuals with disabilities. We are in the process of updating our website, miandn.com, so that it complies with best practices and standards as defined by Section 508 of the U.S. Rehabilitation Act and Level AA of the World Wide Web Consortium (W3C) Web Content Accessibility Guidelines 2.0. The purpose of these guidelines is to make web content more accessible for all people, including those with disabilities.</p><p>If you require additional assistance or have accessibility concerns, please contact us at (212) 744-7400 or [email protected]</p></div></div><span><a href="/site-index" class="footer-siteindex">Site Index</a></span></div></footer> 4337 </body> 4338 </html>
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