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78</head> 79 <body data-email-protected="" 80 data-section-key="news" 81 data-section-id="537e1956a9aa2c3d178b4584" 82 class=" 83 s-news 84 "> 85 <input type="hidden" value="" id="email-protected-header"/> 86 <input type="hidden" value="" id="email-protected-description"/> 87 <input type="hidden" value="First Name" id="email-protected-first-name-field-text"/> 88 <input type="hidden" value="Last Name" id="email-protected-last-name-field-text"/> 89 <input type="hidden" value="Email" id="email-protected-email-field-text"/> 90 <input type="hidden" value="Subscribe" id="email-protected-subscribe-button-text"/> 91 92 <header class='main-header 93 '> 94 <div class='container'> 95 <a class='logo' href='/'><img itemprop="image" class="alt-standard" alt="D'Amelio Gallery" src="https://s3.amazonaws.com/files.collageplatform.com.prod/application/538f4142a9aa2c2c1e8b4568/a5c310d6c5146b3e6ccdd73a13c08762.png"/></a><nav class='main'><a href="/artists">Artists</a><a href="/exhibitions">Exhibitions</a><a href="/news" class="active">News</a><a href="/gallery">Gallery</a></nav><nav class='languages'></nav><div class="mobile-menu-wrapper"><nav class='mobile'><a class="menu" href="#">Menu</a><div class="navlinks"><a href="/artists">Artists</a><a href="/exhibitions">Exhibitions</a><a href="/news" class="active">News</a><a href="/gallery">Gallery</a></div></nav></div> 96 </div> 97 </header> 98 <div id="contentWrapper" tabindex="-1" class="contentWrapper"> 99 100 <section class='news news-index'> 101 102<div id="news-list" class='list-container'> 103 104<div class='container news' itemscope itemtype="https://schema.org/Article"><div class='list'><div class='entry '><div class="thumbnail"><a href='/news/joanne-greenbaum-in-extreme-drawing-ballpoint-pen-drawing-since-1950-at-the-aldrich-museum-of-contemporary-art'><img itemprop="image" alt='Joanne Greenbaum in &quot;Extreme Drawing; Ballpoint Pen Drawing Since 1950&quot; at the Aldrich Museum of Contemporary Art' 105 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/53a799c20d7b288fdbe7ef69029ff544.jpg' 106 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/joanne-greenbaum-in-extreme-drawing-ballpoint-pen-drawing-since-1950-at-the-aldrich-museum-of-contemporary-art'> 107 Joanne Greenbaum in "Extreme Drawing; Ballpoint Pen Drawing Since 1950" at the Aldrich Museum of Contemporary Art 108 </a></h1><h2>March 24 - August 25, 2013</h2><h3>March 24, 2013</h3><div class='paragraph-styling summary'><p>The origins of the ballpoint pen go back to the late nineteenth century, but it was only after World War II that the technology was perfected and the ballpoint achieved commercial success. With the rise of anti-art movements such as Fluxus in the 1960s, a number of notable artists made drawings using the ballpoint including Cy Twombly and Alighiero Boetti. The last decade has witnessed a steady increase in artists drawing with the pen, using approaches from the abject to the sublime. This survey includes work by Rita Ackermann, Bill Adams, Alighiero Boetti, Dawn Clements, Russell Crotty, Joanne Greenbaum, Il Lee, and Martin Kippenberger. This exhibition is curated by exhibitions director Richard Klein.</p></div><div class='links in-text'></div></div></div><div class='entry '><div class="thumbnail"><a href='/news/massimo-bartolini-at-the-fruitmarket-gallery-edinburgh'><img itemprop="image" alt='Massimo Bartolini at the Fruitmarket Gallery, Edinburgh' 109 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/7f84f57d565c751734f468b07cd6ed84.jpeg' 110 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/massimo-bartolini-at-the-fruitmarket-gallery-edinburgh'> 111 Massimo Bartolini at the Fruitmarket Gallery, Edinburgh 112 </a></h1><h2>- will travel to S.M.A.K., Ghent</h2><h3>February 1, 2013</h3><div class='paragraph-styling summary'><p>The exhibition is curated by Dr Fiona Bradley, the Director of The Fruitmarket Gallery, Edinburgh, and Philippe Van Cauteren, Director of S.M.A.K., Ghent, with Massimo Bartolini. It is accompanied by a new publication containing images of all the studioworks and both large installations, and a new conversation between Massimo Bartolini, Fiona Bradley and Philippe Van Cauteren.</p></div><div class='links in-text'></div></div></div><div class='entry '><div class="thumbnail"><a href='/news/joanne-greenbaum-at-greengrassi'><img itemprop="image" alt='Joanne Greenbaum at greengrassi' 113 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/55656eaeff6be87346e11de9f804a68b.jpg' 114 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/joanne-greenbaum-at-greengrassi'> 115 Joanne Greenbaum at greengrassi 116 </a></h1><h2>with Jennifer Steinkamp. January 11 - February 23, 2013</h2><h3>January 11, 2013</h3><div class='paragraph-styling summary'><p>D'Amelio Gallery is pleased to announce an exhibition of new paintings by Joanne Greenbaum at Greengrassi gallery in London. Alongside works by Jennifer Steinkamp, Greenbaum will present 100 paintings from her ongoing 1612 series.</p></div><div class='links in-text'></div></div></div><div class='entry '><div class="thumbnail"><a href='/news/joanne-greenbaum-curates-forget-about-the-sweetbreads-at-james-fuentes'></a></div><div class='info'><h1 itemprop="name"><a href='/news/joanne-greenbaum-curates-forget-about-the-sweetbreads-at-james-fuentes'> 117 Joanne Greenbaum curates 'Forget About the Sweetbreads' at James Fuentes 118 </a></h1><h2>January 6 - February 3, 2013. Opening reception January 6, 6 - 8 pm.</h2><h3>January 6, 2013</h3><div class='paragraph-styling summary'><p>Co-curated with Adrianne Rubenstein. Featuring works by Heike Kati Barath, Miriam Cahn, Ellen Gronemeyer, Alice Mackler, Annette Messager, Norbert Prangenberg and Hal Saulson.</p></div><div class='links in-text'></div></div></div><div class='entry '><div class="thumbnail"><a href='/news/roland-flexner-at-the-indianapolis-museum-of-art'><img itemprop="image" alt='Roland Flexner at the Indianapolis Museum of Art' 119 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/4a4a6f3d864ed6e3fb8d7e748280d874.jpg' 120 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/roland-flexner-at-the-indianapolis-museum-of-art'> 121 Roland Flexner at the Indianapolis Museum of Art 122 </a></h1><h3>December 7, 2012</h3><div class='paragraph-styling summary'><p>Graphite is a naturally occurring mineral as well as a synthetic, industrial product that can be processed in multiple ways. This exhibition brings together recent artworks that reveal the materialâs potential to take a variety of forms while also yielding a wide range of visual effects. Carvings, powder, liquid, lumps, sticks and pencils are just a few ways the material can be presented.<br/><br/>The first major museum exhibition to explore graphite as a medium in works beyond drawings, Graphite includes sculpture, drawing, and installation works created over the past decadeâincluding several newly commissioned worksâby emerging and established contemporary artists.</p></div><div class='links in-text'></div></div></div><div class='entry '><div class="thumbnail"><a href='/news/roland-flexner-in-art-in-america'><img itemprop="image" alt='Roland Flexner in Art in America' 123 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/a7b7aacfc4bb3060c2c02e322005ae13.jpg' 124 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/roland-flexner-in-art-in-america'> 125 Roland Flexner in Art in America 126 </a></h1><h2>The Lookout: A weekly guide to shows you won't want to miss</h2><h3>November 15, 2012</h3><div class='paragraph-styling summary'><p>"Though Roland Flexner has been living and working in New York for 30 years, the French-born artist's Japanese-inspired abstract landscape drawings didn't become well-known until they were included in the 2010 Whitney Bie
126nnale. Here, Flexner shows 100 new modestly-scaled works made by gently manipulating (via blowing through a straw or tilting the paper, for example) liquid graphite and violet or gold calligraphy ink..."</p></div><div class='links in-text'></div></div></div><div class='entry '><div class="thumbnail"><a href='/news/polly-apfelbaum'><img itemprop="image" alt='Polly Apfelbaum' 127 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/3eb26950ccb37322f0c7c8fedaf4f19c.jpg' 128 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/polly-apfelbaum'> 129 Polly Apfelbaum 130 </a></h1><h2>at The American Academy in Rome</h2><h3>November 15, 2012</h3><div class='paragraph-styling summary'><p>Polly Apfelbaum Searches for Color and Geometry on Roman Floors<br/><br/>"<b>Describe a particularly inspiring moment or location you've experienced in Rome thus far.</b>"<br/><br/>"Itâs hard to narrow it down. To pick two, Borrominiâs Cupola di San Carlo and Luigi Morettiâs Casa della GIL in Trastevere. Both have amazing complex geometries, one baroque and one twentieth architecture. For color and geometry, the beautiful Cosmati floors have been very inspiring..."</p></div><div class='links in-text'></div></div></div><div class='entry '><div class="thumbnail"><a href='/news/roland-flexner-in-the-new-yorker'><img itemprop="image" alt='Roland Flexner in the New Yorker' 131 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/9c4e314f36b67e11cdf400b43fb3c1b5.jpg' 132 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/roland-flexner-in-the-new-yorker'> 133 Roland Flexner in the New Yorker 134 </a></h1><h3>November 14, 2012</h3><div class='paragraph-styling summary'><p>"In a hundred new black-and-white drawings, the French-born, New York-based artist uses gravity and breath to achieve dazzling yet subtle effects. Like clouds, the little framed works, which are created by blowing bubbles of ink onto paper and directing the flow once they burst, trick the mind into seeing what isnât there: hidden grottoes, trees draped in Spanish moss, moonlit shores. The works are at once intimate and astronomical, contemplative and recreational, evoking both tantric drawings and acid trips. Through Dec. 22."</p></div><div class='links in-text'></div></div></div><div class='entry not-clickable'><div class="thumbnail"><img itemprop="image" alt='&quot;Feher Exhibit Makes the Mundane Profound&quot;, by Molly Glentzer' 135 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/f16c718c0de13134c86bc2e80f60a93a.jpg' 136 ></div><div class='info'><h1 itemprop="name"> 137 "Feher Exhibit Makes the Mundane Profound", by Molly Glentzer 138 </h1><h2>The Houston Chronicle</h2><h3>October 16, 2012</h3><div class='paragraph-styling summary'><p>To read the article, <a href="http://www.chron.com/entertainment/article/Feher-exhibit-makes-the-mundane-profound-3953942.php#src=fb">click here</a></p></div><div class='links in-text'><div class='file'></div></div></div></div><div class='entry '><div class="thumbnail"><a href='/news/tony-feher-traveling-retrospective'><img itemprop="image" alt='Tony Feher traveling retrospective' 139 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/762fce7a03635dfdb1428847499ae17c.jpg' 140 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/tony-feher-traveling-retrospective'> 141 Tony Feher traveling retrospective 142 </a></h1><h2>opening October 13 in Houston</h2><h3>October 13, 2012</h3><div class='paragraph-styling summary'><p>Tony Feher's twenty-five year traveling survey will open on October 13th at Blaffer Art Museum, University of Houston. Organized by Claudia Schmuckli, Director and Chief Curator, the exhibition and the accompanying monograph represent the first attempt at a comprehensive, in-depth consideration of Feher's career. This will be Blaffer's grand reopening exhibition after WORK Architecture Company's major renovation of the museum.</p></div><div class='links in-text'></div></div></div><div class='entry not-clickable'><div class="thumbnail"></div><div class='info'><h1 itemprop="name"> 143 Daniel Hesidence in Hue & Cry at S2 gallery, NYC 144 </h1><h2>organized by Vladimir Roitfeld and Sotheby's</h2><h3>October 5, 2012</h3><div class='paragraph-styling summary'><p>Exhibiting artists: Joan Mitchell, Albert Oehlen, Helen Frankenthaler, Cecily Brown, Jacqueline Humphries, Theaster Gates, Rosy Keyser, Daniel Hesidence, Liz Larner, Francesca DiMattio, Robert Melee, Wendy White, Jin Meyerson, Jackie Saccoccio, Ali Banisadr, Nicolas Pol, Kadar Brock, Angel Otero, Lily Phung.</p></div><div class='links in-text'><div class='file'></div></div></div></div><div class='entry '><div class="thumbnail"><a href='/news/joanne-greenbaum-artforumcom-critics-picks-oct-2012'><img itemprop="image" alt='Joanne Greenbaum - Artforum.com Critics' Picks Oct. 2012' 145 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/bce329d5ade1fa3c08a8d7500f7a253d.jpg' 146 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/joanne-greenbaum-artforumcom-critics-picks-oct-2012'> 147 Joanne Greenbaum - Artforum.com Critics' Picks Oct. 2012 148 </a></h1><h2>Joanne Greenbaum 149NICOLAS KRUPP 150Rosentalstrasse 28 151September 1âOctober 27</h2><h3>October 2, 2012</h3><div class='links in-text'></div></div></div><div class='entry '><div class="thumbnail"><a href='/news/socrates-sculpture-park-annual-benefit-honoring-tony-feher-and-curator-richard-flood'><img itemprop="image" alt='Socrates Sculpture Park Annual Benefit, honoring Tony Feher and curator Richard Flood' 152 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/953e17a21998dc37e5a81bdb128d6fe7.jpeg' 153 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/socrates-sculpture-park-annual-benefit-honoring-tony-feher-and-curator-richard-flood'> 154 Socrates Sculpture Park Annual Benefit, honoring Tony Feher and curator Richard Flood 155 </a></h1><h2>6:30 - 9:30pm</h2><h3>September 27, 2012</h3><div class='paragraph-styling summary'><p>Socrates Sculpture Park will honor Tony Feher and curator Richard Flood at their annual benefit in September. The evening will include cocktails, live music boat rides and a buffet dinner. Ticket information to follow.</p></div><div class='links in-text'></div></div></div><div class='entry not-clickable'><div class="thumbnail"></div><div class='info'><h1 itemprop="name"> 156 Tony Feher at Anthony Meier Fine Arts, review in the SF Chronicle 157 </h1><h3>September 21, 2012</h3><div class='paragraph-styling summary'><p>Tony Feher's exhibition at Anthony Meier Fine Arts in San Francisco runs from September 14 to October 19, 2012<br/><br/>To read the article, click <a href="http://www.sfgate.com/default/article/David-Gibson-s-vision-goes-beyond-the-ocular-3884562.php">here</a></p></div><div class='links in-text'><div class='file'></div></div></div></div><div class='entry not-clickable'><div class="thumbnail"><img itemprop="image" alt='Tony Feher's site-specific installation at Art Expo Chicago' 158 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/023775aa8919d3f359f4f5c8daf99d5a.jpeg' 159 ></div><div class='info'><h1 itemprop="name"> 160 Tony Feher's site-specific installation at Art Expo Chicago 161 </h1><h2>September 20 - 23</h2><h3>September 20, 2012</h3><div class='paragraph-styling summary'><p>Tony Feher will present a site-specific installation as part of the IN/SITU program at Art Expo Chicago, alongside D'Amelio Gallery's booth at the fair.<br/><br/>Other participating IN/SITU artists include:<br/>Robert Barry, Fiona Connor, Theaster Gates, Roy McMakin, DâEtte Nogle, Sarah Rara, Steve Roden, Jan Tichy & Jennifer West</p></div><div class='links in-text'><div class='file'></div></div></div></div><div class='entry '><div class="thumbnail"><a href='/news/polly-apfelbaum-at-the-met'><img itemprop="image" alt='Polly Apfelbaum at the Met' 162 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/b7f7c877c484fbe635ed86c15af87c26.jpg' 163 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/polly-apfelbaum-at-the-met'> 164 Polly Apfelbaum at the Met 165 </a></h1><h2>Regarding Warhol 166Sixty Artists, Fifty Years</h2><h3>September 18, 2012</h3><div class='paragraph-styling summary'><p>Commentators on contemporary art have often claimed that Warhol is the most influential artist of the last half-century. No exhibition, however, has truly examined that assertion in depth. The exhibition is built around five broad themes ranging from vernacular subject matter to celebrity portraiture to issues of sexual identity. The presentation will include approximately 150 works of art in a broad range of media across five decades. A quarter of the selected works are by Warhol, and they will be juxtaposed with key examples by some sixty leading contemporary artists. The show will be arranged as a series of thematic vignettes, not simply to demonstrate Warhol's overt influence, but to suggest how artists both worked in parallel modes and developed his model in dynamic new directions.
166</p></div><div class='links in-text'></div></div></div><div class='entry not-clickable'><div class="thumbnail"><img itemprop="image" alt='Yayoi Kusama, &quot;Drawings from the mid-50s&quot; on Gallerist NY' 167 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/5fde67d17d3a7bd6bf463e95a416cb6e.jpg' 168 ></div><div class='info'><h1 itemprop="name"> 169 Yayoi Kusama, "Drawings from the mid-50s" on Gallerist NY 170 </h1><h2>Review by Andrew Russeth</h2><h3>September 14, 2012</h3><div class='paragraph-styling summary'><p>"One of the nicest surprises among Chelseaâs season openers is a handsome one-room display of 12 early drawings by Japanese artist Yayoi Kusama at DâAmelio. They date from the start of her career in Japan, from 1953 to 1957, and show Ms. Kusama beginning to explore some of her trademark images, like obsessive, unwieldy fields of dots and high-pitched colors..."<br/><br/>Read the entire article <a href="http://galleristny.com/2012/09/look-at-this-yayoi-kusama-drawings-from-the-mid-50s-at-damelio/">here</a></p></div><div class='links in-text'><div class='file'></div></div></div></div><div class='entry not-clickable'><div class="thumbnail"><img itemprop="image" alt='Roberta Smith reviews &quot;Regarding Warhol&quot; at the Metropolitan Museum' 171 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/d787db159b9cb80d49fe56bd5931fe8b.jpeg' 172 ></div><div class='info'><h1 itemprop="name"> 173 Roberta Smith reviews "Regarding Warhol" at the Metropolitan Museum 174 </h1><h2>"The In-Crowd Is All Here", The New York Times Art Review</h2><h3>September 13, 2012</h3><div class='paragraph-styling summary'><p>"...This is followed by a gallery devoted to âBusiness, Collaboration and Spectacleâ in which works by Warhol, Mr. Koons and Takashi Murakami compete for space. The main motif is floral (although thereâs no really great Warhol flower painting on hand); the color is fun, and a glowing paint-on-velvet installation by Polly Apfelbaum is a welcome surprise..."<br/><br/>To read the article, click <a href="http://www.nytimes.com/2012/09/14/arts/design/regarding-warhol-at-the-metropolitan-museum.html?pagewanted=all">here</a></p></div><div class='links in-text'><div class='file'></div></div></div></div><div class='entry not-clickable'><div class="thumbnail"><img itemprop="image" alt='Joanne Greenbaum featured in Art21 Blog' 175 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/467248bbf7df027df8dafbe838a0c400.jpeg' 176 ></div><div class='info'><h1 itemprop="name"> 177 Joanne Greenbaum featured in Art21 Blog 178 </h1><h2>"Lives and Works in Berlin | Portrait of Joanne Greenbaum in Berlin"</h2><h3>September 7, 2012</h3><div class='paragraph-styling summary'><p>To read the article, click <a href="http://blog.art21.org/2012/09/06/lives-and-works-in-berlin-portrait-of-joanne-greenbaum-in-berlin/#.UEi_2Q7yc5g.facebook">here</a></p></div><div class='links in-text'><div class='file'></div></div></div></div><div class='entry '><div class="thumbnail"><a href='/news/idea-is-the-object-review-in-the-new-york-times'><img itemprop="image" alt='Idea is the Object: review in the New York Times' 179 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/bf879998410486f609729bf36cdfae8b.jpg' 180 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/idea-is-the-object-review-in-the-new-york-times'> 181 Idea is the Object: review in the New York Times 182 </a></h1><h2>Art in Review, by Roberta Smith</h2><h3>August 3, 2012</h3><div class='paragraph-styling summary'><p>Taking its title from the 17th-century British philosopher John Locke, âIdea Is the Objectâ features the variously reality-based efforts of 13 artists from the United States and Europe. Veering between routine and impressive, it has been organized by Tracy Parker, a curatorial assistant in contemporary art at the Art Institute of Chicago, and Pavan Segal, a child and adolescent psychiatrist.</p></div><div class='links in-text'></div></div></div><div class='entry '><div class="thumbnail"><a href='/news/tamar-halpern-fear-for-poet-and-drink-whiskey-at-egeran-galeri'><img itemprop="image" alt='Tamar Halpern - Fear for Poet and Drink Whiskey at Egeran Galeri' 183 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/946a59e3b9321e16a9ca95fb8d07e311.jpg' 184 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/tamar-halpern-fear-for-poet-and-drink-whiskey-at-egeran-galeri'> 185 Tamar Halpern - Fear for Poet and Drink Whiskey at Egeran Galeri 186 </a></h1><h2>June 21 - July 28, 2012</h2><h3>June 21, 2012</h3><div class='paragraph-styling summary'><p>D'Amelio Gallery is glad to announce the opening of Tamar Halpern's solo exhibition "Fear for Poet and Drink Whiskey", at Egeran Galeri, Istanbul.</p></div><div class='links in-text'></div></div></div><div class='entry '><div class="thumbnail"><a href='/news/polly-apfelbaums-haunted-house-at-t-space'><img itemprop="image" alt='Polly Apfelbaum's Haunted House at &quot;T&quot; Space' 187 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/9bff448e2b3730ee56f9a157cf5ae456.jpg' 188 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/polly-apfelbaums-haunted-house-at-t-space'> 189 Polly Apfelbaum's Haunted House at "T" Space 190 </a></h1><h2>June 16 - July 22, 2012</h2><h3>June 16, 2012</h3><div class='paragraph-styling summary'><p>Polly Apfelbaum presents her installation âHaunted Houseâ at âTâ Space from June 16-July 22, 2012. âTâ Space is open by appointment only. For further information contact Susan Wides at 917-697-0334.<br/><br/>Rhinebeck, NY</p></div><div class='links in-text'></div></div></div><div class='entry not-clickable'><div class="thumbnail"><img itemprop="image" alt='Roland Flexner in &quot;DECADE: Contemporary Collecting 2002-2012&quot; at the Albright-Knox Art Gallery, Buffalo' 191 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/406884171cc52bf8e5a5c0f82cbcb1fb.jpg' 192 ></div><div class='info'><h1 itemprop="name"> 193 Roland Flexner in "DECADE: Contemporary Collecting 2002-2012" at the Albright-Knox Art Gallery, Buffalo 194 </h1><h2>Art and America, June 14, 2012</h2><h3>June 14, 2012</h3><div class='paragraph-styling summary'><p>To read the article, click <a href="http://www.artinamericamagazine.com/news-opinion/the-market/2012-06-14/louis-grachos-to-leave-albright-knox-for-austin/">here</a></p></div><div class='links in-text'><div class='file'></div></div></div></div><div class='entry '><div class="thumbnail">
194<a href='/news/damelio-gallery-at-art-43-basel'><img itemprop="image" alt='D'Amelio Gallery at Art 43 Basel' 195 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/a1776ffa29aca3d2aaa6ad0e08db5f71.jpg' 196 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/damelio-gallery-at-art-43-basel'> 197 D'Amelio Gallery at Art 43 Basel 198 </a></h1><h2>June 14 - 17, 2012</h2><h3>June 14, 2012</h3><div class='paragraph-styling summary'><p>Art 43 Basel<br/>Art Feature, Hall 2.1, Booth R5<br/>Messe Basel. Messeplatz. <br/>4005 Basel, Switzerland. <br/>+41 58 200 20 20.<br/><br/>Preview: Tuesday 6/12 and Wednesday 6/13</p></div><div class='links in-text'></div></div></div><div class='entry '><div class="thumbnail"><a href='/news/massimo-bartolini-in-documenta-13'><img itemprop="image" alt='Massimo Bartolini in Documenta (13)' 199 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/58b2f84f0768775e43c90dcfa95f0783.jpg' 200 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/massimo-bartolini-in-documenta-13'> 201 Massimo Bartolini in Documenta (13) 202 </a></h1><h2>Opens June 9th, 2012</h2><h3>June 9, 2012</h3><div class='paragraph-styling summary'><p>D'Amelio Gallery is pleased to announce that Massimo Bartolini will be exhibiting work alongside the 150 artists in this year's Documenta.<br/><br/>dOCUMENTA (13) opens to the public in Kassel on June 9, 2012. For 100 days, over 150 artists from 55 countries and other participants from around the world will gather and present artworks, including sculpture, performance, installation, research, archiving and curatorial projects, painting, photography, film and video, text and audio works as well as other objects and experiments in the fields of art, politics, literature, philosophy, and science.</p></div><div class='links in-text'></div></div></div><div class='entry '><div class="thumbnail"><a href='/news/daniel-hesidence-in-pothole-at-salon-94-bowery'><img itemprop="image" alt='Daniel Hesidence in Pothole, at Salon 94 Bowery' 203 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/12ec866ffac760af1a2c686afd2e081f.png' 204 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/daniel-hesidence-in-pothole-at-salon-94-bowery'> 205 Daniel Hesidence in Pothole, at Salon 94 Bowery 206 </a></h1><h2>June 6 - July 6, 2012</h2><h3>June 6, 2012</h3><div class='paragraph-styling summary'><p>Exhibiting artists include:<br/><br/>David Altmejd<br/>Jules De Balincourt<br/>Huma Bhabha<br/>Joe Bradley<br/>Jason Fox<br/>Daniel Hesidence<br/>Sarah Lucas<br/>Julie Mehretu<br/>Sterling Ruby<br/>Dana Schutz</p></div><div class='links in-text'></div></div></div><div class='entry '><div class="thumbnail"><a href='/news/polly-apfelbaum-in-stone-gravy-at-ameringer-mcenery-yohe'><img itemprop="image" alt='Polly Apfelbaum in Stone Gravy, at Ameringer | McEnery | Yohe' 207 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/68a9805f3babd63c899be93bdcdad1b3.jpg' 208 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/polly-apfelbaum-in-stone-gravy-at-ameringer-mcenery-yohe'> 209 Polly Apfelbaum in Stone Gravy, at Ameringer | McEnery | Yohe 210 </a></h1><h2>May 31 - July 7, 2012</h2><h3>May 31, 2012</h3><div class='paragraph-styling summary'><p>Polly Apfelbaum<br/>Brad Eberhard<br/>Annie Lapin<br/>Kim MacConnel<br/>Allison Miller<br/>Richard Allen Morris<br/>Ron Nagle<br/>David Reed<br/>Matt Wedel</p></div><div class='links in-text'></div></div></div><div class='entry '><div class="thumbnail"><a href='/news/tony-feher-book-signing-and-discussion-with-zoe-leonard-at-the-new-yor
210k-public-library'><img itemprop="image" alt='Tony Feher book signing and discussion with Zoe Leonard at the New York Public Library' 211 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/4df8faada6d8af62c98e7a4499ba813c.jpg' 212 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/tony-feher-book-signing-and-discussion-with-zoe-leonard-at-the-new-york-public-library'> 213 Tony Feher book signing and discussion with Zoe Leonard at the New York Public Library 214 </a></h1><h2>May 30th 2012, the New York Public Library</h2><h3>May 30, 2012</h3><div class='paragraph-styling summary'><p>Please join Tony Feher on May 30th for a discussion with Zoe Leonard, in honor of the monographâs release. Copies of the book will be available for purchase and signing at the event.</p></div><div class='links in-text'></div></div></div><div class='entry '><div class="thumbnail"><a href='/news/jedediah-caesar-platform-9-at-the-decordova-sculpture-park-and-museum'><img itemprop="image" alt='Jedediah Caesar - Platform 9, at the DeCordova Sculpture Park and Museum' 215 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/b2b4003f8b953de7facee61534a57b55.jpg' 216 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/jedediah-caesar-platform-9-at-the-decordova-sculpture-park-and-museum'> 217 Jedediah Caesar - Platform 9, at the DeCordova Sculpture Park and Museum 218 </a></h1><h2>May 26 - August 12, 2012</h2><h3>May 26, 2012</h3><div class='paragraph-styling summary'><p>Jedediah Caesar presents new work that explores the artistâs broader practices as they pertain to land and siteâspecifically to that of deCordovaâs landscape. For this exhibition, Caesar will present new outdoor installation, sculpture, video, and printed matter along with his sculptural cuts that collectively reflect on place as a temporal, social, and sculptural material.</p></div><div class='links in-text'></div></div></div><div class='entry '><div class="thumbnail"><a href='/news/heather-rowe-in-steel-life-at-michael-benevento'><img itemprop="image" alt='Heather Rowe in Steel Life, at Michael Benevento' 219 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/3822628e731fb357e1e8b1b76c1eae01.jpeg' 220 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/heather-rowe-in-steel-life-at-michael-benevento'> 221 Heather Rowe in Steel Life, at Michael Benevento 222 </a></h1><h2>May 25 - August 4, 2012</h2><h3>May 25, 2012</h3><div class='paragraph-styling summary'><p>Steel Life, a group show organized by Zak Kitnick, will take place at Michael Benevento, in Los Angeles, from May 25 to August 4 2012.</p></div><div class='links in-text'></div></div></div><div class='entry '><div class="thumbnail"><a href='/news/tony-feher-publication-release-of-monograph-book'><img itemprop="image" alt='Tony Feher Publication Release of Monograph Book' 223 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/872eccec8aa88bffc81fb462301e7505.jpg' 224 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/tony-feher-publication-release-of-monograph-book'> 225 Tony Feher Publication Release of Monograph Book 226 </a></h1><h3>May 18, 2012</h3><div class='paragraph-styling summary'><p>In conjunction with his travelling survey exhibition, D'Amelio Gallery is pleased to announce the release of a fully-illustrated monograph on Tony Feher's work. The 272-page book, with more than 100 full-color plates and essays by Russell Ferguson, Chair, Department of Art, UCLA, and exhibition curator Claudia Schmuckli, will be the largest publication to date to fully document and interpret Feherâs artistic output. For the first time, the book succinctly documents the numerous site-specific engagements of space and landscape in the artist's celebrated exhibition history of public commissions and installations. The monograph is designed by Takaaki Matsumoto Inc., New York, and published and distributed by Gregory R. Miller & Co., New York.</p></div><div class='links in-text'></div></div></div><div class='entry '><div class="thumbnail"><a href='/news/dedication-of-tony-fehers-public-commission-at-the-rockford-federal-courthouse-il'><img itemprop="image" alt='Dedication of Tony Feherâs public commission at the Rockford Federal Courthouse, IL' 227 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/2bd40001ae3d1f1dcf1a7b49ff076a1f.jpg' 228 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/dedication-of-tony-fehers-public-commission-at-the-rockford-federal-courthouse-il'> 229 Dedication of Tony Feherâs public commission at the Rockford Federal Courthouse, IL 230 </a></h1><h2>On-site dedication ceremony and artist's talk at Rockford Art Museum, 7PM, 5/14</h2><h3>May 14, 2012</h3><div class='paragraph-styling summary'><p>Feherâs commissioned public art installation at the new federal courthouse in Rockford, Illinois will be dedicated on Monday, May 14. A lecture with the artist will be held at 7pm at the Rockford Art Museum.<br/><br/>Super Special Happy Place is a two-acre installation composed of five varieties of crab-apple trees. The orchard will bloom with red, pink and white flowers, and grow clusters of apples in shades of scarlet, orange, and gold in the fall. This is Feherâs first work comprised entirely of natural materials. âI wanted each tree to be an individual, animated character,â Feher says, adding that the gnarled, stretching branches of the crab-apple tree make it especially expressive.<br/><br/>The installation is part of the General Service Administrationâs Art in Architecture program, developed under the Kennedy administration.<br/><br/>For more information, visit: <a href="http://www.rockfordartmuseum.org">www.rockfordartmuseum.org</a></p></div><div class='links in-text'></div></div></div><div class='entry '><div class="thumbnail">
230<a href='/news/tony-feher-at-des-moines-art-center'><img itemprop="image" alt='Tony Feher at Des Moines Art Center' 231 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/e1aa472af995e0e9b798134d4012df43.jpg' 232 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/tony-feher-at-des-moines-art-center'> 233 Tony Feher at Des Moines Art Center 234 </a></h1><h2>Tony Feher</h2><h3>May 11, 2012</h3><div class='paragraph-styling summary'><p>DâAmelio Gallery is pleased to announce a twenty-five year traveling survey dedicated to the American sculptor Tony Feher. Organized by Claudia Schmuckli, Director and Chief Curator of the Blaffer Art Museum, University of Houston, the exhibition will open May 11 at Des Moines Art Center and be accompanied by a monograph that represent a comprehensive, in-depth consideration of the artistâs career to date. It seeks to reveal the richness, complexity, and impact of Feherâs investigations through a careful selection of 60 key works. The artistâs embrace of fragility, transience and emotion, along with his preference for non-precious, commonly available materials and found objects, has been highly influential with a younger generation of artists who have similarly decided to become archivists of their own lives and personal journeys. The sculptures presented give form to a spatial vocabulary refined over nearly three decades.</p></div><div class='links in-text'></div></div></div><div class='entry '><div class="thumbnail"><a href='/news/jedediah-caesar-in-art-of-america'><img itemprop="image" alt='Jedediah Caesar in Art of America' 235 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/f9234424801866cf6ec1a09d869d72af.jpg' 236 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/jedediah-caesar-in-art-of-america'> 237 Jedediah Caesar in Art of America 238 </a></h1><h2>The Lookout: A weekly guide to shows you won't want to miss</h2><h3>May 10, 2012</h3><div class='paragraph-styling summary'><p>http://www.artinamericamagazine.com/news-opinion/finer-things/2012-05-10/the-lookout-05102012/</p></div><div class='links in-text'></div></div></div><div class='entry '><div class="thumbnail"><a href='/news/polly-apfelbaum-receives-the-rome-prize-to-spend-one-year-at-the-american-academy-in-rome'><img itemprop="image" alt='Polly Apfelbaum receives the Rome Prize, to spend one year at the American Academy in Rome' 239 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/fe83ff56bbd826f0cb34aa6caa05bbf0.jpg' 240 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/polly-apfelbaum-receives-the-rome-prize-to-spend-one-year-at-the-american-academy-in-rome'> 241 Polly Apfelbaum receives the Rome Prize, to spend one year at the American Academy in Rome 242 </a></h1><h3>April 27, 2012</h3><div class='paragraph-styling summary'><p>Each year, through a national competition, the Rome Prize is awarded to approximately thirty individuals who represent the highest standard of excellence in the arts and humanities. Prize recipients are invited to Rome for six months to two years to immerse themselves in the Academy community where they will enjoy a once in a lifetime opportunity to expand their own professional, artistic, or scholarly pursuits, drawing on their colleagues' erudition and experience and on the inestimable resources that Italy, Europe, and the Academy have to offer.</p></div><div class='links in-text'></div></div></div><div class='entry '><div class="thumbnail"><a href='/news/polly-apfelbaum-in-the-new-york-times'><img itemprop="image" alt='Polly Apfelbaum in the New York Times' 243 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/509df683143c953b0e074a22e5bba8d1.jpg' 244 ></a></div><div class='info'><h1 itemprop="name">
244<a href='/news/polly-apfelbaum-in-the-new-york-times'> 245 Polly Apfelbaum in the New York Times 246 </a></h1><h2>Art in Review, by Karen Rosenberg</h2><h3>April 20, 2012</h3><div class='paragraph-styling summary'><p>Polly Apfelbaumâs art, which typically consists of petal-like pieces of crushed velvet laid out on the floor, always looks as if it had just blossomed underfoot. So itâs surprising to see her invoke rigid Euclidean geometry in this pair of solo shows (which are titled after Edwin Abbottâs 19th-century novel âFlatland: A Romance of Many Dimensionsâ and Ian Stewartâs 2001 sequel, âFlatterland: Like Flatland, Only More Soâ).</p></div><div class='links in-text'></div></div></div><div class='entry '><div class="thumbnail"><a href='/news/tony-feher-extraordinary-ordinary-at-the-ulrich-museum-of-art-wichita-state-university-ks'><img itemprop="image" alt='Tony Feher: Extraordinary Ordinary at the Ulrich Museum of Art, Wichita State University, KS' 247 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/19f29f31c1dfb013965641b208b556e3.jpg' 248 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/tony-feher-extraordinary-ordinary-at-the-ulrich-museum-of-art-wichita-state-university-ks'> 249 Tony Feher: Extraordinary Ordinary at the Ulrich Museum of Art, Wichita State University, KS 250 </a></h1><h2>On view through fall 2012</h2><h3>April 19, 2012</h3><div class='paragraph-styling summary'><p>With the indoor galleries closed for renovation, the Ulrich Museum of Art turned to Tony Feher to activate the outdoor spaces by creating a pair of temporary site-determined artworks titled titled "Caral Sagan, Caral Sagan" for the Martin H. Bush Outdoor Sculpture Collection. On the WSU campus, his inventive application of fluorescent orange to the museumâs façade and the branches of trees across campus encourages university students, staff, and visitors to see familiar spaces anew.</p></div><div class='links in-text'></div></div></div><div class='entry '><div class="thumbnail"><a href='/news/polly-apfelbaum-planiverse-at-galerie-nachst-st-stephan-vienna'><img itemprop="image" alt='Polly Apfelbaum: Planiverse, at Galerie nächst St. Stephan, Vienna' 251 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/3d4ae3ad53bba89f74821a50763303d0.jpg' 252 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/polly-apfelbaum-planiverse-at-galerie-nachst-st-stephan-vienna'> 253 Polly Apfelbaum: Planiverse, at Galerie nächst St. Stephan, Vienna 254 </a></h1><h2>On view March 30 - May 19, 2012</h2><h3>March 30, 2012</h3><div class='paragraph-styling summary'><p>Unlike the minimalists of the 1960s, who tried to make something completely unprecedented, a âspecific objectâ that was neither a painting nor a sculpture, I am interested in making objects that maintain the properties of both painting and sculpture: structure and support, flow and movement, color and surface, repetition and interval.</p></div><div class='links in-text'></div></div></div><div class='entry '><div class="thumbnail"><a href='/news/polly-apfelbaum-flatland-color-revolt'><img itemprop="image" alt='Polly Apfelbaum - Flatland: Color Revolt' 255 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/a3687423da51b4722b56fa34411d2110.jpg' 256 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/polly-apfelbaum-flatland-color-revolt'> 257 Polly Apfelbaum - Flatland: Color Revolt 258 </a></h1><h2>at Hansel and Gretel Picture Garden</h2><h3>March 1, 2012</h3><div class='paragraph-styling summary'><p>Polly Apfelbaum<br/>Flatland: Color Revolt<br/><br/>Hansel and Gretel Picture Garden<br/>511 West 20th Street, New York, NY<br/><br/>On view: 3/1/12 - 4/28/12</p></div><div class='links in-text'></div></div></div><div class='entry '><div class="thumbnail"><a href='/news/jedediah-caesar-soft-structures-solo-show-at-the-mfa-boston'><img itemprop="image" alt='Jedediah Caesar - Soft Structures, solo show at the MFA, Boston' 259 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/7e34b62c1f6ba4ab6b1c09c13c921b26.jpg' 260 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/jedediah-caesar-soft-structures-solo-show-at-the-mfa-boston'> 261 Jedediah Caesar - Soft Structures, solo show at the MFA, Boston 262 </a></h1><h2>December 17 2011 - April 1, 2012</h2><h3>December 17, 2011</h3><div class='paragraph-styling summary'><p>Since receiving his BFA from the School of the Museum of Fine Arts in 1998, Los Angelesâbased artist Jedediah Caesar has gained international recognition for sculptures that amass found materials into systems that reveal new patterns, often abstract, sometime social. Gathering natural and man-made debris like stones, packaging, and scraps, Caesar preserves them in a range of forms, including colored resin slices, impressions cast in clay, and raw assemblages. What results are works that evoke archeological strata, geodes, and fossilsâforms at once raw and complex, echoing a mysterious past and an immediate present. Composed as wall installations that cling to architecture or freestanding sculptures, Caesarâs work exudes a blunt âit is what it isâ presence, but with a highly visceral, permeable density that hints at greater depth.</p></div><div class='links in-text'></div></div></div><div class='entry '><div class="thumbnail">
262<a href='/news/tony-feher-in-streams-of-consciousness-at-the-salina-art-center-salina-ks'><img itemprop="image" alt='Tony Feher in Streams of Consciousness, at the Salina Art Center, Salina, KS' 263 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/a2ed7d9c8533868bd3b84cf6251529e4.jpg' 264 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/tony-feher-in-streams-of-consciousness-at-the-salina-art-center-salina-ks'> 265 Tony Feher in Streams of Consciousness, at the Salina Art Center, Salina, KS 266 </a></h1><h2>The histories, mythologies and ecologies of water. 11/10/11 - 3/11/12</h2><h3>November 10, 2011</h3><div class='paragraph-styling summary'><p>SACâs current exhibition approaches the timely subject of water through the work of 18 national and international artists and artist groups. The ideas and methods presented are diverse and expansive, but, for this exhibition, specifically hone in on waterâs histories, mythologies, and ecologies. Salinaâs iconic Campbellâs Ferry of the nineteenth century, the defunct Sutro Baths of San Francisco, a touring freshwater drinking station, the romances and broken hearts of Niagara Falls, and apocalyptic narratives set on stormy seas are among the many subjects adrift in Streams. Bridging then and now, local and global, metaphoric and scientific, the installation aims to elevate public awareness of the essential role water plays in the world today, in order to forecast a hydrated tomorrow.<br/><br/>Exhibiting artists: Scott Anderson, Amy Balkin, Priti Cox, Ian Davis, Tony Feher, Amy Franceschini, Katie Holten, Sigalit Landau, Marie Lorenz, Mary Mattingly, Michael Jones McKean, Json Myers, Robyn OâNeil, Julia Oschatz, Alicia Pozniak, Leslie Shows, Alec Soth, spurse.<br/><br/>For more information, visit: http://www.salinaartcenter.org/exhibitions/view/streams_of_consciousness_the_histories_mythologies<br/>_and_ecologies_of_water/</p></div><div class='links in-text'></div></div></div><div class='entry '><div class="thumbnail"><a href='/news/sarah-lehrer-graiwer-on-jedediah-caesar'><img itemprop="image" alt='Sarah Lehrer-Graiwer on Jedediah Caesar' 267 src='https://static-assets.artlogic.net/w_280,h_400,c_limit/exhibit-e/538f4142a9aa2c2c1e8b4568/3489669adba3a129ae5c15a2f3c33cb9.jpg' 268 ></a></div><div class='info'><h1 itemprop="name"><a href='/news/sarah-lehrer-graiwer-on-jedediah-caesar'> 269 Sarah Lehrer-Graiwer on Jedediah Caesar 270 </a></h1><h2>Jedediah Caesar, COMMA 23, 27 May - 26 June 2010, Bloomberg SPACE</h2><h3>May 27, 2010</h3><div class='paragraph-styling summary'><p>Things forever collect in the margins and corners. Incessant accumulation seems to be a constant, especially if you are a good capitalist consumer. Clutter builds and spreads over every surface, monotonous and inexorable. It threatens to ruin spatial organisation and obscure mental clarity â so we cling to vestiges of order. Constant maintenance is required; the waste bin fills up so fast. We could gather up all the refuse and consolidate its diffuse unwieldiness into a few dense blocks: we could mould a scarecrow, an apotropaic talisman to ward off the mess monster of excess and decomposition that wants to bury us in a glut of things and material wreckage. We could and we would be modeling ourselves after Jedediah Caesar.</p></div><div class='links in-text'></div></div></div></div></div></div> 271 272 </section> 273 274 </div> 275 276 </body> 277 </html>
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