1<!DOCTYPE html><html lang="en"><head><meta charset="utf-8"><meta name="viewport" content="width=device-width, initial-scale=1"><title>Writing | Allan Nobre</title><link rel="stylesheet" href="https://use.typekit.net/brb0ljc.css"><link rel="stylesheet" href="/_nuxt/entry.CG-EpvOU.css" crossorigin><link rel="preload" as="fetch" crossorigin="anonymous" href="/appendices/_payload.json?2120695f-920e-46fd-8ed9-af86075ad63b"><link rel="modulepreload" as="script" crossorigin href="/_nuxt/CRQVmoW2.js"><link rel="modulepreload" as="script" crossorigin href="/_nuxt/Cuj_dZtT.js"><link rel="modulepreload" as="script" crossorigin href="/_nuxt/By8x4QfM.js"><link rel="modulepreload" as="script" crossorigin href="/_nuxt/yI7HeE6Z.js">
1<script src="https://challenges.cloudflare.com/turnstile/v0/api.js" defer></script>
1<script type="module" src="/_nuxt/CRQVmoW2.js" crossorigin></script>
1<link rel="apple-touch-icon" type="image/png" sizes="180x180" href="/apple-touch-icon.png"><link rel="icon" type="image/png" sizes="32x32" href="/favicon-32x32.png"><link rel="icon" type="image/png" sizes="16x16" href="/favicon-16x16.png"><link rel="canonical" href="https://allannobre.com"><meta name="charset" content="utf-81"><meta name="theme-color" content="#080808"><meta name="description" content="Supplementary Information"><meta name="og:locale" content="en_GB"><meta name="og:image" content="/images/og.png"><meta name="og:image:width" content="1200"><meta name="og:image:height" content="630"><meta name="twitter:title" content="Allan Nobre"><meta name="twitter:url" content="https://allannobre.com"><meta name="twitter:description" content="Supplementary Information"><meta name="twitter:image" content="https://allannobre.com/images/og.png"><meta property="og:type" content="website"><meta name="robots" content="index, follow, max-image-preview:large, max-snippet:-1, max-video-preview:-1"><meta name="twitter:card" content="summary_large_image"><meta property="og:title" data-infer="" content="Writing | Allan Nobre"><meta property="og:description" data-infer="" content="Supplementary Information"><meta property="og:url" content="https://allannobre.com/appendices"><meta property="og:site_name" content="Allan Nobre"></head><body class="antialiased scroll-smooth min-h-screen selection:bg-primary selection:text-white bg-primary"><div id="__nuxt"><div><!----><div><div class="relative"><div class="fixed bg-primary h-dvh inset-0 z-transition-html"><div class="h-auto absolute top-1/2 -translate-y-1/2 p-4 sm:p-6 flex justify-center w-full"><div class="max-w-2xl mx-auto"><p class="font-serif text-5xl uppercase text-white text-center pointer-events-none" style="opacity:0;">Allan Nobre</p></div></div></div></div></div><div><div class="relative"><div id="transition-html" style="display:none;opacity:0;" class="fixed bg-primary h-dvh inset-0 z-transition-html"></div></div></div><div class="min-h-screen flex flex-col justify-between"><div><div><div class="fixed z-fixed inset-x-0 top-0" style="opacity:0;"><div class="absolute inset-0 bg-primary shadow will-change-transform" style="opacity:0;"></div><div class="w-full"><div class="py-6 sm:py-12 py-0! w-full mx-auto max-w-6xl px-4 sm:px-6 md:px-8 lg:px-16"><!--[--><header class="relative flex flex-wrap items-center justify-end xs:justify-between w-full transition-all duration-300 rounded-lg py-3 xs:py-4 md:py-6"><div class="hidden xs:flex items-center justify-center lg:justify-start"><a href="/" class="transition duration-300"><span class="font-serif text-4xl hover:text-accent transition-all cursor-pointer text-secondary">Allan Nobre</span></a></div><nav class="lg:flex hidden flex-1 items-center justify-end"><ul role="list" class="flex space-x-6"><!--[--><li><div><a href="/" class="transition duration-300"><!--[--><span class="hover:text-accent uppercase text-base xl:text-lg tracking-wide whitespace-nowrap transition-all cursor-pointer text-secondary"><!--[-->Home<!--]--></span><!--]--></a></div></li><li><div><a href="/#about" class="transition duration-300"><!--[--><span class="hover:text-accent uppercase text-base xl:text-lg tracking-wide whitespace-nowrap transition-all cursor-pointer text-secondary"><!--[-->About<!--]--></span><!--]--></a></div></li><li><div><a href="/born-on-the-spring-equinox" class="transition duration-300"><!--[--><span class="hover:text-accent uppercase text-base xl:text-lg tracking-wide whitespace-nowrap transition-all cursor-pointer text-secondary"><!--[-->Born on the Spring Equinox<!--]--></span><!--]--></a></div></li><li><div><a href="/gallery" class="transition duration-300"><!--[--><span class="hover:text-accent uppercase text-base xl:text-lg tracking-wide whitespace-nowrap transition-all cursor-pointer text-secondary"><!--[-->Gallery<!--]--></span><!--]--></a></div></li><li><div><a aria-current="page" href="/appendices" class="router-link-active router-link-exact-active transition duration-300"><!--[--><span class="hover:text-accent uppercase text-base xl:text-lg tracking-wide whitespace-nowrap transition-all cursor-pointer text-secondary"><!--[-->Appendices<!--]--></span><!--]--></a></div></li>
1<!--]--></ul></nav><!--[--><div><svg class="lg:hidden bg-white hover:bg-secondary text-primary border border-primary/20 shadow hover:shadow-lg rounded-full p-3 transition-all cursor-pointer size-14" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 20 12" stroke="currentColor"><line x1="0" y1="2" x2="20" y2="2" stroke="currentColor" stroke-width="1"></line><line x1="0" y1="10" x2="20" y2="10" stroke="currentColor" stroke-width="1"></line></svg></div><nav class="hidden absolute z-fixed top-20 right-0 left-0 sm:left-auto opacity-0 will-change-transform" style="transform:rotate(2deg);"><div class="w-full xs:min-w-sm"><ul role="list" class="w-full bg-white shadow-lg rounded-lg p-1"><!--[--><li><a href="/" class=""><!--[--><div class="group sidebar-item relative text-primary font-serif text-3xl transition duration-300 px-2 xs:px-4 sm:px-6 py-4 cursor-default cursor-pointer"><div class="absolute top-0 left-0 size-full rounded-2xl scale-90 group-hover:scale-100 transition-transform duration-500 group-hover:bg-neutral-100 will-change-transform"></div><div class="relative overflow-hidden"><div class="absolute right-0 top-1/2 -translate-y-1/2"><div><svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 20 20" fill="currentColor" class="size-5 text-neutral-700 scale-0 group-hover:scale-100 duration-500 will-change-transform"><path fill-rule="evenodd" d="M3 10a.75.75 0 0 1 .75-.75h10.638L10.23 5.29a.75.75 0 1 1 1.04-1.08l5.5 5.25a.75.75 0 0 1 0 1.08l-5.5 5.25a.75.75 0 1 1-1.04-1.08l4.158-3.96H3.75A.75.75 0 0 1 3 10Z" clip-rule="evenodd"></path></svg></div></div><span class="inline-block relative pr-6">Home</span></div></div><!--]--></a></li><li><a href="/#about" class=""><!--[--><div class="group sidebar-item relative text-primary font-serif text-3xl transition duration-300 px-2 xs:px-4 sm:px-6 py-4 cursor-default cursor-pointer"><div class="absolute top-0 left-0 size-full rounded-2xl scale-90 group-hover:scale-100 transition-transform duration-500 group-hover:bg-neutral-100 will-change-transform"></div><div class="relative overflow-hidden"><div class="absolute right-0 top-1/2 -translate-y-1/2"><div><svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 20 20" fill="currentColor" class="size-5 text-neutral-700 scale-0 group-hover:scale-100 duration-500 will-change-transform"><path fill-rule="evenodd" d="M3 10a.75.75 0 0 1 .75-.75h10.638L10.23 5.29a.75.75 0 1 1 1.04-1.08l5.5 5.25a.75.75 0 0 1 0 1.08l-5.5 5.25a.75.75 0 1 1-1.04-1.08l4.158-3.96H3.75A.75.75 0 0 1 3 10Z" clip-rule="evenodd"></path></svg></div></div><span class="inline-block relative pr-6">About</span></div></div><!--]--></a></li><li><a href="/born-on-the-spring-equinox" class=""><!--[--><div class="group sidebar-item relative text-primary font-serif text-3xl transition duration-300 px-2 xs:px-4 sm:px-6 py-4 cursor-default cursor-pointer"><div class="absolute top-0 left-0 size-full rounded-2xl scale-90 group-hover:scale-100 transition-transform duration-500 group-hover:bg-neutral-100 will-change-transform"></div><div class="relative overflow-hidden"><div class="absolute right-0 top-1/2 -translate-y-1/2"><div><svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 20 20" fill="currentColor" class="size-5 text-neutral-700 scale-0 group-hover:scale-100 duration-500 will-change-transform"><path fill-rule="evenodd" d="M3 10a.75.75 0 0 1 .75-.75h10.638L10.23 5.29a.75.75 0 1 1 1.04-1.08l5.5 5.25a.75.75 0 0 1 0 1.08l-5.5 5.25a.75.75 0 1 1-1.04-1.08l4.158-3.96H3.75A.75.75 0 0 1 3 10Z" clip-rule="evenodd"></path></svg></div></div><span class="inline-block relative pr-6">Born on the Spring Equinox</span></div></div><!--]--></a></li><li><a href="/gallery" class=""><!--[--><div class="group sidebar-item relative text-primary font-serif text-3xl transition duration-300 px-2 xs:px-4 sm:px-6 py-4 cursor-default cursor-pointer"><div class="absolute top-0 left-0 size-full rounded-2xl scale-90 group-hover:scale-100 transition-transform duration-500 group-hover:bg-neutral-100 will-change-transform"></div><div class="relative overflow-hidden"><div class="absolute right-0 top-1/2 -translate-y-1/2"><div><svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 20 20" fill="currentColor" class="size-5 text-neutral-700 scale-0 group-hover:scale-100 duration-500 will-change-transform"><path fill-rule="evenodd" d="M3 10a.75.75 0 0 1 .75-.75h10.638L10.23 5.29a.75.75 0 1 1 1.04-1.08l5.5 5.25a.75.75 0 0 1 0 1.08l-5.5 5.25a.75.75 0 1 1-1.04-1.08l4.158-3.96H3.75A.75.75 0 0 1 3 10Z" clip-rule="evenodd"></path></svg></div></div><span class="inline-block relative pr-6">Gallery</span></div></div><!--]--></a></li><li><a aria-current="page" href="/appendices" class="router-link-active router-link-exact-active"><!--[--><div class="group sidebar-item relative text-primary font-serif text-3xl transition duration-300 px-2 xs:px-4 sm:px-6 py-4 cursor-default"><div class="absolute top-0 left-0 size-full"></div><div class="relative overflow-hidden"><div class="absolute right-0 top-1/2 -translate-y-1/2"><div><div class="size-2 bg-neutral-700 rounded-full"></div></div></div><span class="inline-block relative pr-6">Appendices</span></div></div><!--]--></a></li>
1<!--]--></ul></div></nav><!--]--></header><!--]--></div></div></div></div><main class="relative"><div><div class="w-full bg-primary"><div class="pt-24 sm:pt-28 md:pt-32 pb-6 sm:pb-12 w-full mx-auto max-w-6xl px-4 sm:px-6 md:px-8 lg:px-16"><!--[--><div class="mx-auto max-w-4xl"><div class="mb-6"><h1 class="font-serif font-normal uppercase text-balance text-white text-6xl md:text-7xl lg:text-8xl mb-6"><!--[-->Appendices<!--]--></h1><div class="prose max-w-4xl prose-headings:font-serif prose-headings:font-normal marker:text-accent prose-p:mb-6 prose-img:mx-auto prose-img:mb-0 prose-figcaption:text-center prose-h1:text-6xl prose-h2:text-5xl prose-h3:text-4xl prose-h4:text-3xl prose-h2:mt-16 prose-h2:mb-8 prose-h3:mt-12 text-justify text-2xl text-white prose-headings:text-white prose-strong:text-white prose-blockquote:text-white prose-a:text-accent"><p>Supplementary Information</p></div></div></div><!--]--></div></div><div class="w-full bg-secondary"><div class="py-6 sm:py-12 w-full mx-auto max-w-6xl px-4 sm:px-6 md:px-8 lg:px-16"><!--[--><div class="mx-auto max-w-4xl"><div class="divide-y divide-primary/10"><!--[--><article><a href="/appendices/0AdyQ23JR8K4DG68/semiotics-of-the-book-cover" class="group"><div class="group-hover:bg-primary/5 transition-all rounded-2xl p-3 sm:p-6 py-8"><div><div class="group relative"><h3 class="font-serif font-normal uppercase text-balance text-text text-4xl md:text-5xl lg:text-6xl mb-3"><!--[-->Semiotics of the Book Cover<!--]--></h3><div class="prose max-w-4xl prose-headings:font-serif prose-headings:font-normal marker:text-accent prose-p:mb-6 prose-img:mx-auto prose-img:mb-0 prose-figcaption:text-center prose-h1:text-6xl prose-h2:text-5xl prose-h3:text-4xl prose-h4:text-3xl prose-h2:mt-16 prose-h2:mb-8 prose-h3:mt-12 text-justify text-xl text-text prose-headings:text-text prose-strong:text-text prose-blockquote:text-text prose-a:text-accent line-clamp-5"><p style="text-align: justify;"><em>Designed by Raúl Lázaro</em></p> 2<h3>Spring Equinox</h3> 3<p style="text-align: justify;">The spring equinox, also called the vernal equinox, is a powerful symbol of harmony, rebirth, and transformation. It marks the moment when day and night are nearly equal, symbolising the triumph of light over darkness.</p> 4<p style="text-align: justify;">This celestial event echoes themes of renewal, fertility, and fresh starts. Icons like eggs, rabbits, and blooming flowers vividly reflect nature’s awakening and vibrant vitality.</p> 5<h4 style="text-align: justify;">Core Themes</h4> 6<h5 style="text-align: justify;">Balance and Transition</h5> 7<p style="text-align: justify;">Derived from Latin "aequus" (equal) and "nox" (night), this time embodies the shift where light overtakes darkness, representing harmony within ourselves and the world.</p> 8<h5 style="text-align: justify;">Rebirth and Fertility</h5> 9<p style="text-align: justify;">Symbols such as eggs—linked to creation myths—rabbits—
9fertility symbols—and seeds celebrate new ideas, life, and projects beginning anew.</p> 10<h5 style="text-align: justify;">Cultural New Year</h5> 11<p style="text-align: justify;">Many traditions, including Persian Nowruz, honour this season as a time for renewal and fresh beginnings.</p> 12<h5 style="text-align: justify;">Ritual Cleansing</h5> 13<p style="text-align: justify;">Spring cleaning and bonfires symbolise clearing away winter’s stagnation and welcoming warmth and light.</p> 14<h5 style="text-align: justify;">Mythological Roots</h5> 15<p style="text-align: justify;">Deities like Ostara, Flora, and Persephone reveal the deep mythological roots of this seasonal turning point.</p> 16<h3 style="text-align: justify;">Being Born on the Spring Equinox</h3> 17<p style="text-align: justify;">Birth on or around March 20–21 in the Northern Hemisphere carries profound symbolism, representing a merging of endings (winter/Pisces) and new beginnings (spring/Aries). It’s an archetype of balance, renewal, and energetic vitality.</p> 18<h4 style="text-align: justify;">Core Themes</h4> 19<h5 style="text-align: justify;">Balance and Equilibrium</h5> 20<p style="text-align: justify;">The perfect harmony of day and night reflects inner balance. Those born on this day often excel at blending emotion with action, harmony with ambition.</p> 21<h5 style="text-align: justify;">Cosmic Thresholds and Astrology</h5> 22<p style="text-align: justify;">Merging Pisces’ intuition with Aries’ fire, this moment bridges emotional depth with energetic action. The Sun entering Aries marks the start of the astrological New Year, heralding leadership and pioneering spirit.</p> 23<h5 style="text-align: justify;">Leadership and Creativity</h5> 24<p style="text-align: justify;">People born around the equinox are often trailblazers, excelling as innovative and vibrant leaders.</p> 25<h5 style="text-align: justify;">The In-Between Space</h5> 26<p style="text-align: justify;">This cusp birth embodies transition, serving as a bridge between winter and summer—a magical space of transformation and renewal.</p> 27<h3 style="text-align: justify;">Black and White</h3> 28<p style="text-align: justify;">Black and white symbolise essential dualities: good and evil, conscious and subconscious, presence and absence, life and death. Together, they evoke sophistication, minimalism, and timeless elegance. Individually, black signifies mystery, power, and authority, while white stands for purity, clarity, and cleanliness.</p> 29<h4 style="text-align: justify;">Core Themes</h4> 30<h5 style="text-align: justify;">Black</h5> 31<p style="text-align: justify;">Represents authority, mystery, death, mourning, and elegance. In design, it creates drama, depth, and luxury.</p> 32<h5 style="text-align: justify;">White</h5> 33<p style="text-align: justify;">Symbolises purity, innocence, simplicity, and openness. It offers light and clarity and, in excess, can suggest emptiness.</p> 34<h5 style="text-align: justify;">Contrast</h5> 35<p style="text-align: justify;">Used together, they produce dramatic, high-contrast imagery, emphasising timelessness and stripping away distraction to focus on form and texture.</p> 36<h5 style="text-align: justify;">Mourning</h5> 37<p style="text-align: justify;">While black is the Western colour of mourning, white is traditionally worn for funerals in many Asian and African cultures.</p> 38<h5 style="text-align: justify;">Symbolic Duality</h5> 39<p style="text-align: justify;">The yin-yang symbol captures these as interdependent forces.</p> 40<h5 style="text-align: justify;">Psychology</h5> 41<p style="text-align: justify;">Black often relates to the unknown or fear; white, to clarity and calm.</p> 42<h5 style="text-align: justify;">Abstraction</h5> 43<p style="text-align: justify;">Black-and-white photography emphasises light and shadow, abstracting reality.</p> 44<h5 style="text-align: justify;">Emotion</h5> 45<p style="text-align: justify;">Removing colour deepens emotional connection and invites personal interpretation.</p> 46<h3 style="text-align: justify;">Horizontal Lines</h3> 47<p style="text-align: justify;">Horizontal lines evoke a sense of stability, calmness, and serenity, grounding us in the material world. They symbolise the earthly journey, linear time, and human relationships across cultures and traditions.</p> 48<h4 style="text-align: justify;">Core Themes</h4> 49<h5 style="text-align: justify;">Stability and Repose</h5> 50<p style="text-align: justify;">Like a horizon stretching endlessly, horizontal lines suggest rest, peace, and a deep sense of groundedness.</p> 51<h5 style="text-align: justify;">The Material World</h5> 52<p style="text-align: justify;">They embody the "horizontal plane of life"—symbolising time, space, and daily human experience, contrasting with the spiritual vertical realm.</p> 53<h5 style="text-align: justify;">Art and Symbolism</h5> 54<p style="text-align: justify;">Artists use horizontal lines to evoke tranquillity, openness, and a vast sense of space.</p> 55<h5 style="text-align: justify;">Meditation and Thought</h5> 56<p style="text-align: justify;">Meditating on horizontal lines encourages grounding oneself in the present, fostering acceptance and peace of mind. </p> 57<h3 style="text-align: justify;">White Cherry Blossom</h3> 58<p style="text-align: justify;">White cherry blossoms, or sakura, are more than just beautiful flowers; they embody purity, innocence, and the promise of new beginnings. Their delicate blooms often evoke feelings of freshness and a clean slate, inspiring us to embrace the present. Their fleeting nature reminds us of life's transience, urging us to appreciate each moment. The brief bloom also symbolises renewal and serenity.</p> 59<h4 style="text-align: justify;">Core Themes</h4> 60<h5 style="text-align: justify;">Purity and Innocence</h5> 61<p style="text-align: justify;">With their pristine white petals, these blossoms symbolise purity, simplicity, and peace, making them iconic at weddings and memorials.</p> 62<h5 style="text-align: justify;">The Fleeting Nature of Life (Impermanence)</h5> 63<p style="text-align: justify;">Like all sakura, white blossoms bloom fleetingly before falling, reflecting life's transient beauty and encouraging us to cherish every moment.</p> 64<h5 style="text-align: justify;">Renewal and New Beginnings</h5> 65<p style="text-align: justify;">Blooming in early spring, they herald new starts, hope, and fresh opportunities.</p> 66<h5 style="text-align: justify;">Remembrance</h5> 67<p style="text-align: justify;">White cherry blossom trees serve as poignant memorials, honouring loved one
67s with a sense of peaceful remembrance.</p> 68<h5 style="text-align: justify;">Cultural Significance (Sakura)</h5> 69<p style="text-align: justify;">In Japanese tradition, they symbolise the warrior's ethos—living fully and appreciating life's brevity.</p></div></div></div></div></a></article><article><a href="/appendices/BR6ywvkQw42zagnL/literary-influences" class="group"><div class="group-hover:bg-primary/5 transition-all rounded-2xl p-3 sm:p-6 py-8"><div><div class="group relative"><h3 class="font-serif font-normal uppercase text-balance text-text text-4xl md:text-5xl lg:text-6xl mb-3"><!--[-->Literary Influences<!--]--></h3><div class="prose max-w-4xl prose-headings:font-serif prose-headings:font-normal marker:text-accent prose-p:mb-6 prose-img:mx-auto prose-img:mb-0 prose-figcaption:text-center prose-h1:text-6xl prose-h2:text-5xl prose-h3:text-4xl prose-h4:text-3xl prose-h2:mt-16 prose-h2:mb-8 prose-h3:mt-12 text-justify text-xl text-text prose-headings:text-text prose-strong:text-text prose-blockquote:text-text prose-a:text-accent line-clamp-5"><p style="text-align: justify;"><em>Born on the Spring Equinox</em> was not created in a vacuum; it is a tapestry woven from the many books and authors that have fascinated me since childhood. From the enchanting worlds of Carlo Collodi's <em>Pinocchio</em>, with its moral lessons and whimsical characters, Antoine de Saint-Exupéry’s <em>The Little Prince</em>, which explores innocence and human nature, and Lewis Carroll’s <em>Alice’s Adventures in Wonderland</em>, a tale rich with wordplay and surreal imagery, I absorbed rich symbolism and vivid imagination, reading them repeatedly and letting their themes seep into my own storytelling.</p> 70<p style="text-align: justify;">As I grew older, my curiosity expanded into the mystical and philosophical realms. The works of Paulo Coelho, such as <em>The Alchemist</em>, <em>Brida</em>, and <em>Veronica Decides to Die</em>, and Louise Hay’s self-help books played a subtle yet persistent role—titles like these echo through the novel’
70s spiritual undertones, inspiring themes of self-discovery, healing, and spiritual awakening.</p> 71<p style="text-align: justify;">My journey took a profound turn when I read Jostein Gaarder’s <em>Sophie’s World</em>, a novel that guided me through the history of philosophy from ancient Greece to modern thought, shifting my focus from childhood tales and esoteric musings to the frontiers of philosophical inquiry and Western intellectual tradition. At nineteen, I dared to dream of becoming a writer—penning the first chapter of my debut novel—though I recognised I needed more life experience and a broader intellectual grounding before completing my first book.</p> 72<p style="text-align: justify;">During my early twenties, my passion for history and literature deepened significantly. Studying at university, I devoured works by Sylvia Plath, Virginia Woolf, Clarice Lispector, Oscar Wilde, Machado de Assis, Thomas Mann, Allen Ginsberg, and Jack Kerouac. Their distinct voices and literary styles enriched my perspective, leaving traces throughout <em>Born on the Spring Equinox</em> and shaping my approach to storytelling.</p> 73<p style="text-align: justify;">Later, after graduating with a degree in History, I turned to Philosophy. The writings of Martin Heidegger’s existential analysis, Sartre’s phenomenology, Lacan’s psychoanalytic theories, and Freud’s pioneering ideas—figures who challenge and explore the depths of human existence—are woven into the fabric of the novel, either directly through references or indirectly through its themes of identity, consciousness, and absurdity.</p> 74<p style="text-align: justify;">My passion for storytelling truly ignited in my thirties, when I enrolled in drama school. Experimenting with theatrical sketches and inspired by The Theatre of the Absurd—a movement pioneered by playwrights like Samuel Beckett and Eugène Ionesco—I explored the strange, often surreal aspects of life that now find voice in my writing, emphasising the absurdity and fragility of human existence.</p> 75<p style="text-align: justify;">From the very beginning, I knew these diverse influences had to be part of the story I wanted to tell. Years of reflection, study, and dedication culminated in <em>Born on the Spring Equinox</em>—a complex web of inspirations that reflects my literary and philosophical journey, ultimately standing as a testament to the transformative power of influence and the enduring art of storytelling.</p></div></div></div></div></a></article><article><a href="/appendices/16YnVOAo70KLqPl0/existentialism" class="group"><div class="group-hover:bg-primary/5 transition-all rounded-2xl p-3 sm:p-6 py-8"><div><div class="group relative"><h3 class="font-serif font-normal uppercase text-balance text-text text-4xl md:text-5xl lg:text-6xl mb-3"><!--[-->Existentialism<!--]--></h3><div class="prose max-w-4xl prose-headings:font-serif prose-headings:font-normal marker:text-accent prose-p:mb-6 prose-img:mx-auto prose-img:mb-0 prose-figcaption:text-center prose-h1:text-6xl prose-h2:text-5xl prose-h3:text-4xl prose-h4:text-3xl prose-h2:mt-16 prose-h2:mb-8 prose-h3:mt-12 text-justify text-xl text-text prose-headings:text-text prose-strong:text-text prose-blockquote:text-text prose-a:text-accent line-clamp-5"><p style="text-align: justify;">The narrative of <em>Born on the Spring Equinox </em>is significantly influenced by Existentialism, a philosophical movement that examines human existence, personal freedom, and individual agency. The main character, Angelo, a performing artist diagnosed with bipolar disorder, struggles with feelings of alienation from society, pervasive anxiety about his purpose in life, and the imperative to forge a unique identity within an indifferent universe. Existentialism, prominent in 19th and 20th-century philosophy, emphasises the importance of personal choice, moral responsibility, and subjective experience. It claims that "existence precedes essence", meaning humans are not born with predetermined purposes but must create their own meaning through deliberate actions and decisions in a universe often perceived as absurd or purposeless. Central themes include confronting anxiety, pursuing authenticity through honest self-awareness, and accepting radical freedom—the capacity and duty to shape one’s destiny.</p> 76<p>
76Existential philosophy has profoundly influenced psychology, especially existential therapy, as well as literature, both of which emphasise the richness of human experience and the importance of personal choice.</p> 77<h3 style="text-align: justify;">Key Principles of Existentialism</h3> 78<ul style="text-align: justify;"> 79<li>Existence Precedes Essence: Humans emerge into existence without inherent purpose and define themselves through their choices and actions.</li> 80<li>Radical Freedom & Responsibility: Without divine decree or fixed human nature, individuals possess complete freedom to select their paths and are fully accountable for their consequences.</li> 81<li>The Absurd: The tension between humans' innate quest for meaning and the universe’s silence and indifference towards this pursuit.</li> 82<li>Authenticity: Living authentically involves embracing one's freedom, making genuine choices aligned with one’s true self, and resisting "bad faith", a denial of freedom to evade responsibility.</li> 83<li>Angst/Anxiety: Recognising the scope of personal freedom and responsibility can produce existential dread, as individuals grapple with the weight of creating their own purpose.</li> 84</ul> 85<h3 style="text-align: justify;">Key Figures</h3> 86<ul> 87<li>Albert Camus: Highlighted the absurd condition of human life and urged embracing life passionately despite its lack of inherent meaning.</li> 88<li>Jean-Paul Sartre: Named the concept that "existence precedes essence" and introduced "bad faith", a form of self-deception used to evade authentic freedom.</li> 89<li>Martin Heidegger: Explored the concept of "being" (Dasein) and stressed the importance of authentic existence rooted in awareness of mortality.</li> 90<li>Friedrich Nietzsche: Declared the death of God, emphasising the necessity for individuals to create their own values and moral frameworks.</li> 91<li>Søren Kierkegaard: Often regarded as the father of existentialism, focusing on subjective truth and individual choice as essential for authentic existence.</li> 92</ul> 93<h3 style="text-align: justify;">Common Misconceptions</h3> 94<ul style="text-align: justify;"> 95<li>Existentialism is not necessarily nihilism; while acknowledging the absence of inherent objective meaning, it encourages individuals to forge their own subjective purpose.</li> 96<li>It is not strictly atheistic—though often associated with atheism (e.g., Sartre)—but argues that if God does not exist, humans must assume full responsibility for constructing values.</li> 97</ul> 98<h3 style="text-align: justify;">Existentialism and Bipolar Disorder</h3> 99<p style="text-align: justify;">In <em>Born on the Spring Equinox</em>, Angelo is diagnosed with bipolar disorder in his early twenties —a mental health condition characterised by significant mood swings between episodes of mania, involving increased energy, impulsivity, and grandiosity, and depression, marked by intense sadness, hopelessness, and fatigue. Existentialism intersects with bipolar disorder through the concept of "existential despair", a state where ongoing mood instability prompts profound questions about personal purpose, freedom, and mortality. While medication—such as mood stabilisers like lithium or anticonvulsants—is essential for managing physical symptoms and preventing extreme mood episodes, effectively addressing existential despair requires a therapeutic approach that explores the patient's lived experiences, personal meanings, and sense of identity beyond symptom control.</p> 100<h3 style="text-align: justify;">Existential Challenges in Bipolar Disorder</h3> 101<ul> 102<li style="text-align: justify;">Existential Despair: Often presenting as chronic, low-grade depression, this despair manifests as a persistent sense of loss—for careers, meaningful relationships, or a sense of self—extending beyond clinical depression and hindering quality of life.</li> 103<li style="text-align: justify;">Meaninglessness and Isolation: The cyclical nature of bipolar disorder can reinforce feelings of disconnection from "normal" life, fostering a sense that existence lacks inherent meaning. Patients may feel estranged from societal norms and their own internal stability.</li> 104<li style="text-align: justify;">Freedom and Responsibility: Those with bipolar disorder may struggle with the paradox of having the freedom to make choices while feeling constrained by their condition. This tension influences their perceptions of autonomy and personal responsibility, especially in managing energy fluctuations, emotional extremes, and treatment adherence.</li> 105<li style="text-align: justify;">Death and Limitation: Confronting the chronicity of the illness often raises existential concerns about mortality. Patients might develop a heightened awareness of life's fragility, contemplating their limitations and the finite nature of existence.</li> 106</ul></div></div></div></div></a></article><article><a href="/appendices/q9GlN2MgXgvVQ6zy/butoh" class="group"><div class="group-hover:bg-primary/5 transition-all rounded-2xl p-3 sm:p-6 py-8"><div><div class="group relative"><h3 class="font-serif font-normal uppercase text-balance text-text text-4xl md:text-5xl lg:text-6xl mb-3"><!--[-->Butoh<!--]--></h3><div class="prose max-w-4xl prose-headings:font-serif prose-headings:font-normal marker:text-accent prose-p:mb-6 prose-img:mx-auto prose-img:mb-0 prose-figcaption:text-center prose-h1:text-6xl prose-h2:text-5xl prose-h3:text-4xl prose-h4:text-3xl prose-h2:mt-16 prose-h2:mb-8 prose-h3:mt-12 text-ju
106stify text-xl text-text prose-headings:text-text prose-strong:text-text prose-blockquote:text-text prose-a:text-accent line-clamp-5"><p style="text-align: justify;">The term butoh, which appears throughout <em>Born on the Spring Equinox</em>, may be unfamiliar to many readers, so this post aims to shed some light on its intriguing origins and evolution.</p> 107<p style="text-align: justify;">Butoh emerged in Japan in 1959, sparked by Tatsumi Hijikata's provocative performance, Kinjiki. Originally called ‘ankoku butoh’ (dance of utter darkness), it was later shortened to butoh and became a canvas for a diverse array of artists.</p> 108<p style="text-align: justify;">Butoh challenged the constraints of Western dance and the rigidity of traditional Japanese forms like Noh drama and Nihon Buyo. Born out of a reaction to World War II and a rebellion against Western influences, butoh shares pedagogical ties with German Expressionist dance and the ideas of French thinkers, philosophers, and social critics Jean Genet and Antonin Artaud, embracing contradictions that make butoh truly captivating.</p> 109<p style="text-align: justify;">Founders Tatsumi Hijikata and Kazuo Ohno were both trained dancers, and while butoh originated within a dance framework, it has been enriched by experimental fusions with theatre and visual art.</p> 110<p style="text-align: justify;">Butoh’s history is a tapestry of shifting phases. The rebellious, improvisational 1960s gave way to the transformative forms of the 1970s. By the 1980s, distinct artists and approaches had emerged—some theatrical, others abstract, with site-specific improvisations adding further diversity.</p> 111<p style="text-align: justify;">A receptive, responsive body is key in butoh; the performer must be capable of being moved and transformed by internal and external stimuli: “the dancer should not dance, but be danced”. Butoh also encourages dancers to embrace the body's 'weakness', turning vulnerability into a powerful mode of expression.</p> 112<p style="text-align: justify;">Ultimately, a master butoh dancer transforms not just their body but also the space around them, creating a profound connection with the audience. Drawing on dreams, the unconscious, and the irrational, butoh leaves space for viewers to interpret and engage, offering a rich, metaphorical universe to explore.</p> 113<p style="text-align: justify;">Key characteristics of butoh include:</p> 114<ul style="text-align: justify;"> 115<li><strong>Origin</strong>: Created in 1959 by Hijikata with the provocative performance Kinjiki.<
115/li> 116<li><strong>Style</strong>: Known as "dances of darkness", exploring themes of life, death, decay, and the subconscious, rejecting conventional dance constraints.</li> 117<li><strong>Appearance</strong>: Dancers often appear nude or minimally dressed, covered in white paint, using slow, contorted movements to embody raw energy.</li> 118<li><strong>Philosophy</strong>: A raw, honest exploration of humanity, aiming to transcend societal constraints, sometimes delving into trauma.</li> 119<li><strong>Evolution</strong>: From underground rebellion in the 60s to a structured yet deeply interpretative art form.</li> 120</ul> 121<p style="text-align: justify;"> </p></div></div></div></div></a></article><article><a href="/appendices/0AdyQ23JLQK4DG68/freud-and-lacan" class="group"><div class="group-hover:bg-primary/5 transition-all rounded-2xl p-3 sm:p-6 py-8"><div><div class="group relative"><h3 class="font-serif font-normal uppercase text-balance text-text text-4xl md:text-5xl lg:text-6xl mb-3"><!--[-->Freud and Lacan<!--]--></h3><div class="prose max-w-4xl prose-headings:font-serif prose-headings:font-normal marker:text-accent prose-p:mb-6 prose-img:mx-auto prose-img:mb-0 prose-figcaption:text-center prose-h1:text-6xl prose-h2:text-5xl prose-h3:text-4xl prose-h4:text-3xl prose-h2:mt-16 prose-h2:mb-8 prose-h3:mt-12 text-justify text-xl text-text prose-headings:text-text prose-strong:text-text prose-blockquote:text-text prose-a:text-accent line-clamp-5"><p style="text-align: justify;">Several psychoanalytic theories developed by Freud and Lacan form the backbone of the characters in my adult literary fiction, <em>Born on the Spring Equinox</em>. The concept of the subconscious, in particular, proved invaluable, allowing me to craft subtle nuances and depths in the book’s protagonist, Angelo. Freud's theory of child sexuality, outlined in his <em>Three Essays on the Theory of Sexuality</em>, and Lacan’s theory on the child’s entry into the symbolic order also played a key role in shaping Angelo’s complex personality.</p> 122<p style="text-align: justify;">Sigmund Freud, an Austrian neurologist and the founder of psychoanalysis, revolutionised our understanding of the human mind in the late 19th century. He introduced the groundbreaking idea that the mind has a subconscious component influencing our thoughts, feelings, and actions. Freud likened the mind to an iceberg, with the conscious part sticking out above the water and a vast, hidden unconscious below—filled with repressed memories and hidden urges that subtly steer our behaviour.</p> 123<p style="text-align: justify;">Although he first used the term "subconscious" in 1893, Freud soon preferred "unconscious" to describe this deep, inaccessible part of the mind. His famous iceberg analogy vividly illustrates how the conscious mind is just the tip of the iceberg, overshadowed by a vast unconscious realm beneath the surface.</p> 124<p style="text-align: justify;">Freud's theory, often explored through dream analysis and the notion of "Freudian slips", suggests that the unconscious is a complex, organised system that serves as a repository for memories and experiences too painful or taboo for the conscious mind to face. A Freudian slip, or parapraxis, is an unintentional mistake in speech, memory, or action believed to reveal repressed unconscious wishes, thoughts, or feelings. The psychoanalytic approach to dream analysis, developed around 1900, posits that dreams are disguised fulfillments of repressed, often infantile, desires. Dreams act as a "window into the unconscious", revealing hidden conflicts and desires through symbolic imagery. Freud distinguished between the manifest content—the literal storyline—and the latent content—the underlying meaning.</p> 125<p style="text-align: justify;">Jacques-Marie Émile Lacan was a French psychoanalyst and psychiatrist who built upon and reinterpreted Freud’s ideas about the unconscious, often describing his work as a "return to Freud" to revive the core of Freudian thought. Lacan transformed our understanding of the unconscious by merging it with structural linguistics and philosophy, famously asserting that "the unconscious is structured like a language".</p> 126<p style="text-align: justify;">He reconceptualised the unconscious not as a disorderly storage of raw images, as Freud sometimes suggested, but as a structured system akin to a language. It forms part of the "discourse of the Other", operating through symbolic signifiers, metonymy, and metaphor. Lacan saw the unconscious as trans-subjective, existing between individuals and language rather than being confined solely within the individual mind.</p> 127<p style="text-align: justify;">According to Lacan, the unconscious follows linguistic rules, meaning its contents—such as memories and desires—are organised by signifiers (words and symbols) rather than raw images. The "Discourse of the Other" indicates that the unconscious is shaped by the symbolic order—language, social norms, and culture—and that it exists outside the individual. We are influenced by language even before we become fully aware of it. The “Symbolic Register” lies within this symbolic domain rather than the imaginary; it’s the realm where signifiers operate, forming a "chain" that influences how we behave. Instead of being a seamless structure, Lacan saw the unconscious as a bricolage—an assemblage of fragmented memory traces, visual and auditory impressions, and "part-objects". Later on, Lacan went further, linking the unconscious to jouissance—an embodied experience of pleasure or pain—and introduced the concept of "The Real". He often describes this as the "real" unconscious, separate from a purely linguistic model.</p> 128<p style="text-align: justify;">The concept of child sexuality also played a role in shaping <em>Born on the Spring Equinox</em>. Freud first introduced this idea in his 1905 book,<em> Three Essays on the Theory of Sexuality</em>. He suggested that children are born with a natural sexual drive—what he called "polymorphous perverse"—which develops through five distinct psychosexual stages: oral, anal, phallic, latency, and genital, each centred around different erogenous zones.</p> 129<p style="text-align: justify;">The key aspects of Freud's theory of child sexuality are:</p> 130<p style="text-align: justify;">Psychosexual Development: Freud proposed that our libido develops through a series of stages beginning in infancy, shaping who we become.</p> 131<p style="text-align: justify;">Infantile Sexuality: Challenging Victorian beliefs, he argued that children are not asexual; instead, they find pleasure in various parts of their bodies even before puberty.</p> 132<p style="text-align: justify;">Major Stages: These include the oral stage (mouth), anal stage (toilet training), phallic stage (genitals and Oedipus complex), latency period (a time of dormancy), and the genital stage (mature sexuality).</p> 133<p style="text-align: justify;">Conflict and Personality: Freud believed that unresolved conflicts or fixations during these early stages could manifest as neuroses in adulthood.</p> 134<p style="text-align: justify;">Lacanian theory treats child sexuality not as a biological instinct but as a fundamental entry point into language and desire, highlighting the child's attempt to become the "phallus"—the object of the mother's desire.</p> 135<p style="text-align: justify;">Through the mirror stage and Oedipus complex, the child transitions from an imaginary sense of unity with the mother to experiencing symbolic castration via the "Name-of-the-Father", thereby shaping their desire through symbolic and social constructs rather than anatomical features.</p> 136<p style="text-align: justify;">The key aspects of Lacan’s theory of infantile sexuality are as follows: </p> 137<p style="text-align: justify;">The phallus as signifier: The child aspires to embody the phallus — the object that fulfils the mother's desire. Infantile sexuality is primarily characterised by this attempt to fill the "lack" within the Other (the mother or parent).</p> 138<p style="text-align: justify;">The “Mirror Stage” and “Identification”: The child recognises with an image of wholeness (the ego), which is fundamentally a misconception (méconnaissance) because the child is inherently fragmented.</p> 139<p style="text-align: justify;">The “Oedipus Complex” and “Symbolic Castration”: The father (the Paternal Function) intervenes to disrupt the dyadic, incestuous relationship between mother and child, thereby introducing the law of language. This separation entails the child relinquishing the aspiration to be the phallus and accepting that desire is directed toward the “Symbolic Order”, rather than the mother's body.</p> 140<p style="text-align: justify;">Castration for both sexes: Contrary to Freud’s literal interpretation, Lacanian castration involves a fundamental loss experienced by both boys and girls — the surrender of part of their jouissance (enjoyment) in order to integrate into the social world.</p> 141<p style="text-align: justify;">The child's symptom: The child’s symptomatic behaviours often arise as responses to the mother's unconscious fantasies or the family's structural, “Symbolic Dysfunction”.</p> 142<p style="text-align: justify;">
142Child sexuality, according to Lacan, is thus not focused on sexual acts but on how a child navigates their position within the symbolic realm of language and law.</p> 143<p style="text-align: justify;"> </p></div></div></div></div></a></article><!--]--><nav class="isolate flex justify-center"><div class="inline-flex -space-x-px shadow-xs rounded-full"><button class="w-10 h-12 relative inline-flex items-center justify-center ring-1 ring-inset ring-neutral-200 cursor-pointer disabled:cursor-not-allowed text-neutral-900 rounded-l-full" disabled><svg xmlns="http://www.w3.org/2000/svg" fill="none" viewBox="0 0 24 24" stroke-width="1.5" stroke="currentColor" class="size-4"><path stroke-linecap="round" stroke-linejoin="round" d="M15.75 19.5 8.25 12l7.5-7.5"></path></svg></button><!--[--><button class="bg-accent text-white z-10 w-10 h-12 relative inline-flex items-center justify-center ring-1 ring-inset ring-neutral-200 cursor-pointer disabled:cursor-not-allowed text-neutral-900" disabled>1</button><button class="w-10 h-12 relative inline-flex items-center justify-center ring-1 ring-inset ring-neutral-200 cursor-pointer disabled:cursor-not-allowed text-neutral-900">2</button><button class="w-10 h-12 relative inline-flex items-center justify-center ring-1 ring-inset ring-neutral-200 cursor-pointer disabled:cursor-not-allowed text-neutral-900">3</button><!--]--><button class="w-10 h-12 relative inline-flex items-center justify-center ring-1 ring-inset ring-neutral-200 cursor-pointer disabled:cursor-not-allowed text-neutral-900 rounded-r-full"><svg xmlns="http://www.w3.org/2000/svg" fill="none" viewBox="0 0 24 24" stroke-width="1.5" stroke="currentColor" class="size-4"><path stroke-linecap="round" stroke-linejoin="round" d="m8.25 4.5 7.5 7.5-7.5 7.5"></path></svg></button></div></nav></div></div><!--]--></div></div></div></main></div><footer class="bg-primary size-full"><div class="w-full"><div class="py-6 sm:py-12 w-full mx-auto max-w-6xl px-4 sm:px-6 md:px-8 lg:px-16"><!--[--><div class="flex flex-col items-center justify-between lg:gap-6 lg:flex-row"><div class="lg:order-2"><ul class="flex justify-center space-x-6 text-secondary"><!--[--><li class="flex items-center group"><a href="https://www.facebook.com/allan.n.cabral" rel="noopener noreferrer" target="_blank" class="transition-all hover:text-accent"><span class="sr-only">Facebook</span><svg class="size-6 inline" fill="currentColor" viewBox="0 0 24 24" aria-hidden="true"><path fill-rule="evenodd" d="M22 12c0-5.523-4.477-10-10-10S2 6.477 2 12c0 4.991 3.657 9.128 8.438 9.878v-6.987
143h-2.54V12h2.54V9.797c0-2.506 1.492-3.89 3.777-3.89 1.094 0 2.238.195 2.238.195v2.46h-1.26c-1.243 0-1.63.771-1.63 1.562V12h2.773l-.443 2.89h-2.33v6.988C18.343 21.128 22 16.991 22 12z" clip-rule="evenodd" /></svg><p class="sr-only">Follow on Facebook</p></a></li><li class="flex items-center group"><a href="https://www.instagram.com/allannobreauthor" rel="noopener noreferrer" target="_blank" class="transition-all hover:text-accent"><span class="sr-only">Instagram</span><svg class="size-6 inline" fill="currentColor" viewBox="0 0 24 24" aria-hidden="true"><path fill-rule="evenodd" d="M12.315 2c2.43 0 2.784.013 3.808.06 1.064.049 1.791.218 2.427.465a4.902 4.902 0 011.772 1.153 4.902 4.902 0 011.153 1.772c.247.636.416 1.363.465 2.427.048 1.067.06 1.407.06 4.123v.08c0 2.643-.012 2.987-.06 4.043-.049 1.064-.218 1.791-.465 2.427a4.902 4.902 0 01-1.153 1.772 4.902 4.902 0 01-1.772 1.153c-.636.247-1.363.416-2.427.465-1.067.048-1.407.06-4.123.06h-.08c-2.643 0-2.987-.012-4.043-.06-1.064-.049-1.791-.218-2.427-.465a4.902 4.902 0 01-1.772-1.153 4.902 4.902 0 01-1.153-1.772c-.247-.636-.416-1.363-.465-2.427-.047-1.024-.06-1.379-.06-3.808v-.63c0-2.43.013-2.784.06-3.808.049-1.064.218-1.791.465-2.427a4.902 4.902 0 011.153-1.772A4.902 4.902 0 015.45 2.525c.636-.247 1.363-.416 2.427-.465C8.901 2.013 9.256 2 11.685 2h.63zm-.081 1.802h-.468c-2.456 0-2.784.011-3.807.058-.975.045-1.504.207-1.857.344-.467.182-.8.398-1.15.748-.35.35-.566.683-.748 1.15-.137.353-.3.882-.344 1.857-.047 1.023-.058 1.351-.058 3.807v.468c0 2.456.011 2.784.058 3.807.045.975.207 1.504.344 1.857.182.466.399.8.748 1.15.35.35.683.566 1.15.748.353.137.882.3 1.857.344 1.054.048 1.37.058 4.041.058h.08c2.597 0 2.917-.01 3.96-.058.976-.045 1.505-.207 1.858-.344.466-.182.8-.398 1.15-.748.35-.35.566-.683.748-1.15.137-.353.3-.882.344-1.857.048-1.055.058-1.37.058-4.041v-.08c0-2.597-.01-2.917-.058-3.96-.045-.976-.207-1.505-.344-1.858a3.097 3.097 0 00-.748-1.15 3.098 3.098 0 00-1.15-.748c-.353-.137-.882-.3-1.857-.344-1.023-.047-1.351-.058-3.807-.058zM12 6.865a5.135 5.135 0 110 10.27 5.135 5.135 0 010-10.27zm0 1.802a3.333 3.333 0 100 6.666 3.333 3.333 0 000-6.666zm5.338-3.205a1.2 1.2 0 110 2.4 1.2 1.2 0 010-2.4z" clip-rule="evenodd" /></svg><p class="sr-only">Follow on Instagram</p></a></li><!--]--></ul></div><div class="mt-4 lg:order-1 lg:mt-0 text-secondary text-xs uppercase font-sans"><p class="text-center lg:text-start"> © Copyright Allan Nobre 2026 | Created by <a href="https://websites.troubador.co.uk" rel="noopener noreferrer" class="underline hover:text-accent transition-all"> Troubador Publishing </a> | <a href="https://netl.io" rel="noopener noreferrer" class="underline hover:text-accent transition-all"> Powered by Netlio </a></p><p class="lg:inline text-center lg:text-left hover:text-accent transition-all"><a href="/privacy-policy" class="">Privacy Policy</a></p></div></div><!--]--></div></div></footer></div><div style="display:none;" class="fixed z-fixed right-0 bottom-0 w-auto p-4"><div class="bg-primary rounded-lg border border-secondary/50 shadow-sm p-4 w-full sm:max-w-md"><div class="prose max-w-4xl prose-headings:font-serif prose-headings:font-normal marker:text-accent prose-p:mb-6 prose-img:mx-auto prose-img:mb-0 prose-figcaption:text-center prose-h1:text-6xl prose-h2:text-5xl prose-h3:text-4xl prose-h4:text-3xl prose-h2:mt-16 prose-h2:mb-8 prose-h3:mt-12 text-justify text-xl text-white prose-headings:text-white prose-strong:text-white prose-blockquote:text-white prose-a:text-accent"><!--[--><p> This website uses cookies to ensure you get the best experience. Would you like to enable cookies on this site? </p><!--]--></div><div class="grid grid-cols-1 sm:grid-cols-2 gap-4"><button class="w-full transition-all cursor-pointer bg-primary text-white disabled:hover:bg-primary hover:brightness-90 font-sans uppercase tracking-widest font-semibold disabled:hover:cursor-not-allowed inline-flex items-center justify-center rounded-full px-4 sm:px-6 py-2 min-w-45 w-full"><!--[-->Accept cookies<!--]--></button><button class="w-full transition-all cursor-pointer bg-primary text-white disabled:hover:bg-primary hover:brightness-90 font-sans uppercase tracking-widest font-semibold disabled:hover:cursor-not-allowed inline-flex items-center justify-center rounded-full px-4 sm:px-6 py-2 min-w-45 w-full"><!--[-->Reject cookies<!--]--></button></div></div></div><!----><!----><!----></div></div><div id="teleports"></div>
143<script>window.__NUXT__={};window.__NUXT__.config={public:{title:"Allan Nobre",description:"Allan Nobre is the author of Born on the Spring Equinox, a poignant literary novel exploring grief, identity and mental health through a powerful journey of self-discovery.",url:"allannobre.com",theme:"#080808",pages:[{name:"Home",href:"/"},{name:"About",href:"/#about"},{name:"Born on the Spring Equinox",href:"/born-on-the-spring-equinox"},{name:"Gallery",href:"/gallery"},{name:"Appendices",href:"/appendices"}],siteCode:"nobre",apiUrl:"https://api.netl.io",siteKey:"0x4AAAAAABYez_zAN7NWZFWd",measurement_id:"",contactPopup:false,newsletterPopup:false,reviewsPopup:false,socials:{facebook:"https://www.facebook.com/allan.n.cabral",twitter:"",instagram:"https://www.instagram.com/allannobreauthor",linkedin:"",youtube:"",tiktok:"",threads:"",pinterest:"",linktree:"",bluesky:"",website:"",reddit:""},"seo-utils":{canonicalQueryWhitelist:["page","sort","filter","search","q","category","tag"],canonicalLowercase:true},"nuxt-robots":{version:"5.7.0",isNuxtContentV2:false,debug:false,credits:true,groups:[{userAgent:["*"],disallow:[""],allow:[],contentUsage:[],contentSignal:[],_indexable:true,_rules:[],_normalized:true}],sitemap:["/sitemap.xml"],header:true,robotsEnabledValue:"index, follow, max-image-preview:large, max-snippet:-1, max-video-preview:-1",robotsDisabledValue:"noindex, nofollow",cacheControl:"max-age=14400, must-revalidate",botDetection:true,pageMetaRobots:{}}},app:{baseURL:"/",buildId:"2120695f-920e-46fd-8ed9-af86075ad63b",buildAssetsDir:"/_nuxt/",cdnURL:""}}</script>
143<script type="application/ld+json" data-nuxt-schema-org="true" data-hid="schema-org-graph">{"@context":"https://schema.org","@graph":[{"@id":"https://allannobre.com/#website","@type":"WebSite","inLanguage":"en","name":"Allan Nobre","url":"https://allannobre.com/"},{"@id":"https://allannobre.com/appendices#webpage","@type":"WebPage","description":"Supplementary Information","name":"Writing","url":"https://allannobre.com/appendices","isPartOf":{"@id":"https://allannobre.com/#website"},"potentialAction":[{"@type":"ReadAction","target":["https://allannobre.com/appendices"]}]}]}</script>
143<script type="application/json" data-nuxt-data="nuxt-app" data-ssr="true" id="__NUXT_DATA__" data-src="/appendices/_payload.json?2120695f-920e-46fd-8ed9-af86075ad63b">[{"state":1,"once":12,"_errors":13,"serverRendered":15,"path":16,"prerenderedAt":17},["Reactive",2],{"$snuxt-seo-utils:routeRules":3,"$sreduced-motion":4,"$ssite-config":5},{"head":-1,"seoMeta":-1},false,{"_priority":6,"env":9,"name":10,"url":11},{"name":7,"env":8,"url":7},-3,-15,"production","Allan Nobre","https://allannobre.com",["Set"],["ShallowReactive",14],{},true,"/appendices",1785910487744]</script>
143<script type="module" src="https://static.cloudflareinsights.com/beacon.min.js/v4bc70e2c01a94c73b74392e4234840661791215815920" integrity="sha512-L0ha0OXavK/8okipN9F8BtP84dg9DUhPERbBXzwI6dgTA55d2+yweo3pn5CSFYs45/r8md2+xvUPtTdvTNRfjA==" data-cf-beacon='{"version":"2024.11.0","token":"14c096d34f9a4efa8cabfbeaff6f4d06","r":1,"spa":2}' crossorigin="anonymous"></script>
143 144</body></html>
Line numbers count LF bytes from the start of the resource, as the search results do. Vendor segments are library code the classifier recognised; they are stored but not indexed. Bytes are shown as Latin1 characters, one per byte.