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217<link rel="canonical" href="https://alayounis.com" /></head> 218<link href='https://fonts.googleapis.com/css?family=Karla:400,400italic,700,700italic' rel='stylesheet' type='text/css'> 219<body> 220<a href="https://www.tumblr.com/theme/106" class="install"></a> 221<div id="container"> 222 <div id="left"> 223 224 225 <br/><br/> 226 • <a href="/en">Timeline</a><br/>• <a href="/it">In italiano</a><br/>• <a href="/es">En español</a><br/>• <a href="/french">En français</a><br/>• <a href="/pffgb">Plan (fem.)</a><br/>• <a href="/media">Texts/Media</a><br/>• <a href="/presentations">Presentations</a><br/>• <a href="/alayounis">Ala Younis</a><br/> 227 <br/><br/> 228 229 230 231 <div class="space"></div> 232 <div class="space small"></div> 233 <a href="/" class="h2">Plan for Greater Baghdad</a> 234 <div class="space"></div> 235 236 237 </div> 238 239 <div id="right"> 240 241 <div class="post"> 242 243 244 245 246 247 <img src="https://64.media.tumblr.com/799b49b2da9fcffe54279804e2013040/tumblr_noj8z9KnL21uvs160o2_r1_500.gifv" alt="Ala Younis, Plan for Greater Baghdad (2015) and Plan (fem.) for Greater Baghdad (2018), two- and three-dimensional prints, drawings, archival and found materials, and model."> 248 <p><p>Ala Younis, <i>Plan for Greater Baghdad </i>(2015) and <i>Plan (fem.) for Greater Baghdad </i>(2018), two- and three-dimensional prints, drawings, archival and found materials, and model.<br /><br /></p></p> 249 250 251 252 253 254 255 256 257 258 <p><a href="https://alayounis.com/post/119261268751/ala-younis-plan-for-greater-baghdad-2015-and">•</a></p> 259 </div> 260 261 262 263 264 265 <div class="post"> 266 267 268 <p>Plan for Greater Baghdad was activated by a set of 35mm slides taken 269by architect Rifat Chadirji in 1982 of a Gymnasium in Baghdad that was 270designed by Le Corbusier and named after Saddam Hussein. The project 271looks at monuments, (by) architects, (for) governments, and the shifts 272and tensions between ideals and ideologies. </p><p>The Saddam Hussein 273Gymnasium metamorphosed through numerous iterations of plans over 274twenty-five years before it was inaugurated in 1980. Up until then, the 275commission for the Gymnasium passed through five military coups; six 276heads of state; four master plans, each with its own town planner; a 277Development Board that became a Ministry and then a State Commission; a 278modern starchitect among a constellation of many others with their 279associated architects, draftsmen, contractors, agents and lawyers; local 280 architects accompanied by similar structures from their own consulting 281firms, from government departments, and from parallel commissions; more 282than one local artist/sculptor; eager competitors; and other monuments 283that simultaneously appeared and disappeared as a result of these same 284conglomerations.</p><p>Heavily based on archives, found material, and 285the stories of its protagonists; Plan for Greater Baghdad looks into 286protecting monuments for posterity, and into performing plans for 287Baghdad as an expression of power or as a necessity. Missing from the 288representations and citations contained in established archives, the 289images that document the performances of design, power, and designing 290power are pieced together from fragments of other images and from 291records of gestures retrieved from representations and narratives by 292local artists. </p><p>Produced as a set of motions and signals enacted 293by characters frozen in the denouements of historical time, the 294three-dimensional depictions pertaining to the men who appear in the 295Plan for Greater Baghdad, and the interventions into existing documents 296culled from various archives, produce a dual-layered timeline that pits 297developments in the Gymnasium story against those in Baghdad.</p><p>Elements 298 in order of appearance in this project: Le Corbusier. Concrete 299structures. Master plans. Iraq’s negotiated oil revenues. Other projects 300 by modern architects for Baghdad and the region. The archives of others 301 and Iraqi archives. The interests and fates of Heads of States. 302Deputies to Heads of States. Rifat Chadirji, his Iraq Consult, and his 303peers. Statues and monuments. The Stadium versus the Gymnasium. Jawad 304Salim. The Tigris River and its meanderings through Baghdad. Palm 305groves, helicopters, informants, doubles and film productions.<br /><br />Premiered at:<br /><i>All the World’s Futures </i><br />
30556th International Art Exhibition - La Biennale di Venezia <br />Curated by Okwui Enwezor <br />Arsenale (corderie #8)<br />9.5 – 22.11.2015<br /></p><p><br /></p><p>Project by Ala Younis.<br /><i>Plan for Greater Baghdad </i>(2015) was produced 306 with support from The Arab Fund for Arts and Culture (AFAC) and Sharjah 307 Art Foundation. Additional support: Barakat Travel. Part of research developed during Bellagio Creative 308Arts Fellowship (2013) and an Ashkal Alwan residency (2011).<br /><i>Plan (fem.) for Greater Baghdad </i>(2018) was co-commissioned by Delfina Foundation and Art Jameel. <br /></p> 309 310 311 312 313 314 315 316 317 318 319 320 321 322 <p><a href="https://alayounis.com/post/119261136976/plan-for-greater-baghdad-was-activated-by-a-set-of">•</a></p> 323 </div> 324 325 326 327 328 329 <div id="footer"> 330 331 332 </div> 333 </div> 334<div class="clear"></div> 335</div> 336 337 338<iframe scrolling="no" width="1" height="1" frameborder="0" style="background-color:transparent; overflow:hidden; position:absolute; top:0; left:0; z-index:9999;" id="ga_target"></iframe>
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