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57 2011- 2026 Julie Nymann\n<\/small>\t<small><\/small><br>\n<\/div>\n\t<div grid-col=\"6\" grid-pad=\"1\"><\/div>\n\t<div grid-col=\"1\" grid-pad=\"1\"><small><a href=\"http:\/\/[email protected]\" target=\"_blank\">Connect<\/a><\/small><\/div>\n\t<div grid-col=\"2\" grid-pad=\"1\"><small><a href=\"mailto:[email protected]\" class=\"icon-link\">\ue0f1\ufe0e<\/a> <a href=\"https:\/\/www.instagram.com\/julienymann\/\" target=\"_blank\" class=\"icon-link\">\ue025\ufe0e<\/a> <\/small><small><a href=\"https:\/\/vimeo.com\/julienymann\" target=\"_blank\" class=\"icon-link\">\ue021\ufe0e<\/a><\/small><\/div>\n<\/div><div grid-row=\"\" grid-pad=\"1\" grid-gutter=\"2\" grid-responsive=\"\">\n\t<div grid-col=\"3\" grid-pad=\"1\"><\/div>\n\t<div grid-col=\"2\" grid-pad=\"1\"><\/div>\n\t<div grid-col=\"1\" grid-pad=\"1\"><\/div>\n\t<div grid-col=\"6\" grid-pad=\"1\"><\/div>\n<\/div><br>","content_no_html":"\n\t\n\t\n\t\n\t\n\n\t\u00a9 2011- 2026 Julie Nymann\n\t\n\n\t\n\tConnect\n\t\ue0f1\ufe0e \ue025\ufe0e
57\ue021\ufe0e\n\n\t\n\t\n\t\n\t\n","content_partial_html":"\n\t\n\t\n\t\n\t<br>\n\n\t\u00a9 2011- 2026 Julie Nymann\n\t<br>\n\n\t\n\t<a href=\"http:\/\/[email protected]\" target=\"_blank\">Connect<\/a>\n\t<a href=\"mailto:[email protected]\" class=\"icon-link\">\ue0f1\ufe0e<\/a> <a href=\"https:\/\/www.instagram.com\/julienymann\/\" target=\"_blank\" class=\"icon-link\">\ue025\ufe0e<\/a> <a href=\"https:\/\/vimeo.com\/julienymann\" target=\"_blank\" class=\"icon-link\">\ue021\ufe0e<\/a>\n\n\t\n\t\n\t\n\t\n<br>","thumb":"","thumb_meta":null,"thumb_is_visible":false,"sort":1,"index":0,"set_id":0,"page_options":{"using_local_css":true,"local_css":"[local-style=\"25365235\"] .container_width {\n}\n\n[local-style=\"25365235\"] body {\n\tbackground-color: initial \/*!variable_defaults*\/;\n}\n\n[local-style=\"25365235\"] .backdrop {\n}\n\n[local-style=\"25365235\"] .page {\n\tmin-height: 100vh \/*!page_height_100vh*\/;\n}\n\n[local-style=\"25365235\"] .page_background {\n\tbackground-color: rgba(39, 177, 43, 0.68) \/*!page_container_bgcolor*\/;\n}\n\n[local-style=\"25365235\"] .content_padding {\n\tpadding-bottom: 1.5rem \/*!main_margin*\/;\n\tpadding-top: 2rem \/*!main_margin*\/;\n}\n\n[data-predefined-style=\"true\"] [local-style=\"25365235\"] bodycopy {\n\tfont-size: 1rem;\n\tline-height: 1.1;\n}\n\n[data-predefined-style=\"true\"] [local-style=\"25365235\"] bodycopy a {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"25365235\"] bodycopy a:hover {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"25365235\"] h1 {\n\tfont-size: 1.5rem;\n}\n\n[data-predefined-style=\"true\"] [local-style=\"25365235\"] h1 a {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"25365235\"] h1 a:hover {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"25365235\"] h2 {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"25365235\"] h2 a {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"25365235\"] h2 a:hover {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"25365235\"] small {\n\tfont-size: 1.2rem;\n}\n\n[data-predefined-style=\"true\"] [local-style=\"25365235\"] small a {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"25365235\"] small a:hover {\n}","local_layout_options":{"split_layout":false,"split_responsive":false,"full_height":true,"advanced_padding_enabled":true,"page_container_bgcolor":"rgba(39, 177, 43, 0.68)","show_local_thumbs":false,"page_bgcolor":"","main_margin_bottom":"1.5","main_margin_top":"2"},"pin_options":{"position":"bottom","overlay":true,"accommodate":true}},"set_open":false,"images":[],"backdrop":{"id":4300054,"site_id":1470424,"page_id":25365235,"backdrop_id":3,"backdrop_path":"wallpaper","is_active":true,"data":{"scale_option":"contain","repeat_image":false,"image_alignment":"image_center_center","margin":100,"pattern_size":0,"limit_size":false,"overlay_color":"transparent","bg_color":"rgba(186, 0, 207, 0.75)","cycle_images":false,"autoplay":true,"slideshow_transition":"slide","transition_timeout":2.5,"transition_duration":1,"randomize":false,"arrow_navigation":false,"focus_object":"{}","backdrop_viewport_lock":false,"use_image_focus":"false","image":"\/\/static.cargo.site\/assets\/backdrop\/default.jpg","requires_webgl":"false"}}},{"id":25365226,"site_id":1470424,"project_url":"ABOUT","direct_link":"https:\/\/julienymann.com\/ABOUT","type":"page","title":"ABOUT","title_no_html":"ABOUT","tags":"","display":false,"pin":false,"pin_options":{"position":"top","overlay":true},"in_nav":true,"is_homepage":false,"backdrop_enabled":false,"is_set":false,"stack":false,"excerpt":"Julie Nymann\n\n1987 | Copenhagen \n\n\n\n\ue0f1\ufe0e \[email protected]\n\n\ue025\ufe0e \ue021\ufe0e Connect\n\n\n\nphoto\u00a0| Federica Coseschi\n\n\n\t\n\tArtist Statement\n\n\u201cIn my...","content":"<div grid-row=\"\" grid-pad=\"2\" grid-gutter=\"4\" grid-responsive=\"\">\n\t<div grid-col=\"3\" grid-pad=\"2\"><img width=\"2400\" height=\"3000\" width_o=\"2400\" height_o=\"3000\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/116f1b9494218524b9469041f9fdc207671686963c39918a14e89650527d92f3\/JulieNymann_Foto_FedericaCoseschi-2.01.jpg\" data-mid=\"241690482\" border=\"0\" \/><br>\n<h1><b><\/b><\/h1><h1><b>Julie Nymann<\/b><\/h1><br>\n<small>1987 | Copenhagen <\/small><br><br>\n\n<small><a href=\"mailto:[email protected]\" class=\"icon-link\">\ue0f1\ufe0e<\/a> [email protected]<br><br><a href=\"https:\/\/vimeo.com\/julienymann\">\ue025\ufe0e \ue021\ufe0e Connect<\/a><\/small><br><br>\n<br><small><i>photo | Federica Coseschi<\/i><\/small><br>\n<\/div>\n\t<div grid-col=\"1\" grid-pad=\"2\"><\/div>\n\t<div grid-col=\"6\" grid-pad=\"2\"><h1><\/h1><h2><b>Artist Statement<\/b><\/h2><b>\n<br><\/b>\u201cIn my artistic practice, I investigate and challenge societal norms and inequality in educational systems, creating immersive, socially engaged artworks rooted in sensory experience and dyslexia awareness. I use art to celebrate the strengths in our differences.\u201d <br><br>\n<br>\n<h2><b>Biography<\/b><\/h2><b><\/b><br>\nJulie Nymann (b. 1987, Copenhagen) is an interdisciplinary artist working with immersive installations. She holds a BFA and MFA from The Royal Danish Aca
57demy of Fine Arts (2024) and a Certificate in Photography from the International Center of Photography, New York (2012).<br>\n<br>\nBefore returning to Copenhagen in 2017, Nymann lived in New York, where she developed her artistic practice. Her work has been shown in Denmark and internationally, including Roskilde Festival, Struer Museum, Vandrehallen Kunsthal, Kunsthal Charlottenborg, The Royal Cast Collection at SMK National Gallery (2024) and The Bronx Museum of the Arts.<br>\n<br>\nIn 2026, she will present her largest solo exhibition at Augustiana Art Park & Art Hall, and her work Advantages of Being Dyslexic will open as a permanent sound installation at Copenhagen University College, Campus Carlsberg.<br>\n<br>\nNymann\u2019s practice is deeply informed by her dyslexia, driving the creation of a unique visual language that decodes her surroundings and produces sensory experiences that challenge a text-centric society. She is also active as a board member, advocate, and educator, developing projects and materials that support people with dyslexia.\n<br>\n<br>\n<br>\n<h2><b>CV<\/b><\/h2><br>\n<small><b>EDUCATION<\/b><br><br>\n2018-2024 MFA & BFA, The Royal Danish Academy of Fine Arts, Copenhagen<br>\n<br>\n2011-2012 Certificate in Art Photography, International Center of Photography, New York<br>\n<br>\n2010-2011 Fatamorgana, The Danish School of Art Photography, Copenhagen<br>\n<br>\n<br><b>FUTURE<\/b><br>\n<br>\n2026: Follow the green path, Augustiana Art Park & Art Hall, Als\n<\/small><small>2026: Advantages of being dyslexic, permanent installation, University College Copenhagen (KP), Campus Carlsberg, curated by Empathic Environments<\/small><small>\n<br>\n<br>\n<b>SOLO EXHIBITIONS<\/b><br>\n<br>2025: Advantages of being dyslexic, Struer Museum, Struer<br>\n<br>\n2025: Our voises carry futur dreams, Roskilde Festival, with Art Hub Copenhagen, Roskilde<br>\n<br>\n2025: Our voises carry futur dreams, GRASP 2025, Roskilde<br>\n<br>\n2024: We are proud dyslexics, Vandrehallen Kunsthal, Hiller\u00f8d<br>\n<br>\n2022: Use it well, Inter Arts Center, with Signe Ragnkj\u00e6r Holm, Malm\u00f8<br>\n2021: The house that whispers, The Royal Cast Collection, National Gallery of Denmark (SMK), Copenhagen<br>\n<br>\n\n\n\n\n\n<br>\n<b>SELECTED GROUP EXHIBITIONS<\/b><br>\n\n<br>2024: Graduation Show, Kunsthal Charlottenborg, Copenhagen<br>\n<br>\n2024: EXIT 2024, M\u00f8stings, Copenhagen<br>\n<br>\n2021-2025: Oceanista, M\/S Maritime Museum of Denmark, Elsinore \u2013 Maritime Museum of Finland, Kotka \u2013 Maritime Museum, Gothenburg<br>\n<br>\n2021: Countess Danner, Collaborations by Tania & Thomas Asb\u00e6k, Copenhagen<br>\n<br>\n2019: The Spectral Within, 5-50 Gallery, New York <br>\n<br>\n2018: What is Love?, Kallmann-Museum Ismaning, M\u00fcnchen<br>\n<br>\n2017: KUSS, Br\u00f6han-Museum, Berlin <br>\n<br>\n2016: Autumn Exhibition, Den Frie Centre of Contemporary Art, Copenhagen<br>\n<br>\n2015: Young Danish Photography, The Photographic Center, Copenhagen<br>\n<br>\n2015: Shreds of laughter, N\u00f8rreport Station, Cph Art Week, Copenhagen<br>\n<br>\n2015: Bronx Calling: Third AIM Biennial, The Bronx Museum of the Arts, New York<br>\n2013: Lichter Feld 13 \u2013 Biennale Basel, Basel<br>\n\n<br>\n<br>\n<b>ARTIST TALKS<\/b><br>\n<br>\n2025: Talks: Struer Museum \u2013 Holstebro Library \u2013 Thisted Gymnasium & STX \u2013 Alinea Publishing<br>\n<br>\n2024: Talks: VERA School of Art & Design \u2013 Svendborg Library<br>\n<br>\n2024: Debate: Advantages of being dyslexic, Kunsthal Charlottenborg: Marie Wolter Bertelsen, National Centre for Reading; Ida Vestergaard \u00d8yan, KVUC; Maria Kj\u00e6r Themsen, Dagbladet Information<br>\n<br>\n2024: Free Lunch Series: Julie Nymann, Art Hub Copenhagen<br>\n<br>\n2021: Talks: M\/S Maritime Museum of Denmark, Elsinore \u2013 Juxtapose Art Fair, Aarhus<br>\n<br><br>\n<b>COLLABORATIONS AND PARTICIPATORY PRACTICE<\/b><br>\n\n<br>\n2026: Collaboration: Vidensby S\u00f8nderborg, FGU, IBC HF, VUC, Augustenborg School & Dybb\u00f8l School <br>\n<br>\n2025: Workshops: Holstebro Library \u2013 FGU Capital Region <br>\n<br>\n2025: Collaboration: VUC Roskilde, HF for Dyslexics <br>\n<br>\n2023: Collaboration: KVUC, FGU Vesterbro, Limfjord School Struer, Dyslexia Club N\u00f8rre Nissum<br><br>\n<br>\n<b>PRESS<\/b>\n<br>\n\n<br>2025: Danish TV2: Go' morgen Danmark, Feb 26: Dyslexics have strengths<br>\n<br>\n2025: TV2 Kosmopol <a href=\"https:\/\/www.tv2kosmopol.dk\/koebenhavn\/hun-vil-hjaelpe-born-ud-af-den-skam-mange-foler\">Julie Nymann finds It difficult to text to a friend<\/a><br>\n<br>\n2025: The Lake Radio <a href=\"https:\/\/soundcloud.com\/thelakeradio\/the-lake-radio-live-from-struer-tracks-thursday?utm_source=mobi&utm_campaign=social_sharing\">Struer Tracks: Interview Julie Nymann<\/a> <br>\n<br>\n2025: Danish Radio, P4 Midt & Vest, live from Struer Museum<br>\n<br>
57\n2025: Politiken <a href=\"https:\/\/politiken.dk\/annoncoerbetaltindhold\/roskilde_festival\/art10396181\/Fra-skamplet-til-styrke-Ordblind-kunstner-vil-%C3%A6ndre-samtalen-om-dysleksi-p%C3%A5-%C3%A5rets-Roskilde-Festival\">From shame to strength \u2013 Dyslexic artist wants to change the conversation about dyslexia<\/a><br>\n<br>\n2025: Eurowoman <a href=\"https:\/\/www.alt.dk\/sundhed\/julie-nymann-dysleksi-kunst\/5509965?fbclid=IwY2xjawIIE4tleHRuA2FlbQIxMAABHbA__Br1Vvg5w8wmmPChnrXGdRFt1oRNoEnnPg9sfSW2LVAY3aNR8UlIFw_aem_rrP9O1R0SiCVyzpbOQfkzw\">Maybe you can't read words, but you can read the world<\/a><br>\n<br>\n2025: Struer Dagblad <a href=\"https:\/\/dagbladet-holstebro-struer.dk\/struer\/julie-er-taget-paa-mission-i-groent-for-faa-et-svar-hvad-er-fordelene-ved-ordblindhed\">Julie is on a green mission to find an answer<\/a><br>\n<br>\n2025: bastard <a href=\"https:\/\/bastard.blog\/foelg-den-groenne-vej-roskilde-festival-2025\/?utm_campaign=linkinbio&utm_medium=referral&utm_source=later-linkinbio\">Follow the green path \u2013 Roskilde Festival<\/a><br>\n<br>\n2025: \u2605\u2605\u2605\u2605\u2605 ISCENE <a href=\"https:\/\/iscene.dk\/2025\/07\/04\/roskilde-2025-art-activism-minianmeldelser-af-performances\/\">The Advantages of Being Dyslexic<\/a><br>\n<br>\n2024: Art Matter <a href=\"https:\/\/artmatter.dk\/journal\/unge-kunstnerstemmer-julie-nymann\/\">Young Artist's Voices: Julie Nymann<\/a><br>\n2024: Berlingske <a href=\"https:\/\/www.berlingske.dk\/synspunkter\/julie-nymann-er-stolt-af-at-vaere-ordblind--det-har-sine-fordele-nu-har-hun-seks-konkrete-forslag-til-undervisningsministeren\">Julie Nymann is proud to be dyslexic \u2013 It has its advantages: she now has six proposals for the Minister of Education<\/a>\n<br>\n<br>\n<br>\n<b>PUBLICATIONS & CATALOGUES<\/b><br>\n\n<br>2025: National Centre for Reading, <a href=\"https:\/\/videnomlaesning.dk\/media\/6297\/vol38-med-rigtigt-podcast-link.pdf\">Knowledge on Literacy No. 38: Challenges with Language and Reading<\/a><br>\n<br>\n2025: Alinea Publishing: Educational Material for 3rd and 4th Grade <a href=\"https:\/\/dansk.alinea.dk\/course\/ayN6-fordelene-ved-at-vaere-ordblind\">The Advantages of Being Dyslexic<\/a><br><\/small><br><br>\n<br>\n<small><b>SELECTED SCREENINGS<\/b><br>\n\n<br>2024: Festival for Dyslexics, DOKK1, The Advantages of Being Dyslexic, Aarhus<br>\n<br>\n2015: Festival Les Instants Vid\u00e9o, Marseille \u2013 Mixer Gallery, Istanbul <br>\n<br>\n2013: Anthology Film Archives, New York \u2013 Nitehawk Cinema, New York<br>\n\n<br>\n<br>\n<b>PRISER & RESIDENCIES<\/b><br>\n<br>2022: DEDI Art Symposium, The Tale of Two Cities: Aswan & Hanstholm, 2021-2022 <br>\n<br>\n2020: Make Sound Residency, Inter Art Center, Malm\u00f8<br>\n<br>\n2020: Painter Helge Beck\u2019s Memorial Grant <br>\n<br>\n2016: BRIC Media Arts Fellowship, BRIC Contemporary Art, New York<br>\n<br>\n2016: Immigrant Artist Program, New York Foundation for the Arts, New York<br>\n<br>\n2014: AIM Fellowship, The Bronx Museum of the Arts, New York <br>\n<br>\n2012: Grant: The Copenhagen Association of Craftsmen, honored by Her Majesty Queen Margrethe II, Copenhagen<br><br>\n2012: Grand Prize: Walking in the mind, Bideodromo 12, Experimental Film Festival, Bilbao<\/small>\n<br>\n<\/div>\n\t<div grid-col=\"2\" grid-pad=\"2\"><\/div>\n<\/div><div grid-row=\"\" grid-pad=\"1\" grid-gutter=\"2\" grid-responsive=\"\">\n\t<div grid-col=\"4\" grid-pad=\"1\" class=\"\"><br>\n<br>\n<br>\n<\/div>\n\t<div grid-col=\"8\" grid-pad=\"1\"><\/div>\n<\/div><h2><b><\/b><\/h2><small><\/small>","content_no_html":"\n\t{image 8}\nJulie Nymann\n1987 | Copenhagen \n\n\ue0f1\ufe0e [email protected]\ue025\ufe0e \ue021\ufe0e Connect\nphoto | Federica Coseschi\n\n\t\n\tArtist Statement\n\u201cIn my artistic practice, I investigate and challenge societal norms and inequality in educational systems, creating immersive, socially engaged artworks rooted in sensory experience and dyslexia awareness. I use art to celebrate the strengths in our differences.\u201d \n\nBiography\nJulie Nymann (b. 1987, Copenhagen) is an interdisciplinary artist working with immersive installations. She holds a BFA and MFA from The Royal Danish Aca
57demy of Fine Arts (2024) and a Certificate in Photography from the International Center of Photography, New York (2012).\n\nBefore returning to Copenhagen in 2017, Nymann lived in New York, where she developed her artistic practice. Her work has been shown in Denmark and internationally, including Roskilde Festival, Struer Museum, Vandrehallen Kunsthal, Kunsthal Charlottenborg, The Royal Cast Collection at SMK National Gallery (2024) and The Bronx Museum of the Arts.\n\nIn 2026, she will present her largest solo exhibition at Augustiana Art Park & Art Hall, and her work Advantages of Being Dyslexic will open as a permanent sound installation at Copenhagen University College, Campus Carlsberg.\n\nNymann\u2019s practice is deeply informed by her dyslexia, driving the creation of a unique visual language that decodes her surroundings and produces sensory experiences that challenge a text-centric society. She is also active as a board member, advocate, and educator, developing projects and materials that support people with dyslexia.\n\n\n\nCV\nEDUCATION\n2018-2024 MFA & BFA, The Royal Danish Academy of Fine Arts, Copenhagen\n\n2011-2012 Certificate in Art Photography, International Center of Photography, New York\n\n2010-2011 Fatamorgana, The Danish School of Art Photography, Copenhagen\n\nFUTURE\n\n2026: Follow the green path, Augustiana Art Park & Art Hall, Als\n2026: Advantages of being dyslexic, permanent installation, University College Copenhagen (KP), Campus Carlsberg, curated by Empathic Environments\n\n\nSOLO EXHIBITIONS\n2025: Advantages of being dyslexic, Struer Museum, Struer\n\n2025: Our voises carry futur dreams, Roskilde Festival, with Art Hub Copenhagen, Roskilde\n\n2025: Our voises carry futur dreams, GRASP 2025, Roskilde\n\n2024: We are proud dyslexics, Vandrehallen Kunsthal, Hiller\u00f8d\n\n2022: Use it well, Inter Arts Center, with Signe Ragnkj\u00e6r Holm, Malm\u00f8\n2
57021: The house that whispers, The Royal Cast Collection, National Gallery of Denmark (SMK), Copenhagen\n\n\n\n\n\n\n\nSELECTED GROUP EXHIBITIONS\n\n2024: Graduation Show, Kunsthal Charlottenborg, Copenhagen\n\n2024: EXIT 2024, M\u00f8stings, Copenhagen\n\n2021-2025: Oceanista, M\/S Maritime Museum of Denmark, Elsinore \u2013 Maritime Museum of Finland, Kotka \u2013 Maritime Museum, Gothenburg\n\n2021: Countess Danner, Collaborations by Tania & Thomas Asb\u00e6k, Copenhagen\n\n2019: The Spectral Within, 5-50 Gallery, New York \n\n2018: What is Love?, Kallmann-Museum Ismaning, M\u00fcnchen\n\n2017: KUSS, Br\u00f6han-Museum, Berlin \n\n2016: Autumn Exhibition, Den Frie Centre of Contemporary Art, Copenhagen\n\n2015: Young Danish Photography, The Photographic Center, Copenhagen\n\n2015: Shreds of laughter, N\u00f8rreport Station, Cph Art Week, Copenhagen\n\n2015: Bronx Calling: Third AIM Biennial, The Bronx Museum of the Arts, New York\n2013: Lichter Feld 13 \u2013 Biennale Basel, Basel\n\n\n\nARTIST TALKS\n\n2025: Talks: Struer Museum \u2013 Holstebro Library \u2013 Thisted Gymnasium & STX \u2013 Alinea Publishing\n\n2024: Talks: VERA School of Art & Design \u2013 Svendborg Library\n\n2024: Debate: Advantages of being dyslexic, Kunsthal Charlottenborg: Marie Wolter Bertelsen, National Centre for Reading; Ida Vestergaard \u00d8yan, KVUC; Maria Kj\u00e6r Themsen, Dagbladet Information\n\n2024: Free Lunch Series: Julie Nymann, Art Hub Copenhagen\n\n2021: Talks: M\/S Maritime Museum of Denmark, Elsinore \u2013 Juxtapose Art Fair, Aarhus\n\nCOLLABORATIONS AND PARTICIPATORY PRACTICE\n\n\n2026: Collaboration: Vidensby S\u00f8nderborg, FGU, IBC HF, VUC, Augustenborg School & Dybb\u00f8l School \n\n2025: Workshops: Holstebro Library \u2013 FGU Capital Region \n\n2025: Collaboration: VUC Roskilde, HF for Dyslexics \n\n2023: Collaboration: KVUC, FGU Vesterbro, Limfjord School Struer, Dyslexia Club N\u00f8rre Nissum\n\nPRESS\n\n\n2025: Danish TV2: Go' morgen Danmark, Feb 26: Dyslexics have strengths\n\n2025: TV2 Kosmopol Julie Nymann finds It difficult to text to a friend\n\n2025: The Lake Radio Struer Tracks: Interview Julie Nymann \n\n2025: Danish Radio, P4 Midt & Vest, live from Struer Museum\n\n2025: Politiken From shame to strength \u2013 Dyslexic artist wants to change the conversation about dyslexia\n\n2025: Eurowoman Maybe you can't read words, but you can read the world\n\n2025: Struer Dagblad Julie is on a green mission to find an answer\n\n2025: bastard Follow the green path \u2013 Roskilde Festival\n\n2025: \u2605\u2605\u2605\u2605\u2605 ISCENE The Advantages of Being Dyslexic\n\n2024: Art Matter Young Artist's Voices: Julie Nymann\n2024: Berlingske Julie Nymann is proud to be dyslexic \u2013 It has its advantages: she now has six proposals for the Minister of Education\n\n\n\nPUBLICATIONS & CATALOGUES\n\n2025: National Centre for Reading, Knowledge on Literacy No. 38: Challenges with Language and Reading\n\n2025: Alinea Publishing: Educational Material for 3rd and 4th Grade The Advantages of Being Dyslexic\n\nSELECTED SCREENINGS\n\n2024: Festival for Dyslexics, DOKK1, The Advantages of Being Dyslexic, Aarhus\n\n2015: Festival Les Instants Vid\u00e9o, Marseille \u2013 Mixer Gallery, Istanbul \n\n2013: Anthology Film Archives, New York \u2013 Nitehawk Cinema, New York\n\n\n\nPRISER & RESIDENCIES\n2022: DEDI Art Symposium, The Tale of Two Cities: Aswan & Hanstholm, 2021-2022 \n\n2020: Make Sound Residency, Inter Art Center, Malm\u00f8\n\n2020: Painter Helge Beck\u2019s Memorial Grant \n\n2016: BRIC Media Arts Fellowship, BRIC Contemporary Art, New York\n\n2016: Immigrant Artist Program, New York Foundation for the Arts, New York\n\n2014: AIM Fellowship, The Bronx Museum of the Arts, New York \n\n2012: Grant: The Copenhagen Association of Craftsmen, honored by Her Majesty Queen Margrethe II, Copenhagen\n2012: Grand Prize: Walking in the mind, Bideodromo 12, Experimental Film Festival, Bilbao\n\n\n\t\n\n\t\n\n\n\n\t\n","content_partial_html":"\n\t<img width=\"2400\" height=\"3000\" width_o=\"2400\" height_o=\"3000\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/116f1b9494218524b9469041f9fdc207671686963c39918a14e89650527d92f3\/JulieNymann_Foto_FedericaCoseschi-2.01.jpg\" data-mid=\"241690482\" border=\"0\" \/><br>\n<h1><b><\/b><\/h1><h1><b>Julie Nymann<\/b><\/h1><br>\n1987 | Copenhagen <br><br>\n\n<a href=\"mailto:[email protected]\" class=\"icon-link\">\ue0f1\ufe0e<\/a> [email protected]<br><br><a href=\"https:\/\/vimeo.com\/julienymann\">\ue025\ufe0e \ue021\ufe0e Connect<\/a><br><br>\n<br><i>photo | Federica Coseschi<\/i><br>\n\n\t\n\t<h1><\/h1><h2><b>Artist Statement<\/b><\/h2><b>\n<br><\/b>\u201cIn my artistic practice, I investigate and challenge societal norms and inequality in educational systems, creating immersive, socially engaged artworks rooted in sensory experience and dyslexia awareness. I use art to celebrate the strengths in our differences.\u201d <br><br>\n<br>\n<h2><b>Biography<\/b><\/h2><b><\/b><br>\nJulie Nymann (b. 1987, Copenhagen) is an interdisciplinary artist working with immersive installations. She holds a BFA and MFA from The Royal Danish Aca
57demy of Fine Arts (2024) and a Certificate in Photography from the International Center of Photography, New York (2012).<br>\n<br>\nBefore returning to Copenhagen in 2017, Nymann lived in New York, where she developed her artistic practice. Her work has been shown in Denmark and internationally, including Roskilde Festival, Struer Museum, Vandrehallen Kunsthal, Kunsthal Charlottenborg, The Royal Cast Collection at SMK National Gallery (2024) and The Bronx Museum of the Arts.<br>\n<br>\nIn 2026, she will present her largest solo exhibition at Augustiana Art Park & Art Hall, and her work Advantages of Being Dyslexic will open as a permanent sound installation at Copenhagen University College, Campus Carlsberg.<br>\n<br>\nNymann\u2019s practice is deeply informed by her dyslexia, driving the creation of a unique visual language that decodes her surroundings and produces sensory experiences that challenge a text-centric society. She is also active as a board member, advocate, and educator, developing projects and materials that support people with dyslexia.\n<br>\n<br>\n<br>\n<h2><b>CV<\/b><\/h2><br>\n<b>EDUCATION<\/b><br><br>\n2018-2024 MFA & BFA, The Royal Danish Academy of Fine Arts, Copenhagen<br>\n<br>\n2011-2012 Certificate in Art Photography, International Center of Photography, New York<br>\n<br>\n2010-2011 Fatamorgana, The Danish School of Art Photography, Copenhagen<br>\n<br>\n<br><b>FUTURE<\/b><br>\n<br>\n2026: Follow the green path, Augustiana Art Park & Art Hall, Als\n2026: Advantages of being dyslexic, permanent installation, University College Copenhagen (KP), Campus Carlsberg, curated by Empathic Environments\n<br>\n<br>\n<b>SOLO EXHIBITIONS<\/b><br>\n<br>2025: Advantages of being dyslexic, Struer Museum, Struer<br>\n<br>\n2025: Our voises carry futur dreams, Roskilde Festival, with Art Hub Copenhagen, Roskilde<br>\n<br>\n2025: Our voises carry futur dreams, GRASP 2025, Roskilde<br>\n<br>\n2024: We are proud dyslexics, Vandrehallen Kunsthal, Hiller\u00f8d<br>\n<br>\n2022: Use it well, Inter Arts Center, with Signe Ragnkj\u00e6r Holm, Malm\u00f8<br>\n2021: The house that whispers, The Royal Cast Collection, National Gallery of Denmark (SMK), Copenhagen<br>\n<br>\n\n\n\n\n\n<br>\n<b>SELECTED GROUP EXHIBITIONS<\/b><br>\n\n<br>2024: Graduation Show, Kunsthal Charlottenborg, Copenhagen<br>\n<br>\n2024: EXIT 2024, M\u00f8stings, Copenhagen<br>\n<br>\n2021-2025: Oceanista, M\/S Maritime Museum of Denmark, Elsinore \u2013 Maritime Museum of Finland, Kotka \u2013 Maritime Museum, Gothenburg<br>\n<br>\n2021: Countess Danner, Collaborations by Tania & Thomas Asb\u00e6k, Copenhagen<br>\n<br>\n2019: The Spectral Within, 5-50 Gallery, New York <br>\n<br>\n2018: What is Love?, Kallmann-Museum Ismaning, M\u00fcnchen<br>\n<br>\n2017: KUSS, Br\u00f6han-Museum, Berlin <br>\n<br>\n2016: Autumn Exhibition, Den Frie Centre of Contemporary Art, Copenhagen<br>\n<br>\n2015: Young Danish Photography, The Photographic Center, Copenhagen<br>\n<br>\n2015: Shreds of laughter, N\u00f8rreport Station, Cph Art Week, Copenhagen<br>\n<br>\n2015: Bronx Calling: Third AIM Biennial, The Bronx Museum of the Arts, New York<br>\n2013: Lichter Feld 13 \u2013 Biennale Basel, Basel<br>\n\n<br>\n<br>\n<b>ARTIST TALKS<\/b><br>\n<br>\n2025: Talks: Struer Museum \u2013 Holstebro Library \u2013 Thisted Gymnasium & STX \u2013 Alinea Publishing<br>\n<br>\n2024: Talks: VERA School of Art & Design \u2013 Svendborg Library<br>\n<br>\n2024: Debate: Advantages of being dyslexic, Kunsthal Charlottenborg: Marie Wolter Bertelsen, National Centre for Reading; Ida Vestergaard \u00d8yan, KVUC; Maria Kj\u00e6r Themsen, Dagbladet Information<br>\n<br>\n2024: Free Lunch Series: Julie Nymann, Art Hub Copenhagen<br>\n<br>\n2021: Talks: M\/S Maritime Museum of Denmark, Elsinore \u2013 Juxtapose Art Fair, Aarhus<br>\n<br><br>\n<b>COLLABORATIONS AND PARTICIPATORY PRACTICE<\/b><br>\n\n<br>\n2026: Collaboration: Vidensby S\u00f8nderborg, FGU, IBC HF, VUC, Augustenborg School & Dybb\u00f8l School <br>\n<br>\n2025: Workshops: Holstebro Library \u2013 FGU Capital Region <br>\n<br>\n2025: Collaboration: VUC Roskilde, HF for Dyslexics <br>\n<br>\n2023: Collaboration: KVUC, FGU Vesterbro, Limfjord School Struer, Dyslexia Club N\u00f8rre Nissum<br><br>\n<br>\n<b>PRESS<\/b>\n<br>\n\n<br>2025: Danish TV2: Go' morgen Danmark, Feb 26: Dyslexics have strengths<br>\n<br>\n2025: TV2 Kosmopol <a href=\"https:\/\/www.tv2kosmopol.dk\/koebenhavn\/hun-vil-hjaelpe-born-ud-af-den-skam-mange-foler\">Julie Nymann finds It difficult to text to a friend<\/a><br>\n<br>\n2025: The Lake Radio <a href=\"https:\/\/soundcloud.com\/thelakeradio\/the-lake-radio-live-from-struer-tracks-thursday?utm_source=mobi&utm_campaign=social_sharing\">Struer Tracks: Interview Julie Nymann<\/a> <br>\n<br>\n2025: Danish Radio, P4 Midt & Vest, live from Struer Museum<br>\n<br>
57\n2025: Politiken <a href=\"https:\/\/politiken.dk\/annoncoerbetaltindhold\/roskilde_festival\/art10396181\/Fra-skamplet-til-styrke-Ordblind-kunstner-vil-%C3%A6ndre-samtalen-om-dysleksi-p%C3%A5-%C3%A5rets-Roskilde-Festival\">From shame to strength \u2013 Dyslexic artist wants to change the conversation about dyslexia<\/a><br>\n<br>\n2025: Eurowoman <a href=\"https:\/\/www.alt.dk\/sundhed\/julie-nymann-dysleksi-kunst\/5509965?fbclid=IwY2xjawIIE4tleHRuA2FlbQIxMAABHbA__Br1Vvg5w8wmmPChnrXGdRFt1oRNoEnnPg9sfSW2LVAY3aNR8UlIFw_aem_rrP9O1R0SiCVyzpbOQfkzw\">Maybe you can't read words, but you can read the world<\/a><br>\n<br>\n2025: Struer Dagblad <a href=\"https:\/\/dagbladet-holstebro-struer.dk\/struer\/julie-er-taget-paa-mission-i-groent-for-faa-et-svar-hvad-er-fordelene-ved-ordblindhed\">Julie is on a green mission to find an answer<\/a><br>\n<br>\n2025: bastard <a href=\"https:\/\/bastard.blog\/foelg-den-groenne-vej-roskilde-festival-2025\/?utm_campaign=linkinbio&utm_medium=referral&utm_source=later-linkinbio\">Follow the green path \u2013 Roskilde Festival<\/a><br>\n<br>\n2025: \u2605\u2605\u2605\u2605\u2605 ISCENE <a href=\"https:\/\/iscene.dk\/2025\/07\/04\/roskilde-2025-art-activism-minianmeldelser-af-performances\/\">The Advantages of Being Dyslexic<\/a><br>\n<br>\n2024: Art Matter <a href=\"https:\/\/artmatter.dk\/journal\/unge-kunstnerstemmer-julie-nymann\/\">Young Artist's Voices: Julie Nymann<\/a><br>\n2024: Berlingske <a href=\"https:\/\/www.berlingske.dk\/synspunkter\/julie-nymann-er-stolt-af-at-vaere-ordblind--det-har-sine-fordele-nu-har-hun-seks-konkrete-forslag-til-undervisningsministeren\">Julie Nymann is proud to be dyslexic \u2013 It has its advantages: she now has six proposals for the Minister of Education<\/a>\n<br>\n<br>\n<br>\n<b>PUBLICATIONS & CATALOGUES<\/b><br>\n\n<br>2025: National Centre for Reading, <a href=\"https:\/\/videnomlaesning.dk\/media\/6297\/vol38-med-rigtigt-podcast-link.pdf\">Knowledge on Literacy No. 38: Challenges with Language and Reading<\/a><br>\n<br>\n2025: Alinea Publishing: Educational Material for 3rd and 4th Grade <a href=\"https:\/\/dansk.alinea.dk\/course\/ayN6-fordelene-ved-at-vaere-ordblind\">The Advantages of Being Dyslexic<\/a><br><br><br>\n<br>\n<b>SELECTED SCREENINGS<\/b><br>\n\n<br>2024: Festival for Dyslexics, DOKK1, The Advantages of Being Dyslexic, Aarhus<br>\n<br>\n2015: Festival Les Instants Vid\u00e9o, Marseille \u2013 Mixer Gallery, Istanbul <br>\n<br>\n2013: Anthology Film Archives, New York \u2013 Nitehawk Cinema, New York<br>\n\n<br>\n<br>\n<b>PRISER & RESIDENCIES<\/b><br>\n<br>2022: DEDI Art Symposium, The Tale of Two Cities: Aswan & Hanstholm, 2021-2022 <br>\n<br>\n2020: Make Sound Residency, Inter Art Center, Malm\u00f8<br>\n<br>\n2020: Painter Helge Beck\u2019s Memorial Grant <br>\n<br>\n2016: BRIC Media Arts Fellowship, BRIC Contemporary Art, New York<br>\n<br>\n2016: Immigrant Artist Program, New York Foundation for the Arts, New York<br>\n<br>\n2014: AIM Fellowship, The Bronx Museum of the Arts, New York <br>\n<br>\n2012: Grant: The Copenhagen Association of Craftsmen, honored by Her Majesty Queen Margrethe II, Copenhagen<br><br>\n2012: Grand Prize: Walking in the mind, Bideodromo 12, Experimental Film Festival, Bilbao\n<br>\n\n\t\n\n\t<br>\n<br>\n<br>\n\n\t\n<h2><b><\/b><\/h2>","thumb":"140039034","thumb_meta":{"thumbnail_crop":{"percentWidth":"100","marginLeft":0,"marginTop":-3.13125,"imageModel":{"id":140039034,"project_id":25365226,"image_ref":"{image 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201 line-height: 1.3; 202} 203 204[data-predefined-style="true"] [local-style="25454070"] small a { 205} 206 207[data-predefined-style="true"] [local-style="25454070"] small a:hover { 208} 209 </style> 210 </div> 211 </div> 212 213 <div class="content_container"> 214 <div data-view="Content" data-set="Scaffolding"> 215 216 217 218 219 <div data-container="page" class="page_container" local-style="25365226" data-id="25365226"> 220 221 <div class="page container container_width" data-container="content" data-id="25365226"> 222 <bodycopy class="bodycopy content content_padding"> 223 224 <div class="page_content clearfix" data-elementresizer data-resize-parent> 225 <projectcontent><div grid-row="" grid-pad="2" grid-gutter="4" grid-responsive=""> 226 <div grid-col="3" grid-pad="2"><img width="2400" height="3000" width_o="2400" height_o="3000" data-src="https://freight.cargo.site/t/original/i/116f1b9494218524b9469041f9fdc207671686963c39918a14e89650527d92f3/JulieNymann_Foto_FedericaCoseschi-2.01.jpg" data-mid="241690482" border="0" /><br> 227<h1><b></b></h1><h1><b>Julie Nymann</b></h1><br> 228<small>1987 | Copenhagen </small><br><br> 229 230<small><a href="mailto:[email protected]" class="icon-link">î±ï¸</a> [email protected]<br><br><a href="https://vimeo.com/julienymann">
230î¥ï¸ î¡ï¸ Connect</a></small><br><br> 231<br><small><i>photo | Federica Coseschi</i></small><br> 232</div> 233 <div grid-col="1" grid-pad="2"></div> 234 <div grid-col="6" grid-pad="2"><h1></h1><h2><b>Artist Statement</b></h2><b> 235<br></b>âIn my artistic practice, I investigate and challenge societal norms and inequality in educational systems, creating immersive, socially engaged artworks rooted in sensory experience and dyslexia awareness. I use art to celebrate the strengths in our differences.â <br><br> 236<br> 237<h2><b>Biography</b></h2><b></b><br> 238Julie Nymann (b. 1987, Copenhagen) is an interdisciplinary artist working with immersive installations. She holds a BFA and MFA from The Royal Danish Academy of Fine Arts (2024) and a Certificate in Photography from the International Center of Photography, New York (2012).<br> 239<br> 240Before returning to Copenhagen in 2017, Nymann lived in New York, where she developed her artistic practice. Her work has been shown in Denmark and internationally, including Roskilde Festival, Struer Museum, Vandrehallen Kunsthal, Kunsthal Charlottenborg, The Royal Cast Collection at SMK National Gallery (2024) and The Bronx Museum of the Arts.<br> 241<br> 242In 2026, she will present her largest solo exhibition at Augustiana Art Park & Art Hall, and her work Advantages of Being Dyslexic will open as a permanent sound installation at Copenhagen University College, Campus Carlsberg.<br> 243<br> 244Nymannâs practice is deeply informed by her dyslexia, driving the creation of a unique visual language that decodes her surroundings and produces sensory experiences that challenge a text-centric society. She is also active as a board member, advocate, and educator, developing projects and materials that support people with dyslexia. 245<br> 246<br> 247<br> 248<h2><b>CV</b></h2><br> 249<small><b>EDUCATION</b><br><br> 2502018-2024 MFA & BFA, The Royal Danish Academy of Fine Arts, Copenhagen<br> 251<br> 2522011-2012 Certificate in Art Photography, International Center of Photography, New York<br> 253<br> 2542010-2011 Fatamorgana, The Danish School of Art Photography, Copenhagen<br> 255<br> 256<br><b>FUTURE</b><br> 257<br> 2582026: Follow the green path, Augustiana Art Park & Art Hall, Als 259</small><small>2026: Advantages of being dyslexic, permanent installation, University College Copenhagen (KP), Campus Carlsberg, curated by Empathic Environments</small><small> 260<br> 261<br> 262<b>SOLO EXHIBITIONS</b><br> 263<br>2025: Advantages of being dyslexic, Struer Museum, Struer<br> 264<br> 2652025: Our voises carry futur dreams, Roskilde Festival, with Art Hub Copenhagen, Roskilde<br> 266<br> 2672025: Our voises carry futur dreams, GRASP 2025, Roskilde<br> 268<br> 2692024: We are proud dyslexics, Vandrehallen Kunsthal, Hillerød<br> 270<br> 2712022: Use it well, Inter Arts Center, with Signe Ragnkjær Holm, Malmø<br> 2722021: The house that whispers, The Royal Cast Collection, National Gallery of Denmark (SMK), Copenhagen<br> 273<br> 274 275 276 277 278 279<br> 280<b>SELECTED GROUP EXHIBITIONS</b><br> 281 282<br>2024: Graduation Show, Kunsthal Charlottenborg, Copenhagen<br> 283<br> 2842024: EXIT 2024, Møstings, Copenhagen<br> 285<br> 2862021-2025: Oceanista, M/S Maritime Museum of Denmark, Elsinore â Maritime Museum of Finland, Kotka â Maritime Museum, Gothenburg<br> 287<br> 2882021: Countess Danner, Collaborations by Tania & Thomas Asbæk, Copenhagen<br> 289<br> 2902019: The Spectral Within, 5-50 Gallery, New York <br> 291<br> 2922018: What is Love?, Kallmann-Museum Ismaning, München<br> 293<br> 2942017: KUSS, Bröhan-Museum, Berlin <br> 295<br> 2962016: Autumn Exhibition, Den Frie Centre of Contemporary Art, Copenhagen<br> 297<br> 2982015: Young Danish Photography, The Photographic Center, Copenhagen<br> 299<br> 3002015: Shreds of laughter, Nørreport Station, Cph Art Week, Copenhagen<br> 301<br> 3022015: Bronx Calling: Third AIM Biennial, The Bronx Museum of the Arts, New York<br> 3032013: Lichter Feld 13 â Biennale Basel, Basel<br> 304 305<br> 306<br> 307<b>ARTIST TALKS</b><br> 308<br> 3092025: Talks: Struer Museum â Holstebro Library â Thisted Gymnasium & STX â Alinea Publishing<br> 310<br> 3112024: Talks: VERA School of Art & Design â Svendborg Library<br> 312<br> 3132024: Debate: Advantages of being dyslexic, Kunsthal Charlottenborg: Marie Wolter Bertelsen, National Centre for Reading; Ida Vestergaard Ãyan, KVUC; Maria Kjær Themsen, Dagbladet Information<br> 314<br> 3152024: Free Lunch Series: Julie Nymann, Art Hub Copenhagen<br> 316<br> 3172021: Talks: M/S Maritime Museum of Denmark, Elsinore â Juxtapose Art Fair, Aarhus<br> 318<br><br> 319<b>COLLABORATIONS AND PARTICIPATORY PRACTICE</b><br> 320 321<br> 3222026: Collaboration: Vidensby Sønderborg, FGU, IBC HF, VUC, Augustenborg School & Dybbøl School <br> 323<br> 3242025: Workshops: Holstebro Library â FGU Capital Region <br> 325<br> 3262025: Collaboration: VUC Roskilde, HF for Dyslexics <br> 327<br> 3282023: Collaboration: KVUC, FGU Vesterbro, Limfjord School Struer, Dyslexia Club Nørre Nissum<br><br> 329<br> 330<b>PRESS</b> 331<br> 332 333<br>2025: Danish TV2: Go' morgen Danmark, Feb 26: Dyslexics have strengths<br> 334<br> 3352025: TV2 Kosmopol <a href="https://www.tv2kosmopol.dk/koebenhavn/hun-vil-hjaelpe-born-ud-af-den-skam-mange-foler">Julie Nymann finds It difficult to text to a friend</a><br> 336<br> 3372025: The Lake Radio <a href="https://soundcloud.com/thelakeradio/the-lake-radio-live-from-struer-tracks-thursday?utm_source=mobi&utm_campaign=social_sharing">Struer Tracks: Interview Julie Nymann</a> <br> 338<br> 3392025: Danish Radio, P4 Midt & Vest, live from Struer Museum<br> 340<br>
3412025: Politiken <a href="https://politiken.dk/annoncoerbetaltindhold/roskilde_festival/art10396181/Fra-skamplet-til-styrke-Ordblind-kunstner-vil-%C3%A6ndre-samtalen-om-dysleksi-p%C3%A5-%C3%A5rets-Roskilde-Festival">From shame to strength â Dyslexic artist wants to change the conversation about dyslexia</a><br> 342<br> 3432025: Eurowoman <a href="https://www.alt.dk/sundhed/julie-nymann-dysleksi-kunst/5509965?fbclid=IwY2xjawIIE4tleHRuA2FlbQIxMAABHbA__Br1Vvg5w8wmmPChnrXGdRFt1oRNoEnnPg9sfSW2LVAY3aNR8UlIFw_aem_rrP9O1R0SiCVyzpbOQfkzw">Maybe you can't read words, but you can read the world</a><br> 344<br> 3452025: Struer Dagblad <a href="https://dagbladet-holstebro-struer.dk/struer/julie-er-taget-paa-mission-i-groent-for-faa-et-svar-hvad-er-fordelene-ved-ordblindhed">Julie is on a green mission to find an answer</a><br> 346<br> 3472025: bastard <a href="https://bastard.blog/foelg-den-groenne-vej-roskilde-festival-2025/?utm_campaign=linkinbio&utm_medium=referral&utm_source=later-linkinbio">Follow the green path â Roskilde Festival</a><br> 348<br> 3492025: â â â â â ISCENE <a href="https://iscene.dk/2025/07/04/roskilde-2025-art-activism-minianmeldelser-af-performances/">The Advantages of Being Dyslexic</a><br> 350<br> 3512024: Art Matter <a href="https://artmatter.dk/journal/unge-kunstnerstemmer-julie-nymann/">Young Artist's Voices: Julie Nymann</a><br> 3522024: Berlingske <a href="https://www.berlingske.dk/synspunkter/julie-nymann-er-stolt-af-at-vaere-ordblind--det-har-sine-fordele-nu-har-hun-seks-konkrete-forslag-til-undervisningsministeren">Julie Nymann is proud to be dyslexic â It has its advantages: she now has six proposals for the Minister of Education</a> 353<br> 354<br> 355<br> 356<b>PUBLICATIONS & CATALOGUES</b><br> 357 358<br>2025: National Centre for Reading, <a href="https://videnomlaesning.dk/media/6297/vol38-med-rigtigt-podcast-link.pdf">Knowledge on Literacy No. 38: Challenges with Language and Reading</a><br> 359<br> 3602025: Alinea Publishing: Educational Material for 3rd and 4th Grade <a href="https://dansk.alinea.dk/course/ayN6-fordelene-ved-at-vaere-ordblind">The Advantages of Being Dyslexic</a><br></small><br><br> 361<br> 362<small><b>SELECTED SCREENINGS</b><br> 363 364<br>2024: Festival for Dyslexics, DOKK1, The Advantages of Being Dyslexic, Aarhus<br> 365<br> 3662015: Festival Les Instants Vidéo, Marseille â Mixer Gallery, Istanbul <br> 367<br> 3682013: Anthology Film Archives, New York â Nitehawk Cinema, New York<br> 369 370<br> 371<br> 372<b>PRISER & RESIDENCIES</b><br> 373<br>2022: DEDI Art Symposium, The Tale of Two Cities: Aswan & Hanstholm, 2021-2022 <br> 374<br> 3752020: Make Sound Residency, Inter Art Center, Malmø<br> 376<br> 3772020: Painter Helge Beckâs Memorial Grant <br> 378<br> 3792016: BRIC Media Arts Fellowship, BRIC Contemporary Art, New York<br> 380<br> 3812016: Immigrant Artist Program, New York Foundation for the Arts, New York<br> 382<br> 3832014: AIM Fellowship, The Bronx Museum of the Arts, New York <br> 384<br> 3852012: Grant: The Copenhagen Association of Craftsmen, honored by Her Majesty Queen Margrethe II, Copenhagen<br><br> 3862012: Grand Prize: Walking in the mind, Bideodromo 12, Experimental Film Festival, Bilbao</small> 387<br> 388</div> 389 <div grid-col="2" grid-pad="2"></div> 390</div><div grid-row="" grid-pad="1" grid-gutter="2" grid-responsive=""> 391 <div grid-col="4" grid-pad="1" class=""><br> 392<br> 393<br> 394</div> 395 <div grid-col="8" grid-pad="1"></div> 396</div><h2><b></b></h2><small></small></projectcontent> 397 </div> 398 399 400 </bodycopy> 401 </div> 402 403 <div class="page_background"></div> 404 405 <style class="local-css" data-target="25365226"> 406 [local-style="25365226"] .container_width { 407} 408 409[local-style="25365226"] body { 410 background-color: initial /*!variable_defaults*/; 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785 * attempt to copy, install, redistribute, convert, modify or reverse 786 * engineer this font software. Please contact Dinamo with any 787 * questions: https://abcdinamo.com/ 788 */ 789@font-face { 790 font-display: block; 791 font-family: "Diatype"; 792 src: url("https://type.cargo.site/files/CargoDiatype-Thin.woff2") format("woff2"), 793 url("https://type.cargo.site/files/CargoDiatype-Thin.woff") format("woff"); 794 font-style: normal; 795 font-weight: 200; 796 unicode-range: U+0000-DFFF, U+F900-FFFD; 797} 798@font-face { 799 font-display: block; 800 font-family: "Diatype"; 801 src: url("https://type.cargo.site/files/CargoDiatype-ThinItalic.woff2") format("woff2"), 802 url("https://type.cargo.site/files/CargoDiatype-ThinItalic.woff") format("woff"); 803 font-style: italic; 804 font-weight: 200; 805 unicode-range: U+0000-DFFF, U+F900-FFFD; 806} 807@font-face { 808 font-display: block; 809 font-family: "Diatype"; 810 src: url("https://type.cargo.site/files/CargoDiatype-Light.woff2") format("woff2"), 811 url("https://type.cargo.site/files/CargoDiatype-Light.woff") format("woff"); 812 font-style: normal; 813 font-weight: 300; 814 unicode-range: U+0000-DFFF, U+F900-FFFD; 815} 816@font-face { 817 font-display: block; 818 font-family: "Diatype"; 819 src: url("https://type.cargo.site/files/CargoDiatype-LightItalic.woff2") format("woff2"), 820 url("https://type.cargo.site/files/CargoDiatype-LightItalic.woff") format("woff"); 821 font-style: italic; 822 font-weight: 300; 823 unicode-range: U+0000-DFFF, U+F900-FFFD; 824} 825@font-face { 826 font-display: block; 827 font-family: "Diatype"; 828 src: url("https://type.cargo.site/files/CargoDiatype-Regular.woff2") format("woff2"), 829 url("https://type.cargo.site/files/CargoDiatype-Regular.woff") format("woff"); 830 font-style: normal; 831 font-weight: 400; 832 unicode-range: U+0000-DFFF, U+F900-FFFD; 833} 834@font-face { 835 font-display: block; 836 font-family: "Diatype"; 837 src: url("https://type.cargo.site/files/CargoDiatype-RegularItalic.woff2") format("woff2"), 838 url("https://type.cargo.site/files/CargoDiatype-RegularItalic.woff") format("woff"); 839 font-style: italic; 840 font-weight: 400; 841 unicode-range: U+0000-DFFF, U+F900-FFFD; 842} 843@font-face { 844 font-display: block; 845 font-family: "Diatype"; 846 src: url("https://type.cargo.site/files/CargoDiatype-Medium.woff2") format("woff2"), 847 url("https://type.cargo.site/files/CargoDiatype-Medium.woff") format("woff"); 848 font-style: normal; 849 font-weight: 500; 850 unicode-range: U+0000-DFFF, U+F900-FFFD; 851} 852@font-face { 853 font-display: block; 854 font-family: "Diatype"; 855 src: url("https://type.cargo.site/files/CargoDiatype-MediumItalic.woff2") format("woff2"), 856 url("https://type.cargo.site/files/CargoDiatype-MediumItalic.woff") format("woff"); 857 font-style: italic; 858 font-weight: 500; 859 unicode-range: U+0000-DFFF, U+F900-FFFD; 860} 861@font-face { 862 font-display: block; 863 font-family: "Diatype"; 864 src: url("https://type.cargo.site/files/CargoDiatype-Bold.woff2") format("woff2"), 865 url("https://type.cargo.site/files/CargoDiatype-Bold.woff") format("woff"); 866 font-style: normal; 867 font-weight: 700; 868 unicode-range: U+0000-DFFF, U+F900-FFFD; 869} 870@font-face { 871 font-display: block; 872 font-family: "Diatype"; 873 src: url("https://type.cargo.site/files/CargoDiatype-BoldItalic.woff2") format("woff2"), 874 url("https://type.cargo.site/files/CargoDiatype-BoldItalic.woff") format("woff"); 875 font-style: italic; 876 font-weight: 700; 877 unicode-range: U+0000-DFFF, U+F900-FFFD; 878} 879</style> 880 </body> 881</html>
Line numbers count LF bytes from the start of the resource, as the search results do. Vendor segments are library code the classifier recognised; they are stored but not indexed. Bytes are shown as Latin1 characters, one per byte.