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57 2011- 2026&nbsp; Julie Nymann\n<\/small>\t<small><\/small><br>\n<\/div>\n\t<div grid-col=\"6\" grid-pad=\"1\"><\/div>\n\t<div grid-col=\"1\" grid-pad=\"1\"><small><a href=\"http:\/\/[email protected]\" target=\"_blank\">Connect<\/a><\/small><\/div>\n\t<div grid-col=\"2\" grid-pad=\"1\"><small><a href=\"mailto:[email protected]\" class=\"icon-link\">\ue0f1\ufe0e<\/a> &nbsp;&nbsp; <a href=\"https:\/\/www.instagram.com\/julienymann\/\" target=\"_blank\" class=\"icon-link\">\ue025\ufe0e<\/a> &nbsp;<\/small><small><a href=\"https:\/\/vimeo.com\/julienymann\" target=\"_blank\" class=\"icon-link\">\ue021\ufe0e<\/a><\/small><\/div>\n<\/div><div grid-row=\"\" grid-pad=\"1\" grid-gutter=\"2\" grid-responsive=\"\">\n\t<div grid-col=\"3\" grid-pad=\"1\"><\/div>\n\t<div grid-col=\"2\" grid-pad=\"1\"><\/div>\n\t<div grid-col=\"1\" grid-pad=\"1\"><\/div>\n\t<div grid-col=\"6\" grid-pad=\"1\"><\/div>\n<\/div><br>","content_no_html":"\n\t\n\t\n\t\n\t\n\n\t\u00a9&nbsp; 2011- 2026&nbsp; Julie Nymann\n\t\n\n\t\n\tConnect\n\t\ue0f1\ufe0e &nbsp;&nbsp; \ue025\ufe0e &nbsp;
57\ue021\ufe0e\n\n\t\n\t\n\t\n\t\n","content_partial_html":"\n\t\n\t\n\t\n\t<br>\n\n\t\u00a9&nbsp; 2011- 2026&nbsp; Julie Nymann\n\t<br>\n\n\t\n\t<a href=\"http:\/\/[email protected]\" target=\"_blank\">Connect<\/a>\n\t<a href=\"mailto:[email protected]\" class=\"icon-link\">\ue0f1\ufe0e<\/a> &nbsp;&nbsp; <a href=\"https:\/\/www.instagram.com\/julienymann\/\" target=\"_blank\" class=\"icon-link\">\ue025\ufe0e<\/a> &nbsp;<a href=\"https:\/\/vimeo.com\/julienymann\" target=\"_blank\" class=\"icon-link\">\ue021\ufe0e<\/a>\n\n\t\n\t\n\t\n\t\n<br>","thumb":"","thumb_meta":null,"thumb_is_visible":false,"sort":1,"index":0,"set_id":0,"page_options":{"using_local_css":true,"local_css":"[local-style=\"25365235\"] .container_width {\n}\n\n[local-style=\"25365235\"] body {\n\tbackground-color: initial \/*!variable_defaults*\/;\n}\n\n[local-style=\"25365235\"] .backdrop {\n}\n\n[local-style=\"25365235\"] .page {\n\tmin-height: 100vh \/*!page_height_100vh*\/;\n}\n\n[local-style=\"25365235\"] .page_background {\n\tbackground-color: rgba(39, 177, 43, 0.68) \/*!page_container_bgcolor*\/;\n}\n\n[local-style=\"25365235\"] .content_padding {\n\tpadding-bottom: 1.5rem \/*!main_margin*\/;\n\tpadding-top: 2rem \/*!main_margin*\/;\n}\n\n[data-predefined-style=\"true\"] [local-style=\"25365235\"] bodycopy {\n\tfont-size: 1rem;\n\tline-height: 1.1;\n}\n\n[data-predefined-style=\"true\"] [local-style=\"25365235\"] bodycopy a {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"25365235\"] bodycopy a:hover {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"25365235\"] h1 {\n\tfont-size: 1.5rem;\n}\n\n[data-predefined-style=\"true\"] [local-style=\"25365235\"] h1 a {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"25365235\"] h1 a:hover {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"25365235\"] h2 {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"25365235\"] h2 a {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"25365235\"] h2 a:hover {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"25365235\"] small {\n\tfont-size: 1.2rem;\n}\n\n[data-predefined-style=\"true\"] [local-style=\"25365235\"] small a {\n}\n\n[data-predefined-style=\"true\"] [local-style=\"25365235\"] small a:hover {\n}","local_layout_options":{"split_layout":false,"split_responsive":false,"full_height":true,"advanced_padding_enabled":true,"page_container_bgcolor":"rgba(39, 177, 43, 0.68)","show_local_thumbs":false,"page_bgcolor":"","main_margin_bottom":"1.5","main_margin_top":"2"},"pin_options":{"position":"bottom","overlay":true,"accommodate":true}},"set_open":false,"images":[],"backdrop":{"id":4300054,"site_id":1470424,"page_id":25365235,"backdrop_id":3,"backdrop_path":"wallpaper","is_active":true,"data":{"scale_option":"contain","repeat_image":false,"image_alignment":"image_center_center","margin":100,"pattern_size":0,"limit_size":false,"overlay_color":"transparent","bg_color":"rgba(186, 0, 207, 0.75)","cycle_images":false,"autoplay":true,"slideshow_transition":"slide","transition_timeout":2.5,"transition_duration":1,"randomize":false,"arrow_navigation":false,"focus_object":"{}","backdrop_viewport_lock":false,"use_image_focus":"false","image":"\/\/static.cargo.site\/assets\/backdrop\/default.jpg","requires_webgl":"false"}}},{"id":25365226,"site_id":1470424,"project_url":"ABOUT","direct_link":"https:\/\/julienymann.com\/ABOUT","type":"page","title":"ABOUT","title_no_html":"ABOUT","tags":"","display":false,"pin":false,"pin_options":{"position":"top","overlay":true},"in_nav":true,"is_homepage":false,"backdrop_enabled":false,"is_set":false,"stack":false,"excerpt":"Julie Nymann\n\n1987 |  Copenhagen \n\n\n\n\ue0f1\ufe0e \[email protected]\n\n\ue025\ufe0e \ue021\ufe0e Connect\n\n\n\nphoto\u00a0|  Federica Coseschi\n\n\n\t\n\tArtist Statement\n\n\u201cIn my...","content":"<div grid-row=\"\" grid-pad=\"2\" grid-gutter=\"4\" grid-responsive=\"\">\n\t<div grid-col=\"3\" grid-pad=\"2\"><img width=\"2400\" height=\"3000\" width_o=\"2400\" height_o=\"3000\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/116f1b9494218524b9469041f9fdc207671686963c39918a14e89650527d92f3\/JulieNymann_Foto_FedericaCoseschi-2.01.jpg\" data-mid=\"241690482\" border=\"0\" \/><br>\n<h1><b><\/b><\/h1><h1><b>Julie Nymann<\/b><\/h1><br>\n<small>1987 |  Copenhagen <\/small><br><br>\n\n<small><a href=\"mailto:[email protected]\" class=\"icon-link\">\ue0f1\ufe0e<\/a> &nbsp;[email protected]<br><br><a href=\"https:\/\/vimeo.com\/julienymann\">\ue025\ufe0e \ue021\ufe0e Connect<\/a><\/small><br><br>\n<br><small><i>photo&nbsp;|  Federica Coseschi<\/i><\/small><br>\n<\/div>\n\t<div grid-col=\"1\" grid-pad=\"2\"><\/div>\n\t<div grid-col=\"6\" grid-pad=\"2\"><h1><\/h1><h2><b>Artist Statement<\/b><\/h2><b>\n<br><\/b>\u201cIn my artistic practice, I investigate and challenge societal norms and inequality in educational systems, creating immersive, socially engaged artworks rooted in sensory experience and dyslexia awareness. I use art to celebrate the strengths in our differences.\u201d <br><br>\n<br>\n<h2><b>Biography<\/b><\/h2><b><\/b><br>\nJulie Nymann (b. 1987, Copenhagen) is an interdisciplinary artist working with immersive installations. She holds a BFA and MFA from The Royal Danish Aca
57demy of Fine Arts (2024) and a Certificate in Photography from the International Center of Photography, New York (2012).<br>\n<br>\nBefore returning to Copenhagen in 2017, Nymann lived in New York, where she developed her artistic practice. Her work has been shown in Denmark and internationally, including Roskilde Festival, Struer Museum, Vandrehallen Kunsthal, Kunsthal Charlottenborg, The Royal Cast Collection at SMK National Gallery (2024) and The Bronx Museum of the Arts.<br>\n<br>\nIn 2026, she will present her largest solo exhibition at Augustiana Art Park &amp; Art Hall, and her work Advantages of Being Dyslexic will open as a permanent sound installation at Copenhagen University College, Campus Carlsberg.<br>\n<br>\nNymann\u2019s practice is deeply informed by her dyslexia, driving the creation of a unique visual language that decodes her surroundings and produces sensory experiences that challenge a text-centric society. She is also active as a board member, advocate, and educator, developing projects and materials that support people with dyslexia.\n<br>\n<br>\n<br>\n<h2><b>CV<\/b><\/h2><br>\n<small><b>EDUCATION<\/b><br><br>\n2018-2024 MFA &amp; BFA, The Royal Danish Academy of Fine Arts, Copenhagen<br>\n<br>\n2011-2012 Certificate in Art Photography, International Center of Photography, New York<br>\n<br>\n2010-2011 Fatamorgana, The Danish School of Art Photography, Copenhagen<br>\n<br>\n<br><b>FUTURE<\/b><br>\n<br>\n2026: Follow the green path, Augustiana Art Park &amp; Art Hall, Als\n<\/small><small>2026: Advantages of being dyslexic, permanent installation, University College Copenhagen (KP), Campus Carlsberg, curated by Empathic Environments<\/small><small>\n<br>\n<br>\n<b>SOLO EXHIBITIONS<\/b><br>\n<br>2025: Advantages of being dyslexic, Struer Museum, Struer<br>\n<br>\n2025: Our voises carry futur dreams, Roskilde Festival, with Art Hub Copenhagen, Roskilde<br>\n<br>\n2025: Our voises carry futur dreams, GRASP 2025, Roskilde<br>\n<br>\n2024: We are proud dyslexics, Vandrehallen Kunsthal, Hiller\u00f8d<br>\n<br>\n2022: Use it well, Inter Arts Center, with Signe Ragnkj\u00e6r Holm, Malm\u00f8<br>\n2021: The house that whispers, The Royal Cast Collection, National Gallery of Denmark (SMK), Copenhagen<br>\n<br>\n\n\n\n\n\n<br>\n<b>SELECTED GROUP EXHIBITIONS<\/b><br>\n\n<br>2024: Graduation Show, Kunsthal Charlottenborg, Copenhagen<br>\n<br>\n2024: EXIT 2024, M\u00f8stings, Copenhagen<br>\n<br>\n2021-2025: Oceanista, M\/S Maritime Museum of Denmark, Elsinore \u2013 Maritime Museum of Finland, Kotka \u2013 Maritime Museum, Gothenburg<br>\n<br>\n2021: Countess Danner, Collaborations by Tania &amp; Thomas Asb\u00e6k, Copenhagen<br>\n<br>\n2019: The Spectral Within, 5-50 Gallery, New York <br>\n<br>\n2018: What is Love?, Kallmann-Museum Ismaning, M\u00fcnchen<br>\n<br>\n2017: KUSS, Br\u00f6han-Museum, Berlin <br>\n<br>\n2016: Autumn Exhibition, Den Frie Centre of Contemporary Art, Copenhagen<br>\n<br>\n2015: Young Danish Photography, The Photographic Center, Copenhagen<br>\n<br>\n2015: Shreds of laughter, N\u00f8rreport Station, Cph Art Week, Copenhagen<br>\n<br>\n2015: Bronx Calling: Third AIM Biennial, The Bronx Museum of the Arts, New York<br>\n2013: Lichter Feld 13 \u2013 Biennale Basel, Basel<br>\n\n<br>\n<br>\n<b>ARTIST TALKS<\/b><br>\n<br>\n2025: Talks: Struer Museum \u2013 Holstebro Library \u2013 Thisted Gymnasium &amp; STX \u2013 Alinea Publishing<br>\n<br>\n2024: Talks: VERA School of Art &amp; Design \u2013 Svendborg Library<br>\n<br>\n2024: Debate: Advantages of being dyslexic, Kunsthal Charlottenborg: Marie Wolter Bertelsen, National Centre for Reading; Ida Vestergaard \u00d8yan, KVUC; Maria Kj\u00e6r Themsen, Dagbladet Information<br>\n<br>\n2024: Free Lunch Series: Julie Nymann, Art Hub Copenhagen<br>\n<br>\n2021: Talks: M\/S Maritime Museum of Denmark, Elsinore \u2013 Juxtapose Art Fair, Aarhus<br>\n<br><br>\n<b>COLLABORATIONS AND PARTICIPATORY PRACTICE<\/b><br>\n\n<br>\n2026: Collaboration: Vidensby S\u00f8nderborg, FGU, IBC HF, VUC, Augustenborg School &amp; Dybb\u00f8l School <br>\n<br>\n2025: Workshops: Holstebro Library \u2013 FGU Capital Region <br>\n<br>\n2025: Collaboration: VUC Roskilde, HF for Dyslexics <br>\n<br>\n2023: Collaboration: KVUC, FGU Vesterbro, Limfjord School Struer, Dyslexia Club N\u00f8rre Nissum<br><br>\n<br>\n<b>PRESS<\/b>\n<br>\n\n<br>2025: Danish TV2: Go' morgen Danmark, Feb 26: Dyslexics have strengths<br>\n<br>\n2025: TV2 Kosmopol <a href=\"https:\/\/www.tv2kosmopol.dk\/koebenhavn\/hun-vil-hjaelpe-born-ud-af-den-skam-mange-foler\">Julie Nymann finds It difficult to text to a friend<\/a><br>\n<br>\n2025: The Lake Radio <a href=\"https:\/\/soundcloud.com\/thelakeradio\/the-lake-radio-live-from-struer-tracks-thursday?utm_source=mobi&amp;utm_campaign=social_sharing\">Struer Tracks: Interview Julie Nymann<\/a>&nbsp; <br>\n<br>\n2025: Danish Radio, P4 Midt &amp; Vest, live from Struer Museum<br>\n<br>
57\n2025: Politiken <a href=\"https:\/\/politiken.dk\/annoncoerbetaltindhold\/roskilde_festival\/art10396181\/Fra-skamplet-til-styrke-Ordblind-kunstner-vil-%C3%A6ndre-samtalen-om-dysleksi-p%C3%A5-%C3%A5rets-Roskilde-Festival\">From shame to strength \u2013 Dyslexic artist wants to change the conversation about dyslexia<\/a><br>\n<br>\n2025: Eurowoman <a href=\"https:\/\/www.alt.dk\/sundhed\/julie-nymann-dysleksi-kunst\/5509965?fbclid=IwY2xjawIIE4tleHRuA2FlbQIxMAABHbA__Br1Vvg5w8wmmPChnrXGdRFt1oRNoEnnPg9sfSW2LVAY3aNR8UlIFw_aem_rrP9O1R0SiCVyzpbOQfkzw\">Maybe you can't read words, but you can read the world<\/a><br>\n<br>\n2025: Struer Dagblad <a href=\"https:\/\/dagbladet-holstebro-struer.dk\/struer\/julie-er-taget-paa-mission-i-groent-for-faa-et-svar-hvad-er-fordelene-ved-ordblindhed\">Julie is on a green mission to find an answer<\/a><br>\n<br>\n2025: bastard <a href=\"https:\/\/bastard.blog\/foelg-den-groenne-vej-roskilde-festival-2025\/?utm_campaign=linkinbio&amp;utm_medium=referral&amp;utm_source=later-linkinbio\">Follow the green path \u2013 Roskilde Festival<\/a><br>\n<br>\n2025: \u2605\u2605\u2605\u2605\u2605 ISCENE <a href=\"https:\/\/iscene.dk\/2025\/07\/04\/roskilde-2025-art-activism-minianmeldelser-af-performances\/\">The Advantages of Being Dyslexic<\/a><br>\n<br>\n2024: Art Matter <a href=\"https:\/\/artmatter.dk\/journal\/unge-kunstnerstemmer-julie-nymann\/\">Young Artist's Voices: Julie Nymann<\/a><br>\n2024: Berlingske <a href=\"https:\/\/www.berlingske.dk\/synspunkter\/julie-nymann-er-stolt-af-at-vaere-ordblind--det-har-sine-fordele-nu-har-hun-seks-konkrete-forslag-til-undervisningsministeren\">Julie Nymann is proud to be dyslexic \u2013 It has its advantages: she now has six proposals for the Minister of Education<\/a>\n<br>\n<br>\n<br>\n<b>PUBLICATIONS &amp; CATALOGUES<\/b><br>\n\n<br>2025: National Centre for Reading, <a href=\"https:\/\/videnomlaesning.dk\/media\/6297\/vol38-med-rigtigt-podcast-link.pdf\">Knowledge on Literacy No. 38: Challenges with Language and Reading<\/a><br>\n<br>\n2025: Alinea Publishing: Educational Material for 3rd and 4th Grade <a href=\"https:\/\/dansk.alinea.dk\/course\/ayN6-fordelene-ved-at-vaere-ordblind\">The Advantages of Being Dyslexic<\/a><br><\/small><br><br>\n<br>\n<small><b>SELECTED SCREENINGS<\/b><br>\n\n<br>2024: Festival for Dyslexics, DOKK1, The Advantages of Being Dyslexic, Aarhus<br>\n<br>\n2015: Festival Les Instants Vid\u00e9o, Marseille \u2013 Mixer Gallery, Istanbul <br>\n<br>\n2013: Anthology Film Archives, New York \u2013 Nitehawk Cinema, New York<br>\n\n<br>\n<br>\n<b>PRISER &amp; RESIDENCIES<\/b><br>\n<br>2022: DEDI Art Symposium, The Tale of Two Cities: Aswan &amp; Hanstholm, 2021-2022 <br>\n<br>\n2020: Make Sound Residency, Inter Art Center, Malm\u00f8<br>\n<br>\n2020: Painter Helge Beck\u2019s Memorial Grant <br>\n<br>\n2016: BRIC Media Arts Fellowship, BRIC Contemporary Art, New York<br>\n<br>\n2016: Immigrant Artist Program, New York Foundation for the Arts, New York<br>\n<br>\n2014: AIM Fellowship, The Bronx Museum of the Arts, New York <br>\n<br>\n2012: Grant: The Copenhagen Association of Craftsmen, honored by Her Majesty Queen Margrethe II, Copenhagen<br><br>\n2012: Grand Prize: Walking in the mind, Bideodromo 12, Experimental Film Festival, Bilbao<\/small>\n<br>\n<\/div>\n\t<div grid-col=\"2\" grid-pad=\"2\"><\/div>\n<\/div><div grid-row=\"\" grid-pad=\"1\" grid-gutter=\"2\" grid-responsive=\"\">\n\t<div grid-col=\"4\" grid-pad=\"1\" class=\"\"><br>\n<br>\n<br>\n<\/div>\n\t<div grid-col=\"8\" grid-pad=\"1\"><\/div>\n<\/div><h2><b><\/b><\/h2><small><\/small>","content_no_html":"\n\t{image 8}\nJulie Nymann\n1987 |  Copenhagen \n\n\ue0f1\ufe0e &nbsp;[email protected]\ue025\ufe0e \ue021\ufe0e Connect\nphoto&nbsp;|  Federica Coseschi\n\n\t\n\tArtist Statement\n\u201cIn my artistic practice, I investigate and challenge societal norms and inequality in educational systems, creating immersive, socially engaged artworks rooted in sensory experience and dyslexia awareness. I use art to celebrate the strengths in our differences.\u201d \n\nBiography\nJulie Nymann (b. 1987, Copenhagen) is an interdisciplinary artist working with immersive installations. She holds a BFA and MFA from The Royal Danish Aca
57demy of Fine Arts (2024) and a Certificate in Photography from the International Center of Photography, New York (2012).\n\nBefore returning to Copenhagen in 2017, Nymann lived in New York, where she developed her artistic practice. Her work has been shown in Denmark and internationally, including Roskilde Festival, Struer Museum, Vandrehallen Kunsthal, Kunsthal Charlottenborg, The Royal Cast Collection at SMK National Gallery (2024) and The Bronx Museum of the Arts.\n\nIn 2026, she will present her largest solo exhibition at Augustiana Art Park &amp; Art Hall, and her work Advantages of Being Dyslexic will open as a permanent sound installation at Copenhagen University College, Campus Carlsberg.\n\nNymann\u2019s practice is deeply informed by her dyslexia, driving the creation of a unique visual language that decodes her surroundings and produces sensory experiences that challenge a text-centric society. She is also active as a board member, advocate, and educator, developing projects and materials that support people with dyslexia.\n\n\n\nCV\nEDUCATION\n2018-2024 MFA &amp; BFA, The Royal Danish Academy of Fine Arts, Copenhagen\n\n2011-2012 Certificate in Art Photography, International Center of Photography, New York\n\n2010-2011 Fatamorgana, The Danish School of Art Photography, Copenhagen\n\nFUTURE\n\n2026: Follow the green path, Augustiana Art Park &amp; Art Hall, Als\n2026: Advantages of being dyslexic, permanent installation, University College Copenhagen (KP), Campus Carlsberg, curated by Empathic Environments\n\n\nSOLO EXHIBITIONS\n2025: Advantages of being dyslexic, Struer Museum, Struer\n\n2025: Our voises carry futur dreams, Roskilde Festival, with Art Hub Copenhagen, Roskilde\n\n2025: Our voises carry futur dreams, GRASP 2025, Roskilde\n\n2024: We are proud dyslexics, Vandrehallen Kunsthal, Hiller\u00f8d\n\n2022: Use it well, Inter Arts Center, with Signe Ragnkj\u00e6r Holm, Malm\u00f8\n2
57021: The house that whispers, The Royal Cast Collection, National Gallery of Denmark (SMK), Copenhagen\n\n\n\n\n\n\n\nSELECTED GROUP EXHIBITIONS\n\n2024: Graduation Show, Kunsthal Charlottenborg, Copenhagen\n\n2024: EXIT 2024, M\u00f8stings, Copenhagen\n\n2021-2025: Oceanista, M\/S Maritime Museum of Denmark, Elsinore \u2013 Maritime Museum of Finland, Kotka \u2013 Maritime Museum, Gothenburg\n\n2021: Countess Danner, Collaborations by Tania &amp; Thomas Asb\u00e6k, Copenhagen\n\n2019: The Spectral Within, 5-50 Gallery, New York \n\n2018: What is Love?, Kallmann-Museum Ismaning, M\u00fcnchen\n\n2017: KUSS, Br\u00f6han-Museum, Berlin \n\n2016: Autumn Exhibition, Den Frie Centre of Contemporary Art, Copenhagen\n\n2015: Young Danish Photography, The Photographic Center, Copenhagen\n\n2015: Shreds of laughter, N\u00f8rreport Station, Cph Art Week, Copenhagen\n\n2015: Bronx Calling: Third AIM Biennial, The Bronx Museum of the Arts, New York\n2013: Lichter Feld 13 \u2013 Biennale Basel, Basel\n\n\n\nARTIST TALKS\n\n2025: Talks: Struer Museum \u2013 Holstebro Library \u2013 Thisted Gymnasium &amp; STX \u2013 Alinea Publishing\n\n2024: Talks: VERA School of Art &amp; Design \u2013 Svendborg Library\n\n2024: Debate: Advantages of being dyslexic, Kunsthal Charlottenborg: Marie Wolter Bertelsen, National Centre for Reading; Ida Vestergaard \u00d8yan, KVUC; Maria Kj\u00e6r Themsen, Dagbladet Information\n\n2024: Free Lunch Series: Julie Nymann, Art Hub Copenhagen\n\n2021: Talks: M\/S Maritime Museum of Denmark, Elsinore \u2013 Juxtapose Art Fair, Aarhus\n\nCOLLABORATIONS AND PARTICIPATORY PRACTICE\n\n\n2026: Collaboration: Vidensby S\u00f8nderborg, FGU, IBC HF, VUC, Augustenborg School &amp; Dybb\u00f8l School \n\n2025: Workshops: Holstebro Library \u2013 FGU Capital Region \n\n2025: Collaboration: VUC Roskilde, HF for Dyslexics \n\n2023: Collaboration: KVUC, FGU Vesterbro, Limfjord School Struer, Dyslexia Club N\u00f8rre Nissum\n\nPRESS\n\n\n2025: Danish TV2: Go' morgen Danmark, Feb 26: Dyslexics have strengths\n\n2025: TV2 Kosmopol Julie Nymann finds It difficult to text to a friend\n\n2025: The Lake Radio Struer Tracks: Interview Julie Nymann&nbsp; \n\n2025: Danish Radio, P4 Midt &amp; Vest, live from Struer Museum\n\n2025: Politiken From shame to strength \u2013 Dyslexic artist wants to change the conversation about dyslexia\n\n2025: Eurowoman Maybe you can't read words, but you can read the world\n\n2025: Struer Dagblad Julie is on a green mission to find an answer\n\n2025: bastard Follow the green path \u2013 Roskilde Festival\n\n2025: \u2605\u2605\u2605\u2605\u2605 ISCENE The Advantages of Being Dyslexic\n\n2024: Art Matter Young Artist's Voices: Julie Nymann\n2024: Berlingske Julie Nymann is proud to be dyslexic \u2013 It has its advantages: she now has six proposals for the Minister of Education\n\n\n\nPUBLICATIONS &amp; CATALOGUES\n\n2025: National Centre for Reading, Knowledge on Literacy No. 38: Challenges with Language and Reading\n\n2025: Alinea Publishing: Educational Material for 3rd and 4th Grade The Advantages of Being Dyslexic\n\nSELECTED SCREENINGS\n\n2024: Festival for Dyslexics, DOKK1, The Advantages of Being Dyslexic, Aarhus\n\n2015: Festival Les Instants Vid\u00e9o, Marseille \u2013 Mixer Gallery, Istanbul \n\n2013: Anthology Film Archives, New York \u2013 Nitehawk Cinema, New York\n\n\n\nPRISER &amp; RESIDENCIES\n2022: DEDI Art Symposium, The Tale of Two Cities: Aswan &amp; Hanstholm, 2021-2022 \n\n2020: Make Sound Residency, Inter Art Center, Malm\u00f8\n\n2020: Painter Helge Beck\u2019s Memorial Grant \n\n2016: BRIC Media Arts Fellowship, BRIC Contemporary Art, New York\n\n2016: Immigrant Artist Program, New York Foundation for the Arts, New York\n\n2014: AIM Fellowship, The Bronx Museum of the Arts, New York \n\n2012: Grant: The Copenhagen Association of Craftsmen, honored by Her Majesty Queen Margrethe II, Copenhagen\n2012: Grand Prize: Walking in the mind, Bideodromo 12, Experimental Film Festival, Bilbao\n\n\n\t\n\n\t\n\n\n\n\t\n","content_partial_html":"\n\t<img width=\"2400\" height=\"3000\" width_o=\"2400\" height_o=\"3000\" data-src=\"https:\/\/freight.cargo.site\/t\/original\/i\/116f1b9494218524b9469041f9fdc207671686963c39918a14e89650527d92f3\/JulieNymann_Foto_FedericaCoseschi-2.01.jpg\" data-mid=\"241690482\" border=\"0\" \/><br>\n<h1><b><\/b><\/h1><h1><b>Julie Nymann<\/b><\/h1><br>\n1987 |  Copenhagen <br><br>\n\n<a href=\"mailto:[email protected]\" class=\"icon-link\">\ue0f1\ufe0e<\/a> &nbsp;[email protected]<br><br><a href=\"https:\/\/vimeo.com\/julienymann\">\ue025\ufe0e \ue021\ufe0e Connect<\/a><br><br>\n<br><i>photo&nbsp;|  Federica Coseschi<\/i><br>\n\n\t\n\t<h1><\/h1><h2><b>Artist Statement<\/b><\/h2><b>\n<br><\/b>\u201cIn my artistic practice, I investigate and challenge societal norms and inequality in educational systems, creating immersive, socially engaged artworks rooted in sensory experience and dyslexia awareness. I use art to celebrate the strengths in our differences.\u201d <br><br>\n<br>\n<h2><b>Biography<\/b><\/h2><b><\/b><br>\nJulie Nymann (b. 1987, Copenhagen) is an interdisciplinary artist working with immersive installations. She holds a BFA and MFA from The Royal Danish Aca
57demy of Fine Arts (2024) and a Certificate in Photography from the International Center of Photography, New York (2012).<br>\n<br>\nBefore returning to Copenhagen in 2017, Nymann lived in New York, where she developed her artistic practice. Her work has been shown in Denmark and internationally, including Roskilde Festival, Struer Museum, Vandrehallen Kunsthal, Kunsthal Charlottenborg, The Royal Cast Collection at SMK National Gallery (2024) and The Bronx Museum of the Arts.<br>\n<br>\nIn 2026, she will present her largest solo exhibition at Augustiana Art Park &amp; Art Hall, and her work Advantages of Being Dyslexic will open as a permanent sound installation at Copenhagen University College, Campus Carlsberg.<br>\n<br>\nNymann\u2019s practice is deeply informed by her dyslexia, driving the creation of a unique visual language that decodes her surroundings and produces sensory experiences that challenge a text-centric society. She is also active as a board member, advocate, and educator, developing projects and materials that support people with dyslexia.\n<br>\n<br>\n<br>\n<h2><b>CV<\/b><\/h2><br>\n<b>EDUCATION<\/b><br><br>\n2018-2024 MFA &amp; BFA, The Royal Danish Academy of Fine Arts, Copenhagen<br>\n<br>\n2011-2012 Certificate in Art Photography, International Center of Photography, New York<br>\n<br>\n2010-2011 Fatamorgana, The Danish School of Art Photography, Copenhagen<br>\n<br>\n<br><b>FUTURE<\/b><br>\n<br>\n2026: Follow the green path, Augustiana Art Park &amp; Art Hall, Als\n2026: Advantages of being dyslexic, permanent installation, University College Copenhagen (KP), Campus Carlsberg, curated by Empathic Environments\n<br>\n<br>\n<b>SOLO EXHIBITIONS<\/b><br>\n<br>2025: Advantages of being dyslexic, Struer Museum, Struer<br>\n<br>\n2025: Our voises carry futur dreams, Roskilde Festival, with Art Hub Copenhagen, Roskilde<br>\n<br>\n2025: Our voises carry futur dreams, GRASP 2025, Roskilde<br>\n<br>\n2024: We are proud dyslexics, Vandrehallen Kunsthal, Hiller\u00f8d<br>\n<br>\n2022: Use it well, Inter Arts Center, with Signe Ragnkj\u00e6r Holm, Malm\u00f8<br>\n2021: The house that whispers, The Royal Cast Collection, National Gallery of Denmark (SMK), Copenhagen<br>\n<br>\n\n\n\n\n\n<br>\n<b>SELECTED GROUP EXHIBITIONS<\/b><br>\n\n<br>2024: Graduation Show, Kunsthal Charlottenborg, Copenhagen<br>\n<br>\n2024: EXIT 2024, M\u00f8stings, Copenhagen<br>\n<br>\n2021-2025: Oceanista, M\/S Maritime Museum of Denmark, Elsinore \u2013 Maritime Museum of Finland, Kotka \u2013 Maritime Museum, Gothenburg<br>\n<br>\n2021: Countess Danner, Collaborations by Tania &amp; Thomas Asb\u00e6k, Copenhagen<br>\n<br>\n2019: The Spectral Within, 5-50 Gallery, New York <br>\n<br>\n2018: What is Love?, Kallmann-Museum Ismaning, M\u00fcnchen<br>\n<br>\n2017: KUSS, Br\u00f6han-Museum, Berlin <br>\n<br>\n2016: Autumn Exhibition, Den Frie Centre of Contemporary Art, Copenhagen<br>\n<br>\n2015: Young Danish Photography, The Photographic Center, Copenhagen<br>\n<br>\n2015: Shreds of laughter, N\u00f8rreport Station, Cph Art Week, Copenhagen<br>\n<br>\n2015: Bronx Calling: Third AIM Biennial, The Bronx Museum of the Arts, New York<br>\n2013: Lichter Feld 13 \u2013 Biennale Basel, Basel<br>\n\n<br>\n<br>\n<b>ARTIST TALKS<\/b><br>\n<br>\n2025: Talks: Struer Museum \u2013 Holstebro Library \u2013 Thisted Gymnasium &amp; STX \u2013 Alinea Publishing<br>\n<br>\n2024: Talks: VERA School of Art &amp; Design \u2013 Svendborg Library<br>\n<br>\n2024: Debate: Advantages of being dyslexic, Kunsthal Charlottenborg: Marie Wolter Bertelsen, National Centre for Reading; Ida Vestergaard \u00d8yan, KVUC; Maria Kj\u00e6r Themsen, Dagbladet Information<br>\n<br>\n2024: Free Lunch Series: Julie Nymann, Art Hub Copenhagen<br>\n<br>\n2021: Talks: M\/S Maritime Museum of Denmark, Elsinore \u2013 Juxtapose Art Fair, Aarhus<br>\n<br><br>\n<b>COLLABORATIONS AND PARTICIPATORY PRACTICE<\/b><br>\n\n<br>\n2026: Collaboration: Vidensby S\u00f8nderborg, FGU, IBC HF, VUC, Augustenborg School &amp; Dybb\u00f8l School <br>\n<br>\n2025: Workshops: Holstebro Library \u2013 FGU Capital Region <br>\n<br>\n2025: Collaboration: VUC Roskilde, HF for Dyslexics <br>\n<br>\n2023: Collaboration: KVUC, FGU Vesterbro, Limfjord School Struer, Dyslexia Club N\u00f8rre Nissum<br><br>\n<br>\n<b>PRESS<\/b>\n<br>\n\n<br>2025: Danish TV2: Go' morgen Danmark, Feb 26: Dyslexics have strengths<br>\n<br>\n2025: TV2 Kosmopol <a href=\"https:\/\/www.tv2kosmopol.dk\/koebenhavn\/hun-vil-hjaelpe-born-ud-af-den-skam-mange-foler\">Julie Nymann finds It difficult to text to a friend<\/a><br>\n<br>\n2025: The Lake Radio <a href=\"https:\/\/soundcloud.com\/thelakeradio\/the-lake-radio-live-from-struer-tracks-thursday?utm_source=mobi&amp;utm_campaign=social_sharing\">Struer Tracks: Interview Julie Nymann<\/a>&nbsp; <br>\n<br>\n2025: Danish Radio, P4 Midt &amp; Vest, live from Struer Museum<br>\n<br>
57\n2025: Politiken <a href=\"https:\/\/politiken.dk\/annoncoerbetaltindhold\/roskilde_festival\/art10396181\/Fra-skamplet-til-styrke-Ordblind-kunstner-vil-%C3%A6ndre-samtalen-om-dysleksi-p%C3%A5-%C3%A5rets-Roskilde-Festival\">From shame to strength \u2013 Dyslexic artist wants to change the conversation about dyslexia<\/a><br>\n<br>\n2025: Eurowoman <a href=\"https:\/\/www.alt.dk\/sundhed\/julie-nymann-dysleksi-kunst\/5509965?fbclid=IwY2xjawIIE4tleHRuA2FlbQIxMAABHbA__Br1Vvg5w8wmmPChnrXGdRFt1oRNoEnnPg9sfSW2LVAY3aNR8UlIFw_aem_rrP9O1R0SiCVyzpbOQfkzw\">Maybe you can't read words, but you can read the world<\/a><br>\n<br>\n2025: Struer Dagblad <a href=\"https:\/\/dagbladet-holstebro-struer.dk\/struer\/julie-er-taget-paa-mission-i-groent-for-faa-et-svar-hvad-er-fordelene-ved-ordblindhed\">Julie is on a green mission to find an answer<\/a><br>\n<br>\n2025: bastard <a href=\"https:\/\/bastard.blog\/foelg-den-groenne-vej-roskilde-festival-2025\/?utm_campaign=linkinbio&amp;utm_medium=referral&amp;utm_source=later-linkinbio\">Follow the green path \u2013 Roskilde Festival<\/a><br>\n<br>\n2025: \u2605\u2605\u2605\u2605\u2605 ISCENE <a href=\"https:\/\/iscene.dk\/2025\/07\/04\/roskilde-2025-art-activism-minianmeldelser-af-performances\/\">The Advantages of Being Dyslexic<\/a><br>\n<br>\n2024: Art Matter <a href=\"https:\/\/artmatter.dk\/journal\/unge-kunstnerstemmer-julie-nymann\/\">Young Artist's Voices: Julie Nymann<\/a><br>\n2024: Berlingske <a href=\"https:\/\/www.berlingske.dk\/synspunkter\/julie-nymann-er-stolt-af-at-vaere-ordblind--det-har-sine-fordele-nu-har-hun-seks-konkrete-forslag-til-undervisningsministeren\">Julie Nymann is proud to be dyslexic \u2013 It has its advantages: she now has six proposals for the Minister of Education<\/a>\n<br>\n<br>\n<br>\n<b>PUBLICATIONS &amp; CATALOGUES<\/b><br>\n\n<br>2025: National Centre for Reading, <a href=\"https:\/\/videnomlaesning.dk\/media\/6297\/vol38-med-rigtigt-podcast-link.pdf\">Knowledge on Literacy No. 38: Challenges with Language and Reading<\/a><br>\n<br>\n2025: Alinea Publishing: Educational Material for 3rd and 4th Grade <a href=\"https:\/\/dansk.alinea.dk\/course\/ayN6-fordelene-ved-at-vaere-ordblind\">The Advantages of Being Dyslexic<\/a><br><br><br>\n<br>\n<b>SELECTED SCREENINGS<\/b><br>\n\n<br>2024: Festival for Dyslexics, DOKK1, The Advantages of Being Dyslexic, Aarhus<br>\n<br>\n2015: Festival Les Instants Vid\u00e9o, Marseille \u2013 Mixer Gallery, Istanbul <br>\n<br>\n2013: Anthology Film Archives, New York \u2013 Nitehawk Cinema, New York<br>\n\n<br>\n<br>\n<b>PRISER &amp; RESIDENCIES<\/b><br>\n<br>2022: DEDI Art Symposium, The Tale of Two Cities: Aswan &amp; Hanstholm, 2021-2022 <br>\n<br>\n2020: Make Sound Residency, Inter Art Center, Malm\u00f8<br>\n<br>\n2020: Painter Helge Beck\u2019s Memorial Grant <br>\n<br>\n2016: BRIC Media Arts Fellowship, BRIC Contemporary Art, New York<br>\n<br>\n2016: Immigrant Artist Program, New York Foundation for the Arts, New York<br>\n<br>\n2014: AIM Fellowship, The Bronx Museum of the Arts, New York <br>\n<br>\n2012: Grant: The Copenhagen Association of Craftsmen, honored by Her Majesty Queen Margrethe II, Copenhagen<br><br>\n2012: Grand Prize: Walking in the mind, Bideodromo 12, Experimental Film Festival, Bilbao\n<br>\n\n\t\n\n\t<br>\n<br>\n<br>\n\n\t\n<h2><b><\/b><\/h2>","thumb":"140039034","thumb_meta":{"thumbnail_crop":{"percentWidth":"100","marginLeft":0,"marginTop":-3.13125,"imageModel":{"id":140039034,"project_id":25365226,"image_ref":"{image 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226	<div grid-col="3" grid-pad="2"><img width="2400" height="3000" width_o="2400" height_o="3000" data-src="https://freight.cargo.site/t/original/i/116f1b9494218524b9469041f9fdc207671686963c39918a14e89650527d92f3/JulieNymann_Foto_FedericaCoseschi-2.01.jpg" data-mid="241690482" border="0" /><br>
227<h1><b></b></h1><h1><b>Julie Nymann</b></h1><br>
228<small>1987 |  Copenhagen </small><br><br>
229
230<small><a href="mailto:[email protected]" class="icon-link">︎</a> &nbsp;[email protected]<br><br><a href="https://vimeo.com/julienymann">
230︎ ︎ Connect</a></small><br><br>
231<br><small><i>photo&nbsp;|  Federica Coseschi</i></small><br>
232</div>
233	<div grid-col="1" grid-pad="2"></div>
234	<div grid-col="6" grid-pad="2"><h1></h1><h2><b>Artist Statement</b></h2><b>
235<br></b>“In my artistic practice, I investigate and challenge societal norms and inequality in educational systems, creating immersive, socially engaged artworks rooted in sensory experience and dyslexia awareness. I use art to celebrate the strengths in our differences.” <br><br>
236<br>
237<h2><b>Biography</b></h2><b></b><br>
238Julie Nymann (b. 1987, Copenhagen) is an interdisciplinary artist working with immersive installations. She holds a BFA and MFA from The Royal Danish Academy of Fine Arts (2024) and a Certificate in Photography from the International Center of Photography, New York (2012).<br>
239<br>
240Before returning to Copenhagen in 2017, Nymann lived in New York, where she developed her artistic practice. Her work has been shown in Denmark and internationally, including Roskilde Festival, Struer Museum, Vandrehallen Kunsthal, Kunsthal Charlottenborg, The Royal Cast Collection at SMK National Gallery (2024) and The Bronx Museum of the Arts.<br>
241<br>
242In 2026, she will present her largest solo exhibition at Augustiana Art Park &amp; Art Hall, and her work Advantages of Being Dyslexic will open as a permanent sound installation at Copenhagen University College, Campus Carlsberg.<br>
243<br>
244Nymann’s practice is deeply informed by her dyslexia, driving the creation of a unique visual language that decodes her surroundings and produces sensory experiences that challenge a text-centric society. She is also active as a board member, advocate, and educator, developing projects and materials that support people with dyslexia.
245<br>
246<br>
247<br>
248<h2><b>CV</b></h2><br>
249<small><b>EDUCATION</b><br><br>
2502018-2024 MFA &amp; BFA, The Royal Danish Academy of Fine Arts, Copenhagen<br>
251<br>
2522011-2012 Certificate in Art Photography, International Center of Photography, New York<br>
253<br>
2542010-2011 Fatamorgana, The Danish School of Art Photography, Copenhagen<br>
255<br>
256<br><b>FUTURE</b><br>
257<br>
2582026: Follow the green path, Augustiana Art Park &amp; Art Hall, Als
259</small><small>2026: Advantages of being dyslexic, permanent installation, University College Copenhagen (KP), Campus Carlsberg, curated by Empathic Environments</small><small>
260<br>
261<br>
262<b>SOLO EXHIBITIONS</b><br>
263<br>2025: Advantages of being dyslexic, Struer Museum, Struer<br>
264<br>
2652025: Our voises carry futur dreams, Roskilde Festival, with Art Hub Copenhagen, Roskilde<br>
266<br>
2672025: Our voises carry futur dreams, GRASP 2025, Roskilde<br>
268<br>
2692024: We are proud dyslexics, Vandrehallen Kunsthal, Hillerød<br>
270<br>
2712022: Use it well, Inter Arts Center, with Signe Ragnkjær Holm, Malmø<br>
2722021: The house that whispers, The Royal Cast Collection, National Gallery of Denmark (SMK), Copenhagen<br>
273<br>
274
275
276
277
278
279<br>
280<b>SELECTED GROUP EXHIBITIONS</b><br>
281
282<br>2024: Graduation Show, Kunsthal Charlottenborg, Copenhagen<br>
283<br>
2842024: EXIT 2024, Møstings, Copenhagen<br>
285<br>
2862021-2025: Oceanista, M/S Maritime Museum of Denmark, Elsinore – Maritime Museum of Finland, Kotka – Maritime Museum, Gothenburg<br>
287<br>
2882021: Countess Danner, Collaborations by Tania &amp; Thomas Asbæk, Copenhagen<br>
289<br>
2902019: The Spectral Within, 5-50 Gallery, New York <br>
291<br>
2922018: What is Love?, Kallmann-Museum Ismaning, München<br>
293<br>
2942017: KUSS, Bröhan-Museum, Berlin <br>
295<br>
2962016: Autumn Exhibition, Den Frie Centre of Contemporary Art, Copenhagen<br>
297<br>
2982015: Young Danish Photography, The Photographic Center, Copenhagen<br>
299<br>
3002015: Shreds of laughter, Nørreport Station, Cph Art Week, Copenhagen<br>
301<br>
3022015: Bronx Calling: Third AIM Biennial, The Bronx Museum of the Arts, New York<br>
3032013: Lichter Feld 13 – Biennale Basel, Basel<br>
304
305<br>
306<br>
307<b>ARTIST TALKS</b><br>
308<br>
3092025: Talks: Struer Museum – Holstebro Library – Thisted Gymnasium &amp; STX – Alinea Publishing<br>
310<br>
3112024: Talks: VERA School of Art &amp; Design – Svendborg Library<br>
312<br>
3132024: Debate: Advantages of being dyslexic, Kunsthal Charlottenborg: Marie Wolter Bertelsen, National Centre for Reading; Ida Vestergaard Øyan, KVUC; Maria Kjær Themsen, Dagbladet Information<br>
314<br>
3152024: Free Lunch Series: Julie Nymann, Art Hub Copenhagen<br>
316<br>
3172021: Talks: M/S Maritime Museum of Denmark, Elsinore – Juxtapose Art Fair, Aarhus<br>
318<br><br>
319<b>COLLABORATIONS AND PARTICIPATORY PRACTICE</b><br>
320
321<br>
3222026: Collaboration: Vidensby Sønderborg, FGU, IBC HF, VUC, Augustenborg School &amp; Dybbøl School <br>
323<br>
3242025: Workshops: Holstebro Library – FGU Capital Region <br>
325<br>
3262025: Collaboration: VUC Roskilde, HF for Dyslexics <br>
327<br>
3282023: Collaboration: KVUC, FGU Vesterbro, Limfjord School Struer, Dyslexia Club Nørre Nissum<br><br>
329<br>
330<b>PRESS</b>
331<br>
332
333<br>2025: Danish TV2: Go' morgen Danmark, Feb 26: Dyslexics have strengths<br>
334<br>
3352025: TV2 Kosmopol <a href="https://www.tv2kosmopol.dk/koebenhavn/hun-vil-hjaelpe-born-ud-af-den-skam-mange-foler">Julie Nymann finds It difficult to text to a friend</a><br>
336<br>
3372025: The Lake Radio <a href="https://soundcloud.com/thelakeradio/the-lake-radio-live-from-struer-tracks-thursday?utm_source=mobi&amp;utm_campaign=social_sharing">Struer Tracks: Interview Julie Nymann</a>&nbsp; <br>
338<br>
3392025: Danish Radio, P4 Midt &amp; Vest, live from Struer Museum<br>
340<br>
3412025: Politiken <a href="https://politiken.dk/annoncoerbetaltindhold/roskilde_festival/art10396181/Fra-skamplet-til-styrke-Ordblind-kunstner-vil-%C3%A6ndre-samtalen-om-dysleksi-p%C3%A5-%C3%A5rets-Roskilde-Festival">From shame to strength – Dyslexic artist wants to change the conversation about dyslexia</a><br>
342<br>
3432025: Eurowoman <a href="https://www.alt.dk/sundhed/julie-nymann-dysleksi-kunst/5509965?fbclid=IwY2xjawIIE4tleHRuA2FlbQIxMAABHbA__Br1Vvg5w8wmmPChnrXGdRFt1oRNoEnnPg9sfSW2LVAY3aNR8UlIFw_aem_rrP9O1R0SiCVyzpbOQfkzw">Maybe you can't read words, but you can read the world</a><br>
344<br>
3452025: Struer Dagblad <a href="https://dagbladet-holstebro-struer.dk/struer/julie-er-taget-paa-mission-i-groent-for-faa-et-svar-hvad-er-fordelene-ved-ordblindhed">Julie is on a green mission to find an answer</a><br>
346<br>
3472025: bastard <a href="https://bastard.blog/foelg-den-groenne-vej-roskilde-festival-2025/?utm_campaign=linkinbio&amp;utm_medium=referral&amp;utm_source=later-linkinbio">Follow the green path – Roskilde Festival</a><br>
348<br>
3492025: ★★★★★ ISCENE <a href="https://iscene.dk/2025/07/04/roskilde-2025-art-activism-minianmeldelser-af-performances/">The Advantages of Being Dyslexic</a><br>
350<br>
3512024: Art Matter <a href="https://artmatter.dk/journal/unge-kunstnerstemmer-julie-nymann/">Young Artist's Voices: Julie Nymann</a><br>
3522024: Berlingske <a href="https://www.berlingske.dk/synspunkter/julie-nymann-er-stolt-af-at-vaere-ordblind--det-har-sine-fordele-nu-har-hun-seks-konkrete-forslag-til-undervisningsministeren">Julie Nymann is proud to be dyslexic – It has its advantages: she now has six proposals for the Minister of Education</a>
353<br>
354<br>
355<br>
356<b>PUBLICATIONS &amp; CATALOGUES</b><br>
357
358<br>2025: National Centre for Reading, <a href="https://videnomlaesning.dk/media/6297/vol38-med-rigtigt-podcast-link.pdf">Knowledge on Literacy No. 38: Challenges with Language and Reading</a><br>
359<br>
3602025: Alinea Publishing: Educational Material for 3rd and 4th Grade <a href="https://dansk.alinea.dk/course/ayN6-fordelene-ved-at-vaere-ordblind">The Advantages of Being Dyslexic</a><br></small><br><br>
361<br>
362<small><b>SELECTED SCREENINGS</b><br>
363
364<br>2024: Festival for Dyslexics, DOKK1, The Advantages of Being Dyslexic, Aarhus<br>
365<br>
3662015: Festival Les Instants Vidéo, Marseille – Mixer Gallery, Istanbul <br>
367<br>
3682013: Anthology Film Archives, New York – Nitehawk Cinema, New York<br>
369
370<br>
371<br>
372<b>PRISER &amp; RESIDENCIES</b><br>
373<br>2022: DEDI Art Symposium, The Tale of Two Cities: Aswan &amp; Hanstholm, 2021-2022 <br>
374<br>
3752020: Make Sound Residency, Inter Art Center, Malmø<br>
376<br>
3772020: Painter Helge Beck’s Memorial Grant <br>
378<br>
3792016: BRIC Media Arts Fellowship, BRIC Contemporary Art, New York<br>
380<br>
3812016: Immigrant Artist Program, New York Foundation for the Arts, New York<br>
382<br>
3832014: AIM Fellowship, The Bronx Museum of the Arts, New York <br>
384<br>
3852012: Grant: The Copenhagen Association of Craftsmen, honored by Her Majesty Queen Margrethe II, Copenhagen<br><br>
3862012: Grand Prize: Walking in the mind, Bideodromo 12, Experimental Film Festival, Bilbao</small>
387<br>
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494	<div grid-col="3" grid-pad="1"><small>©&nbsp;
494 2011- 2026&nbsp; Julie Nymann
495</small>	<small></small><br>
496</div>
497	<div grid-col="6" grid-pad="1"></div>
498	<div grid-col="1" grid-pad="1"><small><a href="http://[email protected]" target="_blank">Connect</a></small></div>
499	<div grid-col="2" grid-pad="1"><small><a href="mailto:[email protected]" class="icon-link">︎</a> &nbsp;&nbsp; <a href="https://www.instagram.com/julienymann/" target="_blank" class="icon-link">︎</a> &nbsp;</small><small><a href="https://vimeo.com/julienymann" target="_blank" class="icon-link">︎</a></small></div>
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744  font-display: block;
745  font-family: "Monument Grotesk Mono";
746  src: url("https://type.cargo.site/files/CargoMonumentGroteskMono-Heavy.woff2") format("woff2"),
747    url("https://type.cargo.site/files/CargoMonumentGroteskMono-Heavy.woff") format("woff");
748  font-style: normal;
749  font-weight: 800;
750  unicode-range: U+0000-DFFF, U+F900-FFFD;
751}
752@font-face {
753  font-display: block;
754  font-family: "Monument Grotesk Mono";
755  src: url("https://type.cargo.site/files/CargoMonumentGroteskMono-HeavyItalic.woff2") format("woff2"),
756    url("https://type.cargo.site/files/CargoMonumentGroteskMono-HeavyItalic.woff") format("woff");
757  font-style: italic;
758  font-weight: 800;
759  unicode-range: U+0000-DFFF, U+F900-FFFD;
760}
761@font-face {
762  font-display: block;
763  font-family: "Monument Grotesk Mono";
764  src: url("https://type.cargo.site/files/CargoMonumentGroteskMono-Black.woff2") format("woff2"),
765    url("https://type.cargo.site/files/CargoMonumentGroteskMono-Black.woff") format("woff");
766  font-style: normal;
767  font-weight: 900;
768  unicode-range: U+0000-DFFF, U+F900-FFFD;
769}
770@font-face {
771  font-display: block;
772  font-family: "Monument Grotesk Mono";
773  src: url("https://type.cargo.site/files/CargoMonumentGroteskMono-BlackItalic.woff2") format("woff2"),
774    url("https://type.cargo.site/files/CargoMonumentGroteskMono-BlackItalic.woff") format("woff");
775  font-style: italic;
776  font-weight: 900;
777  unicode-range: U+0000-DFFF, U+F900-FFFD;
778}
779/*
780 * This CSS file has been generated and is served by Cargo Collective Inc
781 * and is authorized to be used on Cargo Collective Inc only.
782 *
783 * This CSS resource incorporates links to font software which is
784 * the valuable copyrighted property of Dinamo Typefaces. You may not
785 * attempt to copy, install, redistribute, convert, modify or reverse
786 * engineer this font software. Please contact Dinamo with any
787 * questions: https://abcdinamo.com/
788 */
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790  font-display: block;
791  font-family: "Diatype";
792  src: url("https://type.cargo.site/files/CargoDiatype-Thin.woff2") format("woff2"),
793    url("https://type.cargo.site/files/CargoDiatype-Thin.woff") format("woff");
794  font-style: normal;
795  font-weight: 200;
796  unicode-range: U+0000-DFFF, U+F900-FFFD;
797}
798@font-face {
799  font-display: block;
800  font-family: "Diatype";
801  src: url("https://type.cargo.site/files/CargoDiatype-ThinItalic.woff2") format("woff2"),
802    url("https://type.cargo.site/files/CargoDiatype-ThinItalic.woff") format("woff");
803  font-style: italic;
804  font-weight: 200;
805  unicode-range: U+0000-DFFF, U+F900-FFFD;
806}
807@font-face {
808  font-display: block;
809  font-family: "Diatype";
810  src: url("https://type.cargo.site/files/CargoDiatype-Light.woff2") format("woff2"),
811    url("https://type.cargo.site/files/CargoDiatype-Light.woff") format("woff");
812  font-style: normal;
813  font-weight: 300;
814  unicode-range: U+0000-DFFF, U+F900-FFFD;
815}
816@font-face {
817  font-display: block;
818  font-family: "Diatype";
819  src: url("https://type.cargo.site/files/CargoDiatype-LightItalic.woff2") format("woff2"),
820    url("https://type.cargo.site/files/CargoDiatype-LightItalic.woff") format("woff");
821  font-style: italic;
822  font-weight: 300;
823  unicode-range: U+0000-DFFF, U+F900-FFFD;
824}
825@font-face {
826  font-display: block;
827  font-family: "Diatype";
828  src: url("https://type.cargo.site/files/CargoDiatype-Regular.woff2") format("woff2"),
829    url("https://type.cargo.site/files/CargoDiatype-Regular.woff") format("woff");
830  font-style: normal;
831  font-weight: 400;
832  unicode-range: U+0000-DFFF, U+F900-FFFD;
833}
834@font-face {
835  font-display: block;
836  font-family: "Diatype";
837  src: url("https://type.cargo.site/files/CargoDiatype-RegularItalic.woff2") format("woff2"),
838    url("https://type.cargo.site/files/CargoDiatype-RegularItalic.woff") format("woff");
839  font-style: italic;
840  font-weight: 400;
841  unicode-range: U+0000-DFFF, U+F900-FFFD;
842}
843@font-face {
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845  font-family: "Diatype";
846  src: url("https://type.cargo.site/files/CargoDiatype-Medium.woff2") format("woff2"),
847    url("https://type.cargo.site/files/CargoDiatype-Medium.woff") format("woff");
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849  font-weight: 500;
850  unicode-range: U+0000-DFFF, U+F900-FFFD;
851}
852@font-face {
853  font-display: block;
854  font-family: "Diatype";
855  src: url("https://type.cargo.site/files/CargoDiatype-MediumItalic.woff2") format("woff2"),
856    url("https://type.cargo.site/files/CargoDiatype-MediumItalic.woff") format("woff");
857  font-style: italic;
858  font-weight: 500;
859  unicode-range: U+0000-DFFF, U+F900-FFFD;
860}
861@font-face {
862  font-display: block;
863  font-family: "Diatype";
864  src: url("https://type.cargo.site/files/CargoDiatype-Bold.woff2") format("woff2"),
865    url("https://type.cargo.site/files/CargoDiatype-Bold.woff") format("woff");
866  font-style: normal;
867  font-weight: 700;
868  unicode-range: U+0000-DFFF, U+F900-FFFD;
869}
870@font-face {
871  font-display: block;
872  font-family: "Diatype";
873  src: url("https://type.cargo.site/files/CargoDiatype-BoldItalic.woff2") format("woff2"),
874    url("https://type.cargo.site/files/CargoDiatype-BoldItalic.woff") format("woff");
875  font-style: italic;
876  font-weight: 700;
877  unicode-range: U+0000-DFFF, U+F900-FFFD;
878}
879</style>
880	</body>
881</html>

Line numbers count LF bytes from the start of the resource, as the search results do. Vendor segments are library code the classifier recognised; they are stored but not indexed. Bytes are shown as Latin1 characters, one per byte.