https://outsidedevelopment.com/document-01/synopsis/

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41<div class='top'><h1><a href="/" title="Outside Development" class="main"><strong>OUTSIDE DEVELOPMENT</strong></a><br />
42<u></u><br />
43<u></u></h1></div>
44<ul class='section active_section' id='section_2'>
45<li><span id='section_title_2' class='section_title'><a href='https://outsidedevelopment.com/document-01/' id='section_link_2'>Document 01</a></span>
46<ul>
47<li id='exhibit_6' class='exhibit_title active'><a href='https://outsidedevelopment.com/document-01/synopsis/'>SYNOPSIS</a></li>
48<li id='exhibit_7' class='exhibit_title'><a href='https://outsidedevelopment.com/document-01/take-it-over-easy/'>Take it over easy</a></li>
49<li id='exhibit_8' class='exhibit_title'><a href='https://outsidedevelopment.com/document-01/mic-check-1-2-3/'>Mic check 1, 2, 3</a></li>
50<li id='exhibit_9' class='exhibit_title'><a href='https://outsidedevelopment.com/document-01/tabula-rasa-more-or-less/'>Tabula rasa more or less</a></li>
51<li id='exhibit_10' class='exhibit_title'><a href='https://outsidedevelopment.com/document-01/they-came-together/'>Baths of Baltimore</a></li>
52</ul>
53</li>
54</ul>
55<ul class='section' id='section_4'>
56<li id='section_title_4'><span id='section_link_4' class='section_title'>Document 02</span>
57<ul>
58<li id='exhibit_27' class='exhibit_title'><a href='https://outsidedevelopment.com/document-02/synopsis/'>SYNOPSIS</a></li>
59<li id='exhibit_24' class='exhibit_title'><a href='https://outsidedevelopment.com/document-02/painting-a-house/'>Painting a house</a></li>
60</ul>
61</li>
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63<ul class='section' id='section_6'>
64<li id='section_title_6'><span id='section_link_6' class='section_title'>Document 03</span>
65<ul>
66<li id='exhibit_30' class='exhibit_title'><a href='https://outsidedevelopment.com/document-03/introduction/'>INTRODUCTION</a></li>
67<li id='exhibit_34' class='exhibit_title'><a href='https://outsidedevelopment.com/document-03/land/'>Land</a></li>
68<li id='exhibit_35' class='exhibit_title'><a href='https://outsidedevelopment.com/document-03/labor/'>Labor</a></li>
69<li id='exhibit_36' class='exhibit_title'><a href='https://outsidedevelopment.com/document-03/building-knowledge/'>Knowledge</a></li>
70<li id='exhibit_37' class='exhibit_title'><a href='https://outsidedevelopment.com/document-03/emergent-urban-form/'>Form</a></li>
71<li id='exhibit_38' class='exhibit_title'><a href='https://outsidedevelopment.com/document-03/scenarios/'>Scenarios</a></li>
72<li id='exhibit_40' class='exhibit_title'><a href='https://outsidedevelopment.com/document-03/portraits-of-san-ysidro/'>Portraits</a></li>
73</ul>
74</li>
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76<ul class='section' id='section_5'>
77<li id='section_title_5'><span id='section_link_5' class='section_title'>Exhibition A</span>
78<ul>
79<li id='exhibit_28' class='exhibit_title'><a href='https://outsidedevelopment.com/exhibition-a/context/'>CONTEXT</a></li>
80<li id='exhibit_29' class='exhibit_title'><a href='https://outsidedevelopment.com/exhibition-a/face-value/'>Face Value</a></li>
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84<ul class='section' id='section_11'>
85<li id='section_title_11'><span id='section_link_11' class='section_title'>Exhibition B</span>
86<ul>
87<li id='exhibit_43' class='exhibit_title'><a href='https://outsidedevelopment.com/exhibition-b/introduction/'>Confronting Carbon Form</a></li>
88<li id='exhibit_49' class='exhibit_title'><a href='https://outsidedevelopment.com/exhibition-b/timelines-of-rupture/'>Timelines of Rupture</a></li>
89<li id='exhibit_45' class='exhibit_title'><a href='https://outsidedevelopment.com/exhibition-b/urban-archetypes-of-carbon-form/'>Urban Archetypes</a></li>
90<li id='exhibit_46' class='exhibit_title'><a href='https://outsidedevelopment.com/exhibition-b/spatial-concepts-of-carbon-form/'>Spatial Concepts</a></li>
91<li id='exhibit_48' class='exhibit_title'><a href='https://outsidedevelopment.com/exhibition-b/form-pattern-rule-elements-of-territorial-carbon/'>Elements of Territorial Carbon</a></li>
92<li id='exhibit_50' class='exhibit_title'><a href='https://outsidedevelopment.com/exhibition-b/types-and-histories/'>Types and Histories</a></li>
93<li id='exhibit_47' class='exhibit_title'><a href='https://outsidedevelopment.com/exhibition-b/smooth-space/'>Smooth Space</a></li>
94<li id='exhibit_51' class='exhibit_title'><a href='https://outsidedevelopment.com/exhibition-b/embodied-space/'>Embodied Space</a></li>
95</ul>
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99<li><span id='section_title_9' class='section_title'><a href='https://outsidedevelopment.com/-/' id='section_link_9'>      </a></span>
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108<p><a href="https://outsidedevelopment.com/about/">About</a></p></div>
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119<p><em>Outside Development</em> interjects architecture as we know it into situations unknown, making  propositions for an indelible present while observing its patient but inevitable evolution. We recognize that architecture is a plastic medium that stretches and reacts to present realities. Therefore, architecture as we know it is not necessarily what we know, but a process that is contingent upon engagement with the inscrutable present as it happens. The following projects by <em>Outside Development</em> are a way of coping with our anxiety over our present age of unprecedented socioeconomic disparity. Architecture, drawing from both economic and material resources, is naturally obliged to represent the interests of the wealthiest individuals and corporate identities. And yet the medium of architecture can be in and of itself a disinterested mechanism and therefore, it can and should be freely exchanged through intellectual discourse to reveal what the market cannot. Nevertheless the anxieties caused by all that society is and all that architecture has become is fuel for our architecture, now. The following projects by <em>Outside Development</em> attest.</p>
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